Classical Music

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The theatre (NTB) has released details of the 2021/2022 season, which includes premieres of five operas and three ballets. Janáček Opera has dubbed the upcoming season “Follow the voice of the heart…”, and in keeping with this, Peter Grimes by Benjamin Britten is scheduled, directed by David Radok. The long-awaited, The Greek Passion by Bohuslav Martinů under the direction of Jiří Heřman, and Mozart’s The Magic Flute directed by Miroslav Krobot are included, too. NTB’s ballet celebrates the 250th anniversary of Ludwig van Beethoven’s birth by presenting a piece entitled Beethoven with Mário Radačovský as the choreographer. After more than thirty years, Cinderella, a ballet by Sergei Prokofiev, returns to the stage of the Janáček Theatre as a brand-new production choreographed by Markéta Pimek Habalová. The new season reflects the sentiment of the heading “Honouring the Greats”.  more

The Brno Philharmonic is preparing another performance for streaming online. Two symphonies are scheduled – by Johannes Brahms and Philip Glass. The composers’ respective Symphony No. 2 have been chosen, making it the Czech premiere of the piece by Glass. The concert – to be streamed live from the Community Hall (Besední dům) venue – will be conducted by chief conductor Dennis Russell Davies, who shall also interview Philip Glass during the interval.  more

The Brno Cultural Newsletter outlines what’s on and the latest developments and opportunities in culture.   more

The session today at the Moravian Library is to be chaired by Vítězslav Mikeš, the dramaturgist of the Brno Philharmonic. His guests are the chief conductor Dennis Russell Davies and opera singer Martina Janková. The discussion is part of a programme accompanying an online exhibition currently taking place, entitled Antonín Rejcha Lost and Foundmore

The Moravian Library (ML) has signed a Memorandum of Cooperation (MoC) with the French National Library (Bibliothèque nationale de France, BnF). Signed by ML’s Director Tomáš Kubíček and his counterpart, President of BnF Laurence Engel, the memorandum has stipulated joint activity to be performed by the two institutions in the field of science & research as well as digitisation and mutual internships. Together, ML and BnF launch an online exhibition entitled Antonín Rejcha znovunalezený (Antonín Rejcha Lost and Found).  more

The ceremony announcing the results of the 29th annual Theatre Critics’ Awards will take place online this year. Janáček Opera received exactly three nominations.  more

The Czech Ensemble Baroque is preparing for another live concert. This time, the Power of Music – the oratorio by Händel, one in which the author included all his theatre experience – can be watched from the comfort of your own home. Performed in English – with Czech subtitles available, the show will feature Markéta Böhmová, Jaroslav Březina and Jiří Miloslav Procházka as the key soloists.  more

The Brno Philharmonic has announced an audition to fill the position of second flute player playing piccolo flute and alto flute. The expected start date is August 2021.  more

Today’s online lecture focuses on the Neo-Baroque elements in the creative production of Bohuslav Martinů. The event is part of the programme accompanying the presentation entitled The Eyes of Brno and taking place at the Moravian Library.  more

Dubbed “Vienna’s Bach”, Johann Josef Fux is known as one of the top world's Baroque composers. On Sunday, Czech Ensemble Baroque will perform the composer’s Missa pro defunctis (Kaiserrequiem K 51-53). The concert from the Brothers of Mercy Convent will be streamed online.  more

Feature articles

While concert halls and opera houses are rather on the empty side, seven hotels in the city have seen a lot more activity thanks to the Brno Contemporary Orchestra – a chamber music group led by Pavel Šnajdr and the arts platform Terén – Pole performativního umění (Terrain – Fields for the Performing Arts). Every night of the week, from 15 to 21 March, fans of modern artificial music had the opportunity to visit one of the hotels via YouTube. Not only was the atmosphere of the empty rooms and corridors absorbing, but also the drama in combination with unusual the visual stimuli. Please, do not disturb, as the series was named by its creators - the Brno Contemporary Orchestra and Terén, featured more than just standard recordings of concerts. Indeed, a narrative thread ran through every evening’s experience, which was directly or subtly connected with the musicians or the space itself. more

In late 2020, the Brno Philharmonic released two recordings of works by Antonín Dvořák and Antonín Rejcha. We have already reviewed the “Dvořák” CD with the composer’s Symphony No. 1 and his Maličkosti (Bagatelles); the adaptation and instrumentation of the two works was provided by Dennis Russell Davies, the chief conductor of the orchestra. Now we are going to look at the recording of Lenore – a musical picture composed by Antonín Rejcha to the text of Gottfried August Bürger’s ballad of the same name. The CD features Martina Janková as Lenore, Pavla Vykopalová as Lenore’s mother, Wojciech Parchem as the narrator and Jiří Brückler as the late soldier William. The Czech Philharmonic Choir of Brno also performed side by side with the Brno Philharmonic Orchestra, led by Petr Fiala as the choir director. As with the recording of Antonín Dvořák´s works, this project was also directed by conductor Dennis Russell Davies.  more

Following the concerts streamed online in January and complete with a series of innovative video trailers, The Czech Ensemble Baroque returned with live streaming yesterday night. This time it was the second concert from their series entitled Bach & Mozart in Focus (Czech: Bacha na Mozarta); it was planned for 21 October, but rescheduled. From the Brothers of Mercy Convent, it featured, as the central part of the performance, the psalm of Dixit Dominus by Georg Friedrich Händel.  more

