Obtuse Angles

*So, Obtuse Angles – yes, I get it, those annoyingly insensitive Brits. But what about the other meaning? An angle greater that ninety degrees? What has geometry got to do with music? Well, nothing should be approached in a formalist and strict manner in art. Right angles are sometimes wrong angles. Some things do not conform to stereotypes, no matter how hard society tries to force them. Our lives are deconstructions of those that went before us, just as our descendants’ lives will be. Change and revision, mathematical abnormalities, pulses, images, frame rates, they all pull against one another. The image is a canvas, its source material half-forgotten recollections thrown into some form of understanding. Through deconstruction and reform, visual polyrhythms emerge via implied melodies; accenting an element here, an artefact there. It is the throb of the visual and the audio that gives emphasis and form. It is an unpredictable prophesy. -- Duncan Hendy

Visuals by David Konecny
Score composed by Duncan Hendy

Indigo Quartet (Brno):
Violins: Jan Bělohlávek, Martin Flašar
Viola: Martina Himerová
Cello: Pavel Borsky

Piano: TBA