On Palm Sunday a concert with the subtitle Nova et Vetera opened the 28th Easter Festival of Sacred Music with the theme Ceremony/It is Good to Celebrate the Lord. Aside from Gregorian Chant for Holy Week performed by the ensemble Schola Gregoriana Pragensis, which opened yesterday’s concert, there was also the world premiere of So Shall He Descend by the Estonian composer Toivo Tulev as performed by the soprano Ivana Rusko, the mezzosoprano Bettina Schneebeli, tenor Jaroslav Březina, baritone Jiří Hájek, choristers Aneta Bendová Podracka, Jana Vondrů and Pavla Radostová, the choir Ars Brunensis under choirmaster Dan Kalousek and the Brno Philharmonic under the baton of its principal conductor Denis Russell Davies. The work was written to a commission from the festival and was intended for the Cathedral of St. Peter and Paul.
This year, the JazzFestBrno festival has expanded its offer to include an "electronic" programme line named Tension. Within that series, the bands Zabelov Group and HRTL Spaghetti Ensemble appeared in the Praha space in Brno on 28 March. However, the two-hour concert, which took place on 5 April in the sold-out Sono Centre, was also ideologically close to this new series. The Manchester-based trio GoGo Penguin perhaps uses an instrumental layout of a jazz piano trio vetted by decades, but still oscillates around electronic music as a starting point in its albums and concerts.
Even though the audience's attention is generally focused on music ensembles that have already been vetted by time, yesterday's concert of the newly formed Camerata Brunensis ensemble in the Historical Hall of the Brno Bishop's Court proved that even young blood can offer a remarkable artistic experience. The concert was programmed in cooperation with the Moravian Regional Museum and the Academy of Early Music at Masaryk University, which the Camerata Brunensis‘ artists attend. The ensemble consists of soprano Veronika Vojířová, who performed for example with ensembles like Collegium Marianum, Collegium Floreum, Capella Regia Prague or Cappella Mariana, and the flutist Michaela Durajová, who could be listened to by audiences with the Orchestral Academy of the Brno Philharmonic, the Moravian Philharmonic Olomouc, the Czech Virtuosi orchestra or with the Prague Philharmonic Orchestra. Also, the double bassist and violonist Matyáš Berdych regularly appears with important music ensembles such as Musica Florea, Collegium Marianum and Czech Ensemble Baroque. The backbone of the ensemble is formed by the harpsichordist Jan Hajič, who works as a répétiteur for the Prague choir Vagantes, accompanies concerts and master classes at the Prague Conservatory, and works as a backup organist at the Prague Academic Parish under the guidance of Robert Hugo.
Yesterday’s concert from the Principal Conductor’s series of the Brno Philharmonic presented Yumi Hwang-Williams, concertmaster of the Colorado Symphonic Orchestra, in an intimately conceived programme. Together with the principal conductor of the Brno philharmonic, Dennis Russel Davies, she performed several classical and contemporary works composed for violin and piano. In this, the Brno audience had a chance to see the soloist before she plays tomorrow together with the Brno Philharmonic.
The piano recital by the chief conductor of the Brno Philharmonic Denis Russell Davies and his wife the pianist Maki Namekawa yesterday in Besední dům offered three works by three significant figures from American minimalism. The concert included minimalist works by Steve Reich in the shape of Piano Phase, the composition Hallelujah Junction by John Adams and Four Movements for Two Pianos by Philip Glass.
Evenings of the cycle named Music Stocktaking of the Brno-based orchestra Ensemble Opera Diversa regularly bring to light various half-forgotten works by Czech composers. This Tuesday's concert in the concert hall of the Convent of Merciful Brother [Konvent Milosrdných bratří] became a commemorative tribute to the anniversary of the tragic years 1939 and 1969. Violinist Milan Paľa and pianists Kristýna Znamenáčková and Lucie Pokorná performed alongside the orchestra. The performance was conducted by the permanent conductor of the orchestra Gabriela Tardonová.
