Articles
Theatre work and fame is extremely fleeting. Man does his job for many years, he leaves and there remains almost nothing except memories, which also gradually fade. Jiří Pinkas was the chief conductor of the Brno opera for thirteen years and for some time he worked in the Brno Philharmonic. more
The area of the so called “Great” Brno emerged when the city centre and the surrounding villages merged together, which contributes to its specific nature. You can merely stretch out your hand, take a few steps and you find yourself in the countryside. Folk traditions are so close to the city centre that they actually feel like home there. more
There are singers who have been connected with Brno for their entire career. Vladimír Tomš sang here during the first performance of the opera by Otakar Ostrčil, Honza's Kingdom, which was a major event in 1934, and then he just came back here to die. His artistic triumph and end shook hands in Brno. more
Let us sing together, but let us sing properly and without mistakes. If Brno and Moravia owes someone for its choir tradition and reputation, then it is Ferdinand Vach. more
She began to compose music already as a child, she had undeniable talent, during her short life, she won the acclaim of audiences and official recognition. The diminutive name Vitulka contradicts rather than resonates with confident orchestral compositions. more
Of all the Christian holidays, Christmas is the musically richest and it is usually hard on musicians. They are, however, not angry about it ; besides a certain extra income, Christmas music brings them an indefinable feeling of Christmas which takes them back to their childhood and can be experienced just once a year. Even the Bolshevik failed to eradicate this, no matter how hard he tried. Once, when there were comments from the region that members of the philharmonic organisation attend Christian churches during the holiday and serve black clericalism, the philharmonic officers voted (with calendars already full of Christmas ceremonies) that they will not even step inside a church this time – and then they watched, clenching their teeth, how their warm seats in the choir stalls were occupied by their colleagues from the opera where they did not take servility so seriously. more
Jan Skácel would most resolutely protest against the presence of his person in the gallery of musical figures from Brno which this commemorative series is supposed to be. Although raised in a family of teachers in Moravian Slovakia, he had a clear idea of his (non)musicality. You cannot talk about music to me, I have no ear for music, I do not listen to music and I do not understand it. Already in kindergarten in Poštorná, he stubbornly refused to sing with the other children and looked as obstinate then as he did his whole life (Janek will have a hard life, Mrs. Skácelová used to say about her elder son, he will not know how to deal with people as well as Petr). And at the time when he was thinking about a university career as an assistant at the newly-established faculty of education, he talked about musicological education with much scornfulness. more
“Mario’s” or “Ander’s” were not only visited by Brno cultural bohemians, poets; writers, painters, actors, but also by important figures from all other possible fields. In 1960 and 1970 it was almost a cult place, whose importance still awaits acknowledgement, contemporaries quickly leave this world. more
On Saturday 21 March 1953 a group of players of the then Symphonic Orchestra of the Brno region with the conductor Waldhans set off to their traditional first spring walk after one of the rehearsals; they spent afternoon in the hills overlooking Královo Pole and were on their way back to Černá Pole, they made a lot of stops and tried to say goodbye many times but unsuccessfully. Finally, one of them remembered that two of their colleagues were playing in a home quartet at the Hrubeš family that evening; we rang the doorbell of their basement flat in Helfertova street before midnight and started to congratulate the famous opera singer on the first spring night. The quartet was on their way home with their instruments but Eduard found other instruments in his collection, distributed them among the new guests (Waldhans was given a wooden spoon) and he made the ensemble play the whole Eine Kleine Nachtmusik by Mozart. more
The holiday series of Leoš Janáček’s texts Něco o hudbě brněnské (Something about music in Brno) will be concluded by his confession to the city where he spent the majority of his life. It is the year 1866 and Brno is occupied by the Prussian army...
