Szymanowski Quartet in the rhythm of mazurka

14 June 2019, 14:00
Szymanowski Quartet in the rhythm of mazurka

The Polish ensemble Szymanowski Quartet at the Concentus Moraviae Festival presented works by their compatriots Karol Szymanowski, Stanisław Moniuszko and Gražyna Bacewicz in the Church of Sts. Peter and Paul in Řeznovice yesterday. The concert was part of worldwide celebrations of the two-hundredth anniversary of birth of Stanisław Moniuszko, which is considered by many to be the founder of Polish national music. The evening was held under the auspices of the Ambassador of the Republic of Poland to the Czech Republic, HE Barbara Ćwioro.

The programme started with the String Quartet No. 1 in C major, Op. 37 by Karol Szymanowski. Although the composer devoted himself to chamber music rather marginally, his two string quartets can withstand comparison with pivotal works of quartet literature. In spite of the relatively classical formal structure of the composition, the author chose a relatively modern musical language spiced up in his final third movement with polytonality, which in its austerity borders occasionally with cynicism and evokes passages from Shostakovich's string quartets. The contrast between the mournful thoughtfulness of the slow parts and the uncompromisingly sharp satire of the third movement was successfully supported by the musicians with their fundamental changes of expression that ranged from melancholically enlightened tones in pianissimo to sharp tremolos with an aggressive sound. It is also necessary to praise the rhythmic unity of the musicians, especially given the fact that the cellist Karol Marianowski merely covers for currently pregnant Monika Leskovarová, who is a permanent member of the ensemble. Especially the pizzicatos, where even the slightest deviations in the rhythm manifest themselves most, sounded uniform, even after an expressive rubato.

The String Quartet No. 1 in D minor by Stanisław Moniuszko eased the exaltation of the previous composition and showed the expressive mastery of the musicians who grasped this much more romantic work with fervent tone and stylized elegance. Their prudent vibrato was particularly refreshing, and it was played by all members of the ensemble only in places where the logic of music required it. As a result, the sound of the ensemble oscillated between the elegance of straight tones and the emotionality of decoration. Melodic imitations, which the musicians shared with each other, also deserve to be highlighted, while at the same time paying attention to the uniqueness of their message, and the cascade of tunes has thus become a busy musical dialogue. One should not forget the echoes of folk music, which in the performance of the ensemble remained in the department of artificial music, yet did not deny their origin in folk culture.

The final part of the evening was dedicated to the String Quartet No. 4 by the Polish composer and violinist Gražyna Bacewicz, one of the leading representatives of Polish music of the last century. By using polytonality and fresh expressive means, the author followed up on the opening work of the evening, giving glissandos, pizzicatos, bowing behind the bridge and other violin techniques a strong representation. In addition, the three-movement composition shows the influences of not only French neoclassicism, but also folk music, whose characteristic melodic style was omnipresent during the evening as a connection between the works of all composers. The particularly captivating cello solo was expressively rich, accompanied by viola pizzicatos and the silent quivering chord decompositions of a pair of violins. As an encore we heard the second movement from Dvořák's String Quartet No. 14 in A flat major.

Szymanowski Quartet, in the intimate ambiance of the Řeznovice church – one of the oldest religious monuments in Moravia – has proven to be just one of the most outstanding chamber ensembles of this time. The performers introduced the musical past and present of the Polish nation, which definitely could not and should not be missed by the Concentus Moraviae festival with its thematic setting of a Concert of Nations.

Szymanowski Quartet

Programme:

Karol Szymanowski: String Quartet No. 1, Op. 37

Stanisław Moniuszko: String Quartet No. 1 in D minor

Grażyna Bacewicz: String Quartet No. 4

Ivančice, local district Řeznovice, Church of Sts. Peter and Paul

Thursday, 13 June 2019

Photo by Jiří Sláma

Comments

Reply

No comment added yet..

The latest concert in the Exposition of New Music festival, held yesterday at Brno’s Besední dům, was devoted entirely to piano music. It took listeners into the fascinating world of spectral music, the instrument’s internal acoustic structures and the phenomena of resonance. To bring the instrument’s hidden transformations of sound and natural inharmonicity fully to the fore, two different types of piano stood in the centre of the hall: a standard grand and a modified piano, with rubber inserts and beaters placed among the strings.  more

A deep dive into the world of spectral music, acoustic experimentation and free improvisation awaited audiences at a concert held on Tuesday at Brno’s Besední dům as part of the 38th Exposition of New Music festival, subtitled Ars Spectrum. The evening brought together three works exploring the limits of listening, the inner structure of sound and the interplay between the concert hall and the world outside. A defining feature of the concert was the unconventional use of space: rather than sitting on stage, the musicians were positioned in the middle of the hall, surrounded by the audience, microphones and loudspeakers.  more

As part of the 23rd edition of the early music concert series Barbara Maria Presents, a chamber concert devoted to Dvořák’s early songs took place on 1 October. The Brno audience had a unique opportunity to encounter Antonín Dvořák from a different perspective – not as the mature master of the great symphonies, but as a composer who, in the 1870s, was still experimenting and searching for his own musical language, while also exploring the foundations of effective Czech declamation. Soprano Martina Janková and harpsichordist, organist and fortepianist Barbara Maria Willi presented a programme of songs complemented by piano miniatures by Robert Schumann.  more

