Czech Philharmonic Choir of Brno is looking for a new Choir Master

8 January 2018, 1:00
 Czech Philharmonic Choir of Brno is looking for a new Choir Master

The Director of the Czech Philharmonic Choir of Brno invites for applications for the post of the Choir Master.

The Czech Philharmonic Choir of Brno is looking for a new Choir Master. A condition for this post is university education in arts or pedagogy with a minimum of five year’s experience in the field. The deadline for submitting the application, including curriculum vitae and information on previous activities in the field of arts, is February 28, 2018. Possible date of taking up is September 2018.

Send your applications by mail to Český filharmonický sbor Brno, o. p. s., Výstaviště 1, 647 00  Brno, or by e-mail to fiala@cfsbrno.cz.

The applicants will be invited for a competition during March 2018.

Comments

Reply

No comment added yet..

After a gap of three years Rózinky (which could be translated as Raisins) from the South Moravian village of Kozojídky have recorded their second album. The girls attend elementary art school together and their teacher Kateřina Mičková, who put the group together, still writes songs for them. The girls also perform together on radio and television shows and have played at various festivals from Folk Holidays in Náměšť nad Oslavou to TrutnOff. The question of whether the group will still be viable once its members grow up and mature (and probably have other musical interests and tastes) still hangs in the air. A little doubt already hangs over the disc Cvrkot (which could be translated as Chirp), but not as a threat but rather as a reason for the greater diversity on the album.  more

It never ceases to amaze me when I see the volume of ideas from Martin Kyšperský and his band Květy. Only in 2017, all this happened: Martin received the Anděl prize for his solo album Vlakem (“By train”). With Květy, they played the role of a communist era organisation band brilliantly, singing his “normalisation” period hits in the series Svět pod hlavou (“World under your head”) (which received a well-earned Český lev award a year later). In their new line-up with Ondřej Kyas, Květy released the brilliant album Komik do půl osmé (“A comedian till half past seven”) (it’s sad that it didn’t get an Anděl, but I think the culprit for that is the reducing of genre prizes and a “bit” of chaos in the new category of Alternative). The book Průvodce po albech a historii kapely Květy (The guide to the albums and history of the band Květy) was released and with it also the album Spí vánoční pták (“The Christmas bird sleeps”). In the meantime, Květy started the YM project, in which all three members will present songs in individual unexpected genres. It was begun by once again by Martin Kyšperský with a programme of country songs – the public premiere took place with the guest artist Petr Uvira in a live broadcast of Radio Proglas in December 2017. For 2018, the electronic songs of Aleš Pilgr and hopefully also the folktronica of Ondřej Kyas are in preparation.  more

The temperament and emotion of Roma music are well known. In 2016 the recording studio Amaro records was set up with the same verve and positive energy. The entire voluntary project was set up with support and guarantees from the IQ Roma servis organisation. The guiding spirit and person responsible is Petra Borovičková, herself an excellent singer and member of several bands. The originator of the idea was Gejza Horváth, a top Roma musician who earlier ran courses for young Roma musicians. He saw huge potential in them.  more

The group Billy Barman from Slovakia ended its Czech-Slovak tour at Brno’s Fleda. This series of concerts was interesting not only its purely acoustic form but especially for bringing together five singers from SĹUK (the Slovak Folk Artists’ Collective). This fusion of pop music and folk was originally created for the Tatra Flowers festival. Its unprecedented success, however, made the musicians decide to expand their repertoire and perform not only in the Slovak Republic, but also for their Czech neighbours.  more

“I knew who I wanted to work with and that guided me when I was trying to set up a group with a pleasant sound,” said the French accordionist Vincent Peirani in 2015, shortly after the release of his key album Living Being. At that time he had already completed several interesting acoustic projects including an album with the saxophonist Emil Parisien and he has continued in this style. In 2016 he brought out an enjoyable CD of duets with the pianist Michael Wollny and not long ago he worked with the pianist Stefano Bollani and the Berlin Philharmonic on the album Mediterraneo, inspired by classical music. The Living Being project is however of a completely different character, embodying the accordionist’s conception of electric music on the borders between jazz, rock and other genres. And it was with this programme that Peirani and his group came to Brno’s Husa na provázku (Goose on a String) theatre.  more