Events

Program:

Max Reger (1873–1916): Suite No. 1 in G minor for Solo Viola, Op. 131d

Henri Vieuxtemps (1820–1881): Sonata for Viola and Piano in B-flat major, Op. 36

I. (Maestoso) — II. Barcarolla (Andante con moto) — III. Finale scherzando (Allegretto)

Johannes Brahms (1833–1897): Trio for Clarinet, Cello, and Piano in A minor, Op. 114 (arranged for viola)

Allegro — Adagio — Andantino grazioso — Allegro

A prominent Slovak singer, songwriter, and performer with international reach, he blends modern pop with electronic elements and a darker atmosphere.

ADONXS creates contemporary, world-class pop characterized by a strong visual identity and a charismatic stage presence.

Josef Suk: A Fairy Tale, Op. 16 / suite for large orchestra based on themes from the music for Julius Zeyer’s dramatic fairy tale *Radúz and Mahulena*

Leoš Janáček: *Šárka* (concert performance), JW I/1 / opera in three acts based on the music drama by Julius Zeyer 

Cast:
Šárka: Mária Porubčinová
Ctirad: Aleš Briscein
Přemysl: Svatopluk Sem
Lumír: Daniel Matoušek

A mere ten years separate Janáček’s first opera and Suk’s *A Fairy Tale*. They are linked not only by the figure of the writer, playwright, and poet Julius Zeyer but also by Slavic mythology.

A famous musical based on the novel by Victor Hugo

On February 13, 2009, one of the most renowned musicals of the 20th century premiered on the Musical Stage of the Brno City Theatre. Based on Victor Hugo’s famous 1862 novel *Les Misérables*, the story of the escaped convict Jean Valjean captured the hearts of audiences—and not just in Brno—during a run of more than 130 performances, while Petr Gazdík won the prestigious Thalia Award for his portrayal of the lead role.

After a successful arena tour, we are returning to clubs and cultural centers—likely for the last time in a long while. As part of the FACE TOur FACE, we will visit legendary venues where the band’s history was written. Don't expect pyrotechnics or elaborate effects; it’s just us, face-to-face and as close as possible to the fans who have supported the band for nearly a quarter of a century. The FACE TOur FACE will also stop at the legendary Fléda club, which has a limited capacity, so we recommend buying tickets as soon as possible!
Koblížci will appear as the special guest.

Schedule
Doors: 18:30
Photo session: 19:00 – 20:00
Koblížci: 20:15 – 21:15
Rybičky 48: 21:45
End: 23:15

A famous musical based on the novel by Victor Hugo

On February 13, 2009, one of the most renowned musicals of the 20th century premiered on the Musical Stage of the Brno City Theatre. Based on Victor Hugo’s famous 1862 novel *Les Misérables*, the story of the escaped convict Jean Valjean captured the hearts of audiences—and not just in Brno—during a run of more than 130 performances, while Petr Gazdík won the prestigious Thalia Award for his portrayal of the lead role.

The complete presentation of Janáček’s operas during the festival’s 10th edition offers a unique opportunity not only to enjoy his masterpieces but also to discover works rarely seen on stage today. Alongside Janáček’s debut, *Šárka*, these include his second opera, *The Beginning of a Romance* (*Počátek románu*), a piece strongly influenced by the period when the composer was deeply interested in folklore. The libretto was based on a short story of the same name by Gabriela Preissová—herself inspired by a genre painting by Jaroslav Věšín—and was written by Janáček’s colleague from the grammar school, František Rypáček (publishing under the name Jaromír Tichý), after Eliška Krásnohorská had declined the task. The simple love story of Poluška, a village girl, and Adolf, a young man from the gentry—a romance that meets with disapproval from Adolf’s parents—is filled with music derived from Janáček’s own transcriptions of folk music. Janáček himself described the opera as a *vaudeville*, a genre characterized by a simple plot accompanied by popular (i.e., folk) tunes—in this case, including folk dances. The premiere, conducted by the composer himself, took place in Brno on February 10, 1894, and brought Janáček his first theatrical success. By that time, however, he was already working on *Jenůfa* (*Její pastorkyňa*); in that work, he discovered a distinctive musical language and ultimately embarked on a path vastly different from the one outlined in *The Beginning of a Romance*.

New Music Forum. New Music Encounters Plus.

