Sutari - sisters of voice, water and freedom at the Brno Music Marathon

7 May 2025, 9:00

Sutari - sisters of voice, water and freedom at the Brno Music Marathon

Polish female trio Sutari will be performing at the 10th annual Brno Music Marathon festival. They've performed hundreds of concerts in more than 20 countries, including a performance at the 2015 WOMEX World Music Fair and a live session for American radio KEXP. They've released several award-winning albums, the most recent of which, from 2024, is called #kołysankidlaświata and features lullabies. Their music combines traditional Polish songs with modern elements and touches on themes of nature, freedom, femininity and sisterhood. Sutari will open the festival's World Music stage on Saturday 9 August in the Brno club První patro. Our questions were answered by all three group members together - Basia Songin, Kasia Kapela and Dobromiła Życzyńska.

In addition to several strong albums of your own, you also have an interesting collaboration with the instrumental, all-male band Bastarda on your 2022 album Tamoj. How did that come about?

Bastarda invited us to do something together. They liked our music and really wanted to work with us. And it's true that we immediately found a common language. We found that our voices matched their instruments beautifully. It was a joy for all of us to be able to make an album together with a theme that we all find important. That's about the situation on the Polish-Belarusian border and the migration crisis.

What did you enjoy about this collaboration, besides the theme?

We love joint projects like this. We enjoy meeting and working with other musicians. With every project like this, we have to open up and think about what we can contribute. In this case, the guys from Bastarda brought the amazing world of their instruments, their music, their feelings, the way they understand music. We added our musical ideas - and it was a real adventure for us. While they mostly play instrumental music, we only work with voices. So it all fit together beautifully and our different approaches made for a great balance.

Let's take a moment to look at your individual projects. You're three women, all singing. How do you divide the roles between you when performing or filming?

It's a process. Even within our group, we try to find a balance between our voices that benefits the overall sound of the trio. Much of our music is improvised. So yes, the process of how our music is made is really important to us, even if you only see the result of our efforts on stage. We work a lot with stories and it's important for us that each of us understands every story, every song, every lyric. We also try to find room for our own stories in each song. Each of the voices that make up our trio is different, but it's important that we speak a common language.

You based your work on Polish folklore, but your music is not strictly folk. So what exactly do you borrow from folklore?

We take our initial ideas from folk music. We're heavily inspired by Polish folklore and use some folk instruments. Our songs are also based on folk rhythms. But, for example, on the latest album we work a lot with our own melodies. We try to write original music that evokes similar feelings as folk music does. We've also started seeking inspiration in other cultures. On the latest album, for example, we have a Lithuanian melody. What's also new is that for this album we invited several guests, women who represent other cultures, such as Ukrainian or Iranian. This kind of meeting of different worlds is important for us. It enables us to bring global issues to the fore.

The album is called #kołysankidlaświata and is all about lullabies. Why did you choose this topic?

We think that it's not only children that need lullabies. Especially in these difficult times, when war is raging very close to our borders. At times like these, each of us needs a song that will caress, soothe and bring us peace. Lullabies are also magical in their own way. They can conjure up a better world not only for our children, but also for ourselves. That's why we chose them.

You say: "To conjure up a better world." Can music really make the world a better place?

Yes, music does make the world a better place. We feel better when we can communicate with others through music. It lets us find a common space. Sometimes it's hard to communicate with words and through music we can meet and be together. It's also a question of vulnerability. We let it in and expose ourselves as vulnerable beings. We get rid of the fear that is a factor in most problems. With music we cross borders. In making music we can meet each other and share, no matter what our political views are, where we live, what language we speak, what our roots are. Music is a beautiful place to start changing the world.

Your 2020 album Siostry rzeki also has an interesting theme.

