Concerts in the new season 2019/2020 are promising a varied range of genres. For example, Vlasta Redl, who will start the season, will perform as part of the musical evenings at the Brno National Theater. He will be followed by Vladimír Mišík & ETC, Věra Martinová, Anna K., Petr Bende, Bára Zmeková and many others.
Workshop on the topic of How to make a living in music in 2020 will be held in cooperation with the label Future Archive Recordings. Artists and music professionals from abroad will come to Brno to share their experience in the music industry. The workshop is in English and is free of charge upon registration.
This year's Blues Rock Fest will feature as many as five music evenings at the Metro Music Bar in Brno. Matěj Ptaszek and Jan St. Johnny Stehlík, who together will present their new CD dedicated to the fiftieth anniversary of the legendary Woodstock festival. Also featured will be Lord Bishop Rocks from the USA and Tom Jegr Gang, Julian Sas Band, Pump and Charlie The Bomber. The conclusion of the festival will belong to Hoochie Coochie Band, who will celebrate their quarter of a century on the music scene.
Brno Radio will open an exhibition tomorrow to mark its 95th anniversary of regular broadcasting. The exhibition features the voices of Oldřich Nový, Karel Absolon and Jiří Mahen falling from a special sound shower. There will also be a radio receiver, which was made ninety years ago by Brno airport staff for their director. The exhibition starts today 6 September.
The Icelandic band GusGus will start the autumn season at Fléda. It will be followed by a concert of the Ukrainian rapper Alyona Alyona. New albums will be presented in Brno by Hooverphonic, Jan Blomqvist Band, De Staat, Movits! and Kadebostany. The highlight of the autumn dramaturgy will be a performance by Vitalic with their new project Kompromat.
Summer courses of the Guitar Institute are coming up soon – a five-day series of lessons, workshops and outdoor concerts in Brno cafés and clubs. This year's lecturers include Klára Hemplová, David Pšenčík and Gabriel Červeňák. During the courses, participants can choose among genres such as rock & heavy, jazz-blues, pop-folk (acoustic guitar), flamenco or classical music.
For four days, the centre of Brno turned into a vibrant metropolis full of music of many genres that were heard virtually everywhere. Brno reaffirmed during this extended weekend that it deserves to be a UNESCO City of Music. Most of the productions were free of charge, the paid ones were sold out and even the shows were added. The attendance estimated by the organizer is 35 thousand people. It was played in the squares, in the streets, on the balconies, but also in the underground, in the town hall, in the arcade or in the churches. This year's specials were concerts in four street rooms by the artist Kateřina Šedá.
Four days of August, twenty-two music stages, dozens of concerts and performances, hundreds of performers and thousands of spectators. All this is promised by the Brno Music Marathon 2019 international festival, which will burst out in just a week, on 8 August 2019. Concerts in the streets and squares will be accessible for free, featuring among others Jana Kirschner, Khoiba, Motionhouse and NoFit State Circus, Monika Bagárová, Jan P. Muchow & The Antagonists, Progres 2, Žamboši or Pacora Trio with Denisa Kopačková. Buskers will play in dwelling rooms on the streets, barrel organ players will appear as part of their 10th international meeting. DJ Jon Hopkins, known for his cooperation with Coldplay, will also come to Brno. Cirk La Putyka and Pokáč are coming, and Lázně Rašínova [Rašínova Spa] will be occupied by opera singers and synchronised swimming. Music will sound also in the underground, in a mall, in churches, in a hotel or in the Town Hall.
The 27th annual session of the Beseda u Bigbítu [Debate over Bigbeat] will take place traditionally in Tasov near Veselí nad Moravou. The festival represents the independent music scene and hosts bands from all over the world. Among the most eagerly anticipated groups this year are International Teachers of Pop from the UK, The Kill Devil Hills from Australia and Algiers from Atlanta.
As a UNESCO-listed city of music, Brno has had four festival days full of music and dance. Tens of concerts and performances with hundreds of performers took place at twenty-two music venues. Music in the streets sounded on every corner, but most attention this year was attracted by four rooms by the artist Kateřina Šedá, in which artists of different genres and nationalities took turns. Another attraction was the performances of the British Motionhouse and No Fit State Circus, who repeatedly enchanted the Náměstí Svobody Square with their acrobatic pieces and breathtaking performances. Two large stages were also set up – Dominik Stage on Dominikánské Square and Django Stage on Malinovského Square, on which appeared artists such as Jana Kirschner, Monika Bagárová, minus123minutes or Jan P. Muchow & The Antagonists. Traditionally, the festival was accompanied by the sound of barrel organs whose players met in Brno as part of their 10th international meeting. This year, singer and multi-instrumentalist Tinatin Tsereteli (Hannover) and violinist Nicola Manzan (Bologna) as artists from UNESCO partner cities of music also premiered at the Brno Music Marathon. The atmosphere of the festival is captured in the video below.
