Hausopera is a society of enthusiasts that prepares tailor-made opera shows for various Brno hidden corners. In the opening season, it invites the audience to the pool of the spa in Rašínova Street, where it will perform a single-act opera named The Last Polo. The music, written by Marko Ivanović, will swarm with graceful motions of synchronised swimmers; the nostalgic libretto of the piece was written by Josef Škarka and will be rendered by opera vocalists singing in swimsuits, confirming thus that the first love is never to be forgotten. Through a musical story, visitors will experience the well-known venue in a new context.
The third year of Jazz Courtyard is once more taking place in Prague and Brno. The event is taking place in cooperation with the jazz departments of Prague’s HAMU (Music and Dance Faculty of the Academy of Performing Arts) and Brno’s JAMU (Janáček Academy of Music and Performing Arts). In the courtyard of Brno’s Old Town Hall there will be performances from student ensembles as well as long-term original running projects by selected students. The culmination of the evening will be the concert of the African group Ghana Dance Ensemble. The event is supported by the festivals JazzFestBrno, Tanec Praha and KoresponDance. Entry is free.
Shortly before the outbreak of the coronavirus crisis, the Brno-based group Plum Dumplings released a new album. As opposed to their official debut L'épitaphe des papillons (The Epitome of Butterflies, 2014), sung in French, the band went for Czech lyrics this time. We are talking to the band's vocalist, who presents herself as Adéla Polka.
Oldřich Veselý, a Brno-based singer, composer and keyboard player, died in January 2018. In February 2019, the 10th Brno Beatfest, dedicated to his memory, took place in the Semilasso music hall. And a year later, a CD recording of this concert was released under the title Malý princ [The Little Prince], complemented by several bonus items.
On the twenty-fourth of May of this year, five days before her ninety-second birthday, Mrs. Anna Kománková passed away – and with her departed her particularly extensive songbook of ballads (not only) from the Javornicko and Horňácko districts, which she had always carried in her head. She was able to perform all the songs conserved in her memory in a distinctive and inimitable style. All her life she safeguarded the rare legacy of her ancestral heritage – all the more interestingly because she did not write down the hundreds of often complicated tunes and many dozens of verses and variants of ballads, but she knew them all by heart. Even after she reached the age of ninety, when she no longer enjoyed good health and did not perform in public, she remained in contact with the Javornický ženský sbor [Javorník Women's Choir], which she had revived and eventually led for many years. She never pushed herself forward anywhere, while at the same time she learned a lot from the skills of her ancestors: apart from singing (dozens of songs from the hymn-book and hundreds of folklore songs) she was an excellent embroiderer: She sewed and embroidered with her own hands every part of the folk costume she wore.
The Brno Contemporary Orchestra, conducted by Pavel Šnajdr, concluded its ninth season with a concert called Con certo: With Certainty or with the Devil?, held in the hall of the Convent of the Merciful Brethren. The programme featured works by authors already established in the world of contemporary classical music: Alexej Fried, Olga Neuwirth and György Ligeti, whose violin concerto was performed by the violin virtuoso Milan Paľa.
When pronouncing the name Jiří ‘moravský’ Brabec (1955-2018) (the name is partly a pun referring to a typical Moravian dish called "moravský vrabec", which is pork roast with braised cabbage and dumplings – translator's note), anyone, who until recently had any business concerning the Czech-Moravian folk and country scene, is reminded of the unmistakeable figure of a mighty man wearing a beard, with a strong voice and an inexhaustible source of information, and an enviable general knowledge of not only the above-mentioned music genre. We are speaking here about a complicated but deservedly respected personality who was able to surprise us with his knowledge in a number of disciplines, but also with his self-deprecating humour and unexpected physical dexterity. Unfortunately, for the last time he surprised people around him with his sudden departure, only a few days before his sixty-third birthday in June 2018, almost unnoticed by the public media, for which he had worked for so many years.