The Znojmo Music Festival has more than thirty concerts and accompanying events on its program, and this year it takes place for the eighteenth time. This year’s edition, subtitled Guardian Angels and Homecomings, will take place at various locations in Znojmo and in its surroundings – in the countryside and in castles and churches. The festival will present the premiere of a stage production of Joseph Haydn’s oratorio The Return of Tobias in its own production. Adam Plachetka will perform the title role.
For the sixth year, the city festival UPROSTŘED is trying to revive the summer center of Brno. More than 40 diverse events fill the courtyards, squares, and streets with live music, theater, and other performances from June to September. Tonight, a concert by the band NaMars will open the event in the courtyard of the Old Town Hall.
The multi-genre festival will offer dozens of concerts in the center of Brno in mid-August. The music will be played in squares, streets, and concert halls. New to the program this year is the post of artist-in-residence; the phenomenal multi-instrumentalist Anna Fusek will take on this role for the first time. The festival will also present Kateřina Šedá’s popular busker rooms, this year expanded to include Johann Gregor Mendel’s greenhouse.
Brno’s sacred history and present is presented by the Brno and its Temples project, organized by TIC BRNO in cooperation with the Bishopric of Brno, Christian parishes in Brno, the Jewish Community of Brno, and the Brno branch of the Jewish Museum in Prague. It includes guided tours and lectures about Brno churches and important personalities connected with the church, as well as the opportunity to visit 7 Brno churches. In mid-June, it will start with a concert with the Horňácko Music of Petr Mička.
The Czech Radio Endowment Fund and Czech Radio – Radiožurnál, in cooperation with the Endowment Fund of the Brno-born Magdalena Kožená, are launching a non-financial collection named after the favorite Czech musical “Kdyby tisíc klarinetů”, or “If a Thousand Clarinets”. The collection is intended for all child musicians for whom the purchase of a musical instrument is beyond the means of their family budget. The collection works on the principle of connecting donors and volunteers on the platform www.kdybytisicklarinetu.cz.
Lidověk is the first solo album by Matěj Metoděj Štrunc, a young actor, singer and musician originally from Brno, frontman of the band Ateliér, and son of dulcimer player Dalibor and violinist Katerina Štrunc from the bands Cimbal Classic and Javory. The apple really did not fall far from the tree, but at the same time it came closer to other trees and colored itself with original colors.
After a covid break, the streets of Brno were once again filled with costumes from various parts of Moravia as well as other European countries. On the first day of September, the International Folklore Festival Brno began. Like the vast majority of festivals and regular events that could not take place in the last two years, the IFF also had a break due to government measures. And that is why this year’s festival chose the telling subtitle “We Live”. This time BROLN provided the opening concert in the courtyard of the New Town Hall, and there were two special reasons for this.
The abbey in old Brno where Gregor Johann Mendel worked until his death hides several beautiful areas behind its walls. One of them is the Paradise Court, which is entered through an inconspicuous entrance next to the Basilica of the Assumption. On Thursday 16 June, the stone walls of this ancient space hosted the opening concert of the Brno and its churches project.
Traditions, costumes, songs and often special food. This is the basis of folk culture, which is strongly rooted in Moravia. Interest in it has been growing recently – the Czech Republic is taking it as one of the bases of its promotion for domestic and foreign tourists. What is folklore actually about? Are young people coming back to it? And what makes it interesting? We interviewed Marie Hvozdecká, a music editor focusing on folklore at Czech Radio and also a long-time programmer of the folklore scene at the Brno Music Marathon Festival. As she says, “having an interest in folk music is a good thing. However, in order to remake it into a new form, one must know its origin and meaning, otherwise it becomes a mockery.”
On this very day (19 May) an event will start in Valašské Meziříčí which all the dulcimer players from almost all over the world have been looking forward to for two years. It is the 14th International Dulcimer Festival, which has been held in this town every odd year since 1995. This year, it is sure to be rather modest due to the pandemic situation; the organizers are going to stream some of the concerts, while others will be broadcast on the Czech Radio stations Vltava and Brno. This year, Michal Grombiřík, a dulcimer player, became the first ever such musician admitted to the Jazz Music Interpretation Department of the Janáček Academy of Music and Performing Arts (JAMU). What is the path from a traditional folk song, through classical music to jazz music, and what exactly is Michal going to do at the aforementioned dulcimer festival? We covered all these topics in our conversation.
