Musica Folklorica is to perform in Brno’s Metro Music Bar. In the first part of the concert they will play pieces from their repertoire and in the second half of the programme they will be presenting songs from the album Smrti, milá smrti, which is being christened that evening. Martin Hrbáč will be performing as a guest.
This international festival is entering its second year. Along with Martin Krajíček and his trio there will be appearances from the Mandolin Orchestra, Vítek Hanulík and Karel Začal, Tři grácie, Megafon and Michal Müller as well as Jiří Plocek and Jitka Šuranská. The festival will include workshops for the participants.
In late June and July the 15th edition of the Ibérica festival of Ibero-American culture will bring to Brno the atmosphere of the Iberian Peninsula and Latin and South America to Brno. The festival programme will offer a fiesta with music, dancing and traditional dishes at the Old Town Hall, workshops and a film festival. This year's Ibérica will open with a concert by the guitar duo Cortés & Gallardo. José María Gallardo represents the world of the classical guitar and Miguel Angel Cortés comes from the environment of the Los Cortés flamenco dynasty. The biggest stars of the festival will appear in the gala concert in Špilberk Castle Courtyard, which will present the flamenco flautist Sergio de Lope with his group and the flamenco dancer Gema Moneo. The evening will conclude with the guitarist Paco León.
A concert organised for an exceptional event took place on Thursday at ZUŠ PhDr. Zbyňka Mrkose (a primary school specialising in music) in Brno’s Židenice district. The event was given the title Cimbálový kolaudační concert (A Cimbalom Commissioning Concert. What exactly was being commissioned? From the title it was evident the main star of the programme was a cimbalom. This big instrument with its velvet tones was not the centre of attention by accident. The item being commissioned was a new cimbalom for the musical inventory of the previously mentioned music school. The manufacturer of the instrument was the Brno company of Všianský. The actual maker Pavel Všianský, a famous musician, also personally took part, telling the participants something about the construction of this instrument.
The second of the accompanying folk concerts of the Janáček Brno festival took place at the Reduta Theatre. And it seems that the bar, set by the first concert, has remained high. The show, called Chodníčky k lidové písni (“Roads to folksong”) was to present one of Janáček’s favourite regions in Slovácko – Horňácko – to the audience. This job was taken on by a cimbalom band with the fitting name of Musica Folklorica.
On Tuesday the tones of folk song resounded in the courtyard of the Rectorate of Brno University of Technology on Antonínská street in Brno. The first folk accompanying programme of the festival Janáček Brno 2018 carried the poetic name Kvítí milodějné (which might translate as Merciful Flowers), borrowed from the composer’s eponymous arrangements from a unique song cycle of Moravian folk poetry. The entire programme had an interesting and attractive concept, in which there were performances of three versions of folk material from the collections of Leoš Janáček. All three were close not only to the composer himself but were also generally popular.
“Beránci a vlci (“Lambs and wolves”) is my personal vision of Moravian world music,” says Marian Friedl, who is a brilliant player both on his handmade folk flutes and on the jazz bass. It was his experience with different genres, ranging from folk to free jazz, together with the cooperation with style-wise similarly open Jitka Šuranská, that led to the creation of an extraordinary kind of music with roots in the performance Z kořenů k world music (“From roots to world music”) at the Folk Holidays in Náměšť nad Oslavou. Thanks to a grant from the Ministry of Culture, the album Beránci a vlci had the participation of four musical formations of different styles (together comprising of more than twenty musicians and singers) and deservedly won the Anděl prize in the Folk category (newly including the genre of world music). In the meantime, the concert premiere of Beránci a vlci took place in the summer of 2017, again in Náměšť nad Oslavou (with the participation of album publisher Milan Páleš dressed as the sheep grandmother) and other festival performances followed – at the Hradecký slunovrat in Hradec nad Moravicí and at Colours of Ostrava. It was a small dream of Marian Friedl and all his lambs and wolves to bring this music into the aurally clean space of the Brno Sono centre, which was made possible thanks to a successful crowdfunding campaign. The roughly hour-long concert was not only merely the performing of the EP, but mainly a huge celebration and maybe even a new start for the project – a new direction towards greater and greater halls.
In the somewhat untraditional environment of Brno’s Metro Music Bar there was a performance by the musical ensemble with the name Musica Folklorica, a group that needs little introduction for folk fans. These excellent musicians perform mainly their own arrangements of folk songs especially from Horňácko, Myjava and also Romania. They came to Brno to christen what is now their eleventh album.
In the course of four days the Brno Music Marathon offered some 150 concerts with more than 500 participants. The festival brought together local artists and guests from abroad. The Jazz Evening in the Sono Centre opened with Brno’s Marek Kotača Trio, followed by Yaron Herman from Israel and Kenny Garrett from the USA, while on the stage at Špilberk Castle the local hip-hop legends Chaozz and the crossover and world music Dog Eat Dog got the audience moving. The Adicts from England together with the Prague group The Fialky took care of the rock evening at Fléda, while in the Sono Centre it was the Dutch Physical Graffiti paying tribute to Led Zeppelin. Brno was full of rock, with the British alt-J also performing on Sunday evening.
After reconstruction the building of Czech Radio Brno has a new studio. Studio VII was figuratively baptised with the concert Living Notes from the series of folk concerts On a Moravian Note on Czech Radio Brno and Zlin. The musical dedication was made by the Horňácko group of Petr Mička, whose bandmaster is also one of the radio station’s editors. As guests they introduced the very talented young singers Anička Mičková and Janíček Pavlík and the Horňácko folk legend Martin Hrbáč. You can see the whole more than hour-long programme on the Czech Radio YouTube channel.
After a gap of three years Rózinky (which could be translated as Raisins) from the South Moravian village of Kozojídky have recorded their second album. The girls attend elementary art school together and their teacher Kateřina Mičková, who put the group together, still writes songs for them. The girls also perform together on radio and television shows and have played at various festivals from Folk Holidays in Náměšť nad Oslavou to TrutnOff. The question of whether the group will still be viable once its members grow up and mature (and probably have other musical interests and tastes) still hangs in the air. A little doubt already hangs over the disc Cvrkot (which could be translated as Chirp), but not as a threat but rather as a reason for the greater diversity on the album.
The temperament and emotion of Roma music are well known. In 2016 the recording studio Amaro records was set up with the same verve and positive energy. The entire voluntary project was set up with support and guarantees from the IQ Roma servis organisation. The guiding spirit and person responsible is Petra Borovičková, herself an excellent singer and member of several bands. The originator of the idea was Gejza Horváth, a top Roma musician who earlier ran courses for young Roma musicians. He saw huge potential in them.
The group Billy Barman from Slovakia ended its Czech-Slovak tour at Brno’s Fleda. This series of concerts was interesting not only its purely acoustic form but especially for bringing together five singers from SĹUK (the Slovak Folk Artists’ Collective). This fusion of pop music and folk was originally created for the Tatra Flowers festival. Its unprecedented success, however, made the musicians decide to expand their repertoire and perform not only in the Slovak Republic, but also for their Czech neighbours.