Brno Philharmonic and Free Radicals. The last concert of the Classically and Modernly subscription series
Free Radicals (Böse Zellen) is the title of a piano concerto by Thomas Larcher (1963), which will be played next week in Besední dům in Czech premiere. When composing it, the author was inspired by a film of the same name by the Austrian director Barbara Albert. The concert is conducted by Nicholas Milton. The work of Thomas Larcher will be heard twice, and a meeting with the dramaturge Vítězslav Mikeš will take place before both concerts, introducing the audience to the world of the upcoming compositions.
The Schola Artist dance school offers dance classes of various styles under the guidance of professional dancers, champions of the world and of the Czech Republic and certified tutors. Their roster features pole dance, classical ballet, contemporary dance and more. This year, the school will be celebrating its 2nd birthday with a gala evening in the studio on Hybešova Street.
For the first time ever, the artistic ensemble Kafka Band will bring its music and literature performance entitled Amerika to Brno. The project has been inspired by fragments of the unfinished novel of the same name by Franz Kafka. The seven-member line-up of the ensemble, headed by Jaroslav Rudiš and Jaromír Švejdík, will also present twelve brand new compositions in the Fléda music club.
For the upcoming summer, the Ondráš Military Art Ensemble is preparing a charity cycle called Evenings with Ondráš. Two evenings at Špilberk Castle will bring a repeated run of their new show, Krajinou času a Ondrášovské putování [Through the Landscape of Time and Wandering with Ondráš] in which the whole ensemble performs. The programme also includes a fairy-tale show for children.
420 primary artistic schools got involved in this year's ZUŠ Open nationwide happening organized by the Magdalena Kožená Endowment. Children and young artists will spread music, dance, theatre and fine arts in public space. In several places of the Czech Republic, they will also head to retirement homes or nursery and primary schools. The Brno part of this event will be launched by the announcement of the results of the Brno-wide competition This Is a Talent on Dominikánské Square. It will be followed by performances of sixteen primary artistic schools of the city of Brno. The meeting in Brno will be concluded by a performance of the biggest Brno choir, which will be formed for this particular occasion and will sing together Proč bychom se netěšili [Why Should We Not Rejoice], a choral piece from the opera The Bartered Bride by Bedřich Smetana.
The festival "with no fences and no admission fees" will be held in the Brno Lužánky Park this year as well. Over fifty events will take place on total of five The Stage s over the weekend. The programme includes musical performances, theatrical shows, film screenings, workshops and author readings. The music scene is represented by names such as Arve Henriksen and David Kollar, Dorota Barová and Jiří Šimek, The BladderStones, Brünnwerk or Songs From Utopia.
As part of the final concert of the Bach on Mozart! cycle we will hear Baroque music by F. X. Richter in the St. Johns' Church. The Czech Ensemble Baroque will end the 7th season of the cycle with three rediscovered compositions by this distinguished Baroque composer, which have never been played over the last twenty five years. The concert will be conducted by the founder of the ensemble, Roman Válek.
Greek Saturday at Veveří Castle enters its 9th season. The music scene will be represented by Musica Balkanika, Mydros, Martha and Tena Elefteriadu or Prometheus. In addition, there will be costume dance shows, dance workshops, an exhibition named "The Greeks in the Area of the Danube Monarchy", a theatrical performance and a programme for children. Through this event, the organizers want to convey to the public the cultural traditions and historical ties between Moravia and Greece.
The Brno group Hrozně slowly approach forty years of age – they started to give concerts in 1982. After several cassettes and unofficial recordings, they released a CD with their debut album Už není čas [There Is No Time Left] in 2013. Their new album named Ticho [Silence], which the band was working on over the last two years in the Indies studio, brings a surprise with its cleaner sound and clearly audible tension in the structure of the songs.
Over the four years that divide the release of the first album Záhir, and the second one entitled O Písni [About the Song], Lee Band virtually moved on (previously they stated Adamov as their domicile, now it is Jedovnice), they got on a "wild card" to the Porta festival semifinals in Řevnice, and above all, they advanced slightly in their musical style. While the debut album was more about a folk-rock mainstream, benefiting from the sound of an electric guitar, the new album is dominated by acoustic guitars, often in combination with mandolin and other acoustic instruments.
This year’s eighteenth JazzFest Brno will exceptionally not close with a concert, but rather a unique (though not unusual for world festivals) series of musical and dance workshops, centred on children. On Saturday 4 May, in the pleasant environment of Café Práh, near Vaňkovka, the children students will be taken on board by the significant young personalities of the jazz scene: Beata Hlavenková (pianist and composition lecturer), Dano Šoltis (leader of the drum class) and the multi-instrumentalists Jiří Slavík and Marian Friedl (conductors of Wandering on Jazz Paths), who will be accompanied by Kateřina Hanzlíková with the Tancohraní lectures. With the exception of composition, where it is necessary for the participants to be older than twelve, all the other “classes” are open to everyone, including the youngest. We asked the co-author of the idea of the children’s workshop and director of JazzFest Brno, Vilém Spilka, for further information.
The musical Nine, based on the legendary film 8½ by director Frederico Fellini, was prepared under director Stanislav Moša as the penultimate premiere of the season at the Brno City Theatre. They prepared an at places almost erotic show, led by interesting scenography, well-made costumes, brilliant musical preparation and the energy of the female acting. The sensuality of some of the dance parts thankfully did not overshadow the central theme of the hero’s crises: mid-life, art and relationship.