In the hall of Blahoslav House (the centre for the Evangelical Church of the Czech Brethren) yesterday evening there were performances of religious works from the late Renaissance and the early Baroque by the chamber choir Ensemble Versus and the period instruments ensemble Castello in Aria. Both bodies were conducted by the artistic director Vladimír Maňas. In yesterday’s programme there were both proven works and unknown ones by rarely performed European composers.
Yesterday Brno City Theatre gave the European premiere of the musical The Last Ship, written by the world-famous musician Sting. It is a mixture of his wonderful music drawn from British folk, a successfully and honestly told tale and also a strong acting performance, which should guarantee the production’s successful voyage to the audience.
The latest opera production of the National Theatre in Brno is Don Carlos by the composer Giuseppe Verdi and the poet Friedrich Schiller. This work, directed by the director of this institution, Martin Glaser, had its premiere on Saturday 2 February 2019 in the Janáček Theatre. The stage set was designed by Pavel Borák and the costumes by Markéta Sládečková-Oslzlá. Lighting was the responsibility of Martin Špetlík. The performance was conducted by Jaroslav Kyzlink, who also produced the performance with the choir and orchestra of the Janáček Opera of the National Theatre in Brno. The main roles were filled by Luciano Mastro as Don Carlos and Federico Sacchi as King Philip II, Carlos’ father; Jiří Brückler is the friend of the title character and the confidant of the king, Rodrigo, Marquis of Posa. Linda Ballová took the part of the young queen and madly infatuated Elisabeth of Valois; the figure of the vengeful Princess Eboli, who secretly loves the king’s son was played by Veronika Hajnová-Fialová. The intimidating inquisitor was played by Ondrej Mráz. Also appearing were Andrea Široká, Martina Mádlová, Zdeněk Nečas and David Szendiuch.
Yesterday in Besední dům classical music lovers had their very first chance to hear the new chief conductor of the Brno Philharmonic Dennis Russell Davies also in the role of piano soloist. Under Davies’ baton there was a performance of the Symphony in D major, Op. 23 by the Vamberk native Jan Václav Hugo Voříšek and the premiere of the orchestral arrangement of the chamber work by Antonín Dvořák Bagatelles, Op. 47 created by the chief conductor himself. Davies took his place at the piano to play the Piano Concerto No. 24 in C minor by Wolfgang Amadeus Mozart. The chief conductor will also be performing as soloist in two upcoming recitals, playing for example works by Steve Reich, John Adams and Philip Glass.
We can often hear the works of contemporary composers connected to Brno in the performances of local ensembles. But it is not usual for them to reach a wider audience, and in that fashion, a relatively inconspicuous recital dedicated to the works of Brno composers took place yesterday at the Brothers of Charity Convent. A much greater level of attention should be raised by the interpreter Milan Paľa. He had, in his own words “decided to do something for Moravian music” and create in the coming years several CD’s mapping the repertoire for violin or viola by composers connected to Moravia. The Cantus Moraviae project already has its first double CD, which was christened at yesterday’s concert.
A sold out Fléda Club. Shoulder to shoulder. And yet, in this huge crowd you meet six classmates from the grammar school you went to in the first half of the nineties and a colleague with whom you later studied journalism. The band Dunaj (“Danube”) has returned to the stage after twenty years and its hometown was of course one of their first important stops.
Usually, we associate concerts of classical music with the evening hours, formal attire and in some cases even a glass of wine. Last Saturday showed us that the morning hours are not any less good a time for a musical production. In the Crystal Room of the Old Town Hall, an hour before noon, a a performance of cello sonatas by Ludwig van Beethoven, Claude Debussy and Dmitri Shostakovich by the cellist Štěpán Filípek and the pianist Mark Pinzow took place. The concert was organised by the National Theatre Brno.
