The Cancelled Strážnice Folklore Festival May Take Place in Your Garden This Year

26 May 2020, 8:00
The Cancelled Strážnice Folklore Festival May Take Place in Your Garden This Year

After Easter, an official statement that ruined every folklore lover's day appeared on social networks and in the media. The folklore festival in Strážnice will not take place this year. The reasons are well known to everyone. Yesterday, another wave of coronavirus lockdown easement began, and this was not the only reason why we talked to Martin Šimša, director of the National Institute of Folk Culture (NÚLK) in Strážnice. Well, is there really a reason for mourning? What can we look forward to in the immediate future? And when is the best time to visit the castle park and the open-air museum in Strážnice? These questions, and not only these, will be answered in the following interview.

This year, together with the organisers, you were forced to cancel the largest domestic folklore festival in Strážnice. What were the most important circumstances that eventually led you to this unfortunate decision?

The last straw was that we had to settle with the foreign ensembles. Although the ministry's instructions were not unequivocal, it was obvious from the circumstances of the development of the pandemic around the world that we would not be able to carry out the festival in its full extent. Foreign ensembles really needed to know already in February whether the festival would take place. Hence, if we guarantee that if they buy tickets and the festival eventually does not take place, we will refund their tickets. Which was, of course, with the distances that they fly and with so many people involved, is completely out of our financial options. So we were forced to tell people abroad not to buy the tickets, as the festival simply would not take place. Then it was basically just about waiting for the right time to come to make this statement. It was high time after Easter, especially for the partners. Lots of craftsmen go to the festival, a lot of vendors. They all needed to set a schedule for this year. After Easter, it seemed obvious to us that even if the lockdown easement came, it would not apply to a congregation of thirty thousand people from all over the country.

Which foreign ensembles were affected this year?

We had arranged for an ensemble from Chile, which was very interested in participating. Another formation was supposed to arrive from Indonesia. These are really long distances. Ensembles from Europe, Serbia and Ukraine were also scheduled. It's always a mixture. We hope that everyone will stay loyal to us and come next year.

festival_straznice_foto_marie_hvozdecka_02

The 75th season of the festival was supposed to take place this year. Has it ever happened in the past that the festival did not take place?

This has never happened in the past. The festival is usually staged before the main school holidays, and that is why not even the year 1968 and the invasion of the Warsaw Pact troops affected it in any way. Also the year after, 1969, the festival took place as usual – simply speaking, it had never been cancelled. But everything once happens for the first time.

How will it be with the programme for the next season? Will it be new, or you will try to stick to the programme of this year?

Yes, we would certainly like this year's programme to take place as much as possible next year. This is because programmes are not planned from year to year. They are always being prepared several years in advance, ensembles are arranged, the authors prepare everything, new choreographies are made. That is why we don't want this big effort, which is related to everything, to go to waste. There's actually no reason for the shows not to be staged.

For example, don't you have older performers in some shows, for whom this could be a problem?

They certainly are there, but no programme is built specifically on them, so this is not a problem.

festival_straznice_foto_marie_hvozdecka_01

Are you planning on any special sanitation measures for the coming years?

This will become apparent depending on the sanitation measures put in place in general. Of course, you can set limits, but everyone behaves according to his or her own manners. It's hard to command a mass of people to behave in a certain way, to wear face masks or not to drink alcohol.

Are you planning on any other novelties or changes? I know, for example, that the sale of tickets has been discussed...

Last year we already managed to introduce a system of advanced sales, but eventually it turned out that there was not so much interest in using it. Maybe it was because it started about three weeks prior to the festival, which is quite a short time. If everything had been launched right after the New Year, it would probably be more interesting for people. We have a bit of a problem with the fact that we are VAT payers, and that is why we have to sell every ticket in the month in which it is accounted for. Hence, selling something in January that will be fulfilled in July is a problem. That is why I don't know yet how everything will work in the future. Of course, there is the option to sell tickets for example through the Ticketportal, but there we would have to share our profit, which is rather small every year, with the service provider.

There might be a problem with returned tickets this year...

Yes, in a way there might be. Due to the fact that the festival is and has always been basically loss-making, our financial loss deriving from its cancellation is not nearly as great as is the case with other commercial festivals.

festival_straznice_foto_marie_hvozdecka_03

An integral part of the Strážnice festival is also Skanzen, an open air folklore museum. I suppose it is also closed to the public? When will it be open?