That's our third album. With each album we try more and more to write our own lyrics. And in this case we thought it was the right time to say something for ourselves about nature, about climate change and about how we need to take care of the environment. That's why we chose the river as a symbol of something wild that we have to protect. In Poland we still have "wild" rivers. Water is the most basic thing we must protect in order to avert impending disaster. In addition, a beautiful initiative has been set up in Poland, a movement of women artists called the River Sisters, who have made it their goal to protect our rivers. That's why we've decided to add our voices to this movement.

And how do you remember your very beginnings, your 2014 album Wiano, which you recently re-released?

Recording the first album was a big adventure for us. We didn't know how to go about it, what exactly we'd need to do it, where to go and so on. We wanted to record our songs on a CD in the same way as when we play them in concert. But it was actually a very long and difficult process to get our music out as an album. It took a long time, but at the same time we felt a real sense of freedom. When you want to achieve something and you don't know how to do it, you go for it and do exactly what you feel. So, when we look back at our first album, the first thing we remember is the great freedom that music brings us.

Comments

Reply

No comment added yet..

The final concert of this year’s instalment of the Barbara Maria Willi Presents series offered a unique project that on 4 December brought together two ensembles in the Convent of the Brothers of Mercy:  Cappella Pratensis and Ramillete de Tonos. They showed the audience the many different ways in which one can work with the polyphonic repertoire of the 15th and 16th centuries. The programme intertwined sacred and secular music, and purely vocal, vocal-instrumental and purely instrumental pieces.  more

The rediscovery and digitisation of the Brno polyphonic manuscripts BAM 1 and BAM 2 has opened a new chapter in the study and performance of Renaissance music. At the crossroads of historical research, modern technology, and artistic interpretation stands Past Forward, a cross-border project connecting institutions from the Netherlands, Belgium and the Czech Republic. At its artistic core are two musicians whose approaches complement each other: Tim Braithwaite, artistic director of Cappella Pratensis, and Kateřina Maňáková, lutenist, teacher of early plucked instruments at Janáček Academy of Performing Arts and guarantor of the entire initiative. In this conversation, they discuss working with previously overlooked sources, the challenges of historically informed performance, the promises of international collaboration, and their vision for the future of early-music interpretation.  more

The concert by Filharmonie Brno under Dennis Russell Davies on Thursday 6 November in Besední dům offered a fascinating programme combining the work of two contemporary composers from the former Soviet Union. The performers included Armenian baritone Aksel Daveyan, violist Julian Veverica, percussionist Lukáš Krejčí, and the Austrian Hard-Chor Linz choir under choirmaster Alexander Koller.  more

Brno-born pianist and Director General of the Czech Philharmonic, David Mareček, is appearing together with cellist Václav Petr on a concert tour in South Korea. During the first week of November, the duo is presenting Czech repertoire on prestigious stages, including the Seogwipo Arts Center, Yongin Poeun Art Hall and Daegu Concert House.  more

Moravian Autumn, organised by the Brno Philharmonic Orchestra, has long been one of the most important musical events of the autumn season. For the third time it also included the student project New World of Moravian Autumn – living proof that the connection between academia and professional practice can yield stimulating and deeply artistic results. This project, which originated at JAMU as an experiment within the course in practical dramaturgy, has evolved into a fully-fledged and respected part of the festival programme over the past few years.  more

22 September this year marks the 150th anniversary of the birth of Mikalojus Konstantinas Čiurlionis (1875-1911) - Lithuanian artist, composer, painter and choirmaster, founder of Lithuanian national music and a representative of Symbolism and Art Nouveau. The concert entitled Mikalojus Konstantinas Čiurlionis - MKČ 150, which clearly referenced this anniversary, took place on Thursday 23 October at Besední dům. The programme combined Čiurlionis’s compositions with works by František Chaloupka, who also collaborated on the project as dramaturge. The concert was given the umbrella title Mikalojus Konstantinas Čiurlionis / František Chaloupka: Moje cesta (My Journey), a nod to one of Čiurlionis' pictorial triptychs. Chaloupka's work, however, does not follow directly on from Čiurlionis. It follows its own path, but connects with him through inspiration in mythology, where it sees a strong reflection of the present.  more