Opening Concert

Tomáš Hanzlík, Vít Zouhar: La Dafne

Tomáš Hanzlík & Ensemble Damian
A free reconstruction of the first opera in history. A revival of a successful production based on a libretto by Ottavio Rinuccini.

Free admission.

Frankie & The Deadbeats will celebrate the release of their third studio album, *Sometimes Drunk, Always Fucked Up*. This new record arrives three years after their last, once again on the Pushteek label.

The evening’s special guest is Matt Charette, a prominent figure in the Boston DIY scene who blends punk roots with Americana and country. His songs are raw and personal, drawing on his own experiences and the life around him. Notably, this marks his first time touring Europe with his band, The Truer Sound.

DJ Kuda will be on the decks for the evening. Having made a habit of visiting every record store he encountered while touring with bands, he has built a collection rich in musical discoveries. His sets blend rocksteady, soul, and Middle Eastern music.

The complete presentation of Janáček’s operas during the festival’s 10th edition offers a unique opportunity not only to enjoy his masterpieces but also to discover works rarely seen on stage today. Alongside Janáček’s debut, *Šárka*, these include his second opera, *The Beginning of a Romance* (*Počátek románu*), a piece strongly influenced by the period when the composer was deeply interested in folklore. The libretto was based on a short story of the same name by Gabriela Preissová—herself inspired by a genre painting by Jaroslav Věšín—and was written by Janáček’s colleague from the grammar school, František Rypáček (publishing under the name Jaromír Tichý), after Eliška Krásnohorská had declined the task. The simple love story of Poluška, a village girl, and Adolf, a young man from the gentry—a romance that meets with disapproval from Adolf’s parents—is filled with music derived from Janáček’s own transcriptions of folk music. Janáček himself described the opera as a *vaudeville*, a genre characterized by a simple plot accompanied by popular (i.e., folk) tunes—in this case, including folk dances. The premiere, conducted by the composer himself, took place in Brno on February 10, 1894, and brought Janáček his first theatrical success. By that time, however, he was already working on *Jenůfa* (*Její pastorkyňa*); in that work, he discovered a distinctive musical language and ultimately embarked on a path vastly different from the one outlined in *The Beginning of a Romance*.

A famous musical based on the novel by Victor Hugo

On February 13, 2009, one of the most renowned musicals of the 20th century premiered on the Musical Stage of the Brno City Theatre. Based on Victor Hugo’s famous 1862 novel *Les Misérables*, the story of the escaped convict Jean Valjean captured the hearts of audiences—and not just in Brno—during a run of more than 130 performances, while Petr Gazdík won the prestigious Thalia Award for his portrayal of the lead role.

There are few significant or famous ballets from the Classical and Romantic eras that are not part of our company’s repertoire. We are including *Giselle*—a masterpiece of Romantic ballet and, without exaggeration, a cornerstone of the ballet canon—in our performance schedule.

The premiere of the new ballet *Giselle* took place in Paris in 1841; it was such a resounding success that, within a decade, it had been staged at all the major venues of the ballet world. The subject matter was drawn from the German poet Heinrich Heine’s collection *De l’Allemagne*. The story—concerning young women who die of betrayed love before their weddings and subsequently find no peace in the grave—was adapted by Théophile Gautier, a leading theorist of Romantic theatre, and librettist Jules Henri Vernoy de Saint-Georges. Adolphe Adam composed the poignant, enchanting, and melodic score, which is imbued with French charm. The first interpreter of the fragile Giselle was Carlotta Grisi, one of the greatest dancers of the Romantic era; the ballet was created specifically for her by choreographers Jean Coralli and Jules Perrot. In the Czech lands, *Giselle* won over audiences only gradually. It did not reach the Brno stage until the late 1960s, when choreographer Miroslav Kůra presented it there for the first time (1968). Audiences also fondly remember Jiří Blažek’s 1983 production—which enjoyed a run of over a hundred performances—featuring the unforgettable, ethereal ballerinas Soňa Zejdová and, later, Jana Kosíková in the title role.

The fifth annual Charity Night is arriving in a big way. After years at Brno’s ArtBar, the non-profit organization Human Help, z.s., is moving to a larger venue—the legendary Fléda. That is where we will gather on November 13, 2026, to lend a hand where it is needed most.
This year features a lineup that will never be repeated in this exact combination. We are keeping the names under wraps for now, but we can promise an evening that will take Charity Night to the next level.
Helping others is what it’s all about. This time, we have chosen two stories—those of Vašek and Míša. You will learn more about them soon and understand why being there matters.
Get ready for music, energy, community, and a night that truly makes a difference. Charity Night 2026—bigger venue, bigger heart, bigger impact.