The main programme focus of this year’s Janáček Brno 2018 international festival is the performance of all of the composer’s musical-dramatic works. After the popular success of Káťa Kabanová and the precisely staged The Makropulos Affair yesterday it was the turn of the Polish ensemble Teatr Wielki from Poznan with a performance of Jenůfa, a work which, twelve years after its Brno premiere in 1904 opened the doors to the international musical scene to Leoš Janáček.
Many diverse and qualitatively varied opera performances were heard at the festival Janáček Brno 2018. Every now and then a production appears that divides Brno audiences into two irreconcilable camps, one overjoyed by the innovativeness, many non-musical references and bold direction, while the others lament the illogical symbolism, departures from the libretto, seeing it even as a slap in the face of the composer. The song cycle The Diary of One Who Disappeared from the Belgian ensemble Muziektheater Transparant as directed by Ivo van Hove and with compositional annotations by Annelies Van Parys is controversial in the true sense of the word. The scenographer Jan Versweyveld, the costume designer An D’Huys and the dramaturge Krystian Lada also took part in this new stage form. The solo roles were taken by Ed Lyon, Marie Hamard and Hugo Koolschijn, accompanied on the piano by Lada Valešová and the choral academy De Munt/La Monnaie also took part in the production. The Diary of One Who Disappeared was performed yesterday in the hall of the Mahen Theatre.
The Olomouc Baroque Festival has begun. In the local Jesuit Convent the seventh year of the festival opened with the modern premiere of the serenata Il tribunale di Giove by the Austrian composer Karl Ditters von Dittersdorf. The work was first performed at the birthday celebrations for the Prussian King Frederick the Great on 27 January 1775 and after a repeat in Wroclaw in 1777 it fell into oblivion. The Ensemble Damian decided to reverse this unfortunate fate, and led by the ensemble’s artistic director and director Tomáš Hanzlík they attempted to revive the work. Appearing in the solo roles were Leandro Lafont (Fate and Apollo), Kristýna Vylíčilová (the Genius of Europe and Minerva), Lucie Kaňková (Time and Fortune), Monika Jägerová (Jupiter) and Jakub Rousek (Mars). The costumes and backdrops were designed by the director Hanzlík.
The Slunce [Sun] Festival in Strážnice will be held for the twentieth time this year. Especially lovers of folk music and classical big beat have marked the dates of 12th and 13th July in their calendars. We talked to the director of the Slunce Festival Pavel Kopřiva about the history of the festival, its top moments and hardships, as well as what this year's festival season will be like.
The end of the first school-holiday week was carried in the spirit of celebrations. The 7th of July in fact falls on the birthday of Alena Veselá, a prominent Brno organist and a professor at the Janáček Academy of Music and Performing Arts (JAMU), who celebrated an impressive age of 96 years on that day. The concert, organised particularly for this jubilee, was also the final event of the 39th Brno Organ Festival and as a celebration of the birthday of its founder (and now patron of the whole show), it already has a strong position in the festival programme.
Last weekend, the 74th Strážnice International Folklore Festival 2019 as well as the 37th Strážnice Children's Folklore Festival were held in the South Moravian Mecca of folklore. The biggest folklore festival in the Czech Republic enjoys great interest and it wasn't any different this year either, despite tropical temperatures, with tens of thousands of people coming back to Strážnice again.
On the 100th anniversary of the birth of poet Jiří Orten, the company ProArt prepared a multi-genre project called Ohnice – Where the Wind Is Dancing in the former Brno penitentiary on Cejl Street. The poetic production with verses of the young poet, which reflected his hard and short life, was premiered on 25 June.