The Skanzen will open on Tuesday 26 May. So far, we have had to cancel the Easter events, which fell right into the beginning of the coronavirus lockdown. We also cancelled the erection of the maypole. It was during this period that a number of programmes for schools were supposed to take place. Quite logically, we had to cancel them as well. For the school holidays, if it really happens that it will be allowed for one thousand people to congregate, three programmes could be taken into consideration. However, we will see at the end of June how everything will develop. We would like to organise the harvest festival, the pilgrimage in the Skanzen open-air museum and the Firefighters' Sunday. So we will work on these, but their actual holding will depend on the overall situation. We assume that this week everything will be very slow, because school trips are not coming, nor are senior citizens' package tours. It will be more focused on weekend operation. The core of the weekend operations are guided tours, during which visitors will move around the area individually. Guides who will give explanations and demonstrate handicraft activities will be placed in selected buildings. In addition, there will be guided tours, but smaller than they used to be. They will not be for forty people, but only twenty. We will require that all visitors have a face mask with them when entering the complex. Of course, they don't have to keep it on their mouth all the time, but when entering buildings that aren't really big and where it's not possible to keep the two-metre social distancing in them, they'll have to put the masks on.

And what are you planning for the period in which the festival was supposed to be held? Can visitors look forward to some replacement programme, such as streaming or perhaps something similarly popular these days?

Thanks to cooperation with a group of enthusiasts who now have the ifolklor brand, we put together a virtual version for the festival, which will be called "ifolklorní Strážnice". It will have several levels. One of them is the mentioned level of streaming. We addressed a number of ensembles, choirs, bands and individuals. We challenged them to record a short half-hour stream in which they would present what they would normally like to show at Strážnice and how they would enjoy it. They make the recordings at their homes so that they don't have to come to Strážnice, because we are afraid that a lot of people will want to see what it looks like here, what's going on here. What are we going to do here with such a small Woodstock that we can't manage, either organisationally or hygienically? Because people will want to go to the toilet, drink water, buy food. But now the park is running only in the normal visitor mode, which is meant for about a hundred people, not thousands. So our keywords are "stay at home!" Stage Strážnice in your favourite home nest and we will provide you with streams on our Facebook page. There will be performances by ensembles and dulcimer bands interspersed with historical records from the archives, both photographs and videos of older programmes. That will be one level. The other level is in cooperation with TV Noe from Ostrava; at prime times on Friday, Saturday and Sunday afternoon, shows that have been acclaimed by spectators in the past will be available for viewing. Cooperation with Czech Radio and Radio Proglas is also anticipated.

Who can folklore enthusiasts look forward to?

It is agreed with a number of ensembles from Moravian Slovakia, the Brno district, Bohemia or northern Moravia. There will be plenty of it. The programme is expected to run on Friday, Saturday and Sunday.

Finally, do you have a message that you would like to convey to the readers of our portal Brno – City of Music?

Well, I would like to invite all our visitors to approach Strážnice this year in the same way as they are used to watching big sport shows, such as a hockey match or the Olympics together, whether in their favourite garden, at home or in a pub. To find their favorite place, invited friends there, get good wine and food. And to watch this year's festival in Strážnice on Facebook or the TV with similar excitement. And next year we will hopefully welcome them all right here again.

Martin Šimša / Photo from NÚLK archive

Comments

Reply

No comment added yet..

The cycle of classical music concerts directed by its founder, Barbara Maria Willi, has been an integral part of cultural events in the Moravian capital for twenty-three years. The audience in Brno has already been introduced to a number of  outstanding personalities and ensembles with whom Barbara Maria Willi regularly cooperates. This year's opening concert, traditionally held on Wednesday, 11 February, in the hall of the Convent of the Merciful Brothers with a subtitle Music in Motion offered a combination of the art of the fortepiano with flute played by Sofia Mavrogenidou and accompanied by young dancers Klementýna Anna Špičková and Adam Mišo, choreographed by David Strnadmore

The final concert of this year’s instalment of the Barbara Maria Willi Presents series offered a unique project that on 4 December brought together two ensembles in the Convent of the Brothers of Mercy:  Cappella Pratensis and Ramillete de Tonos. They showed the audience the many different ways in which one can work with the polyphonic repertoire of the 15th and 16th centuries. The programme intertwined sacred and secular music, and purely vocal, vocal-instrumental and purely instrumental pieces.  more

