Tady To Máš: Krajina diamantov

6 December 2017, 1:00

Tady To Máš: Krajina diamantov

Since the album Sme len hostia na zemi (We Are Only Guests on the Earth) (2009) Tomáš Kytnar and his group Tady To Máš has brought out a new album every two years. In a time when U2 completes a disc three years after the previous one and reviewers think it is too soon, this can seem like overproduction, but that is nothing compared to Neil Young, who even into his seventies is providing his fans with more than an album a year … However frequency is a relative term, in this case linked to the fact that Kytnar – once a rock pianist, and today more in the genre blues-chanson – still has something to express in music. Some years back he came under the spell of Slovak as a very musical language, and so his albums, even though created in Brno in the circles around the Stará Pekárna club and the Indies studio, contain Slovak poetry put to music. At the same time the new album directly follows on from the previous title Srdiečka tiché (Quiet Heart) and is dedicated solely to the verse of the Bratislava native and wonderful poet of the city Erika Ondrejičky (*1964). Kytnar has drawn on his poetry over the long term – alongside both single-theme albums his poetry also found a place on the preceding recordings Vôňa rána (Fragrant Morning) (2011) and Krátkovlasá čembalistka (Short-haired Harpsichordist) (2013).

The works of Tomáš Kytnar and his group have a particular continuity. Although they bring out albums relatively quickly after each other, I have the feeling that musically they are reflective and in the long term they change their habits. If I had for example with the album Krátkovlasá čembalistka the feeling that the author had arrived at very tight, truly compact shape, in Srdiečka tiché (2015) this feeling was even stronger and in Krajina diamantov (Diamond Country) it is the most convincing of all. It is true that on a 50-minute canvas understandably they alternate rhythmic and ballad-like passages, each song with a different arrangement, they emerge and depart with the voices of the guests. But the album comes across as a single suite, in which everything fits together, small moments repeat or refer to each other (Kytnar is a composer with a characteristic style, reflecting his move from rock to contemporary above-genre with a recognisable dose of blues). A hit, in the sense that some songs would stand out over the others and “sell” the album, is something you won’t find here. Which of course does not mean that the disc would be lacking more significant passages. For some such a “catchy moment” can be the guest appearance by Tomáš Kočko (by no means the first in the history of Tady To Máš) in Jarná pieseň (Spring Song). For the culmination will be the ballad-like Cinque stagioni della musa with its faint signs of blues and the excellent flute of Jan Kyncl. And if you pay attention to the very end, then you can find your diamond in the rhythmically interesting Váha rovnováhy (Value of Balance).

The form of a suite does not apply only to the album as a whole but also to individual songs. This is clear with the longest composition on the album Pred búrkou pri Búroch, the events of which are framed by the sound of storms and the mood of which is strengthened not only by the narration of the singer Tomáš Frgala, but also by Kyncl’s well-arranged flute and especially the changing role of Kytnar’s piano. Concerning the piano as an instrument, played by the band’s leader and the composer of the music, I don’t think it has fundamentally changed from one album to the next. Rather it has remained Tomáš’ known style, which involves passing the melodic role mainly to the wind instruments and male and female vocals, while the piano handles the harmonies and to a great extent also the rhythms. Only while in the case of some of the older recordings with his keyboards Kytnar almost supplemented the bass, in the group’s current incarnation he leaves sufficient space for the rhythms to Lukáš Kytnar (drums) + Mojmír Sabolovič (bass guitar). The guys are well-matched, recently working together in the increasingly successful group Band of Heysek, and their relatively hard but at the same time sensitive rhythms are a great fit for the album, especially in the faster passages.

Tomáš Kytnar has his own vision of the world, to which corresponds not only his preference for Slovak over Czech (and why not? Some swear by English lyrics, while for someone else the best language to put to music is that of Ondrejičky), but also to the structure of his compositions and the expansiveness of the arrangements. His music does not lack for a tinge of blues or rock energy, but it is not easily digested at first hearing. You have to immerse yourself in Krajina diamantov to discover the true value of all its jewels. Unfortunately the group makes things harder for new listeners in that some passages in the lyrics are hard to understand (sadly even in the fundamental Váha rovnováhy), but fortunately the graphically well-presented booklet contains the words of all the poems/songs. Some even with an English translation.

Tady To Máš: Váha rovnováhy; Released by Tomáš Kytnar 2017, 10 songs, total length 50:42

Comments

Reply

No comment added yet..