In Leoš Janáček’s opera *Káťa Kabanová*, the protagonist is trapped in a dark web of relationships. Her domineering mother-in-law, Kabanicha, controls her son Tichon, whose marriage to Káťa is severely strained under this domination. Finding no fulfillment within the family, Káťa turns to a secret love affair with Boris.

Acting as his own librettist, Janáček condensed the plot of Alexander N. Ostrovsky’s drama *The Storm*, deliberately omitting extensive social commentary. Instead, he creates a musical language of extraordinary psychological nuance that traces Káťa’s inner evolution. Her feelings of guilt and mental anguish intensify, culminating in a public confession—an emotional storm that sweeps everything away.

Director Krzysztof Warlikowski views Káťa as an outcast denied the chance to live in harmony with her desires—a woman who ultimately chooses death over a life of hypocrisy. In this Munich production, the set design, lighting, and video projections amplify both Káťa’s inner landscape and the social constraints that hem her in.

As the name suggests, Eagle Eye is a project built around the work of the "Ice Queen" Tarja Turunen. The band's repertoire features the biggest hits from Tarja's solo career. Their live shows often include acoustic versions of selected songs by the Finnish metal diva, and the setlist never fails to include legendary hits from Nightwish, the band where Tarja first made her mark years ago.

OH HUMANITY!

An existential one-act opera

Oh Humanity! The final cry of a witness to a cataclysmic disaster. There comes a point when it is simply too much. Pierre (perhaps Petr, perhaps you or me) has seen too much. Nothing remains but helplessness. He can bear to see no more, feel no more. And so, he shuts down... And then? Another disaster.

What is right, and what makes us heroes? The answer may well be waiting at Borodino.

HERE LIES AN ISLAND

A comic one-act opera based on the apocryphal tales of Karel Čapek

Three renowned figures—Don Juan, Hamlet, and Napoleon—find themselves shipwrecked on the shores of a mythical island of gold, abundance, and infinite possibilities. But what happens when they confront boundless freedom and are given the chance to rewrite their own stories? Will they finally find what they crave? Will they remain true to themselves?

There are few significant or famous ballets from the Classical and Romantic eras that are not part of our company’s repertoire. We are including *Giselle*—a masterpiece of Romantic ballet and, without exaggeration, a cornerstone of the ballet canon—in our performance schedule.

The premiere of the new ballet *Giselle* took place in Paris in 1841; it was such a resounding success that, within a decade, it had been staged at all the major venues of the ballet world. The subject matter was drawn from the German poet Heinrich Heine’s collection *De l’Allemagne*. The story—concerning young women who die of betrayed love before their weddings and subsequently find no peace in the grave—was adapted by Théophile Gautier, a leading theorist of Romantic theatre, and librettist Jules Henri Vernoy de Saint-Georges. Adolphe Adam composed the poignant, enchanting, and melodic score, which is imbued with French charm. The first interpreter of the fragile Giselle was Carlotta Grisi, one of the greatest dancers of the Romantic era; the ballet was created specifically for her by choreographers Jean Coralli and Jules Perrot. In the Czech lands, *Giselle* won over audiences only gradually. It did not reach the Brno stage until the late 1960s, when choreographer Miroslav Kůra presented it there for the first time (1968). Audiences also fondly remember Jiří Blažek’s 1983 production—which enjoyed a run of over a hundred performances—featuring the unforgettable, ethereal ballerinas Soňa Zejdová and, later, Jana Kosíková in the title role.

A famous musical based on the novel by Victor Hugo

On February 13, 2009, one of the most renowned musicals of the 20th century premiered on the Musical Stage of the Brno City Theatre. Based on Victor Hugo’s famous 1862 novel *Les Misérables*, the story of the escaped convict Jean Valjean captured the hearts of audiences—and not just in Brno—during a run of more than 130 performances, while Petr Gazdík won the prestigious Thalia Award for his portrayal of the lead role.