The concert evening by PhilHarmonia Octet Prague with guest baritone Roman Hoza brought a programme conceived with curatorial sensitivity - with emphasis on the continuity of the classical tradition and its later metamorphoses.  more

The Brno staging of Janáček's Jenůfa at the Moravian Autumn Festival once again proved that even after many years, an original directorial concept can still reveal new dramatic and musical nuances when refreshed through a partly renewed cast and interpretive inventiveness. Martin Glaser’s direction remains firmly grounded in a realistic reading of the work, yet in combination with Robert Kružík’s musical leadership the production feels alive, gripping, and emotionally genuine.  more

The chamber music programme of the 53rd Moravian Autumn International Festival on Thursday featured songs by Franz Schubert arranged for guitar and voice by the duo María Cristina Kiehr (soprano) and Pablo Márquez (romantic guitar). The evening, entitled Longing, took place in Brno’s Besední dům.  more

Liane Sadler and Elias Conrad bring an intimate synthesis of Renaissance flutes and lutes to Brno. They adapt polyphonic compositions, various dance forms and airs de cour for their instruments, using historical improvisation techniques such as diminution or bastarda. Sadler & Conrad is an ensemble included in the prestigious pan-European S-EEEmerging project focused on the professional and sustainable development of young early music ensembles. They come to Brno at the invitation of the Concentus Moraviae festival, which is one of the twelve partners of this project. As part of their residency, they will perform at a concert in the series "Barbara Maria Willi presents..." on 7/10 at 7 pm in the Convent of the Brothers of Mercy.  more

The prologue of the annual Lednice-Valtice Music Festival took place in Brno's Reduta Theatre on Saturday 20 September 2025. The festival’s opening evening featured the Brno chamber Ensemble Opera Diversa with conductor Gabriela Tardonová. The 10th anniversary year of the festival is subtitled From the New World, which is probably why the dramaturgy focused on young artists - pianist Ayla Bárta and violinist Matteo Hager, as symbolical representatives of the future world.  more

With Sunday's opening concert, Filharmonie Brno embarked on its seventieth anniversary season and also its eighth led by conductor Dennis Russell Davies. The Kantiléna children's choir is celebrating the same anniversary as Filharmonie Brno, and so the two ensembles coming together for the opening concert of the season was the perfect choice. At the Janáček Theatre this conjunction was provided by Gustav Mahler's monumental Symphony No. 3 in D minor. The aforementioned performers were complemented by mezzo-soprano Kateřina Hebelková and the Czech Philharmonic Choir of Brnomore

Jelena Popržan is a viola player. Born in Serbia, she studied in Austria, where she now lives, and this year she will be a guest at the Brno Music Marathon Festival. On Sunday, 10 August, she will perform in the courtyard of the House of the Lords of Kunštát as part of the Balkan Soirée. We are talking to Jelena Popržan about her path to music, the challenges and joys of playing the viola, the historical perspective of this instrument and the various groups and projects she is involved in.  more

This year, more than 41,000 people visited the International Folklore Festival in Strážnice, a record-breaking number. Indeed, a surprising number. Such a vast number of people gathering in one place at a time when the demise of folklore and folklorism had been predicted many times over. What made them do it? This year’s 80th anniversary year certainly helped, but the anniversary alone would not have been enough. What is the charm? Every visitor takes away a different experience, a different memory, a different story. And I will offer you mine now. So, what was my Strážnice 2025 experience like? And did I find the answer to the question of what lies behind its immense appeal?  more