The rediscovery and digitisation of the Brno polyphonic manuscripts BAM 1 and BAM 2 has opened a new chapter in the study and performance of Renaissance music. At the crossroads of historical research, modern technology, and artistic interpretation stands Past Forward, a cross-border project connecting institutions from the Netherlands, Belgium and the Czech Republic. At its artistic core are two musicians whose approaches complement each other: Tim Braithwaite, artistic director of Cappella Pratensis, and Kateřina Maňáková, lutenist, teacher of early plucked instruments at Janáček Academy of Performing Arts and guarantor of the entire initiative. In this conversation, they discuss working with previously overlooked sources, the challenges of historically informed performance, the promises of international collaboration, and their vision for the future of early-music interpretation.  more

The concert by Filharmonie Brno under Dennis Russell Davies on Thursday 6 November in Besední dům offered a fascinating programme combining the work of two contemporary composers from the former Soviet Union. The performers included Armenian baritone Aksel Daveyan, violist Julian Veverica, percussionist Lukáš Krejčí, and the Austrian Hard-Chor Linz choir under choirmaster Alexander Koller.  more

Brno-born pianist and Director General of the Czech Philharmonic, David Mareček, is appearing together with cellist Václav Petr on a concert tour in South Korea. During the first week of November, the duo is presenting Czech repertoire on prestigious stages, including the Seogwipo Arts Center, Yongin Poeun Art Hall and Daegu Concert House.  more

Moravian Autumn, organised by the Brno Philharmonic Orchestra, has long been one of the most important musical events of the autumn season. For the third time it also included the student project New World of Moravian Autumn – living proof that the connection between academia and professional practice can yield stimulating and deeply artistic results. This project, which originated at JAMU as an experiment within the course in practical dramaturgy, has evolved into a fully-fledged and respected part of the festival programme over the past few years.  more

22 September this year marks the 150th anniversary of the birth of Mikalojus Konstantinas Čiurlionis (1875-1911) - Lithuanian artist, composer, painter and choirmaster, founder of Lithuanian national music and a representative of Symbolism and Art Nouveau. The concert entitled Mikalojus Konstantinas Čiurlionis - MKČ 150, which clearly referenced this anniversary, took place on Thursday 23 October at Besední dům. The programme combined Čiurlionis’s compositions with works by František Chaloupka, who also collaborated on the project as dramaturge. The concert was given the umbrella title Mikalojus Konstantinas Čiurlionis / František Chaloupka: Moje cesta (My Journey), a nod to one of Čiurlionis' pictorial triptychs. Chaloupka's work, however, does not follow directly on from Čiurlionis. It follows its own path, but connects with him through inspiration in mythology, where it sees a strong reflection of the present.  more

The concert evening by PhilHarmonia Octet Prague with guest baritone Roman Hoza brought a programme conceived with curatorial sensitivity - with emphasis on the continuity of the classical tradition and its later metamorphoses.  more

The Brno staging of Janáček's Jenůfa at the Moravian Autumn Festival once again proved that even after many years, an original directorial concept can still reveal new dramatic and musical nuances when refreshed through a partly renewed cast and interpretive inventiveness. Martin Glaser’s direction remains firmly grounded in a realistic reading of the work, yet in combination with Robert Kružík’s musical leadership the production feels alive, gripping, and emotionally genuine.  more

The chamber music programme of the 53rd Moravian Autumn International Festival on Thursday featured songs by Franz Schubert arranged for guitar and voice by the duo María Cristina Kiehr (soprano) and Pablo Márquez (romantic guitar). The evening, entitled Longing, took place in Brno’s Besední dům.  more

Liane Sadler and Elias Conrad bring an intimate synthesis of Renaissance flutes and lutes to Brno. They adapt polyphonic compositions, various dance forms and airs de cour for their instruments, using historical improvisation techniques such as diminution or bastarda. Sadler & Conrad is an ensemble included in the prestigious pan-European S-EEEmerging project focused on the professional and sustainable development of young early music ensembles. They come to Brno at the invitation of the Concentus Moraviae festival, which is one of the twelve partners of this project. As part of their residency, they will perform at a concert in the series "Barbara Maria Willi presents..." on 7/10 at 7 pm in the Convent of the Brothers of Mercy.  more

The prologue of the annual Lednice-Valtice Music Festival took place in Brno's Reduta Theatre on Saturday 20 September 2025. The festival’s opening evening featured the Brno chamber Ensemble Opera Diversa with conductor Gabriela Tardonová. The 10th anniversary year of the festival is subtitled From the New World, which is probably why the dramaturgy focused on young artists - pianist Ayla Bárta and violinist Matteo Hager, as symbolical representatives of the future world.  more