Giovanni Pierluigi da Palestrina: Missa brevis

Pavel Křížkovský: Graduale in Dominica Resurrectionis

Leoš Janáček: Exaudi Deus, JW II/4

Johann Sebastian Bach: Magnificat, BWV 243

The choir loft of the Basilica of the Assumption of the Virgin Mary in Old Brno is a place closely linked to the childhood and youth of Leoš Janáček. He sang there regularly as a chorister and later held the position of choir director. His teacher—the choir director and head of the Augustinian Abbey’s musical foundation, Pavel Křížkovský—was a major proponent of "Cecilianism." This was a reform movement in church music that aimed to strip away Classical and, above all, Romantic accretions; to revive Gregorian chant; to perform works from the turn of the 17th century; and to compose music in a style akin to that of Palestrina. The young Leoš Janáček shared this same passion for the movement. It is hardly surprising, then, that both Křížkovský and subsequently Janáček presented works in the Old Brno choir loft not only by contemporary exponents of Cecilianism but also by composers such as Orlando di Lasso and Giovanni Pierluigi da Palestrina. Ecclesiastical modes also influenced Janáček’s own musical thinking. Palestrina—serving as a kind of archetype of church music—also influenced the work of Johann Sebastian Bach.

MACOCHA

Heavy metallers from the depths of the Moravia Karst are back with a brand-new album titled *Pale Heart*! This new release offers everything you love about Macocha, showcasing the band in a style that is even heavier, more aggressive, darker, and—above all—more mature than on their 2024 debut. A unique opportunity to hear the new album live in all its glory.

ADACTA (SK)

A staple of the hardcore punk scene since 2000. Bratislava-based HM-2 worshippers. Massive, raw metal riffs blend with punk-fueled drive. Uncompromising music, uncompromising views—no holding back!

The program will feature songs and compositions ranging from the old and ancient to the new and very latest—spanning the more than 60-year active musical career of Zdeněk Kluka. Kluka is a drummer, vocalist, composer, and arranger, as well as a co-founder and member of legendary bands such as Atlantis, The Progress Organization, Barnodaj, and Progres 2 / Progres.

In addition to his work with his primary band, Progres 2, Kluka has composed numerous songs and pieces of incidental music for Czech and Slovak theaters, as well as scores for film, documentaries, and television.

Luboš Fišer: Dreams and Waltzes
Béla Bartók: Romanian Dances, Op. 8a, BB 56
Igor Stravinsky: Valse pour les enfants
Igor Stravinsky: Tango
Frédéric Chopin: Mazurkas (selection)
Bedřich Smetana: Czech Dances, Sets I and II (selection)
Johann Sebastian Bach: Partita in B-flat major, BWV 825

Although the name Luboš Fišer (1935–1999) often brings to mind his film scores, he also garnered international acclaim as a composer of orchestral, choral, and chamber music. In addition to eight remarkable piano sonatas, he composed *Dreams and Waltzes* (1993) for the instrument; this work employs a postmodern approach, combining a Chopin-esque dreaminess with banal waltz melodies.

Luboš Fišer: Dreams and Waltzes
Béla Bartók: Romanian Dances, Op. 8a, BB 56
Igor Stravinsky: Valse pour les enfants
Igor Stravinsky: Tango
Frédéric Chopin: Mazurkas (selection)
Bedřich Smetana: Czech Dances, Sets I and II (selection)
Johann Sebastian Bach: Partita in B-flat major, BWV 825

Although the name Luboš Fišer (1935–1999) often brings to mind his film scores, he also garnered international acclaim as a composer of orchestral, choral, and chamber music. In addition to eight remarkable piano sonatas, he composed *Dreams and Waltzes* (1993) for the instrument; this work employs a postmodern approach, combining a Chopin-esque dreaminess with banal waltz melodies.

A famous musical based on the novel by Victor Hugo

On February 13, 2009, one of the most renowned musicals of the 20th century premiered on the Musical Stage of the Brno City Theatre. Based on Victor Hugo’s famous 1862 novel *Les Misérables*, the story of the escaped convict Jean Valjean captured the hearts of audiences—and not just in Brno—during a run of more than 130 performances, while Petr Gazdík won the prestigious Thalia Award for his portrayal of the lead role.

"Roots" is the theme of the festival’s 10th edition, and the premiere performance by the Brno-based ensemble focuses precisely on this concept. Through a site-specific production at the Besední dům—a venue inextricably linked to Janáček’s role in Brno’s cultural life—we will return to the very beginnings of the Maestro’s operatic output.

