TIC Brno responds to the current state of society and culture by launching an online project entitled (ni)KAM v Brně [(no)WHERE TO in Brno], which follows on the printed KAM (WHERE TO) magazine. The portal will gather and promote cultural activities in Brno so that supporters of culture can stay together even during this quarantine period.
This Thursday and Friday, Brno Philharmonic will present a programme entitled Pictures at an Exhibition, which will feature three great music pieces accompanied by visualisations of Cori O´Lan. These were created in collaboration with Ars Electronica, an organisation focusing on the use of latest technologies in art. The concerts will be conducted by Dennis Russell Davies.
The upcoming opera season will start with the 7th Janáček Brno Festival. At that festival, the NdB Janáček Opera Ensemble will present the premiere of Janáček's opera Osud [Destiny] directed by Robert Carsten, which will open the festival. The second title will be Její pastorkyňa [Jenufa] under the direction of Claus Guth. His production team from London will also come with the acclaimed performer of Janáček's roles, Karita Mattila, who will render the role of Kostelnička. The opera ensemble is heading for a total of five premieres in the new season. The NdB Ballet will present Beethoven as the first premiere title of the season. The production with music by Ludwig van Beethoven, with choreography and direction of Mário Radačovský, will commemorate the 250th anniversary of the birth of the composer. Jaroslav Milfajt and Ľudmila Várossová will take care of the stage and costume designs. The next title will be Stabat Mater with choreography by Pavel Šmok.
The vocal-experimental group Affetto celebrates 20 years since its founding. The Wheelchair League (Liga vozíčkářů), which the ensemble will support as part of the charity concert, will celebrate the 30th anniversary of its existence. The joint celebration promises a musical performance accompanied by texts written by writers Ivan Jergl and Václav Uher.
The ballet ensemble of the National Theatre Brno will present an original ballet piece based on the novel by Alexander Dumas Jr. and music by Franz Schubert, in an arrangement by Andrei Pushkarev. This production was created under the leadership of the choreographer Valentina Turcu. Conductor Robert Kružík undertook the musical preparation of the performance with the orchestra of the Janáček Opera.
Czech Ensemble Baroque is preparing a concert in the Besední dům, which will guide the audience through musical Europe of the Baroque period. The Singende Geographie [Singing Geography] suite by Georg Philipp Telemann will be accompanied by a Baroque fashion show performed by the Alla Danza Brno – Baroque historical dance ensemble.
A summer walk around Brno's downtown where music sounds at every step? That was and will be the Marathon of Music Festival in Brno. The centre of Brno will resound with the festival already for the fifth time this August. The programme promises a great variety of genres, reputed names of artists, but also space for young talent. Once again, music will be played at unconventional venues and in rooms by Kateřina Šedá; concerts will newly be staged, for example, in a kitchen storage room or a in a children's room.
“Every theatre is a madhouse, but opera is the ward for the incurable,” claimed Franz von Dingelstedt, the first director of the Court Opera House in Vienna. And he was right, for once someone’s fallen in love with opera, that’s it. Opera’s a stepchild of the Renaissance, with a Baroque wet nurse: it was on the cusp between these two great eras that the idea of purely sung theatre saw the light of day. Step by step, composers taught the art of singing to classical gods and brave women, Christian heroes and pagan enchantresses, a Seville barber, a Babylonian king and the Czech Mařenka and Jeník. But it was only here in Brno, thanks to Leoš Janáček, that truly psychological musical drama was born, drama that sees into a person’s heart. Today the Brno opera company has its home in a theatre named after Janáček, mounts a major festival devoted to the city’s most famous composer every two years, and has set its sights very high. “The more opera is dead, the more it flourishes,” pronounced the philosopher Slavoj Žižek when speaking of this fanatically loved but just as fanatically rejected genre. By this measure, opera in Brno these days must have been dead at least a dozen times.
To write a guide to music in Brno in the past and present means digging deep into one’s own recollections and those of others as well as into sources with varying degrees of reliability, and as far as possible not believing anything automatically but always asking “Did this really happen just like that?” And in doing so, to be very, very suspicious of one’s own memory. Two basic questions that cropped up in connection with almost every sentence were “What is it about this band or that event that makes them special? Would someone who’s never been to Brno and has no ties with the city find it interesting?”
