Soňa Červená would have celebrated her 100th birthday today. The NdB has prepared an e-exhibition to mark this jubilee

9 September 2025, 1:00
Soňa Červená would have celebrated her 100th birthday today. The NdB has prepared an e-exhibition to mark this jubilee

Today, opera singer Soňa Červená would have turned 100. Her early days as a singer are linked to the Brno Opera, to which she also returned in the last years of her life. To mark the anniversary of her birth, the National Theatre Brno has put together an e-exhibition that can be visited online from today until 7 May 2026.

Mezzo-soprano Soňa Červená was born on 9 September 1925. Her father was the writer and cabaret performer Jiří Červený, her grandfather the famous Václav František Červený of Hradec Králové, who made and invented brass instruments. The beginnings of Červena's artistic career are connected with the Liberated Theatre and the role of Káča in Voskovec and Werich's Divotvorný hrnec (The Magic Pot - the Czech version of Finian’s Rainbow). She also acted in films. However, her ambitions always lay with the opera and her first opera engagement was at the Brno (now Janáček) Opera, where she started in supporting roles in Rusalka. She came here in 1951; Zdeněk Chalabala was the head at that time. She sang Varvara in Káťa Kabanová, Olga in Eugene Onegin, and Dorabella in Così fan tutte. But especially Carmen, who followed her throughout her career. In 1958 she moved from Brno to Berlin - to the Berlin State Opera, from where she emigrated in 1962.

For eleven seasons she sang at the San Francisco Opera. She also worked in opera houses in Vienna, Milan, Amsterdam, Barcelona, Brussels, Lisbon and all the top German opera houses. She was also a regular guest at leading European and American venues and international festivals such as Bayreuth, Salzburg, Glyndebourne and Edinburgh. She returned to her homeland after 1989. She resumed her operatic career here after 40 years in exile. At the National Theatre in Prague, for example, she played the symbolic role of Fate in Janáček's opera Fate directed by Robert Wilson, the central character in Aleš Březina and Jiří Nekvasil's chamber opera Zítra se bude… (Tomorrow There Will Be… - the story of the death sentence passed on Dr. Milada Horáková in 1950), the role of Elina Makropulos in Robert Wilson's drama production of Čapek's The Makropulos Affair, and Time in Robert Wilson's 1914 project. In the New Theatre she played a character in Březina's chamber opera Toufar.

During her time around the world, she was instrumental in promoting Janáček's œuvre, such as some exemplary interpretations of his works in Czech and accurate translations of sheet music editions. Červená returned to Brno at the age of 92. She played the role of the Countess in The Queen of Spades (directed by Martin Glaser).

The e-exhibition runs from today, 9 September, until 7 May 2026 (the anniversary of Soňa Červená's death). You can find the link here.

Photo by Patrik Borecký

Comments

Reply

No comment added yet..

The cycle of classical music concerts directed by its founder, Barbara Maria Willi, has been an integral part of cultural events in the Moravian capital for twenty-three years. The audience in Brno has already been introduced to a number of  outstanding personalities and ensembles with whom Barbara Maria Willi regularly cooperates. This year's opening concert, traditionally held on Wednesday, 11 February, in the hall of the Convent of the Merciful Brothers with a subtitle Music in Motion offered a combination of the art of the fortepiano with flute played by Sofia Mavrogenidou and accompanied by young dancers Klementýna Anna Špičková and Adam Mišo, choreographed by David Strnadmore

The final concert of this year’s instalment of the Barbara Maria Willi Presents series offered a unique project that on 4 December brought together two ensembles in the Convent of the Brothers of Mercy:  Cappella Pratensis and Ramillete de Tonos. They showed the audience the many different ways in which one can work with the polyphonic repertoire of the 15th and 16th centuries. The programme intertwined sacred and secular music, and purely vocal, vocal-instrumental and purely instrumental pieces.  more

The rediscovery and digitisation of the Brno polyphonic manuscripts BAM 1 and BAM 2 has opened a new chapter in the study and performance of Renaissance music. At the crossroads of historical research, modern technology, and artistic interpretation stands Past Forward, a cross-border project connecting institutions from the Netherlands, Belgium and the Czech Republic. At its artistic core are two musicians whose approaches complement each other: Tim Braithwaite, artistic director of Cappella Pratensis, and Kateřina Maňáková, lutenist, teacher of early plucked instruments at Janáček Academy of Performing Arts and guarantor of the entire initiative. In this conversation, they discuss working with previously overlooked sources, the challenges of historically informed performance, the promises of international collaboration, and their vision for the future of early-music interpretation.  more

The concert by Filharmonie Brno under Dennis Russell Davies on Thursday 6 November in Besední dům offered a fascinating programme combining the work of two contemporary composers from the former Soviet Union. The performers included Armenian baritone Aksel Daveyan, violist Julian Veverica, percussionist Lukáš Krejčí, and the Austrian Hard-Chor Linz choir under choirmaster Alexander Koller.  more

Brno-born pianist and Director General of the Czech Philharmonic, David Mareček, is appearing together with cellist Václav Petr on a concert tour in South Korea. During the first week of November, the duo is presenting Czech repertoire on prestigious stages, including the Seogwipo Arts Center, Yongin Poeun Art Hall and Daegu Concert House.  more