The opera *Šárka* exists in two forms: the 1887 version, which Janáček completed only as a piano reduction, and the revised, fully orchestrated version from 1925. While both versions will be presented at the festival, director Jiří Heřman has chosen the original 1887 form for his project; this allows him to immerse the audience within the Besední dům in the midst of the dramatic clash between men and women—a conflict that culminates in tragedy. The piano part will be performed by the outstanding British pianist Julius Drake, an artist well known to festival audiences from previous years as a brilliant interpreter of Janáček’s music.

Immortality is a curse.

The story of the singer Emilia Marty, who has lived for over three hundred years thanks to an elixir of life… A glimpse into the eccentric world of opera divas, degenerate nobility, and shallow petty bourgeois. In February 2017, the Janáček Opera presented this production at the Hong Kong Arts Festival. It was created in co-production with the Gothenburg Opera.

The legendary Japanese band Boris boasts a career spanning over 30 years, establishing them as one of the most progressive, heavy, and innovative acts in experimental music. Formed in 1992, the lineup of Takeshi, Wata, and Atsuo has played together continuously since 1996. The band has an extensive discography—with releases on labels such as Southern Lord, Sacred Bones, Hydra Head, Sargent House, and Relapse—and has collaborated with artists including Sunn O))), Melvins, Uniform, and noise master Merzbow. Boris transforms the classic proto-metal sounds of the 1970s into something entirely new and unique. Their work is hailed as a game-changer at the cutting edge of the global rock scene, and their influence is virtually boundless.

"Roots" is the theme of the festival’s 10th edition, and the premiere performance by the Brno-based ensemble focuses precisely on this concept. Through a site-specific production at the Besední dům—a venue inextricably linked to Janáček’s role in Brno’s cultural life—we will return to the very beginnings of the Maestro’s operatic output.

The opera *Šárka* exists in two forms: the 1887 version, which Janáček completed only as a piano reduction, and the revised, fully orchestrated version from 1925. While both versions will be presented at the festival, director Jiří Heřman has chosen the original 1887 form for his project; this allows him to immerse the audience within the Besední dům in the midst of the dramatic clash between men and women—a conflict that culminates in tragedy. The piano part will be performed by the outstanding British pianist Julius Drake, an artist well known to festival audiences from previous years as a brilliant interpreter of Janáček’s music.

After a year, Szidi Tobias returns to the stage of the Mahen Theater and celebrates 25 years on the music scene this year.

Szidi Tobias sings from the heart what is both expressed and hidden in the words of her husband Petr Lipovský. As she says about herself: "At concerts, I am myself and the team I want to be. Hymns and psalms about love, hope and joy. The one who understands gives us the most."

A famous musical based on the novel by Victor Hugo

On February 13, 2009, one of the most renowned musicals of the 20th century premiered on the Musical Stage of the Brno City Theatre. Based on Victor Hugo’s famous 1862 novel *Les Misérables*, the story of the escaped convict Jean Valjean captured the hearts of audiences—and not just in Brno—during a run of more than 130 performances, while Petr Gazdík won the prestigious Thalia Award for his portrayal of the lead role.

An additional Boris concert has been added for November 16, 2026, at Kabinet MÚZ, featuring a special set marking the 25th anniversary of the album *Flood*!

Unlike the first concert—already sold out—where Boris will perform in Brno a day earlier to celebrate the *Pink* album, this special show will be built around the sounds of the *Flood* album. This will be the only "Boris performing *Flood*" concert of the tour to take place in Brno!

Big Latin-American party.

A famous musical based on the novel by Victor Hugo

On February 13, 2009, one of the most renowned musicals of the 20th century premiered on the Musical Stage of the Brno City Theatre. Based on Victor Hugo’s famous 1862 novel *Les Misérables*, the story of the escaped convict Jean Valjean captured the hearts of audiences—and not just in Brno—during a run of more than 130 performances, while Petr Gazdík won the prestigious Thalia Award for his portrayal of the lead role.

A unifying thread runs through all of Leoš Janáček’s compositions: profound humanity and original form. This applies perhaps most strongly to his final two major works—the opera *From the House of the Dead* and the *Glagolitic Mass*. The former offers a concise glimpse into the souls of prisoners, while the latter provides a distinctive expression of faith set to an Old Church Slavonic text. The Janáček Brno 2022 festival saw a unique pairing of these works; presenting the *Glagolitic Mass* in a staged format as a continuation of *From the House of the Dead* imbues both pieces with a new message regarding the power of faith in humanity.

