The Czech Radio Endowment Fund and Czech Radio – Radiožurnál, in cooperation with the Endowment Fund of the Brno-born Magdalena Kožená, are launching a non-financial collection named after the favorite Czech musical “Kdyby tisíc klarinetů”, or “If a Thousand Clarinets”. The collection is intended for all child musicians for whom the purchase of a musical instrument is beyond the means of their family budget. The collection works on the principle of connecting donors and volunteers on the platform www.kdybytisicklarinetu.cz.
The next-to-last premiere of the 2021/22 season is Mozart's “The Magic Flute”. It will be directed by Miroslav Krobot. This unconventional presentation of the opera promises the audience a journey into space. The musical staging is led by Pavel Šnajdr. Title roles will be played by Jiří Sulženko, David Szendiuch, Petr Nekoranec, Daniel Matoušek, Martina Masaryková, Doubravka Součková, Jana Šrejma Kačírková, Andrea Široká, and others. Scenography by Andrej Ďurík.
The Brno Philharmonic Orchestra will perform on Novosvětská Street. Proceeds from the concert will support the Vesna Association
The Brno Philharmonic is holding a benefit concert for Ukraine this week. Proceeds from the entrance fee will go to the Vesna Women's Educational Association, which is now helping Ukrainian refugees. The evening will include Dvořák's Symphony No. 9 in E minor From the New World, conducted by Leoš Svárovský.
The City of Brno has announced that an agreement has been reached with the owner of the International Hotel, HIB DEVELOPMENT, a. s. If the agreement is fulfilled, the construction of the Janáček Cultural Centre (JKC) will not be a compromise, but will fulfil the vision of having a top concert hall in Brno and gaining a new high-quality public space in the historic city centre. The interrelated key documents, i.e. the exchange agreement, the artwork purchase agreement, and the cooperation agreement, were recommended for approval by the Brno City Council today.
UNESCO and the ZUŠ Open festival prepared the exceptional benefit concert. The song recital will take place on Monday, 13 December at 7 p.m. in Brno's Besední dům and will also be available as a live video broadcast. The purpose of the evening is to support and raise the profile of the unique Czech system of Primary Art Schools (ZUŠ).
Brno Contemporary Orchestra will once again perform in a non-traditional space. This time they will play under the direction of conductor Pavel Šnajdr at Anthropos in Brno. They will present spectacular compositions by Italian composer Fausto Romitelli, a post-modern chamber cantata by Miloslav Ištvan, the work entitled Hours of the Past by the recently deceased Lithuanian composer Bronius Kutavičius and a composition by Michal Rataj, composed directly for BCO.
The Brno Philharmonic presents one of the highlights of the season: Schnittke’s Faust Cantata and Iva Bittová
Edvard Elgar’s The Black Knight and Alfred Schnittke’s Faust Cantata “Seid nüchtern und wachet” – the programme to be performed over two evenings at the Janáček Theatre is described as one of the highlights of the 66th philharmonic season. Two dramas: a horror story and a battle for the human soul. And two pieces of work with extensive casting, with nearly two hundred performers on stage. The Mephistopheles part will again be taken by Iva Bittová. The concert is conducted by Dennis Russell Davies.
The original programme of the Brno Philharmonic Orchestra’s third subscription concert, as part of the Philharmonic Orchestra series in Theatre II, promised to continue the originally scheduled Dvořák-Brahms dramaturgy line as interpreted by Elisabeth Leonská. However, of the intended programme for the evening of Dvořák & Brahms II, only Dvořák’s Symphony No. 4 remained. Because Elisabeth Leonská fell ill for the concerts on the 25th and 26th of February at The National Theatre Brno - Janáček Theatre, her place was filled by pianist Alexander Ullman with a performance of The Concerto for Piano and Orchestra in A minor by Edvard Hagerup Grieg. The orchestra was led by head conductor of the Brno Philharmonic Orchestra Dennis Russell Davies.
The long-delayed premiere of the composition The Basement Sketches by composer Michal Nejtek, whose performance was planned for June 2020 and which was commissioned by the Brno Philharmonic, was finally performed on Thursday 25 November at the Community Hall (Besední dům) venue. Together with the Cellar Sketches, the Variations on a Theme by Haydn in B flat major, Op. 56a by Johannes Brahms and Cello Concerto Op. 22 by Samuel Barber were played. In addition to Brno Philharmonic players, cellist Matt Haimovitz and pianist Nikol Bóková also performed. The dramaturgically varied evening, consisting of three distinctly different musical pieces of work and period contexts, was led by the ensemble’s chief conductor Dennis Russell Davies.
On Monday 22 November, the second concert of the Brno Contemporary Orchestra’s festive tenth season, entitled Kamenné mantry (Stone Mantras), presented compositions by Fausto Romitelli, Michal Rataj, Miloslav Ištvan and the recently deceased (well known to Brno audiences) Lithuanian composer Bronius Kutavičius. In addition to the orchestra itself, there were also soprano singer Irena Troupová, marimba player Martin Opršál and reciter Pavel Zajíc, who replaced Otakar Blaha in the programme. The concert, organised in cooperation with the Moravian Museum, was conducted by the artistic director of the ensemble Pavel Šnajdr.