Due to the impact of extraordinary measures taken because of the Covid-19 pandemic on stakeholders of the cultural and creative industries in Brno, Brno leaders and the Department of Culture of the Brno City Municipality are working intensively on a set of precautions for minimizing the damages. At the same time, communication is conducted on all levels of public administration, predominantly in collaboration with the Institut umění – Divadelní ústav [Arts and Theatre Institute], which is mapping the situation on the nationwide level. Until 22 March 2020 you can help assess the current situation by means of an online survey (the link is provided below). Further steps will be taken according to the results of the survey.
The fourth subscription evening prepared by the Brno Philharmonic for the chief conductor's series called Philharmonic at Stadion and Janáček Theatre is an exceptional dramaturgical feat. The programme entitled "Pictures at an Exhibition", based on Modest Petrovich Mussorgsky's initial composition, combines additional works originated in and inspired by painting: The Frescoes of Piero della Francesca by Bohuslav Martinů, and Mathis der Maler, a symphony by Paul Hindemith. Sounding painting is accompanied by unique, music-illustrated visualisations of Cori O’Lan in collaboration with Ars Electronica. This week's difficult situation, not only for cultural institutions, was managed by the Brno Philharmonic promptly and with a great acclaim. Much like Cirk La Putyka on the day before, the Philharmonic decided not to cancel the performance at the Janáček Theatre and to broadcast the music and visualisations on 12 March from the Besední dům live on the web and on social networks.
The story of fateful love of the beautiful courtesan Marguerite and her sweetheart Armand, as we know it from the autobiographical prose The Lady of the Camellias by Alexander Dumas Jr., need not be largely introduced. One of the most famous novels of the 19th century has already been subject to a number of remakes, and now the National Theatre Brno ballet ensemble also came up with a new modern concept of this story of pain, passion and self-sacrifice.
Director, librettist and stage designer David Radok and composer, but also chief conductor of the opera ensemble Marko Ivanović created the authorial work for the opera ensemble of the National Theatre Brno. The opera The Monument, which was premiered yesterday, tells the story of sculptor Otakar Švec (1892–1955), whose design in 1955 was a portent of Stalin's monument at Letná. The title roles in the Janáček Theatre were performed by: Stanislav Sem (Sculptor), Markéta Cukrová (Wife), Roman Hoza (Colleague) and Ondřej Koplík (Minister of Culture). The solo parts were complemented by the Opera Choir, the Czech Academic Choir and the Brno Children's Choir. The Janáček Opera Orchestra was directed by the author of the music Marko Ivanović.
On the next day after the powerful experience I had gotten from the performance of Requiem by the Armenian composer Tigran Mansurian, I had the opportunity to meet its creator. The fragile, gentle and sincere music thus foreshadowed me of its author, with whom I spent a few precious moments in the director's lounge of the Besední dům in Brno in a very friendly conversation.
That evening was not only festive, with an extraordinary list of performers, but especially from many points of view valuable and significant. The bright and shiny ballet gala show of the ensemble of the National Theatre Brno showed many important things at the Janáček Theatre yesterday. On the one hand, the gala concert celebrated the respectable one hundred years' anniversary of the ballet ensemble in Brno, and on the other hand also presented the city as a respected focal point of dance art, where the greatest stars of these days do not hesitate to arrive. And in this first-league competition, the domestic ensemble was successful in its match with the European best and brightest. If you add to this the truly storming and crowded auditorium of the Janáček Opera, meaning more than a thousand satisfied spectators, the above-mentioned artistic gains are accomplished.
With the return to the Janáček Theatre after three years and with the first foreshadowing of the upcoming celebrations of the 250th anniversary of Ludwig van Beethoven's birth, the Brno Philharmonic entered the new year with its traditional, already the 65th New Year concert in history. For this occasion, it chose a programme truly magnificent and appropriate, crowned by the European-famous Ode to Joy. The whole gala evening took place under the baton of Chief Conductor Dennis Russell Davies.
In the premises of the neo-Gothic Czech Brethren Evangelical Church of J. A. Comenius, on the fifth evening of the Moravian Autumn festival, a performance of sacred music for choir and organ took place. In addition to the choir of the same name, Martinů Voices was also dominated by the organist Linda Sítková and a four-member ensemble of French horns. All this under the direction of choirmaster Lukáš Vasilek.