The thirtieth anniversary year of the Concentus Moraviae Festival is subtitled "Rondo Festivo"

3 February 2025, 12:00
The thirtieth anniversary year of the Concentus Moraviae Festival is subtitled

The Concentus Moraviae International Music Festival celebrates its thirtieth birthday this year. From May to June it will offer its fans almost forty concerts in impressive venues in twenty festival towns and cities. The festival dramaturgy has been prepared by Jelle Dierickx, who has dubbed the whole event "Rondo Festivo". The playful title is a nod to the festive anniversary year as well as this year's artist in residence, French keyboard virtuoso and composer Jean Rondeau.

Concentus Moraviae will blow out thirty candles on the cake in 2025, which really calls for a stylish musical celebration! The artist in residence will be master harpsichordist and pianist Jean Rondeau. The motto of the festival Rondo Festivo refers him, of course, but also highlights the festive character of the year as a whole: not only are we celebrating thirty years of the festival, it's also twenty years since the memorable Flemish Storm blew through Moravia and made its indelible musical mark. The dramaturgy thus combines concerts by Jean Rondeau and his French colleagues with innovative ensembles and musicians from Flanders and the Czech Republic. The 2025 festival, which takes place in some of the most beautiful places of South Moravia, Vysočina and Lower Austria, is structured as a festive rondo: the chorus has a touch of French, while the individual verses are Flemish and Czech. The festival will run from 30 May to 27 June 2025.

Jean Rondeau will be appearing on five nights. At the opening, he will perform Francis Poulenc's Concert champêtre accompanied by the Prague Philharmonia; in the appearances of his residency, he'll perform four of Bach's famous Goldberg Variations with harpsichord, organ, piano and pianino, both as a soloist and as part of Nevermind and UNDR: In addition to Rondeau's colleagues, the great Les Musiciens de Saint-Julien will be the French cherry that tops the birthday cake with works from their album Beauté Barbare.

A long list of Flemish musicians and ensembles will offer up their musical stories. These include a quartet of top vocal ensembles, Vox Luminis, Graindelavoix, Utopia Ensemble and Currende, now in their 50th year, as well as a pair of perhaps the finest Belgian singers of their generation: tenor Reinoud Van Mechelen with his ensemble A Nocte Temporis and soprano Lore Binon with musicians from Het Collectief. The Renaissance ensemble Sollazzo will be performing musical treats from the recently rediscovered Lovan songbook, while Les Violons de Bruxelles will transport the audience to the world of Django Reinhardt. The solo nights will feature living legend Jos Van Immerseel, lutenist Floris De Rycker, and viola da gamba player Thomas Baeté, and pianist Jan Michiels, while guitarist Emma Wills will visit the Lomnica chateau, which has a link to Flanders through the Thienen-Serényi family that owns it. The extraordinary string ensemble Bryggen Bruges Strings headed by violinist Jolente De Maeyer will close the festival this year.

This year, the Flemish partner festival Lunalia, held in Mechelen, will be sending an impressive delegation: in addition to artistic director Jelle Dierickx as dramaturge, Moravia will be hosting Le Pavillon de Musique with flautist Barthold Kuijken, dancer Oona van Aken and organist Tom Van Der Plas, as well as the Zefiro Torna ensemble, which has been a huge hit with Moravian audiences in the past and will be returning to the festival for the third time, this time with a brand new project, Balsam.

Flanders and this country are connected by a programme created especially for the festival by a pair of young percussionists, Geertje Karpez and Anežka Nováková, the Ecce femina project by the popular Tiburtina Ensemble and photographer Lieve Blancquaert, as well as Johannes Tourout's Mirror by the renowned Czech ensemble Cappella Mariana. The programme of the ensemble Rhine, which will be performing at the festival as part of the prestigious S-EEEmerging project, also includes the Baroque Flemish master Nicolaus à Kempis.

Photo by Clement Vayssieres

Comments

Reply

No comment added yet..

The cycle of classical music concerts directed by its founder, Barbara Maria Willi, has been an integral part of cultural events in the Moravian capital for twenty-three years. The audience in Brno has already been introduced to a number of  outstanding personalities and ensembles with whom Barbara Maria Willi regularly cooperates. This year's opening concert, traditionally held on Wednesday, 11 February, in the hall of the Convent of the Merciful Brothers with a subtitle Music in Motion offered a combination of the art of the fortepiano with flute played by Sofia Mavrogenidou and accompanied by young dancers Klementýna Anna Špičková and Adam Mišo, choreographed by David Strnadmore

The final concert of this year’s instalment of the Barbara Maria Willi Presents series offered a unique project that on 4 December brought together two ensembles in the Convent of the Brothers of Mercy:  Cappella Pratensis and Ramillete de Tonos. They showed the audience the many different ways in which one can work with the polyphonic repertoire of the 15th and 16th centuries. The programme intertwined sacred and secular music, and purely vocal, vocal-instrumental and purely instrumental pieces.  more

The rediscovery and digitisation of the Brno polyphonic manuscripts BAM 1 and BAM 2 has opened a new chapter in the study and performance of Renaissance music. At the crossroads of historical research, modern technology, and artistic interpretation stands Past Forward, a cross-border project connecting institutions from the Netherlands, Belgium and the Czech Republic. At its artistic core are two musicians whose approaches complement each other: Tim Braithwaite, artistic director of Cappella Pratensis, and Kateřina Maňáková, lutenist, teacher of early plucked instruments at Janáček Academy of Performing Arts and guarantor of the entire initiative. In this conversation, they discuss working with previously overlooked sources, the challenges of historically informed performance, the promises of international collaboration, and their vision for the future of early-music interpretation.  more

The concert by Filharmonie Brno under Dennis Russell Davies on Thursday 6 November in Besední dům offered a fascinating programme combining the work of two contemporary composers from the former Soviet Union. The performers included Armenian baritone Aksel Daveyan, violist Julian Veverica, percussionist Lukáš Krejčí, and the Austrian Hard-Chor Linz choir under choirmaster Alexander Koller.  more

Brno-born pianist and Director General of the Czech Philharmonic, David Mareček, is appearing together with cellist Václav Petr on a concert tour in South Korea. During the first week of November, the duo is presenting Czech repertoire on prestigious stages, including the Seogwipo Arts Center, Yongin Poeun Art Hall and Daegu Concert House.  more