The twenty-fourth season of the Concentus Moraviae international music festival came to an end after almost a month of rich musical experiences. Musical works, thematically labelled as the Concert of Nations, guided the festival visitors around thirteen picturesque Moravian towns and gave them a taste of key musical works of (not only) European nations. All this was moreover served in the interpretation of more than twenty world-famous ensembles. With the conscious transnational, cross-border concept overreaching the Czech border, the festival organizers chose the Golden Hall of the renowned Musikverein Concert House as a suitable venue for the closing evening. The extraordinary finals of the 24th season opened thus a series of Concerts of Czech-Austrian Partnership and at the same time announced the celebration of the festival's quarter of a century to be celebrated next year. In accordance with this symbolic overture of the concert, the main star of the festival was the patron of the festival and famous singer Magdalena Kožená, accompanied by the no less famous Collegium 1704 orchestra led by Václav Luks.
One of the biggest promises of the 24th Concentus Moraviae international festival was yesterday’s concert of the legendary Borodin Quartet, whose unique sound is the result not only of hard work but also collaboration with the composer Dmitri Shostakovich. This personal and interpretive trail still influences the group and is passed on to each new member. The programme took place in the library of the castle in Náměšť nad Oslavou , where in the 18th and 19th centuries it was the residence music-loving Haugwitz family. The music of Sergei Prokofiev, Joseph Haydn and Dmitri Shostakovich could be heard by the audience in a venue that was more than merely dignified.
In the summer months Špilberk Castle’s courtyard often resounds to the sound of music. Until September it is possible to combine a tour of the castle with a cultural experience. The organizers have tried to prepare a programme across genres that has something for everyone. Yesterday it was the turn of folk music. Despite the adverse weather the stage was dominated by the Military Art Ensemble Ondráš.
The last premiere of the Brno opera season for the first time ever and rather unusually combined two works. The Janáček Theatre presented the surrealist opera Three Fragments of Juliette by Bohuslav Martinů along with the small opera work The Human Voice by Francis Poulenc. The composed evening, with direction and stage design by David Radok, brought together two almost absurd worlds. And this connection was indeed remarkable dramaturgically, visually but also interpretatively.
The Polish ensemble Szymanowski Quartet at the Concentus Moraviae Festival presented works by their compatriots Karol Szymanowski, Stanisław Moniuszko and Gražyna Bacewicz in the Church of Sts. Peter and Paul in Řeznovice yesterday. The concert was part of worldwide celebrations of the two-hundredth anniversary of birth of Stanisław Moniuszko, which is considered by many to be the founder of Polish national music. The evening was held under the auspices of the Ambassador of the Republic of Poland to the Czech Republic, HE Barbara Ćwioro.
Visitors to concerts meet quite often with quartet compositions written by masters of European music. Haydn's string quartets are perennial stars in the repertoire of a number of ensembles and attention is also paid to works of contemporary European composers. Only exceptionally, however, can listeners take a peek into the musical cuisine of Asian or South American nations. Cuarteto Q-Arte decided to fill this blank space and dedicated itself to the works of Latin American authors. The programme, which they presented yesterday at the chateau in Slavkov u Brna (Austerlitz), consisted of works by Silvestre Revueltas, Alberto Ginastera and Astor Piazzolla. All these three composers combine elements of domestic culture with European training and influences or impulses of different genres.
Why be one of the many average bands when we can be a unique band? The ten-year history of the Brno group Kupodivu could be squeezed into this motto. In 2009, saxophonist Jaroslav Pilný and keyboard player Petr Šašinka first talked about forming a band. In 2019, the band Kupodivu [Surprisingly Enough] is releasing its first full-length album. Exactly in the middle of this ten-year period, in 2014, an important change took place when the original folk band was transformed into an interesting shape with keyboards, saxophone and bass, but without a guitar. The line-up, which resembles rather jazz bands in recent years, has scored at a lot of folk festivals in recent years. Kupodivu won the Porta award for authors, the Rada Notování [Council of Notation] award, won the Moravský vrabec [Moravian Sparrow], and won second place at the Mohelnický dostavník [Mohelnice Stagecoach]. At all these venues they performed music that rather than campfires fits into city clubs, and by far not only folk ones. The album Živočišné pudy [Animal Instincts] summarizes the band's work so far in a dignified way, underlined by the quality sound from the Zlín Studio V.
