The ballet ensemble of the National Theatre Brno celebrates 100 years since its foundation this season. On the occasion of this anniversary, the ensemble is preparing a gala concert at the Janáček Theatre, featuring dancers from major European ballet companies, as well as soloists of national theatres from Prague, Bratislava and Brno. Among the guest artists there are stars such as Diana Kosyreva, Natascha Mair, Philipp Stepin, Cesar Corrales and many others.
In 2020, the Janáček Quartet launches a brand new cycle of chamber concerts, in which it also welcomes guests from the ranks of chamber ensembles and soloists. Four concerts of this cycle are planned to take place in the newly reconstructed Janáček Hall of the Brno Conservatory. The opening concert of the cycle is dedicated to the founding member of the quartet Jiří Kratochvíl, who died on 3 January 2020.
Leoš Janáček's teacher Pavel Křížkovský would celebrate his 200th birthday this year. The male choir Láska opravdivá [Truthful Love] will commemorate his anniversary by a concert at the composer's statue at the foot of the Špilberk hill. We will hear male choral pieces by P. Křížkovský and L. Janáček.
The New Year's Concert of the Brno Philharmonic is coming back to the Janáček Theatre after almost three years, and for the first time it will be led by the Chief Conductor Dennis Russell Davies. In 2020, the ensemble will richly celebrate the 250th anniversary of the birth of composer Ludwig van Beethoven, whose 9th symphony will be heard at the concert. The solo parts will be accompanied by soprano Kateřina Kněžíková, alto Jana Hrochová, tenor Richard Samek and bass Roman Janál, accompanied by the Brno Philharmonic and the Czech Philharmonic Choir Brno.
Brno's ÚstaF-voiceband.cz is the only ensemble of its kind in the Czech Republic. It devotes itself to the interpretation of poetry on theatre stages. Today, Friday 8 November, it will present the premiere of its performance In an Old Photo, which will also be one of the first theatrical pieces in the newly created Brno field of performing arts called Terrain. The premiere deals with the work of Pernambuco by Ivan Wernisch.
With the return to the Janáček Theatre after three years and with the first foreshadowing of the upcoming celebrations of the 250th anniversary of Ludwig van Beethoven's birth, the Brno Philharmonic entered the new year with its traditional, already the 65th New Year concert in history. For this occasion, it chose a programme truly magnificent and appropriate, crowned by the European-famous Ode to Joy. The whole gala evening took place under the baton of Chief Conductor Dennis Russell Davies.
In the premises of the neo-Gothic Czech Brethren Evangelical Church of J. A. Comenius, on the fifth evening of the Moravian Autumn festival, a performance of sacred music for choir and organ took place. In addition to the choir of the same name, Martinů Voices was also dominated by the organist Linda Sítková and a four-member ensemble of French horns. All this under the direction of choirmaster Lukáš Vasilek.
The third event of this year's Moravian Autumn festival was transferred to a theatre stage. The event was made happen by Terén, which is a platform acting as a third stage of the Centre of Experimental Theatre, right after the Goose on a String and HaDivadlo theatres. And it was on this particular stage of the Goose on a String where the world premiere of a stage production of Oedipus by André Gide took place yesterday. Composer Bohuslav Martinů stands behind its equally important incidental music.
The jubilee 50th Moravian Autumn music festival started yesterday at Bobycentrum in Brno with a concert performance of the minimalist opera Einstein on the Beach by composer Philip Glass and director Robert Wilson. The concert version was created by collaboration of visual artist Germaine Kruip, Suzanne Vega and Ictus Ensemble and Collegium Vocale Gent. Although only the music remained from the previously stage show, the length of the concert itself was comparable with the opera work. Hence, the evening lasted almost four hours.
The National Theatre Brno started its new season yesterday by staging The Tales of Hoffmann, an opéra fantastique by French composer Jacques Offenbach with French libretto written by poet Jules Barbier. Directing was undertaken by the recognized artistic tandem SKUTR, consisting of Martin Kukučka and Lukáš Trpišovský. The title role was presented by Luciano Mastro, his faithful companion Nicklausse (and also the figure of the Muse at the end of the show) was performed by Markéta Cukrová. The roles of Hoffmann's sweethearts Olympia, Antonia, Giulietta and Stella have were performed by Martina Masaryková, Pavla Vykopalová, Daniela Straková-Šedrlová and Andrea Široká. The character of Hoffmann's eternal rival (Lindorf/Coppélius/Miracle/ Dappertutto) was interpreted by Ondrej Mráz. The orchestra was led by Ondrej Olos, the choir by Klára Složilová Roztočilová.
The Brno Philharmonic launched its 64th season yesterday, which is also the second season of its current Chief Conductor and Artistic Director Dennis Russell Davies. Beside him, the leading Russian pianist Elisabeth Leonskaja also stood on the stage of the Brno Stadium. Brahms' Symphony No. 1 in C minor, Bartók's Piano Concerto No. 3 in E major and the Czech premiere of the composition DA.MA.SHI.E by the Japanese composer Joe Hisaishi's, connected with animated films of director Hayao Miyazaki, were chosen for the ceremonial start.
The fourteenth season of the Subscription Concert Cycle was launched yesterday evening by the Czech Philharmonic Choir of Brno with captivating music. A jubilant, almost festive programme was played in the Besední dům, following a performance at the St. Wenceslas Music Festival in Ostrava the previous evening. However, there were faithful and long-time spectators in Brno without whom the entire cycle would lose its meaning.
Yesterday evening at the piazzetta of the Janáček Theatre was marked by a concert to commence the 2019/2020 season of the National Theatre Brno (NdB). Promotion of the event ensured the most important thing for this music evening – hundreds of spectators who filled up the whole place. We should not forget the really wide age range, which is so much needed for future culture, especially at its lower limit (still in strollers).
Only rarely one single song is the main topic for an interview. In the case of the cellist Josef Klíč, the concert master of the National Theatre in Brno, this was offered. It does not happen every day that a Czech composer and his song reach the finals of a worldwide competition. However, there were more reasons for our talk – memories of the late Jaroslav Erik Frič, Josef's contract at the Janáček Theatre and the upcoming new album.