The story of the musical comes from the book Without the Internet. My Half Year Offline by German journalist and editor of Süddeutsche Zeitung, Alex Rühle. Offline! tells of the experiences of a person who gave up the internet willingly for half a year. The musical was studied by the graduating year of musical students of the Theatre Faculty of the Janáček Academy of Music and Performing Arts, and the production is the original idea of dramaturge Martin Sládeček and composer Mario Buzzi, directed by Lukáš Kopecký.
Prokofiev's ballet drama Romeo and Juliet had its world première at the National Theatre Brno on 30 December 1938 (at the today’s Mahen Theatre, at that time called Na hradbách Theatre) with choreography by Ivo Váňa Psota. The current performance will be its seventh premiere production since 1938. The National Theatre Brno ballet ensemble will present a production directed by Martin Glaser with choreography by Mário Radačovský. Musical production has been undertaken by Pavel Šnajdr.
Ensemble Opera Diversa introduces the Music Inventory, which has been traditionally dedicated to less renowned works, not only by Czech composers. This time, it also commemorates the anniversaries of the years 1939 and 1969. The programme features works by František Emmert, Evžen Zámečník, K. A. Hartmann and Jan Novák. The soloists of the evening are violinist Milan Paľa and pianists Kristýna Znamenáčková and Lucie Pokorná, the conductor is Gabriela Tardonová.
The ballet company of the National Theatre in Brno is performing Swan Lake in a renewed premiere to mark the centenary of the first performance in the National Theatre in Brno. The production is the work of choreographer and director Robert Strajner. After twenty years the Brno Swan Lake is returning to the repertoire in an entirely new artistic conception. Roman Šolc is taking care of the costumes, the stage sets were designed by the British artist Peter Horne, who already did the same for the ballet The Nutcracker Louskáček. The orchestra is being conducted by Robert Kružík.
The band The Shookies has recently had concerts with the Irish formation Interference and Glen Hansard and has also released a new single, Lonely & Weak. In March, they are planning to christen a second album, Sooner or Later, which is being created in cooperation with producer Tomáš Neuwerth in the Animan studio in Kopřivnice. The Brno christening of the album will take place in the Melodka club.
For the end of this summer, the National Theatre Brno prepared a children's opera, written by the composer Evžen Zámečník under the title Ferdy the Ant (original Czech title: Ferda Mravenec), based on the story by Ondřej Sekora. The stories of an optimistic ant who "can do anything and knows everything" and doesn’t turn his nose up at “work of all kinds", however, are actually not appearing at the Janáček Theatre for first time. Zámečník's work in eight scenes won the hearts of the Brno audiences between the years 1977 and 1986 with astounding success; it helped bring a number of children to opera – the most refined form of musical theatre. Today, these already adult musicians, actors, directors, lighting technicians and many others have decided to pay tribute to the composer, who also carried out a lot of "work of all kinds" for Brno's musical life.
The municipal council of Velká nad Veličkou decided already in mid-April that this year's Horňácké Festivities (original name: Horňácké slavnosti) would not take place on the traditional dates around the feast of St. Mary Magdalene, and their scope, previously meant to be of three to five days, would also be modified. Obviously, it was impossible to foresee the development of lockdown measures towards the third week of July, but musicians from the Horňácko district tried to come up with at least a partial alternative solution in order to maintain continuity. Eventually, two concerts were officially held on two consecutive Saturdays: On 18 July, live broadcast of a public radio recording of Czech Radio Brno under the title Hrajte že ně, hrajte aneb Horňácké trochu jinak (Play for Me, or Horňácké Festivities in a Slightly Different Fashion) took place at the Culture House in Velká nad Veličkou. A week later, at a sports complex in Javorník, a traditional competition for "the biggest expert on Horňácko peasant songs" was held under the auspices of the Horňácko Dulcimer Band of Libor Sup. Needless to say, both events have found their spectators and listeners.
The Brno-based rock band Kulturní úderka (which translates loosely as "Culture Brigade"), led by singer and guitarist Štěpán Dokoupil, did not keep its fans waiting for too long this time. While there was a fifteen-year break between their first and second albums, the new album Black Metall was released less than two years after the previous album Sarajevská Katarzija (Sarajevo Catharsis). The name of the new album must be handled with care. Úderka has never had anything to do with black metal as a music genre. And once again, we are treated not to metal, but to relatively raw rock, which in some moments is pleasantly softened by the keyboard of Omer Blentič, or the trumpet of their guest artist Jan Kozelek.
Cultural life has endeavoured to move into a sterile and "life-safe" social networking environment in an unequal struggle against the viral phantasm and government lockdown regulations. In the darkest months, music institutions competed with one another in staging recordings of memorable concerts, and major opera houses broadcast to the world those of their performances that gained the most success from spectators.
Shortly before the outbreak of the coronavirus crisis, the Brno-based group Plum Dumplings released a new album. As opposed to their official debut L'épitaphe des papillons (The Epitome of Butterflies, 2014), sung in French, the band went for Czech lyrics this time. We are talking to the band's vocalist, who presents herself as Adéla Polka.