The Jerusalem Quartet is one of the world's leading quartet performers for many years and is currently one of the most cited chamber music ensembles. At the Concentus Moraviae festival, violinists Alexander Pavlovsky, Sergei Bresler, violist Ori Kam and cellist Kyril Zlotnikov performed in the Great Chateau of Mikulov Castle with a programme stretching in time from Joseph Haydn up to Béla Bartók. The concert was held under the auspices of the Israeli Ambassador to the Czech Republic, HE Daniel Meron.
Man does not live by classical music alone, as the Epoque Quartet, consisting of violinists David Pokorný, Vladimír Klánský, violist Vladimír Kroupa and cellist Vít Petrášek has been convincing us for twenty years already. For their Saturday concert, staged as part of the Concentus Moraviae festival, which took place in the foyer of the Pasáž theatre in Třebíč, the musicians also invited bass clarinettist Petr Valášek, pianist Karel Košárek and percussionist Oleg Sokolov. The programme of the evening consisted entirely of works by contemporary authors flirting in their compositions not only with musical minimalism, but also with jazz and other popular genres.
Znojmo Music Festival enters its 15th season this year. The programme includes concerts, opera performances, gastronomy and a programme for children. The opening concert, performed by the patron of the festival Pavel Šporcl and the PKF - Prague Philharmonia under the baton of Derek Gleeson, is dedicated to the reminder of the fall of the Iron Curtain. The culmination of the festival is the premiere of the scenic oratorio Saul by G. F. Handel. The title roles will be performed by Andreas Scholl and Adam Plachetka. The show will be directed by Tomáš Pilař.
The 165th anniversary of the birth of Leoš Janáček falls on today, Wednesday 3 July 2019. Janáček is one of our opera composers most frequently played abroad. TIC Brno dedicated a tram to him for his birthday this year, with the main characters from his operas graphically rendered by Brno artist Vendulka Chalánková. Janáček also has his own website, an educational trail, a memorial and an opera festival.
The autumn program of the Fléda music club in Brno contains big names of the music world. The August visit of Jon Hopkins', who will appear at the Brno Marathon of Music festival is already at its imaginary beginning. The autumn season officially opens with a September dance party featuring GusGus from Iceland. This will be followed by concerts of Hooverphonic with a new singer, Jan Blomqvist & Band with their complete Disconnected project or the Berlin legend DJ Hell with his Zukunftmusic composition. Rockers De Staat will bring their novelty titled The Bubble Gum, Movits! their most hip-hop record so far – the double album V, Kadebostany in turn will bring their album Monumental. Last but not least, Vitalic with Rebeka Warrior will also be featured presenting their KCompromat project.
The album collects folklore tunes and songs from the Moravian meadows. After several years of work on the Anthology of Moravian Folk Music, the Indies Scope label decided to continue with a new series of folklore recordings called Malovaná truhla [Painted Chest]. One of them is the album Kosecké písně [Mowers' Songs]. The album features Kubíci dulcimer music band from Horňácko, Women's Choir of Hrubá Vrbka, Chotár male choir from Horňácko and others.
Traditionally, the beginning of the summer holidays is accompanied by the festival Boskovice – for the Jewish Quarter. This year's 27th edition will be launched by the Les Bubbey Mayse quartet from France, inspired by Klezmer and traditional Yiddish songs. The musical program also features concerts of bands such as Neurobeat, Khoiba, Kittchen & Aid Kid with Tomáš Neuwerth or Panenské plameny.
The Kamenka Open multi-genre festival will revive the meadow in the Kamenná kolonie neighbourhood in Brno for the tenth time already. This year's guests include Funky Pappa, Jamiroquai Tribute Band and Pleasure Portable. Theatres will be represented by the Hysterie Theatre, Koráb Theatre or the Bez Pravidel Theatre.