With the current epidemiologic situation and the impossibility of live concerts, many large and small ensembles have been using the time to prepare new media. One of them is the Brno Philharmonic, which has extended its range to include its own edition of CD recordings with this bold motto: “Music you can hardly buy anywhere else”. Although it might seem that this is, primarily, a successful slogan created by the Marketing Department this brief description is not merely empty words. The first pair of CDs released at the end of 2020 offered the unfairly forgotten oratorio Lenora (Lenore) by Antonín Rejcha (heard at concerts on 5, 6 and 7 February, 2020). The philharmonic orchestra also recorded a programme with Dvořák’s Symphony No. 1 in C minor, Zlonické zvony (The Bells of Zlonice) and the composition entitled Bagatelles, Op. 47(Maličkosti (Trivia)) both adapted (and in the case of Bagatelles also with richer instrumentation) by the chief conductor of the Brno Philharmonic, Dennis Russell Davies. And this is the album which will be the object of our evaluation.  more

The Janáček Brno 2020 International Festival promptly replaced yesterday's Hungarian performance of the opera Salome by Richard Strauss. Instead of the guest appearance, the National Theatre Brno offered a concert programme under the simple name Orchestra of the Janáček Opera. After a long time, the audience could see the musicians who normally remain hidden inside the orchestra pit. In addition to the orchestra, which was conducted by Robert Kružík, the violinist Josef Špaček and the pianist Miroslav Sekera also appeared. The programme clearly consisted only of the works by Leoš Janáček, and since the originally planned performances can no longer be staged in the ever-tightening quarantine environment, the evening at the Janáček Theatre meant a farewell to the festival as such. The last live concert of the Janáček Brno 2020 festival is today's performance of the Brno Philharmonic in the Basilica of the Assumption of the Virgin Mary in Old Brno.  more

Sunday afternoon was marked by another concert of the Janáček Brno 2020 festival. Chamber music performed by the Josef Suk Piano Quartet was given space in the Mozart Hall of Reduta. This ensemble (young both in the year of its founding and its age composition) prepared a truly beautiful and diverse programme for its visit to Brno, and presented it to the audience with adequate commitment.  more

Despite the unpredictability of the coronavirus situation, the Janáček Brno 2020 festival opened yesterday at the Janáček Theatre in Brno. The gala opening of the festival featured a premiere of the opera Destiny by Leoš Janáček directed by Robert Carsen, one of today's praised opera directors.  In fact, Brno audiences had the opportunity to get acquainted with his directing visions of Janáček's operas already in the past; Carsen's concepts for The Makropulos Affair and Katya Kabanova rank among the best that have appeared on the stage of the National Theatre in Brno in recent years. However, the production of Destiny at this year's Janáček's festival is even more exceptional, as this time the director created it directly for the Brno opera house. The costumes were designed by Annemarie Woods, while the stage design was created by Radu Boruzescu. Philip Sheffield (old Živný) and Enrico Casari (young Živný) played the roles of the composer Živný; his fateful love Míla Válková was portrayed by Alžběta Poláčková and her mother by Natascha Petrinsky. Peter Račko performed the role of Dr. Suda, Jan Šťáva was the painter Lhotský and Lukáš Bařák gave his voice to the character of Konečný. The music production is the work of Marko Ivanović, who also conducted the premiere yesterday.Destiny is often described as a problematic opera with a confused story and an imperfect libretto.  more

For the end of this summer, the National Theatre Brno prepared a children's opera, written by the composer Evžen Zámečník under the title Ferdy the Ant  (original Czech title: Ferda Mravenec), based on the story by Ondřej Sekora. The stories of an optimistic ant who "can do anything and knows everything" and doesn’t turn his nose up at “work of all kinds", however, are actually not appearing at the Janáček Theatre for first time. Zámečník's work in eight scenes won the hearts of the Brno audiences between the years 1977 and 1986 with astounding success; it helped bring a number of children to opera – the most refined form of musical theatre. Today, these already adult musicians, actors, directors, lighting technicians and many others have decided to pay tribute to the composer, who also carried out a lot of "work of all kinds" for Brno's musical life.  more

On the eve of the premiere of the operatic pantomime Der Traum, which is to become a virtual culmination of the 16th season of the Znojmo Music Festival, its visitors were given the opportunity to look into the impressive but dilapidating Loucký Monastery. This peculiar place with a unique atmosphere was not chosen by chance. The above-mentioned show not only takes care of the cultural presence, but also co-finances a number of reconstructions of rundown heritage sights. For several years now, its goal has been the restoration of the Loucký Monastery, hence,  just like in previous years, yesterday's concert became a suitable opportunity for a charity wine auction, the proceeds of which are designated for the repair of the devastated building. The Znojmo Chamber Orchestra, accompanied by guests of honour, violists Reinhold Rieger and Emil Machain, in the sunlit courtyard resounding with clinking glasses, presented itself with a variegated programme consisting of works by Henry Purcell, Giovanni Battista Pergolesi, Šimon Brixi, George Frederick Handel, Antonio Vivaldi and Wolfgang Amadeus Mozart. The soprano Zuzana Barochová and the trombone player Tomáš Votava performed as soloists; the concert was conducted by violinist and music teacher Marek Filip, who is at the same time the artistic director of the ensemble.  more

Cultural life has endeavoured to move into a sterile and "life-safe" social networking environment in an unequal struggle against the viral phantasm and government lockdown regulations. In the darkest months, music institutions competed with one another in staging recordings of memorable concerts, and major opera houses broadcast to the world those of their performances that gained the most success from spectators.  more