Another part of the series of articles by Leoš Janáček about Brno singer associations is dedicated to the Slavonic singer association of Brno technicians “Zora”. more
I used to listen to Vilém Přibyl in the Janáček Theatre as a kid and he was one of the few singers who stayed in my memory into the future. He stayed in my head despite several years of a teenage break when opera completly left my life. I am not saying that I recognised his extraordinary abilities already as a child but I did not remember him due to an unusual costume or a non-musical event, so there must have been something about him. more
This November it will have been ninety years since the composition of the first of the two string quartets by Leoš Janáček. The composition, which is today a natural part of the international quartet repertoire, has a subtitle which is understood only by a few at first sight: Motivated by the Kreutzer Sonata by L. N. Tolstoy. The name of the Belgian violin virtuoso Rodolphe Kreutzer lives today in the collection of great etudes, which must be mastered by every professional violinist, and then in the said sonata, which however was not written by him, but by Beethoven – he dedicated it to him. Another Kreutzer Sonata was written by Tolstoy, not as a sonata but as a more extensive novel: In that, Beethoven's Kreutzer Sonata is the literary motif of one of the characters in a love triangle, a demonic violinist, who charms a young lady, the wife of the narrator, who eventually becomes her murderer. more
The Bakalas were an unusual couple. He looked at every moment – perhaps even at home in his pyjamas – like the chief conductor of a large orchestra, especially when his hair began to create a distinctive silver aureole in his mature years; he maintained his aristocratic restraint not only as a conductor but also in social and personal contact, he did not move rapidly, he did not raise his voice; we also never heard of him being on first-name terms with anyone and even musicians who had played under him for fifteen years were not sure if he knew their names. No so Mrs. Marie; wherever she came, she was just everywhere, she had something to talk about with everyone and – what was important – one felt that her warmth was genuine. She did not hide her love and admiration for her husband even though she, as a Brno native, referred to him as that boss of yours; it was characteristic that the orchestra referred to him exclusively as Bakala, while to her as Mařenka. more
The cycle of classical music concerts directed by its founder, Barbara Maria Willi, has been an integral part of cultural events in the Moravian capital for twenty-three years. The audience in Brno has already been introduced to a number of outstanding personalities and ensembles with whom Barbara Maria Willi regularly cooperates. This year's opening concert, traditionally held on Wednesday, 11 February, in the hall of the Convent of the Merciful Brothers with a subtitle Music in Motion offered a combination of the art of the fortepiano with flute played by Sofia Mavrogenidou and accompanied by young dancers Klementýna Anna Špičková and Adam Mišo, choreographed by David Strnad. more
The final concert of this year’s instalment of the Barbara Maria Willi Presents series offered a unique project that on 4 December brought together two ensembles in the Convent of the Brothers of Mercy: Cappella Pratensis and Ramillete de Tonos. They showed the audience the many different ways in which one can work with the polyphonic repertoire of the 15th and 16th centuries. The programme intertwined sacred and secular music, and purely vocal, vocal-instrumental and purely instrumental pieces. more
The rediscovery and digitisation of the Brno polyphonic manuscripts BAM 1 and BAM 2 has opened a new chapter in the study and performance of Renaissance music. At the crossroads of historical research, modern technology, and artistic interpretation stands Past Forward, a cross-border project connecting institutions from the Netherlands, Belgium and the Czech Republic. At its artistic core are two musicians whose approaches complement each other: Tim Braithwaite, artistic director of Cappella Pratensis, and Kateřina Maňáková, lutenist, teacher of early plucked instruments at Janáček Academy of Performing Arts and guarantor of the entire initiative. In this conversation, they discuss working with previously overlooked sources, the challenges of historically informed performance, the promises of international collaboration, and their vision for the future of early-music interpretation. more
The concert by Filharmonie Brno under Dennis Russell Davies on Thursday 6 November in Besední dům offered a fascinating programme combining the work of two contemporary composers from the former Soviet Union. The performers included Armenian baritone Aksel Daveyan, violist Julian Veverica, percussionist Lukáš Krejčí, and the Austrian Hard-Chor Linz choir under choirmaster Alexander Koller. more