The opera King Roger by Polish composer Karol Szymanowski had its Czech première at the Janáček Theatre. The title character was played by Jiří Brückler, the king's consort Roxana was portrayed by Veronika Rovná, Roger's right hand man, the sage Edrisi, was played by Vít Nosek, while Petr Nekoranec appeared as the Shepherd and the main source of Roger's trouble. The role of the High Priest was performed by David SzendiuchJana Hrochová appeared as the Deaconess and the soprano and tenor solos were performed by Eva Daňhelová and Pavel Valenta. In addition to the soloists, the Janáček Opera NdB Choir and Orchestra conducted by Martin Buchta and the Brno Children's Choir with choirmaster Valeria Mat'ašová also performed. It was directed by Vladimír John, with set design by Martin Chocholoušek and costumes by Barbora Rašková. The lighting design was by Martin Kroupa and the choreography by Jan Kodet and Michal HeribanRobert Kružík, who also directed the première performance, took over the musical direction.  more

Editorial

Now in its 32nd year, the international Mozart-themed competition Amadeus, open to young pianists up to the age of 15, is a prestigious platform showcasing rising talent. While there is no lower age limit, the upper one is set at fifteen. Amadeus will see 87 children from ten countries compete. The concert showcasing young piano talents from all over Europe will take place in Besední dům.  more

Händel’s Alcina, prepared musically by Václav Luks with Collegium 1704 and staged in Jiří Heřman’s lavish production, returns to the Janáček Theatre stage for just four performances. In the title role, Magdalena Kožená will make a rare appearance.  more

The Brno Culture Newsletter presents an overview of upcoming events and opportunities concerning theatres, clubs and various cultural events in Brno.  more

Brno Christmas, organised by TIC BRNO, will begin this year on Friday 21 November. On náměstí Svobody, Dominikánské náměstí and in the courtyard of the Old Town Hall, visitors can look forward to an Advent full of lights, music and new surprises. The opening will unfold as a Christmas story brought to life by actors from Brno City Theatre. The 'Ordinary–Extraordinary Family', known from this year’s Brno Christmas posters by illustrator Tomáš SMOT Svoboda, will guide us through the festive afternoon.  more

The concert organised by Filharmonie Brno has been cancelled as one of the soloists is ill. A replacement date is being arranged.  more

The National Theatre Brno invites audiences to explore its online exhibition IN THE ROLE OF KOSTELNIČKA, tracing 120 years of Brno interpretations of one of the most renowned operatic roles.  more

The theatre hall of Dělnický dům (Workers’ House) in the Brno district of Židenice has, for more than a century, been a place where the worlds of people and beetles meet. Concerts and theatre performances alternate here with entomological fairs and gatherings of lovers of beetles, butterflies, bees and other insects. It is for this reason that the Brno Contemporary Orchestra will present the concert Šestinozí bohatýři (“Six-Legged Warriors”), offering a meeting point between the structured, pragmatic sound world of insects and the chaos, freedom and democratic spirit of human music. The concert will feature two world premieres, two Czech premieres, and one revival of a work originally written for the BCO in 2018.  more

A unique probe into musical history, a glimpse into the author’s private life, a visual chronicle of Czechoslovakia in the latter half of the twentieth century, a testament to the ever-changing photographic style of the age... The new book Systém Stivín, just published, is all of this. Above all, however, the book proves that Jiří Stivín is a master not only of every conceivable wind instrument, but also of the camera and the craft of photography. This extensive volume contains nearly three hundred images taken by the musician from the 1950s to the present. Editors Jiří Pátek and Roman Franc selected them from more than 50,000 negatives in Stivín’s vast archive. Alongside family snapshots depicting children, wives and parents, the book includes black-and-white images from the "golden sixties," offering valuable testimony to the atmosphere of the era in which Czech popular culture was being born.  more

A dance–theatre hommage to bygone times and their masters – Josef Topol, Vlastimil Harapes, Jan Kačer, Marie Tomášová and Jan Tříska. The Brno premiere of the new ProART project will take place at the Löw-Beer Villa.  more

Brno City Council has appointed Petr Štědroň the new Director of the National Theatre Brno. He will take up his post on 1 August 2028, succeeding the current director Martin Glaser, who will step down on 31 July 2028 and move to lead the National Theatre in Prague.  more