Brno Philharmonic opened its 2026/2027 concert season on Sunday 20 September at the Janáček Theatre. The orchestra was joined for the occasion by guest conductor Petr Altrichter, its former chief conductor. Under the motto All Roads Lead to Brno, this season’s repertoire brings together composers and musical events with connections to the city and its rich cultural life. The opening concert therefore featured Johannes Brahms’s Symphony No. 2, a particularly fitting choice given that Brahms performed as a pianist at Brno’s Reduta in 1867. The programme opened with César Franck’s symphonic poem Psyché, for which the orchestra was joined by the Czech Philharmonic Choir Brno under the direction of Petr Fiala.  more

The tenth edition of the international opera and music festival Janáček Brno 2026 will take place from 13 October to 17 November 2026. With Janáček’s complete operatic output at its heart, alongside a programme of concerts and accompanying events, the festival offers a unique celebration of the composer’s work on an international scale. As part of the festival preview, National Theatre Brno is presenting four operas by Leoš Janáček (1854–1928) ahead of the festival itself. The series began on Saturday, 5 September, with The Makropulos Affair, which also opened Brno’s 2026/27 opera season.  more

The fifth edition of the Štetl Fest of Jewish culture in Brno began on Wednesday, 26 August. And the very first day had a great deal to offer. Among other things, it showed that even an alternative theatre venue can host a world-class concert – and one that is free of charge. The opening ceremony featured a performance by the band Der Šenster Gob, with Jewish singer Lea Kalisch, in the courtyard of the Husa na provázku theatre.  more

The summer open-air Festival Špilberk, organised by the Brno Philharmonic, brought classical music and other genres to the grand courtyard of Brno’s Špilberk Castle during the third week of August. The festival’s 27th edition culminated on Sunday, 23 August, with Carl Orff’s cantata Carmina Burana, conducted by Dennis Russell Davies with the Czech Philharmonic Choir Brno. The concert also marked a symbolic farewell to trombonist Jiří Vydra, who brought his 45-year career with the Brno Philharmonic to a close that evening.  more

The Špilberk Festival organised by the Brno Philharmonic has put together a rich programme for the third week of August. This year’s 27th edition of the traditional open-air festival will once again fill the grand castle courtyard with music, with the aim of making classical music accessible even during the summer holidays. Tenor Štefan Margita chose this occasion to celebrate his 70th birthday. Together with soprano Jana Šrejma Kačírková and conductor Jan Kučera, Margita presented a concert of opera and musical arias on Saturday, 22 August.  more

Every year, ahead of the new concert season, the Brno Philharmonic organises the week-long open-air Špilberk Festival in the great courtyard of Brno’s Špilberk Castle, featuring a diverse programme of genres and ensembles.  On Thursday, 20 August, the festival project entitled Erik Truffaz & Gustav Brom Czech Radio Big Band: Around Miles was performed to commemorate the centenary of the birth of jazz trumpeter Miles Davis. This third concert in the series was co-produced with JazzFest Brno and Czech Radio and broadcast live on Czech Radio’s Vltava station.  more

The third concert of the 35th BRNO ’26 International Guitar Festival and Masterclasses took place on Tuesday, 4 August, in the Council Chamber of the New Town Hall. World-renowned guitarist Jorge Caballero presented a solo recital of works by classical composers arranged for acoustic guitar. On this occasion, the festival director Vladislav Bláha and his wife Tatiana Bláha Drobyš presented their new CD Dances Across the World and Through Time.  more

The concert by the Brno Contemporary Orchestra in the courtyard of Brno’s Špilberk Castle on Tuesday, 16 June, offered the audience a chance to hear the castle’s carillon in quite a different guise – as a solo musical instrument. Entitled Vězeňské zvony (Prison Bells), the performance alluded not only to the existence and function of the carillon itself but also to the complex history of the castle. The concert featured harpsichordist Daria Savvateeva, soprano Irena Troupová, and Petr Hladík as carillon player.  more

The prologue to the Concentus Moraviae festival took place, unusually, in the Italian city of Cremona – home of the Walter Stauffer Foundation and Academy, which nurtures string teaching and the city’s traditions – as early as mid-April. This year the Foundation concluded a memorandum of cooperation with the festival, resulting in the String Quartet Master Classes project in Kroměříž on 16–18 June. The stage was set on 15 June at Pernštejn Castle, where the Italian Quartetto di Cremona joined forces with cellist Peter Jarůšek for a memorable concert.  more

The final concert of the 14th season of the Bacha na Mozarta (Watch Out for Mozart) series drew audiences to the Minorite Church of St John on Monday, 8 June, for a programme drawing on the collections of the Kroměříž Music Archive. The evening’s programme brought together specific liturgical forms with the representational demands of the courtly culture of the time. Performed by the SILENTIUM! ensemble under the direction of Tomáš Netopil and with choral preparation by Tereza Válková, the concert featured works by Pavel Josef Vejvanovský, Giovanni Felice Sances, Franz Ignaz Biber, and Philipp Jacob Rittler, some in their modern-day premieres.  more