The last opera première of the National Theatre Brno this year was Hurvínek Sells the Bride, which was co-produced with the Spejbl and Hurvínek Theatre. The première continued the thematic focus associated with the Year of Czech Music and took place on 24 November in the large hall of the Reduta Theatre.  more

With Thursday's concert entitled Bruckneriana, the Brno Philharmonic under the direction of Principal Conductor Dennis Russell Davies launched the subscription series Philharmonia in the Theatre I. The orchestra performed works by Anton Bruckner and Stanislaw Skrowaczewski, a Polish-American conductor and composer who devoted his life's work to Bruckner. Performers wearing crimson sashes with the inscription "Playing forte!” appeared in front of the audience, joining the "Let's not let culture die” initiative, which draws attention to the underfunding of culture and opposes the government's plan to invest just 0.64% of the state budget into culture next year, moving further and further away from its promise to spend at least 1%.  more

The Brno Philharmonic Orchestra has been running the Orchestral Academy of the Brno Philharmonic (OAFB) project for nine seasons, enabling young talented musicians to gain orchestral experience in a professional ensemble. In this manner, the orchestra educates the next generation of musicians, both permanent and external. However, working here also gives young people the opportunity to show their skills in chamber music and in a concert series called Young Blood aka Music Up Close. The first seasonal concert took place on Wednesday 15 November at Besední dom.  more

Baladas da Luta, Fighting Ballads, is the title of the sixth album by Brazilian singer Mariana Da Cruz and her Swiss-Brazilian band Da Cruz. It is a combination of modern music that combines Latin American tradition and contemporary electronic elements with strong lyrics. In them, the author fights for women’s rights, stands up against dictatorships and specifically criticizes the atmosphere that has evolved in Brazil under the now former authoritarian President Bolsonaro. Da Cruz performed at Brasil Fest Brno in August 2023. We revisit this festival with an interview conducted following their concert at Zelný trh. Singer Mariana Da Cruz and keyboard player and producer Ane Hebeisn, performing as Ane H, responded to our questions.  more

The programme for Janáček Brno 2024, an international opera and music festival now in its 9th year, was unveiled at a concert held to mark this occasion entitled Janáček to the start! On Saturday, 4 November, the Mahen Theatre was filled not only with devoted fans of the festival, but also with foreign journalists, politicians and prominent figures from the world of culture. In addition to a collection of wonderful musical performances, the audience was also treated to a lineup of renowned artists – Kateřina Kněžíková (soprano), Václava Krejčí Housková (mezzo-soprano), Josef Špaček (violin) and, last but not least, Robert Kružík, who took on the role of both conductor leading the Orchestra of the Janáček Opera at the National Theatre Brno during the evening and also performing as a cellist.  more

The musical comedy The Addams Family is the latest production to hit the stage of the Music Theatre of Brno City Theatre. Audiences are in for an ironic, slightly morbid and enticingly horrific spectacle for the whole family. A musical production has been crafted here which serves up a famous contemporary pop culture phenomenon, as well as a generous helping of hyperbole and catchy melodies to boot. And testament to the audience’s hunger for this wacky family is the fact that all thirty performances are already nearly sold out…  more

The Ensemble Versus choir, accompanied by the Ensemble Opera Diversa under the baton of Gabriela Tardonová, demonstrated what a combination of historical and modern instruments sounds like within a contemporary musical context in the Red Church. The dramaturgical line of Tuesday evening was presented in the spirit of a combination of the works of Carlo Gesualdo da Venosa (1566-1613) and the world premiere of Exsultet by the principal composer Ondřej Kyas (*1979), which also includes parts written for cornett (Radovan Vašina), dulcian (Jan Klimeš), trombone (Pavel Novotný) and theorbo (Marek Kubát).  more

The second New World of Moravian Autumn festival began on Thursday in Brno’s Besední dům. This project, by students of the Faculty of Music at the Janáček Academy of Performing Arts, was primarily originally created for the practical musical programming course and intended to be a one-off event during the Moravian Autumn the year before last. Subsequently, however, more students signed up and started working on a repeat festival. The dramaturgy for New World 2023 was handled by percussionists Adéla Spurná and David Paša, bassoonists Aneta Kubů and Josef Paik, and multimedia composer Martin Janda. Three concerts were prepared for 19, 20 and 21 October for this mini festival.  more

The Restlessness of Icelandic Peace was the name of a concert on 15 October at the Cathedral of Saints Peter and Paul in Brno, at which conductor Chuhei Iwasaki with the Moravia Brass Band and American artist Adam Wiltzie performed a work by Icelandic composer Jóhann Jóhannsson (1969-2018). Many of you may know his music from the award-winning films The Theory of Everything and Arrivalmore

The third concert of the Moravian Autumn Festival, held under the auspices of the Ambassadors of Latvia and Lithuania, Elita Kuzma and Laimonas Talat-Kelpša, presented mostly contemporary works by foreign composers on Wednesday 4 October at the Besední dům. The show was directed by the Kremerata Baltica string orchestra, who invited the young talented pianist Onutė Gražinytė to join them, and the whole evening primarily rode on a wave of minimalism. However, during the preparation of the concert, the programme was changed and instead of Geörgy Ligeti's String Quartet No.1 "Métamorphoses nocturnes", works by Jēkabs Jančevskis and Olli Mustonen were performed in their place.  more

The Ensemble Opera Diversa has already presented several compositions by David Matthews (*1943) to Brno audiences, and in most cases these were Czech or even world premieres. This year Matthews’ 80th birthday was celebrated with a performance by the above-mentioned ensemble, or rather its chamber branch Diversa Quartet, headed by dramaturge Jiří Čevela, with a concert on 20 September at the Villa Löw-Beer. The programme, consisting of works by composers closely associated with David Matthews himself, including his own compositions, was preceded by an hour-long discussion in the presence of the composer. Matthews is a British-born composer with long-standing ties to the Brno circle of composers and musicologists. In addition to his participation in the so-called "apartment seminars" in the 1980s, he also is friends with several personalities such as composer, pedagogue and oboist Pavel Zemek Novák (*1957).  more