The work by the British composer Benjamin Britten forms an essential part of contemporary opera production. Worldwide, he is even the most frequently staged author born in the 20th century. Peter Grimes, with a libretto by Montagu Slater based on a poem by George Crabbe, became the opera that set the course for Britten's next musical-dramatic works. And it is with the title Peter Grimes that the Brno National Theatre has opened the opera part of the 2021/2022 season. The story of a rough and tumble fisherman, whose two young apprentices die soon after each other and who as a result sails out to sea, where he sinks his boat and himself with it, had its Czechoslovak premiere in Brno in June 1947. Almost 75 years after, the story of a fishing village, resentment, cruelty and gossip is now coming to life again in the Janáček Theatre, directed by David Radok and with a musical score by Marko Ivanović. The title role was played by tenor Joachim Bäckström and the widowed teacher Ellen Orford, who found affection in Grimes, was portrayed by soprano Jana Šrejma Kačírková. This is not the first time that these two have met on stage together – it was with Mark Ivanović and David Radok that they had previously joined forces for the play Juliette / Lidský hlas (Juliette/The Human Voice). Jana Hrochová (Auntie), Andrea Široká (Niece), Tereza Kyzlinková (Niece), Svatopluk Sem (Balstrode), Jitka Sapara-Fischerová (Mrs. Nabob Sedley), Jan Št'áva (Swallow), Vít Nosek (Bob Boles), Petr Levíček (Horace Adams), David Nykl (Hobson), Jiří Hájek (Ned Keene) and Ivo Šiler (Dr. Crabbe) were also featured, along with the others.
One of the biggest attractions of this year's Olomouc Baroque Festival was the performance of the oratorio David by the Austrian composer Karl Ditters. It was the perfect opportunity to do so, after all – this year the work celebrates 250 years since its creation. Ditters composed the oratorio to a text by Ignazio Pinto in 1771 and in the same year it had its premiere at the castle of Bishop Philipp Gotthard Schaffgotsch of Wrocław on the Jánský Vrch (John´s Hill) near Javorník. In the musical production of violinist and artistic director of Volantes Orchestra Veronika Manová and conductor Ema Mikešová the oratorio was first performed in concert in Brno at the Church of St. Johns (4 August), then on 7 August in Podzámecká zahrada – a garden of the Archbishop’s Chateau in Kroměříž, and, finally, on 12–14 August in the Ambit and Basilica of the Visitation of the Virgin Mary on the Svatý Kopeček (Holy Hill) near Olomouc. The event of 12 August was the performance I visited. In addition to Volantes Orchestra, there were members of other ensembles – Arte dei Suonatori (PL), Il Cuore Barocco (SK), Musica Aeterna (HU) and Societas Incognitorum (CZ). In this aspect, this is another event from the series of concerts organised under the auspices of the festival which bring together musical ensembles from the Visegrad Four. However, there are also performers from other countries – Slovenia, Northern Macedonia and Great Britain. The solo roles were performed by: Doubravka Součková (David), Aco Bišćević (Saul, King of Israel), Helena Hozová (Jonathan, son of Saul), Jiří Miroslav Procházka (Abner, warlord) and Aneta Petrasová (Eliab, David’s brother). The concert was directed by Rocc; the choreography was designed by Sanja Nešković Peršin and costumes were rendered by Borjan Litovski.
Yesterday's concert, which took place as part of the Concentus Moraviae festival, entitled Scarlet Venice and featuring violinist, flute and piano player Anna Fusek along with lute and theorbo player Gianluca Geremia, was among the very first evenings indoors that classical music lovers were able to attend after the long, pandemic-forced pause. The chronologically compiled agenda presented those who paid a visit to the Church of All Saints, Moravský Krumlov, with works by early 16th century composers, the origins of the new style and compositions by late Baroque masters.
While concert halls and opera houses are rather on the empty side, seven hotels in the city have seen a lot more activity thanks to the Brno Contemporary Orchestra – a chamber music group led by Pavel Šnajdr and the arts platform Terén – Pole performativního umění (Terrain – Fields for the Performing Arts). Every night of the week, from 15 to 21 March, fans of modern artificial music had the opportunity to visit one of the hotels via YouTube. Not only was the atmosphere of the empty rooms and corridors absorbing, but also the drama in combination with unusual the visual stimuli. Please, do not disturb, as the series was named by its creators - the Brno Contemporary Orchestra and Terén, featured more than just standard recordings of concerts. Indeed, a narrative thread ran through every evening’s experience, which was directly or subtly connected with the musicians or the space itself.
In late 2020, the Brno Philharmonic released two recordings of works by Antonín Dvořák and Antonín Rejcha. We have already reviewed the “Dvořák” CD with the composer’s Symphony No. 1 and his Maličkosti (Bagatelles); the adaptation and instrumentation of the two works was provided by Dennis Russell Davies, the chief conductor of the orchestra. Now we are going to look at the recording of Lenore – a musical picture composed by Antonín Rejcha to the text of Gottfried August Bürger’s ballad of the same name. The CD features Martina Janková as Lenore, Pavla Vykopalová as Lenore’s mother, Wojciech Parchem as the narrator and Jiří Brückler as the late soldier William. The Czech Philharmonic Choir of Brno also performed side by side with the Brno Philharmonic Orchestra, led by Petr Fiala as the choir director. As with the recording of Antonín Dvořák´s works, this project was also directed by conductor Dennis Russell Davies.
Following the concerts streamed online in January and complete with a series of innovative video trailers, The Czech Ensemble Baroque returned with live streaming yesterday night. This time it was the second concert from their series entitled Bach & Mozart in Focus (Czech: Bacha na Mozarta); it was planned for 21 October, but rescheduled. From the Brothers of Mercy Convent, it featured, as the central part of the performance, the psalm of Dixit Dominus by Georg Friedrich Händel.