A farewell was bidden to a great figure of Moravian culture took place in the Basilica of Old Brno on Thursday 30 May at 11 a.m. Not that culture that flows around us every day in magazines and the media, but culture called independent, alternative, underground, and in the person of the deceased, moreover interwoven with spiritual radicalism and Christian tradition. Jaroslav Erik Frič died aged 69 years on 24 May 2019 after a severe illness, but mentally active until his last days.
The Brno group Hrozně slowly approach forty years of age – they started to give concerts in 1982. After several cassettes and unofficial recordings, they released a CD with their debut album Už není čas [There Is No Time Left] in 2013. Their new album named Ticho [Silence], which the band was working on over the last two years in the Indies studio, brings a surprise with its cleaner sound and clearly audible tension in the structure of the songs.
Over the four years that divide the release of the first album Záhir, and the second one entitled O Písni [About the Song], Lee Band virtually moved on (previously they stated Adamov as their domicile, now it is Jedovnice), they got on a "wild card" to the Porta festival semifinals in Řevnice, and above all, they advanced slightly in their musical style. While the debut album was more about a folk-rock mainstream, benefiting from the sound of an electric guitar, the new album is dominated by acoustic guitars, often in combination with mandolin and other acoustic instruments.
The Brno singer and artist Dáša Ubrová has sung with a group, performs with a big-band and is close to chanson, jazz and rock. Her album, named simply after her, is important to her and not only because it is her solo debut. It is the first time she has written all the lyrics herself. The music is mainly created by her “court co-workers” and album producers, the pianist Vojtěch Svatoš and the guitarist Pavel Šmíd.
In the course of four days the Brno Music Marathon offered some 150 concerts with more than 500 participants. The festival brought together local artists and guests from abroad. The Jazz Evening in the Sono Centre opened with Brno’s Marek Kotača Trio, followed by Yaron Herman from Israel and Kenny Garrett from the USA, while on the stage at Špilberk Castle the local hip-hop legends Chaozz and the crossover and world music Dog Eat Dog got the audience moving. The Adicts from England together with the Prague group The Fialky took care of the rock evening at Fléda, while in the Sono Centre it was the Dutch Physical Graffiti paying tribute to Led Zeppelin. Brno was full of rock, with the British alt-J also performing on Sunday evening.
Brno songwriter Michal “cosmonaut” Šimíček has long been seen as a man who knows how to write poetic, often multi-layered lyrics and link them with interesting music. Even the first album of his band Nevermore & Kosmonaut was for me was like a conceptual project. Although the songs lacked direct continuity in small details, lyrics and music, it was as if they were related to each other. In terms of novelty however Bleděmodré město (Pale Blue City) takes the band much further. This time it is a thematically sandwiched whole, dedicated to the city of Brno, worked out down to the last detail. “This conceptual album is our response to the current trend, where it has become a habit to do a single with a video and listen to the songs piecemeal, without order,” explains Šimíček in the album booklet, and this booklet is an integral part of this project and “story”.
Pavel Koudelka, former drummer with the bands Dunaj, Z kopce, Krutnava and Mňága a Žďorp, recently became a member of two new groups. One of them is the drumming duo Zesilovači with Pavel Fajt and the second is Kucharski. In this group he works with musicians known from the Třebíč group FruFru – the vocalist Václav Bartoš, guitarist Vladimír Dudek and bass guitarist Adam Kotrba – and with the keyboard player Víťa Košíček. Kucharski will be giving their first concert on Thursday 17 May in Brno at the Stará Pekárna.
“The history of the band Gazdina roba goes back to the 1990’s, when most of the current members would meet up in the local Brno bands. […] Gazdina roba functioned for years as a studio project. The turning point happened ten years after its creation with the release of their first regular album under the fitting title Deset let jsme se neviděli (We Haven’t Seen Each Other for Ten Years) in 2004 […] In 2017, the band released their second album První poslední (From Beginning to End)”. That is the basic information found on their website www.gazdinaroba.cz. These are bare facts, which doesn’t really tell us that Gazdina roba (which could be translated as Farmer’s Wench), an almost secret band in the Brno scene, is in its genre of rock song-writing one of the best to be found. Their musical energy brilliantly ties together with their poetic texts.