The spring part of the festival in the Stará Pekárna club will begin this evening with the concert of English singer Elles Bailey, accompanied by the Czech band The Bladderstones. The festival promises 27 jazz and blues concerts with an international representation. We will get to see for example the Mike Ross Blues Band, Marek Kotača Trio, Tom Smith Quartet and the Vilém Spilka Quartet.
The international jazz festival JazzFestBrno published its complete programme today. It promises fifteen musical evenings, where we will get to hear great names including the bassist Stanley Clarke, trumpet player Theo Croker, Avishai Cohen and Peter Evans, guitarist Julian Lage and South African singer Melanie Scholtz. This year, the festival will pay homage to the legends of the Czech Contraband stage Milan Svoboda and Luboš Andršt, whose Blues Band will be joined by the singer Peter Lipa. The list will also include big names of contemporary Czech jazz such as bassist Jaromír Honzák, trumpet player Štěpánka Balcarová and Michal Nejtek.
The principal conductor of Brno Philharmonic Dennis Russell Davies is recognised around the world both as a conductor and as a pianist. And it will be in the latter role that he will perform to a Brno audience for the first time on Wednesday, Thursday and Friday. The concert on Wednesday will be broadcast live by Czech Radio Vltava and taken up by radio stations in the Euroradio network (EBU). It will include Bagatelles by Antonín Dvořák, Mozart’s Piano Concerto in C Minor and the Symphony in D Major by Jan Václav Hugo Voříšek.
The album of Moravian and Silesian carols under the name Písně vánočního času (“Songs of Christmas-time”) was recorded by the group Lilium Liste. When choosing the songs, they focused on lesser known carols. The recording is an authentic interpretation of the musical legacy of the folk tradition without extensive arrangements.
The international festival that gives space for a new generation of percussionists from both Czech and foreign conservatories and academies is entering its fifth year. During these three days, the best students of chosen classes will be performing. The programme is completed by concerts, workshops of foreign lecturers and a sales show of percussion instruments. The big events this year are the percussion workshops.
The municipal council of Velká nad Veličkou decided already in mid-April that this year's Horňácké Festivities (original name: Horňácké slavnosti) would not take place on the traditional dates around the feast of St. Mary Magdalene, and their scope, previously meant to be of three to five days, would also be modified. Obviously, it was impossible to foresee the development of lockdown measures towards the third week of July, but musicians from the Horňácko district tried to come up with at least a partial alternative solution in order to maintain continuity. Eventually, two concerts were officially held on two consecutive Saturdays: On 18 July, live broadcast of a public radio recording of Czech Radio Brno under the title Hrajte že ně, hrajte aneb Horňácké trochu jinak (Play for Me, or Horňácké Festivities in a Slightly Different Fashion) took place at the Culture House in Velká nad Veličkou. A week later, at a sports complex in Javorník, a traditional competition for "the biggest expert on Horňácko peasant songs" was held under the auspices of the Horňácko Dulcimer Band of Libor Sup. Needless to say, both events have found their spectators and listeners.
The Brno-based rock band Kulturní úderka (which translates loosely as "Culture Brigade"), led by singer and guitarist Štěpán Dokoupil, did not keep its fans waiting for too long this time. While there was a fifteen-year break between their first and second albums, the new album Black Metall was released less than two years after the previous album Sarajevská Katarzija (Sarajevo Catharsis). The name of the new album must be handled with care. Úderka has never had anything to do with black metal as a music genre. And once again, we are treated not to metal, but to relatively raw rock, which in some moments is pleasantly softened by the keyboard of Omer Blentič, or the trumpet of their guest artist Jan Kozelek.
Cultural life has endeavoured to move into a sterile and "life-safe" social networking environment in an unequal struggle against the viral phantasm and government lockdown regulations. In the darkest months, music institutions competed with one another in staging recordings of memorable concerts, and major opera houses broadcast to the world those of their performances that gained the most success from spectators.
Shortly before the outbreak of the coronavirus crisis, the Brno-based group Plum Dumplings released a new album. As opposed to their official debut L'épitaphe des papillons (The Epitome of Butterflies, 2014), sung in French, the band went for Czech lyrics this time. We are talking to the band's vocalist, who presents herself as Adéla Polka.
Oldřich Veselý, a Brno-based singer, composer and keyboard player, died in January 2018. In February 2019, the 10th Brno Beatfest, dedicated to his memory, took place in the Semilasso music hall. And a year later, a CD recording of this concert was released under the title Malý princ [The Little Prince], complemented by several bonus items.