In his lecture, Miloš Štědroň will present Ludvík Kundera as Janáček's assistant and expert in his work. Milan Kundera will be shown as the author of the respected book Můj Janáček [My Janáček]. The lecture will take place in the Moravian Regional Library. The event is an accompanying programme to an exhibition about the translations of Milan Kundera’s works.
Vojenský umělecký soubor Ondráš (the Ondráš Military Art Ensemble) is preparing a new project in which both professional parts of the ensemble will perform and together celebrate the 65th anniversary of their founding. Krajinou času (Through the Landscape of Time) offers a mosaic of folk dance and music from selected regions of Bohemia, Moravia, Silesia and Slovakia.
The festival of French and francophone culture this year celebrates its 25th birthday. During the month of April Bonjour Brno will be presenting Brno with artistic productions directly from France and events inspired by the culture of the francophone countries. The programme includes concerts, films, plays, exhibitions, literary events, gastronomy and street art. There will also be the traditional Le Rendez-vous, a pétanque tournament and a children’s programme. This year’s motto is Tradition in the Move.
After two years the Symposium: Art | Music | Management is returning to Brno’s JAMU (Janáček Academy of Music and Performing Arts). Three days in April will be given over to debate, new ideas and exchanging of contacts between professionals, teachers and students. The 7th Symposium promises more than thirty lecturers from four countries and an accompanying programme. This time the symposium focuses on the education of artistic, and primarily music managers.
Clarinettist and Grammy holder Oran Etkin will perform as part of the Mladí ladí jazz [Young People Tune Jazz] in the Stará Pekárna music club in Brno. The guests of the concert will be Peter Korman, Tibor Žida, Michael Grombiřík, Dušan Čermák and Roman Horváth. For the next day, Etkin is preparing a music workshop for children, which will take place using his own entertaining teaching method called Timbalooloo.
Two sold-out concerts launched on Saturday filled-up the hall of the Koruna cinema in Břeclav, where the Národopisný soubor Břeclavan [Břeclavan Ethnographic Ensemble] celebrated its 65th anniversary and joined thus the series of jubilee folklore ensembles this year. The afternoon concert had to be eventually added because of the huge audience acclaim, which only confirms that in South Moravia folklore is still widely known and enjoys unremitting popularity.
The Prophet and the Wind is a multi-genre performance by flute player Martina Komínková. She created it in Italy and after its Italian premiere it will be presented in Brno for the first time. The Czech premiere will take place at Brno's Divadlo na Orlí Theatre on Sunday 3 November. The evening show starting at 7:00 pm is already sold out, but you can still buy tickets for the afternoon performance scheduled at 2:00 pm.
In the premises of the neo-Gothic Czech Brethren Evangelical Church of J. A. Comenius, on the fifth evening of the Moravian Autumn festival, a performance of sacred music for choir and organ took place. In addition to the choir of the same name, Martinů Voices was also dominated by the organist Linda Sítková and a four-member ensemble of French horns. All this under the direction of choirmaster Lukáš Vasilek.
The third event of this year's Moravian Autumn festival was transferred to a theatre stage. The event was made happen by Terén, which is a platform acting as a third stage of the Centre of Experimental Theatre, right after the Goose on a String and HaDivadlo theatres. And it was on this particular stage of the Goose on a String where the world premiere of a stage production of Oedipus by André Gide took place yesterday. Composer Bohuslav Martinů stands behind its equally important incidental music.
The jubilee 50th Moravian Autumn music festival started yesterday at Bobycentrum in Brno with a concert performance of the minimalist opera Einstein on the Beach by composer Philip Glass and director Robert Wilson. The concert version was created by collaboration of visual artist Germaine Kruip, Suzanne Vega and Ictus Ensemble and Collegium Vocale Gent. Although only the music remained from the previously stage show, the length of the concert itself was comparable with the opera work. Hence, the evening lasted almost four hours.