The prisoners live in the brutal conditions of a Siberian penal colony; behind every name lies a harrowing human destiny—misfortune and wickedness, yet also a spark of hope. Bit by bit, in brief vignettes, Leoš Janáček tells their stories in this singular final work. A brilliant creator and master of concision, Janáček captures the essence of humanity within a compact scope. Despite the grim conclusion, the score of *From the House of the Dead* begins with the inscription: "In every creature, a spark of God!" This idea links his final opera to the equally unique *Glagolitic Mass*. As Janáček himself put it: "Here, I wanted to capture faith in the nation’s certainty—not on a religious foundation, but on a strong moral one that calls upon God as a witness."

Let us listen together to the story of a miraculous boy whose kingdom brings musical instruments—and even ordinary objects—to life.
This interactive reading for the youngest audience members will be accompanied by live music; together, the story and the music create a unique experience filled with imagination, rhythm, and musical surprises.

A program inspired by the book by Petr Sís; featuring Gabriela Svobodová and the Musica Felix ensemble.
Morning sessions are designed for parents with children aged 0–3, while afternoon sessions are for children aged 3–6.
To attend, please register by emailing bookstart@kjm.cz.

This event is part of the Creative Learning project.

The Brno Philharmonic Orchestral Academy is a project that enables talented young musicians—students or recent graduates of music schools selected through an audition process—to gain orchestral experience within a professional ensemble. Through this initiative, the Philharmonic cultivates new generations of players who may one day join its ranks. The Academy has completed six seasons, and the results are already evident: some alumni have become members of our orchestra, while others regularly return to perform as guest players. The significance and value of this experience for the artistic growth of young musicians and for the future of the orchestra are thus indisputable.

Program:

Joseph Haydn (1732–1809): Andante con variazioni in F minor, Hob. XVII:6 (1793)

Johann Sebastian Bach (1685–1750): Prelude and Fugue in C minor, BWV 871 (The Well-Tempered Clavier, Book II)

Fryderyk Chopin (1810–1849): Nocturne in F major, Op. 15, No. 1

Georg Philipp Telemann (1681–1767): Fantasia in G minor, TWV 33:8

António Fragoso (1897–1918): Nocturne in D-flat major

César Franck (1822–1890): Prelude, Fugue and Variation in B minor, Op. 18

Johannes Brahms (1833–1897): Hungarian Dances – Selection

No. 4 in F minor — No. 2 in D minor

Following the huge success of last year’s first European tour in over a decade, Modestep returns in 2026 with its biggest European headline run ever, over 20 dates across one month, bringing the full force of the live show back across the continent. Fronted by founder Josh Friend alongside two new mysterious masked members, this new era of Modestep pushes the project into darker, heavier and more unpredictable territory while still keeping the unmistakable energy that made the name iconic in the first place.

Emerging from London in 2010, Modestep became one of the defining crossover acts in modern bass music with tracks such as Sunlight, Feel Good, To The Stars and Show Me A Sign. Across three studio albums, Evolution Theory, London Road and Give Up The Ghost, the band has continuously evolved its sound, blending dubstep, drum & bass, rock and electronic music into one chaotic live experience. The release of Give Up The Ghost marked a major new chapter for Modestep, earning widespread support across the bass music scene and helping introduce a new generation of fans to the project’s darker and heavier direction.

The 2026 European Tour promises a career-spanning set packed with classics, new material and the biggest production the band has ever brought to the stage.

The evening will belong to garage bands.

FACESOUL, born Faisal Salah, is a London-based Somali singer, songwriter, poet, and storyteller. Born in East Africa, he grew up amidst diverse cultures that have profoundly influenced both his music and his personal journey.

At the age of 19, he embarked on a journey around the world, performing for communities across various countries and cultures. Along the way, he realized that despite differences in language, culture, or background, people share the same emotions, aspirations, and stories. To this day, he views music as a form of service—a way to heal, connect, and bring people together.

His traditional Islamic roots serve as a significant source of inspiration, shaping his identity, worldview, and relationship with music. His songs explore themes of faith, humanity, vulnerability, love, loss, and the search for life's meaning.

FACESOUL is known for creating performances that are intimate, authentic, and deeply moving. Many listeners describe his concerts as a space for stillness, connection, and deep listening. For him, music is not merely entertainment; it is a path to reflection, healing, and a deeper encounter with the self.

