Peterson's Easter Suite sizzling with motifs of other jazz icons

The final concert of this year’s instalment of the Barbara Maria Willi Presents series offered a unique project that on 4 December brought together two ensembles in the Convent of the Brothers of Mercy:  Cappella Pratensis and Ramillete de Tonos. They showed the audience the many different ways in which one can work with the polyphonic repertoire of the 15th and 16th centuries. The programme intertwined sacred and secular music, and purely vocal, vocal-instrumental and purely instrumental pieces.  more

The rediscovery and digitisation of the Brno polyphonic manuscripts BAM 1 and BAM 2 has opened a new chapter in the study and performance of Renaissance music. At the crossroads of historical research, modern technology, and artistic interpretation stands Past Forward, a cross-border project connecting institutions from the Netherlands, Belgium and the Czech Republic. At its artistic core are two musicians whose approaches complement each other: Tim Braithwaite, artistic director of Cappella Pratensis, and Kateřina Maňáková, lutenist, teacher of early plucked instruments at Janáček Academy of Performing Arts and guarantor of the entire initiative. In this conversation, they discuss working with previously overlooked sources, the challenges of historically informed performance, the promises of international collaboration, and their vision for the future of early-music interpretation.  more

The concert by Filharmonie Brno under Dennis Russell Davies on Thursday 6 November in Besední dům offered a fascinating programme combining the work of two contemporary composers from the former Soviet Union. The performers included Armenian baritone Aksel Daveyan, violist Julian Veverica, percussionist Lukáš Krejčí, and the Austrian Hard-Chor Linz choir under choirmaster Alexander Koller.  more

Brno-born pianist and Director General of the Czech Philharmonic, David Mareček, is appearing together with cellist Václav Petr on a concert tour in South Korea. During the first week of November, the duo is presenting Czech repertoire on prestigious stages, including the Seogwipo Arts Center, Yongin Poeun Art Hall and Daegu Concert House.  more

Moravian Autumn, organised by the Brno Philharmonic Orchestra, has long been one of the most important musical events of the autumn season. For the third time it also included the student project New World of Moravian Autumn – living proof that the connection between academia and professional practice can yield stimulating and deeply artistic results. This project, which originated at JAMU as an experiment within the course in practical dramaturgy, has evolved into a fully-fledged and respected part of the festival programme over the past few years.  more

22 September this year marks the 150th anniversary of the birth of Mikalojus Konstantinas Čiurlionis (1875-1911) - Lithuanian artist, composer, painter and choirmaster, founder of Lithuanian national music and a representative of Symbolism and Art Nouveau. The concert entitled Mikalojus Konstantinas Čiurlionis - MKČ 150, which clearly referenced this anniversary, took place on Thursday 23 October at Besední dům. The programme combined Čiurlionis’s compositions with works by František Chaloupka, who also collaborated on the project as dramaturge. The concert was given the umbrella title Mikalojus Konstantinas Čiurlionis / František Chaloupka: Moje cesta (My Journey), a nod to one of Čiurlionis' pictorial triptychs. Chaloupka's work, however, does not follow directly on from Čiurlionis. It follows its own path, but connects with him through inspiration in mythology, where it sees a strong reflection of the present.  more

The concert evening by PhilHarmonia Octet Prague with guest baritone Roman Hoza brought a programme conceived with curatorial sensitivity - with emphasis on the continuity of the classical tradition and its later metamorphoses.  more

The Brno staging of Janáček's Jenůfa at the Moravian Autumn Festival once again proved that even after many years, an original directorial concept can still reveal new dramatic and musical nuances when refreshed through a partly renewed cast and interpretive inventiveness. Martin Glaser’s direction remains firmly grounded in a realistic reading of the work, yet in combination with Robert Kružík’s musical leadership the production feels alive, gripping, and emotionally genuine.  more

The chamber music programme of the 53rd Moravian Autumn International Festival on Thursday featured songs by Franz Schubert arranged for guitar and voice by the duo María Cristina Kiehr (soprano) and Pablo Márquez (romantic guitar). The evening, entitled Longing, took place in Brno’s Besední dům.  more

Liane Sadler and Elias Conrad bring an intimate synthesis of Renaissance flutes and lutes to Brno. They adapt polyphonic compositions, various dance forms and airs de cour for their instruments, using historical improvisation techniques such as diminution or bastarda. Sadler & Conrad is an ensemble included in the prestigious pan-European S-EEEmerging project focused on the professional and sustainable development of young early music ensembles. They come to Brno at the invitation of the Concentus Moraviae festival, which is one of the twelve partners of this project. As part of their residency, they will perform at a concert in the series "Barbara Maria Willi presents..." on 7/10 at 7 pm in the Convent of the Brothers of Mercy.  more

The prologue of the annual Lednice-Valtice Music Festival took place in Brno's Reduta Theatre on Saturday 20 September 2025. The festival’s opening evening featured the Brno chamber Ensemble Opera Diversa with conductor Gabriela Tardonová. The 10th anniversary year of the festival is subtitled From the New World, which is probably why the dramaturgy focused on young artists - pianist Ayla Bárta and violinist Matteo Hager, as symbolical representatives of the future world.  more

With Sunday's opening concert, Filharmonie Brno embarked on its seventieth anniversary season and also its eighth led by conductor Dennis Russell Davies. The Kantiléna children's choir is celebrating the same anniversary as Filharmonie Brno, and so the two ensembles coming together for the opening concert of the season was the perfect choice. At the Janáček Theatre this conjunction was provided by Gustav Mahler's monumental Symphony No. 3 in D minor. The aforementioned performers were complemented by mezzo-soprano Kateřina Hebelková and the Czech Philharmonic Choir of Brno.  more

Jelena Popržan is a viola player. Born in Serbia, she studied in Austria, where she now lives, and this year she will be a guest at the Brno Music Marathon Festival. On Sunday, 10 August, she will perform in the courtyard of the House of the Lords of Kunštát as part of the Balkan Soirée. We are talking to Jelena Popržan about her path to music, the challenges and joys of playing the viola, the historical perspective of this instrument and the various groups and projects she is involved in.  more

This year, more than 41,000 people visited the International Folklore Festival in Strážnice, a record-breaking number. Indeed, a surprising number. Such a vast number of people gathering in one place at a time when the demise of folklore and folklorism had been predicted many times over. What made them do it? This year’s 80th anniversary year certainly helped, but the anniversary alone would not have been enough. What is the charm? Every visitor takes away a different experience, a different memory, a different story. And I will offer you mine now. So, what was my Strážnice 2025 experience like? And did I find the answer to the question of what lies behind its immense appeal?  more

The opera King Roger by Polish composer Karol Szymanowski had its Czech première at the Janáček Theatre. The title character was played by Jiří Brückler, the king's consort Roxana was portrayed by Veronika Rovná, Roger's right hand man, the sage Edrisi, was played by Vít Nosek, while Petr Nekoranec appeared as the Shepherd and the main source of Roger's trouble. The role of the High Priest was performed by David Szendiuch; Jana Hrochová appeared as the Deaconess and the soprano and tenor solos were performed by Eva Daňhelová and Pavel Valenta. In addition to the soloists, the Janáček Opera NdB Choir and Orchestra conducted by Martin Buchta and the Brno Children's Choir with choirmaster Valeria Mat'ašová also performed. It was directed by Vladimír John, with set design by Martin Chocholoušek and costumes by Barbora Rašková. The lighting design was by Martin Kroupa and the choreography by Jan Kodet and Michal Heriban. Robert Kružík, who also directed the première performance, took over the musical direction.  more