A world-class early-music star heads to Moravian Autumn: Orchestra & Choir of the Age of Enlightenment

18 October 2025, 1:00
A world-class early-music star heads to Moravian Autumn: Orchestra & Choir of the Age of Enlightenment

Tomorrow brings one of Moravian Autumn’s musical highlights. Britain’s Orchestra & Choir of the Age of Enlightenment arrives in Brno with conductor John Butt. Their performance at the Janáček Theatre will feature Georg Friedrich Händel's oratorio Solomon.

"This is, without exaggeration, one of the finest ensembles in historically informed performance of Baroque music. I am convinced that we will hear Handel as we have never heard him before," said Marie Kučerová, Director of Filharmonie Brno. The Orchestra of the Age of Enlightenment is known for defying the well-worn ruts of early-music performance. Founded in the 1980s by musicians dissatisfied with standard orchestral practice, it has no permanent chief conductor; from the outset different personalities have led individual projects, such as Charles Mackerras, Simon Rattle and Paavo Järvi. "They will appear here under the direction of John Butt, a British organist, harpsichordist and musicologist who is a byword in the Baroque world," noted festival dramaturge Vítězslav Mikeš.

Butt has recorded several highly acclaimed albums, as have the evening’s soloists. Soprano Nardus Williams, appearing as the Queen of Sheba, holds the Rising Talent award from the 2022 International Opera Awards. Mezzo-soprano Helen Charlston, who takes on the part of King Solomon, won a Gramophone Award and a BBC Music Magazine World Award for her album in 2023. Tenor Hugo Hymas and bass-baritone Florian Störtz also boast prizes and victories in prestigious competitions.

The oratorio Solomon, about the wise biblical king, is one of the highlights of Handel's oeuvre. "It stands out for its admirable musical inventiveness in both epic and lyrical passages. Handel uses unusually colourful instrumentation to make textual hints of flowers, animals, nature, love and the overall mood of individual sections almost ring out," says musicologist Petr Slouka. Unlike other oratorios, it does not celebrate military victories or call to arms; on the contrary, it extols prevailing peace and, with it, a just ruler.

Nardus Williams / Moravian Autumn festival photo archive

Comments

Reply

No comment added yet..

Moravian Autumn, organised by the Brno Philharmonic Orchestra, has long been one of the most important musical events of the autumn season. For the third time it also included the student project New World of Moravian Autumn – living proof that the connection between academia and professional practice can yield stimulating and deeply artistic results. This project, which originated at JAMU as an experiment within the course in practical dramaturgy, has evolved into a fully-fledged and respected part of the festival programme over the past few years.  more

22 September this year marks the 150th anniversary of the birth of Mikalojus Konstantinas Čiurlionis (1875-1911) - Lithuanian artist, composer, painter and choirmaster, founder of Lithuanian national music and a representative of Symbolism and Art Nouveau. The concert entitled Mikalojus Konstantinas Čiurlionis - MKČ 150, which clearly referenced this anniversary, took place on Thursday 23 October at Besední dům. The programme combined Čiurlionis’s compositions with works by František Chaloupka, who also collaborated on the project as dramaturge. The concert was given the umbrella title Mikalojus Konstantinas Čiurlionis / František Chaloupka: Moje cesta (My Journey), a nod to one of Čiurlionis' pictorial triptychs. Chaloupka's work, however, does not follow directly on from Čiurlionis. It follows its own path, but connects with him through inspiration in mythology, where it sees a strong reflection of the present.  more

The concert evening by PhilHarmonia Octet Prague with guest baritone Roman Hoza brought a programme conceived with curatorial sensitivity - with emphasis on the continuity of the classical tradition and its later metamorphoses.  more

The Brno staging of Janáček's Jenůfa at the Moravian Autumn Festival once again proved that even after many years, an original directorial concept can still reveal new dramatic and musical nuances when refreshed through a partly renewed cast and interpretive inventiveness. Martin Glaser’s direction remains firmly grounded in a realistic reading of the work, yet in combination with Robert Kružík’s musical leadership the production feels alive, gripping, and emotionally genuine.  more

The chamber music programme of the 53rd Moravian Autumn International Festival on Thursday featured songs by Franz Schubert arranged for guitar and voice by the duo María Cristina Kiehr (soprano) and Pablo Márquez (romantic guitar). The evening, entitled Longing, took place in Brno’s Besední dům.  more