Trains as a symbol of departure, arrival and return were the main theme of the second edition of the International Festival of Jewish Culture ŠTETL FEST, which took place at the end of August and beginning of September. The four-day program combined the historical events of Jewish citizens taken from Brno to concentration camps during World War II with the modern stories of Ukrainians who fled to the city from the war in their country. To commemorate these events, the Memorial to the Disappeared was unveiled at the opening of the festival at Brno's main railway station and visitors can see the exhibition entitled Stories from Ukraine in various Brno locations until the end of September. The final concert directed by the Škampa Quartet under the title Trains, held on Sunday 3 September at the Besední dům, was a meaningful end to the festival, during which the question of leaving and returning was musically and historically reinforced.  more

The Brno-based singer-songwriter Yana recorded her first album Journey of the Soul in Dublin, Ireland, and invited a number of top Irish musicians to join her in the studio.  more

The international group Ensemble Fantasmi, which focuses on older music and was founded by flautist Paul Leenhouts, performed in Olomouc, at the Znojmo Music Festival and also visited Brno during a small European tour. The group presented themselves to the audience on Monday 24 July at Červeny kostel, where they, along with the invited singers prepared vocal-instrumental works by Czech Baroque composers. The reviewed concert in the Hall of Merciful Brothers on 25 July, which was also the last night of the tour, was in the same spirit. Its subheading Musica Bohemica pointed to a varied programme consisting of instrumental works by Czech composers of the Baroque and Classical periods.  more

The trilogy of lute concerts at the chateau within the Concentus Moraviae International Music Festival concluded on the evening of Sunday, 18 June. Once again, the audience at the Ceremonial Hall of the Rájec nad Svitavou Castle saw performances by Ryosuke Sakamoto on the Renaissance lute and David Bergmüller on the Baroque lute. Both prepared their own recital for the audience, dedicated to the given historical period, finally joining their artistry at the end of the concert. There was also a slight change in the program of the Renaissance block, which was more than welcome given the expansion of the repertoire and the offer of interesting - often lesser-known - lute pieces.  more

Editorial

The concert entitled "In between genres" is the culmination of a three-day event celebrating 100 years of radio broadcasting in Moravia. The whole event includes genre-free concerts, a showcase of new music recordings from radio production and a colloquium dealing with folk songs in radio broadcasting, and last but not least, a commemoration of editor Jaromír Nečas and his radio venture - a series of programmes called The Colourful Singing World. The final concert is moderated by Břetislav Rychlík and Jiří Plocek.  more

Mahan Esfahani, an absolute world leader in harpsichord playing, is coming to Brno. He was the first and only harpsichordist in the world to win the BBC's New Generation Artist in 2008-2010 and has won countless prestigious music awards. He will perform with the Brno Philharmonic Orchestra in a programme entitled Mahan Esfahani: harpsichord in the main role.  more

Years of international cooperation between the cities of Brno and Stuttgart will culminate in one musical event - a joint concert in the Hall of the Brothers of Charity. Rossini's Petite Messe Solennelle will be performed by the Ökumenischer Choir.  more

The fourth instalment of the Invisible City series is entitled Ministry of Truth - based on George Orwell's novel 1984, which deals with the manipulation of the past. This time the Bruno Contemporary Orchestra will play in the former headquarters of the Communist Party of Czechoslovakia. The world premiere will feature, for example, Jiří Adámek Austerlitz’s composition We Are The Powermore

The Brno women’s choir Gloria Brunensis regularly represents its city and the Czech Republic at international competitions. It is bringing home not only the golden diploma in the Women’s and Men’s Choirs category, but also the grand prix - the Golden Lyre for the best choir of the Varsovia Cantat competition in Poland.  more

Davies- Skrowaczewski - Bruckner. Three musical personalities will meet in the upcoming program of the Brno Philharmonic under the name Bruckneriana. The concerts will take place on Thursday and Friday at the Janáček Theatre.  more

Due to the sudden illness of Joachim Bäckström, the actor in the title role, today’s and Sunday’s (17 and 19 November 2023) performances of Peter Grimes are cancelled.  more

The Brno Cultural Newsletter brings you an overview of events and opportunities in the coming period with regards to theatres, clubs, festivals and cultural events in Brno.  more

The Janáček Opera Choir is looking for a new member for the BAS voice branch. Auditions will take place on 1 December 2023.  more

On Friday, three Christmas trees in the centre of Brno will have their lights switched on. The first of which will be the Tree of the Republic on náměstí Svobody, which has been going on there for 99 years. The opening ceremony will be accompanied by wall-dancing and acrobats on stilts. The programme during Christmas in Brno will offer more than 200 concerts over 30 days in all the city’s squares. Performers include the Gustav Brom Radio Big Band, Hana Holišová and the New Time Orchestra, Igor Orozovič & Company and others.  more