Program:

Eric Ewazen (* 1954): Concerto for bass trombone or tuba

Andante con moto — Andante espressivo — Allegro ritmico

Luigi Boccherini (1743–1805): Concerto for tuba and piano (from Cello Concerto No. 9 arr. Roland Szentpali)

Allegro moderato — Adagio — Allegro

Alexander Arutjunjan (1920–2012): Concerto for tuba and orchestra

Allegro moderato — Andante sostenuto — Allegro non troppo — Concerto for Tuba and Orchestra

Arild Plau (1920–2005): Concerto for tuba and strings

Prologue — Canzone — Finale

Gala Concert

The celebrations marking the B-Side Band’s 20th anniversary will culminate where it all began: at the Brno City Theatre, the very place where the band’s debut project took place two decades ago. This evening will be more than just a concert; it will be the culmination of two decades during which the B-Side Band has established itself as one of the defining projects of the Czech music scene.

Spanish and Italian Songs

Programme: C. Monteverdi, G. Baptista, O. Michi dell’Arpa, and others.

Performed by Musica Poetica:

Jana Janků – mezzo-soprano, Baroque harp Lucie Lukášová – traverso Kateřina Stávková – viola da gamba Kamila Kubátová – harpsichord Martin Flašar – violin Tomáš Najbrt – theorbo

Following their show at Forum Karlín, the band is hitting venues across the Czech Republic. This autumn, Jamaron embarks on the *Něco zůstane* (Something Remains) Tour 2026.

After a major concert at Forum Karlín, Jamaron is moving to venues across the country this autumn in response to growing listener demand. The young five-piece band is preparing another dose of rock energy for their fans, showcasing material primarily from their latest album, *Něco zůstane*.

Fans can look forward to live performances of new songs that steer the band in a fresh rock direction. They can also expect the band's signature striking visual presentation and, above all, a powerful, uncompromising sound.

The *Něco zůstane* tour will span 10 stops, with the band promising an even bigger and more intense show.

Come experience Jamaron—one of the country's most ambitious young rock bands, which has seen a meteoric rise in recent years—live in your city.

Dukla returns to Kabinet MÚZ after two years. Anki will perform before Dukla.

Charity Ballet Gala

In November, the Janáček Theatre will become the setting for a remarkable meeting of art and solidarity. Now in its fourth year, this ballet gala brings together leading soloists from European stages with a single goal: to help cancer patients.

The "Dance for Life" Gala—a joint project of the National Theatre Brno Ballet and the Masaryk Memorial Cancer Institute—has established itself over the past four years as a prestigious charity event within the Czech dance scene.

SERGIO CORTÉS – The Michael Jackson Experience (Live Tribute Show). Get ready for an incredible event – ​​Sergio Cortés, the world's most famous stage impersonator of the King of Pop, is coming to the Czech Republic.

The unforgettable "Michael Jackson Experience by Sergio Cortés" show (Live Tribute Show).

Gala Concert

The celebrations marking the B-Side Band’s 20th anniversary will culminate where it all began: at the Brno City Theatre, the very place where the band’s debut project took place two decades ago. This evening will be more than just a concert; it will be the culmination of two decades during which the B-Side Band has established itself as one of the defining projects of the Czech music scene.

In the autumn of 2026, VENTOLIN and FVLCRVM—two prominent figures of the contemporary Czech and Slovak electronic music scenes—will join forces. Ventolin (real name David Doubek) is renowned for his energetic live shows driven by synthesizers, drum machines, and a distinctive performance style. He made a significant mark with albums such as *Totem* and *Vitajte*, as well as tracks like "Disco Science," "MHD," and "Když jedu z hub." FVLCRVM (aka Pišta Kráľovič) is a respected Slovak producer, vocalist, and DJ who seamlessly blends electronic music, pop, and club aesthetics; in 2025, he released his long-awaited debut album, *EEST*.

Their shared history goes back a long way—they toured together as early as 2009 with the bands Kazety and The Uniques, of which they were members at the time. Now, years later, they are reuniting on stage, this time as producers with their own unmistakable sounds. Visuals play a crucial role in both artists' performances, featuring special lighting effects, video projections, and elaborate stage design that adds a tangible, physical dimension to their music. And since such collaborations rarely stop at live shows, a joint release might well arrive even before the tour itself kicks off.