Brno-born pianist and Director General of the Czech Philharmonic, David Mareček, is appearing together with cellist Václav Petr on a concert tour in South Korea. During the first week of November, the duo is presenting Czech repertoire on prestigious stages, including the Seogwipo Arts Center, Yongin Poeun Art Hall and Daegu Concert House. more
Moravian Autumn, organised by the Brno Philharmonic Orchestra, has long been one of the most important musical events of the autumn season. For the third time it also included the student project New World of Moravian Autumn – living proof that the connection between academia and professional practice can yield stimulating and deeply artistic results. This project, which originated at JAMU as an experiment within the course in practical dramaturgy, has evolved into a fully-fledged and respected part of the festival programme over the past few years. more
22 September this year marks the 150th anniversary of the birth of Mikalojus Konstantinas Čiurlionis (1875-1911) - Lithuanian artist, composer, painter and choirmaster, founder of Lithuanian national music and a representative of Symbolism and Art Nouveau. The concert entitled Mikalojus Konstantinas Čiurlionis - MKČ 150, which clearly referenced this anniversary, took place on Thursday 23 October at Besední dům. The programme combined Čiurlionis’s compositions with works by František Chaloupka, who also collaborated on the project as dramaturge. The concert was given the umbrella title Mikalojus Konstantinas Čiurlionis / František Chaloupka: Moje cesta (My Journey), a nod to one of Čiurlionis' pictorial triptychs. Chaloupka's work, however, does not follow directly on from Čiurlionis. It follows its own path, but connects with him through inspiration in mythology, where it sees a strong reflection of the present. more
The concert evening by PhilHarmonia Octet Prague with guest baritone Roman Hoza brought a programme conceived with curatorial sensitivity - with emphasis on the continuity of the classical tradition and its later metamorphoses. more
The Brno staging of Janáček's Jenůfa at the Moravian Autumn Festival once again proved that even after many years, an original directorial concept can still reveal new dramatic and musical nuances when refreshed through a partly renewed cast and interpretive inventiveness. Martin Glaser’s direction remains firmly grounded in a realistic reading of the work, yet in combination with Robert Kružík’s musical leadership the production feels alive, gripping, and emotionally genuine. more
The chamber music programme of the 53rd Moravian Autumn International Festival on Thursday featured songs by Franz Schubert arranged for guitar and voice by the duo María Cristina Kiehr (soprano) and Pablo Márquez (romantic guitar). The evening, entitled Longing, took place in Brno’s Besední dům. more
Liane Sadler and Elias Conrad bring an intimate synthesis of Renaissance flutes and lutes to Brno. They adapt polyphonic compositions, various dance forms and airs de cour for their instruments, using historical improvisation techniques such as diminution or bastarda. Sadler & Conrad is an ensemble included in the prestigious pan-European S-EEEmerging project focused on the professional and sustainable development of young early music ensembles. They come to Brno at the invitation of the Concentus Moraviae festival, which is one of the twelve partners of this project. As part of their residency, they will perform at a concert in the series "Barbara Maria Willi presents..." on 7/10 at 7 pm in the Convent of the Brothers of Mercy. more
The prologue of the annual Lednice-Valtice Music Festival took place in Brno's Reduta Theatre on Saturday 20 September 2025. The festival’s opening evening featured the Brno chamber Ensemble Opera Diversa with conductor Gabriela Tardonová. The 10th anniversary year of the festival is subtitled From the New World, which is probably why the dramaturgy focused on young artists - pianist Ayla Bárta and violinist Matteo Hager, as symbolical representatives of the future world. more
With Sunday's opening concert, Filharmonie Brno embarked on its seventieth anniversary season and also its eighth led by conductor Dennis Russell Davies. The Kantiléna children's choir is celebrating the same anniversary as Filharmonie Brno, and so the two ensembles coming together for the opening concert of the season was the perfect choice. At the Janáček Theatre this conjunction was provided by Gustav Mahler's monumental Symphony No. 3 in D minor. The aforementioned performers were complemented by mezzo-soprano Kateřina Hebelková and the Czech Philharmonic Choir of Brno. more
Jelena Popržan is a viola player. Born in Serbia, she studied in Austria, where she now lives, and this year she will be a guest at the Brno Music Marathon Festival. On Sunday, 10 August, she will perform in the courtyard of the House of the Lords of Kunštát as part of the Balkan Soirée. We are talking to Jelena Popržan about her path to music, the challenges and joys of playing the viola, the historical perspective of this instrument and the various groups and projects she is involved in. more
