Visitors to concerts meet quite often with quartet compositions written by masters of European music. Haydn's string quartets are perennial stars in the repertoire of a number of ensembles and attention is also paid to works of contemporary European composers. Only exceptionally, however, can listeners take a peek into the musical cuisine of Asian or South American nations. Cuarteto Q-Arte decided to fill this blank space and dedicated itself to the works of Latin American authors. The programme, which they presented yesterday at the chateau in Slavkov u Brna (Austerlitz), consisted of works by Silvestre Revueltas, Alberto Ginastera and Astor Piazzolla. All these three composers combine elements of domestic culture with European training and influences or impulses of different genres.
The Jerusalem Quartet is one of the world's leading quartet performers for many years and is currently one of the most cited chamber music ensembles. At the Concentus Moraviae festival, violinists Alexander Pavlovsky, Sergei Bresler, violist Ori Kam and cellist Kyril Zlotnikov performed in the Great Chateau of Mikulov Castle with a programme stretching in time from Joseph Haydn up to Béla Bartók. The concert was held under the auspices of the Israeli Ambassador to the Czech Republic, HE Daniel Meron.
Man does not live by classical music alone, as the Epoque Quartet, consisting of violinists David Pokorný, Vladimír Klánský, violist Vladimír Kroupa and cellist Vít Petrášek has been convincing us for twenty years already. For their Saturday concert, staged as part of the Concentus Moraviae festival, which took place in the foyer of the Pasáž theatre in Třebíč, the musicians also invited bass clarinettist Petr Valášek, pianist Karel Košárek and percussionist Oleg Sokolov. The programme of the evening consisted entirely of works by contemporary authors flirting in their compositions not only with musical minimalism, but also with jazz and other popular genres.
On the last day of May, the Dominikánské Square in Brno came to life with music, singing and dancing. At half past two in the afternoon, the programme of the nationwide happening of primary artistic schools ZUŠ started under the patronage of the Magdalena Kožená Endowment Fund by announcing the results of the "TO JE talent"competition. The participants did not only come to pick up with prizes. Several of the award-winning singers and musicians proved this. For example, Lucie Sedláčková with the song by Ewa Farná Měls mě vůbec rád [Did You Love Me At All?] attracted an ever growing crowd of listeners, while singer and pianist Veronika Vávrová did the same with the ballad Million Reasons by Lady Gaga.
The programme of this year's Concentus Moraviae festival presents an unprecedented cross-section of more than twenty Czech and foreign string quartets. The exceptional violinist, composer, professor of the Royal Northern College of Music in Manchester, UK, and the long-time first violinist of the Škampa Quartet, Pavel Fischer, was asked by publicist Lukáš Pavlica to give an interview.
On Palm Sunday a concert with the subtitle Nova et Vetera opened the 28th Easter Festival of Sacred Music with the theme Ceremony/It is Good to Celebrate the Lord. Aside from Gregorian Chant for Holy Week performed by the ensemble Schola Gregoriana Pragensis, which opened yesterday’s concert, there was also the world premiere of So Shall He Descend by the Estonian composer Toivo Tulev as performed by the soprano Ivana Rusko, the mezzosoprano Bettina Schneebeli, tenor Jaroslav Březina, baritone Jiří Hájek, choristers Aneta Bendová Podracka, Jana Vondrů and Pavla Radostová, the choir Ars Brunensis under choirmaster Dan Kalousek and the Brno Philharmonic under the baton of its principal conductor Denis Russell Davies. The work was written to a commission from the festival and was intended for the Cathedral of St. Peter and Paul.
Even though the audience's attention is generally focused on music ensembles that have already been vetted by time, yesterday's concert of the newly formed Camerata Brunensis ensemble in the Historical Hall of the Brno Bishop's Court proved that even young blood can offer a remarkable artistic experience. The concert was programmed in cooperation with the Moravian Regional Museum and the Academy of Early Music at Masaryk University, which the Camerata Brunensis‘ artists attend. The ensemble consists of soprano Veronika Vojířová, who performed for example with ensembles like Collegium Marianum, Collegium Floreum, Capella Regia Prague or Cappella Mariana, and the flutist Michaela Durajová, who could be listened to by audiences with the Orchestral Academy of the Brno Philharmonic, the Moravian Philharmonic Olomouc, the Czech Virtuosi orchestra or with the Prague Philharmonic Orchestra. Also, the double bassist and violonist Matyáš Berdych regularly appears with important music ensembles such as Musica Florea, Collegium Marianum and Czech Ensemble Baroque. The backbone of the ensemble is formed by the harpsichordist Jan Hajič, who works as a répétiteur for the Prague choir Vagantes, accompanies concerts and master classes at the Prague Conservatory, and works as a backup organist at the Prague Academic Parish under the guidance of Robert Hugo.
Yesterday’s concert from the Principal Conductor’s series of the Brno Philharmonic presented Yumi Hwang-Williams, concertmaster of the Colorado Symphonic Orchestra, in an intimately conceived programme. Together with the principal conductor of the Brno philharmonic, Dennis Russel Davies, she performed several classical and contemporary works composed for violin and piano. In this, the Brno audience had a chance to see the soloist before she plays tomorrow together with the Brno Philharmonic.
The piano recital by the chief conductor of the Brno Philharmonic Denis Russell Davies and his wife the pianist Maki Namekawa yesterday in Besední dům offered three works by three significant figures from American minimalism. The concert included minimalist works by Steve Reich in the shape of Piano Phase, the composition Hallelujah Junction by John Adams and Four Movements for Two Pianos by Philip Glass.
Evenings of the cycle named Music Stocktaking of the Brno-based orchestra Ensemble Opera Diversa regularly bring to light various half-forgotten works by Czech composers. This Tuesday's concert in the concert hall of the Convent of Merciful Brother [Konvent Milosrdných bratří] became a commemorative tribute to the anniversary of the tragic years 1939 and 1969. Violinist Milan Paľa and pianists Kristýna Znamenáčková and Lucie Pokorná performed alongside the orchestra. The performance was conducted by the permanent conductor of the orchestra Gabriela Tardonová.