Fifteen years ago, the second theater building of the Brno City Theater was opened with ceremonial premieres of the musical Hair. The ensemble had been involved in musical production already since the nineteen-nineties, but at times it bounced the walls of the technical shortcomings of the building. The foundation stones arrived to Brno from Dolní Věstonice and from Broadway, NYC, and were laid on 17 November 2001. The theater is preparing to celebrate the anniversary with two major concerts that will commemorate all the productions presented so far. The celebratory programme is being created under the direction of Igor Ondříček. The progamme will feature stars such as Dušan Vitázek, Markéta Sedláčková, Jana Musilová, Petr Štěpán, Viktória Matušovová, Petr Gazdík and others. The Brno City Theater Orchestra will be conducted by Dan Kalousek.
The Dokořán festival aims its focus most of all on music theatre. Under the auspices of the Brno City Theatre, this year it hosts eleven domestic and foreign theatre companies. The programme includes Czech premieres, concerts, street theatre and a charity market. Part of the festival's production will also take place in the Divadlo na Orlí theatre or in the Brno City Theatre courtyard.
420 primary artistic schools got involved in this year's ZUŠ Open nationwide happening organized by the Magdalena Kožená Endowment. Children and young artists will spread music, dance, theatre and fine arts in public space. In several places of the Czech Republic, they will also head to retirement homes or nursery and primary schools. The Brno part of this event will be launched by the announcement of the results of the Brno-wide competition This Is a Talent on Dominikánské Square. It will be followed by performances of sixteen primary artistic schools of the city of Brno. The meeting in Brno will be concluded by a performance of the biggest Brno choir, which will be formed for this particular occasion and will sing together Proč bychom se netěšili [Why Should We Not Rejoice], a choral piece from the opera The Bartered Bride by Bedřich Smetana.
After two years the Symposium: Art | Music | Management is returning to Brno’s JAMU (Janáček Academy of Music and Performing Arts). Three days in April will be given over to debate, new ideas and exchanging of contacts between professionals, teachers and students. The 7th Symposium promises more than thirty lecturers from four countries and an accompanying programme. This time the symposium focuses on the education of artistic, and primarily music managers.
The Tourist Information Centre recently published the second part of its Authentic Guide THIS IS BRNO II. The city of Brno is presented in it by prominent local personalities from the ranks of artists, publicists, photographers and Brno patriots, plus one Prague writer. One separate chapter in the guide is dedicated to musical Brno; it was written by a performer who calls himself burning.
The story of the musical comes from the book Without the Internet. My Half Year Offline by German journalist and editor of Süddeutsche Zeitung, Alex Rühle. Offline! tells of the experiences of a person who gave up the internet willingly for half a year. The musical was studied by the graduating year of musical students of the Theatre Faculty of the Janáček Academy of Music and Performing Arts, and the production is the original idea of dramaturge Martin Sládeček and composer Mario Buzzi, directed by Lukáš Kopecký.
The musical The Last Ship is the work of the English singer and musician Sting. The authors are John Logan and Brian Yorkey. The Brno City Theatre are performing it under the direction of Stanislav Moša. The main roles will be taken by Lucie Bergerová or Radka Coufalová, Dušan Vitázek or Kristian Pekar, Zdeněk Junák or Ladislav Kolář, and many others.
In a benefit concert in Brno’s Sono Centre young artists are supporting children with oncological conditions. The concert is being organised by the Společně k úsměvu (Smile Together) association, founded by former children’s oncology patients. The association supports families whose children are going through this disease, and also the newly founded outpatient department for the treatment of later effects in Brno.
On the last day of May, the Dominikánské Square in Brno came to life with music, singing and dancing. At half past two in the afternoon, the programme of the nationwide happening of primary artistic schools ZUŠ started under the patronage of the Magdalena Kožená Endowment Fund by announcing the results of the "TO JE talent"competition. The participants did not only come to pick up with prizes. Several of the award-winning singers and musicians proved this. For example, Lucie Sedláčková with the song by Ewa Farná Měls mě vůbec rád [Did You Love Me At All?] attracted an ever growing crowd of listeners, while singer and pianist Veronika Vávrová did the same with the ballad Million Reasons by Lady Gaga.
