The Ensemble Opera Diversa is presenting the premieres of four concertos for milanolo and strings. Under the baton of Marián Lejava the violinist Milan Paľa will be performing, presenting his five-stringed violin with an added lower viola string. This is the first project of the annual concert series SLOVAKIA in BRNO.
With Ash Wednesday, which this year fell on 14/2, ended for us the period of revelry linked to it – parades, feasts and other forms of entertainment. The four-week period of Lent has begun, culminating in the celebration of Easter. The last few days before Ash Wednesday are the time of masopust, fašank, vostatek and končiny. These are all Czech local names for traditional processions and costumed celebrations. The festivities have a very long tradition of celebrating the solstice, predating Christianity and reaching far back into antiquity. They take place in various forms throughout Europe. In South Moravia there are several places where the folk tradition of the celebration of fašank has become famous thanks to its specific form. The best known of these is the village of Strání, where for the whole weekend until Tuesday’s burial of basses a Festival of Masopust Traditions takes place.
The JazzFestBrno international music festival has revealed its programme for the 17th year, which will last from 1 February to 10 May 2018. Along with the earlier announced concerts by Wynton Marsalis, Avishai Cohen, Brad Mehldau and Donny McCaslin there will also be other famous names in jazz like the big band of Christian McBride, the guitarist Kurt Rosenwinkel, the drummer Omar Hakim, the pianist Kenny Barron and Vincent Peirani.
Today the design team made up of Tomasz Konior (POL), Yasuhisa Toyota (US) and Petr Hrůša (Czech Republic) and the representatives of the city of Brno signed a contract for the design documentation for a building permit and the design documentation for the second stage of the Janáček Cultural Centre. This will be the new concert hall that for decades Brno has been waiting for.
Two sold-out concerts launched on Saturday filled-up the hall of the Koruna cinema in Břeclav, where the Národopisný soubor Břeclavan [Břeclavan Ethnographic Ensemble] celebrated its 65th anniversary and joined thus the series of jubilee folklore ensembles this year. The afternoon concert had to be eventually added because of the huge audience acclaim, which only confirms that in South Moravia folklore is still widely known and enjoys unremitting popularity.
The Prophet and the Wind is a multi-genre performance by flute player Martina Komínková. She created it in Italy and after its Italian premiere it will be presented in Brno for the first time. The Czech premiere will take place at Brno's Divadlo na Orlí Theatre on Sunday 3 November. The evening show starting at 7:00 pm is already sold out, but you can still buy tickets for the afternoon performance scheduled at 2:00 pm.
In the premises of the neo-Gothic Czech Brethren Evangelical Church of J. A. Comenius, on the fifth evening of the Moravian Autumn festival, a performance of sacred music for choir and organ took place. In addition to the choir of the same name, Martinů Voices was also dominated by the organist Linda Sítková and a four-member ensemble of French horns. All this under the direction of choirmaster Lukáš Vasilek.
The third event of this year's Moravian Autumn festival was transferred to a theatre stage. The event was made happen by Terén, which is a platform acting as a third stage of the Centre of Experimental Theatre, right after the Goose on a String and HaDivadlo theatres. And it was on this particular stage of the Goose on a String where the world premiere of a stage production of Oedipus by André Gide took place yesterday. Composer Bohuslav Martinů stands behind its equally important incidental music.
The jubilee 50th Moravian Autumn music festival started yesterday at Bobycentrum in Brno with a concert performance of the minimalist opera Einstein on the Beach by composer Philip Glass and director Robert Wilson. The concert version was created by collaboration of visual artist Germaine Kruip, Suzanne Vega and Ictus Ensemble and Collegium Vocale Gent. Although only the music remained from the previously stage show, the length of the concert itself was comparable with the opera work. Hence, the evening lasted almost four hours.