The Concentus Moraviae festival presented its sixteenth concert of the year, thematically dedicated to the number four, at Valtice Castle on Sunday, 7 June. This year’s international showcase brings together quartets of the most varied instrumental combinations and genres, presenting programmes across Moravia and Lower Austria centred on the quartet repertoire. In this spirit, the Baroque theatre of Valtice Castle hosted, in collaboration with the Young Classical Artists Trust, a concert focused on world music performed by the international Fibonacci Quartet. The young quartet – specifically Kryštof Kohout and Luna De Mol on violin, Elliot Kempton on viola, and Findlay Spence on cello – chose masterpieces by Leoš Janáček (1854–1928) and Béla Bartók (1881–1945).  more

The cycle of classical music concerts directed by its founder, Barbara Maria Willi, has been an integral part of cultural events in the Moravian capital for twenty-three years. The audience in Brno has already been introduced to a number of  outstanding personalities and ensembles with whom Barbara Maria Willi regularly cooperates. This year's opening concert, traditionally held on Wednesday, 11 February, in the hall of the Convent of the Merciful Brothers with a subtitle Music in Motion offered a combination of the art of the fortepiano with flute played by Sofia Mavrogenidou and accompanied by young dancers Klementýna Anna Špičková and Adam Mišo, choreographed by David Strnad.  more

Editorial

Adam Závodský’s new opera, with a libretto by Kateřina Křivánková, tackles the challenging subject of cults and sectarianism. Prázdný dům offers a compelling exploration of manipulation and distorted perceptions of reality, with music and libretto coming together in a unified artistic vision to reveal the darker sides of the human psyche and social structures. The world premiere will take place in the main hall of the CO.LABS Cultural Centre.  more

What can form the starting point for a musical composition? The human voice, a single note, sounds from the world around us, a synthesiser or an algorithm? Where does the composer end and technology begin? These are some of the questions explored by this year’s Exposition of New Music festival, subtitled Ars Spectrum.  more

Brno band Nevermore & Kosmonaut are set to release their new album, Teorie mizení, this autumn. The album is centred on a desire to capture moments and stories shaped by transience, loss and parting. Its poetic Czech lyrics, written by the band’s singer Michal Kosmonaut Šimíček, draw on powerful stories, while the music moves between indie, folk, pop and rock. Teorie mizení was recorded at Reset Studio in Brno.  more

The Faculty of Music at the Janáček Academy of Performing Arts has successfully concluded the 32nd Leoš Janáček International Competition. From 14 to 20 September, Brno welcomed outstanding French horn and tuba players for a series of performances. The week-long competition culminated on Sunday 20 September at Besední dům, where the finalists performed with the Bohuslav Martinů Philharmonic Orchestra conducted by Robert Kružík.  more

Artists from both the National Theatre Brno and Brno City Theatre have received nominations for the 2025 Thalia Awards, in the Opera and Musical categories.  more

Ballet NdB will present Coco Chanel, choreographed by Mário Radačovský, at Bangkok’s International Festival of Dance & Music. A 64-strong delegation is travelling to Thailand for the performance.  more

Magdalena Kožená has won the Thalia Award in the opera category for the title role in Handel’s Alcina at the National Theatre Brno. In the production, the mezzo-soprano portrayed the sorceress Alcina, the central character in Handel’s opera. An award is also going to Brno City Theatre in the musical category, where Marco Salvadori was honoured for his portrayal of Nicholas Winton in the musical Winton, with the jury also taking into account his performance as Enjolras in Les Misérables.  more

Brno Contemporary Orchestra will open the Ars Spectrum edition of the Exposition of New Music festival with the first work of spectral music. Two chess players will then open a game with the Falkbeer Countergambit, before their moves begin to shape the course of the world premiere of Michal Rataj’s A Game of Chess. After the interval, three abstract video projections will complement Fausto Romitelli’s legendary video opera An Index of Metals. The programme is inspired by an extract from a poem written by Ivan Blatný while he was living in a psychiatric hospital. The concert will take place in a former garage complex that is now home to an underground dance venue.  more

For this year’s anniversary edition of the Janáček Brno festival, TIC BRNO is offering a programme of accompanying activities that will introduce visitors to the composer not only through his music, but also through places, flavours and stories. There will be guided walks and tours, a trip to Hukvaldy, film screenings – and this year, an experience in the striking setting of the Žlutý kopec Water Tanks.  more

Mannheim, Brno’s partner city in the international UNESCO Creative Cities of Music network, is becoming the centre of the global guitar scene this weekend. From 25 to 27 September 2026, the Rosengarten Mannheim is hosting the Guitar Summit, one of Europe’s leading events for guitars, bass guitars and the music industry. Brno – City of Music is represented by singer-songwriter and guitar maker Jan Fic and guitar maker Lucie Přichystalová.  more