The musical Nine, based on the legendary film 8½ by director Frederico Fellini, was prepared under director Stanislav Moša as the penultimate premiere of the season at the Brno City Theatre. They prepared an at places almost erotic show, led by interesting scenography, well-made costumes, brilliant musical preparation and the energy of the female acting. The sensuality of some of the dance parts thankfully did not overshadow the central theme of the hero’s crises: mid-life, art and relationship.
Yesterday Brno City Theatre gave the European premiere of the musical The Last Ship, written by the world-famous musician Sting. It is a mixture of his wonderful music drawn from British folk, a successfully and honestly told tale and also a strong acting performance, which should guarantee the production’s successful voyage to the audience.
Brno City Theatre has come out with another premiere of a Czech musical in the form of Big. This musical novelty, taken from the film of the same name, will entertain children, adolescents and their parents. This musical tale is truly for all the generations. Big is a family comedy, in places also a fantasy spectacle, in others a romantic sweet piece about love or an exciting story of an impatient little boy, in which however all ends well.
This year Miloš Štědroň is taking part as artist in residence at the festival Concentus Moraviae. This was a welcome pretext for an interview. It covered his musical beginnings, his path to a musical education, his artistic development and his famous teachers, his inclination to the legacy of the musical avant-garde as well as why he suddenly kept a certain distance from it, how he dedicated himself to faithful and successful cooperation with the Theatre Goose on a String as well as how he was affected by the political changes of the period, how he overcame their pressure, how he worked with today’s interviewer a banned playwright, how he wrote for the wonderful Due Boemi di Praga, how he taught music and the history of music and worked as a populariser, how he knowledgably interpreted ancient music, but also Leoš Janáček, how he worked as an editor, how he became a significant and famous cultural figure, and not just in Brno, and how all the tasks he set himself in his varied and rich creative life were and are being fulfilled, and the joy he has had from it all.
Hits like Stayin’ Alive, Night Fever or How Deep Is Your Love sung beautifully, and wonderfully constructed and danced choreography in shiny disco costumes, and three exceptional performances in the main roles. That is the currency of the new Brno musical Saturday Night Fever. The director Stanislav Moša staged it in the Municipal Theatre.
An interview between Kateřina Bajo, the main coordinator for the membership of Prague as a city of literature in the UNESCO Creative Cities Network and David Dittrich, main coordinator for the membership of Brno as a city of music in the same network. The UNESCO Creative Cities Network was set up in 2004 and its main aim is to support cooperation and international cooperation and creativity. Now it brings together 180 member cities from 72 countries from around the world. The cities fall into 7 creative areas – literature, music, design, film, gastronomy, traditional crafts and media. A city applying for membership in the network has to fulfil very strict criteria, and it must be supported not only by the commission of experts but also by all the member cities.
Brno is now one of the 180 cities from around the world that belongs to the UNESCO Creative Cities Network. Only some three dozen of these are focused on music. After Prague it is the second city in the Czech Republic to be accepted into this network. The awarded title recognises the work of artists, people working in culture, the diversity of genres and cooperation with the surrounding region.
The retro comedy musical Viki kráčí za štěstím (which might be translated as Viki Seeks Her Fortune), premiered in the Brno Municipal Theatre, in many ways represents a journey back in time. He audience returns to the work of Milan Uhde and Miloš Štědroň, which has now been supplemented by the work of the composer Karel Cón. On the surface it is an excursion into a true story which took place at the turn of the 1960s and 1970s, or the era of the swinging music of the sweet sixties. The same creative team led by director Juraj Nvota that was introduced five years ago on the same stage with the romantic musical Divá Bara now parades in front of the audience again.
The musical scene of the Brno City Theatre stages the musical comedy Lemonade Joe. Therefore, one of the most popular post-war heroes, who has been criss-crossing the Czech stages since 1944, returned to the local main stage last weekend. He became immortal in 1964 thanks to a brilliant film, a replica of which cannot be expected this time though. First of all, the theatre version contains many more songs, but the screenplay is different from the extraordinary celluloid version in some moments and in the final result. The new production directed by Petr Gazdík turned the well-known title into a wild narrative musical show that does not claim to be related to the famous film. On the contrary, thanks to its original humour and the method of its use, the new production tries to break through all the widely popular quotes to its own and legitimate version.