With Sunday's opening concert, Filharmonie Brno embarked on its seventieth anniversary season and also its eighth led by conductor Dennis Russell Davies. The Kantiléna children's choir is celebrating the same anniversary as Filharmonie Brno, and so the two ensembles coming together for the opening concert of the season was the perfect choice. At the Janáček Theatre this conjunction was provided by Gustav Mahler's monumental Symphony No. 3 in D minor. The aforementioned performers were complemented by mezzo-soprano Kateřina Hebelková and the Czech Philharmonic Choir of Brnomore

Jelena Popržan is a viola player. Born in Serbia, she studied in Austria, where she now lives, and this year she will be a guest at the Brno Music Marathon Festival. On Sunday, 10 August, she will perform in the courtyard of the House of the Lords of Kunštát as part of the Balkan Soirée. We are talking to Jelena Popržan about her path to music, the challenges and joys of playing the viola, the historical perspective of this instrument and the various groups and projects she is involved in.  more

This year, more than 41,000 people visited the International Folklore Festival in Strážnice, a record-breaking number. Indeed, a surprising number. Such a vast number of people gathering in one place at a time when the demise of folklore and folklorism had been predicted many times over. What made them do it? This year’s 80th anniversary year certainly helped, but the anniversary alone would not have been enough. What is the charm? Every visitor takes away a different experience, a different memory, a different story. And I will offer you mine now. So, what was my Strážnice 2025 experience like? And did I find the answer to the question of what lies behind its immense appeal?  more

Editorial

The Brno cultural newsletter provides an overview of events and opportunities related to theatres, clubs, and various cultural activities in Brno in the coming period.  more

Musica Florea continues its quest for unusual composers and historical styles to present to the Czech audience. The March lineup of the Musica Florea Bohemia 2026 series will be dominated by the Stabat Mater concert, a selection of works by Spanish Baroque masters. Soprano Beatriz Lafont Murcia will sing with the orchestra. The Brno performance will take place in the Hall of the Merciful Brothers (formerly the Convent).  more

The National Theatre Brno has prepared a rare contest for all entertainment lovers and theatregoers. From 26 February to 3 April, they can participate in the Golden Coupon Competition with a grand finale on Good Friday.  more

In mid-March, the movement performance Vladimír by ORBITA returns to the stage. It is a personal and artistic testimony of dancer Vladimír Kloubek, who celebrated his 80th birthday last year, featuring Kloubek as the main character of the performance and his two younger selves on one stage. The production will be staged in the large hall of Industra Brno.  more

Due to exceptional audience demand, the Brno City Theatre is adding extra performances of the musicals ViK!NG and Les Misérables on the Music Stage in April and May.  more

The Brno Philharmonic continues to celebrate its seventieth anniversary, this time looking back to its first season. This week's concerts will feature Vincent d'Indy's Symphony on a French Mountain Air, which was performed in December 1956 under the direction of František Jílek, who later became the chief conductor. Seventy years ago, Jaroslav Sháněl featured as the soloist. This time it will be Igor Ardašev, a native of Brno, whose returns to the home stage are always welcomed by the audience with enthusiasm. In addition, he will play two concerts in a single evening, quite a challenge for a soloist. Besides d'Indy's symphony, he will also play César Franck's Symphonic Variations for Piano and Orchestramore

Now in its 32nd year, the international Mozart-themed competition Amadeus, open to young pianists up to the age of 15, is a prestigious platform showcasing rising talent. While there is no lower age limit, the upper one is set at fifteen. Amadeus will see 87 children from ten countries compete. The concert showcasing young piano talents from all over Europe will take place in Besední dům.  more

Händel’s Alcina, prepared musically by Václav Luks with Collegium 1704 and staged in Jiří Heřman’s lavish production, returns to the Janáček Theatre stage for just four performances. In the title role, Magdalena Kožená will make a rare appearance.  more

The Brno Culture Newsletter presents an overview of upcoming events and opportunities concerning theatres, clubs and various cultural events in Brno.  more

Brno Christmas, organised by TIC BRNO, will begin this year on Friday 21 November. On náměstí Svobody, Dominikánské náměstí and in the courtyard of the Old Town Hall, visitors can look forward to an Advent full of lights, music and new surprises. The opening will unfold as a Christmas story brought to life by actors from Brno City Theatre. The 'Ordinary–Extraordinary Family', known from this year’s Brno Christmas posters by illustrator Tomáš SMOT Svoboda, will guide us through the festive afternoon.  more