This year, more than 41,000 people visited the International Folklore Festival in Strážnice, a record-breaking number. Indeed, a surprising number. Such a vast number of people gathering in one place at a time when the demise of folklore and folklorism had been predicted many times over. What made them do it? This year’s 80th anniversary year certainly helped, but the anniversary alone would not have been enough. What is the charm? Every visitor takes away a different experience, a different memory, a different story. And I will offer you mine now. So, what was my Strážnice 2025 experience like? And did I find the answer to the question of what lies behind its immense appeal? more
Editorial
Cultural newsletter of the Department of Culture of the City of Brno for February 2026
The Brno cultural newsletter provides an overview of events and opportunities related to theatres, clubs, and various cultural activities in Brno in the coming period. more
Musica Florea Brings the Finest Spanish Baroque to Brno
Musica Florea continues its quest for unusual composers and historical styles to present to the Czech audience. The March lineup of the Musica Florea Bohemia 2026 series will be dominated by the Stabat Mater concert, a selection of works by Spanish Baroque masters. Soprano Beatriz Lafont Murcia will sing with the orchestra. The Brno performance will take place in the Hall of the Merciful Brothers (formerly the Convent). more
The Golden Coupon Competition: Treasure Hunt of the National Theatre Brno
The National Theatre Brno has prepared a rare contest for all entertainment lovers and theatregoers. From 26 February to 3 April, they can participate in the Golden Coupon Competition with a grand finale on Good Friday. more
Vladimír Movement Performance in Industra Brno
In mid-March, the movement performance Vladimír by ORBITA returns to the stage. It is a personal and artistic testimony of dancer Vladimír Kloubek, who celebrated his 80th birthday last year, featuring Kloubek as the main character of the performance and his two younger selves on one stage. The production will be staged in the large hall of Industra Brno. more
Brno City Theatre Adds Musical Performances in April and May
Due to exceptional audience demand, the Brno City Theatre is adding extra performances of the musicals ViK!NG and Les Misérables on the Music Stage in April and May. more
Igor Ardašev to Perform Two Piano Concertos in One Evening Celebrating 70 Years of the Brno Philharmonic
The Brno Philharmonic continues to celebrate its seventieth anniversary, this time looking back to its first season. This week's concerts will feature Vincent d'Indy's Symphony on a French Mountain Air, which was performed in December 1956 under the direction of František Jílek, who later became the chief conductor. Seventy years ago, Jaroslav Sháněl featured as the soloist. This time it will be Igor Ardašev, a native of Brno, whose returns to the home stage are always welcomed by the audience with enthusiasm. In addition, he will play two concerts in a single evening, quite a challenge for a soloist. Besides d'Indy's symphony, he will also play César Franck's Symphonic Variations for Piano and Orchestra. more
Amadeus: Europe’s finest young pianists perform together in Besední dům
Now in its 32nd year, the international Mozart-themed competition Amadeus, open to young pianists up to the age of 15, is a prestigious platform showcasing rising talent. While there is no lower age limit, the upper one is set at fifteen. Amadeus will see 87 children from ten countries compete. The concert showcasing young piano talents from all over Europe will take place in Besední dům. more
Alcina with Magdalena Kožená in the title role
Händel’s Alcina, prepared musically by Václav Luks with Collegium 1704 and staged in Jiří Heřman’s lavish production, returns to the Janáček Theatre stage for just four performances. In the title role, Magdalena Kožená will make a rare appearance. more
Culture Newsletter of the Culture Department of the Brno City Municipality, November 2025
The Brno Culture Newsletter presents an overview of upcoming events and opportunities concerning theatres, clubs and various cultural events in Brno. more
Christmas markets to open with a tree lighting ceremony with Brno City Theatre
Brno Christmas, organised by TIC BRNO, will begin this year on Friday 21 November. On náměstí Svobody, Dominikánské náměstí and in the courtyard of the Old Town Hall, visitors can look forward to an Advent full of lights, music and new surprises. The opening will unfold as a Christmas story brought to life by actors from Brno City Theatre. The 'Ordinary–Extraordinary Family', known from this year’s Brno Christmas posters by illustrator Tomáš SMOT Svoboda, will guide us through the festive afternoon. more