The poetic title Květy nevadnoucí (Flowers Never Fading) hides the most recent publishing achievement of Jiří Plocek. This compilation CD celebrates a quarter of a century since the establishment of the Moravian folklore series in his GNOSIS BRNO publishing house, which released fourteen albums created between 1995 and 2005. And they are not just ordinary albums. Jiří Plocek's enthusiasm and feeling for song is indisputable, but there is much more coming from the recordings – for example, it is the enthusiasm of the singers themselves, which Jiří Plocek fuelled during the recording sessions, while letting them play and sing according to their own will and mood. I must also emphasise the choice of performers themselves. The names have really become iconic by now – František Okénka, Zdeněk Kašpar, Karel Rajmic, Vlasta Grycová, Jiřina Miklošková and many others. Unfortunately, some of them have already departed from this world. Others, which we hear on the album as gifted children, are already rising to become another generations of singers – which is the case of Tomáš Beníček. I'm intentionally mentioning the singers, but the album itself also has a high musical quality. However, all the songs are performed by exceptional performers. This also gives them uniqueness in the spirit of a living folk tradition.
Let us hope that Sunday's concert to mark the fifteenth anniversary of the great music band of the Brno-based Valášek Children's Ethnographic Ensemble (Dětský národopisný soubor Valášek) will not be the last event that ever-changing government regulations will allow. And even if that, God forbid, was the case, it would be a dignified farewell.
The municipal council of Velká nad Veličkou decided already in mid-April that this year's Horňácké Festivities (original name: Horňácké slavnosti) would not take place on the traditional dates around the feast of St. Mary Magdalene, and their scope, previously meant to be of three to five days, would also be modified. Obviously, it was impossible to foresee the development of lockdown measures towards the third week of July, but musicians from the Horňácko district tried to come up with at least a partial alternative solution in order to maintain continuity. Eventually, two concerts were officially held on two consecutive Saturdays: On 18 July, live broadcast of a public radio recording of Czech Radio Brno under the title Hrajte že ně, hrajte aneb Horňácké trochu jinak (Play for Me, or Horňácké Festivities in a Slightly Different Fashion) took place at the Culture House in Velká nad Veličkou. A week later, at a sports complex in Javorník, a traditional competition for "the biggest expert on Horňácko peasant songs" was held under the auspices of the Horňácko Dulcimer Band of Libor Sup. Needless to say, both events have found their spectators and listeners.
On the twenty-fourth of May of this year, five days before her ninety-second birthday, Mrs. Anna Kománková passed away – and with her departed her particularly extensive songbook of ballads (not only) from the Javornicko and Horňácko districts, which she had always carried in her head. She was able to perform all the songs conserved in her memory in a distinctive and inimitable style. All her life she safeguarded the rare legacy of her ancestral heritage – all the more interestingly because she did not write down the hundreds of often complicated tunes and many dozens of verses and variants of ballads, but she knew them all by heart. Even after she reached the age of ninety, when she no longer enjoyed good health and did not perform in public, she remained in contact with the Javornický ženský sbor [Javorník Women's Choir], which she had revived and eventually led for many years. She never pushed herself forward anywhere, while at the same time she learned a lot from the skills of her ancestors: apart from singing (dozens of songs from the hymn-book and hundreds of folklore songs) she was an excellent embroiderer: She sewed and embroidered with her own hands every part of the folk costume she wore.
After Easter, an official statement that ruined every folklore lover's day appeared on social networks and in the media. The folklore festival in Strážnice will not take place this year. The reasons are well known to everyone. Yesterday, another wave of coronavirus lockdown easement began, and this was not the only reason why we talked to Martin Šimša, director of the National Institute of Folk Culture (NÚLK) in Strážnice. Well, is there really a reason for mourning? What can we look forward to in the immediate future? And when is the best time to visit the castle park and the open-air museum in Strážnice? These questions, and not only these, will be answered in the following interview.
DakhaBrakha — is world-music quartet from Kyiv, Ukraine. Reflecting fundamental elements of sound and soul, Ukrainian «ethnic chaos» band DakhaBrakha, create a world of unexpected new music. The name DakhaBrakha is original, outstanding and authentic at the same time. It means «give/take» in the old Ukrainian language. DakhaBrakha was created in 2004 at the Kyiv Center of Contemporary Art «DAKH» by the avant-garde theatre director — Vladyslav Troitskyi. Theatre work has left its mark on the band performances — their shows have never been staged without the scenic effects.