Singing concert – Barbora Petruniaková, Barbora Berkyová, David Ronn

Program:

Antonio Caldara (1670–1736): La costanza in amor vince l’inganno

Aminta’s aria from Act 1, “Selve amiche, ombrose piante”

Antonio Caldara (1670–1736): Come raggio di sol

Henry Purcell (1659–1695): Sweet, be no longer sad, Z. 418

Henry Purcell (1659–1695): More love or more disdain I crave, Z. 397

Henry Purcell (1659–1695): Strike the Viol

Aria from the Birthday Ode for Queen Mary, *Come, ye Sons of Art, away*, Z. 323

Antonín Dvořák (1841–1904): Hear, O God, My Cry, Op. 99, No. 6 (from the cycle *Biblical Songs*, based on the text of the Kralice Bible, Psalm 55)

Wolfgang Amadeus Mozart (1756–1791): The Magic Flute (*Die Zauberflöte*), K. 620

Papageno’s aria from Act 1, “Der Vogelfänger bin ich ja”; duet of Papageno and Papagena from Act 2, “Pa-pa-pa-Papagena!”

Antonín Dvořák (1841–1904): Love Songs (*Písně milostné*), Op. 83 – selection

1. The longed-for happiness does not bloom for our love; 2. In many a heart, all is dead; 4. I know that in sweet hope; 8. O Precious, Unique Soul

George Frideric Handel (1685–1759): Orlando, HWV 31

Aria of Dorinda, “Amor é qual vento”

Wolfgang Amadeus Mozart (1756–1791): Exsultate, jubilate, K. 165

“Tu virginum corona” (Andante)

George Frideric Handel (1685–1759): Alcina, HWV 34

Aria of Morgana from Act I, “Tornami a vagheggiar”

Giuseppe Verdi (1813–1901): Rigoletto

Aria of Gilda from Act II, “Tutte le feste al tempio”

Benjamin Britten (1913–1976): Songs from the cycle *On This Island*, Op. 11

No. 1, “Let the florid music praise!”; No. 4, “Nocturne”

Wolfgang Amadeus Mozart (1756–1791): Così fan tutte, K. 588

Tercettino for Fiordiligi, Dorabella, and Don Alfonso from Act I, “Soave sia il vento”