Classical Music

At the penultimate concert of its tenth year jubilee staged in the Fresco Room of the Comenium Elementary School, the Olomouc Baroque Festival presented an evening with the Musica Florea ensemble. The musicians, conducted by cellist Marek Štryncl, performed a selection of compositions by forgotten classical and early romantic composers Karl Kohaut, Jan Ladislav Dusík and Johann Nepomuk Hummel. The choice of composers was not random – this year it is 210 years since Dusík’s death and 185 years since Hummel’s death. Performing with the ensemble’s core members – violinist Magdalena Malá and Simona Tydlitátová, violist Lýdie Cillerová, cellist Marek Štryncl and bass player Ondřej Štajnochra – was Petra Matějová on the fortepiano.  more

On 18 and 19 August, the tenth anniversary edition of the Olomouc Baroque Music Festival included a unique dramaturgical treat in its program – one of the most historically important Czech operas which, however, does not appear much on the stages of opera houses or music halls. This is Dráteník (The Tinker), the first original Czech opera composed by František Škroup to a libretto by Josef Krasoslav Chmelenský. It was directed by Kateřina Křivánková, with costumes and set by Sylva Marková and music by Marek Čermák, and performed by the Volantes Orchestra, the festival’s resident ensemble. Singing roles were taken up by Matúš Šimko (Dráteník/Škroup), Lenka Cafourková Ďuricová (Růžena), Vincenc Ignác Novotný (Vojtěch), Zuzana Badárová (Liduška), Aleš Janiga (Květenský), Jiří Miroslav Procházka (Lána), and Martin Vodrážka (Kůl). The purely dramatic roles of Chmelenský – the aforementioned author of the libretto – and Hranatý the guard were played by Martin Mihál. The reviewer visited the premiere performance.  more

For the seventh time, the multi-genre music festival Brno Music Marathon proved that with precise organization and a little luck, an astonishing amount of music can be packed into one long weekend. From Thursday to Sunday (11-14 August), selected music halls, squares, courtyards, and city streets were filled with the artistic creations of countless bands, ensembles, and specific musical groups of all genres and styles. Lovers of rock, world music, jazz, artistic music, folklore, and improvised music were in for a treat. However, this year’s edition differed from the previous one in one crucial respect: 2022 introduced the first ever artist in residence of the festival, the violinist, flautist, and pianist Anna Fusek.  more

For the sixth time, the Music Marathon has stirred up the streets, squares, and many spaces in Brno with all sorts of musical genres. These are not necessarily just concert venues, however. The Hausopera ensemble, for example, took their opera The Eternal Miss Pale to the Zeman Café on Friday 12 August. In three weekend performances there, they will complete their “Trilogy for the City”, a custom-made project for Brno that recalls its pros, cons, and above all some of its functionalist buildings.  more

Just like every year, the Znojmo Music Festival brought its visitors an opera of its own production. For this year's 18th edition, subtitled Returning Home and Our Guardian Angels, the organizers prepared a stage performance of Joseph Haydn's oratorio The Return of Tobias. The Old Testament story about a tested marriage and a blind father was performed by the Czech Ensemble Baroque under the baton of Roman Válek and directed by Tomáš Ondřej Pilař at the premiere on 15 July 2022 (this performance was visited by this author) in the riding hall of the Louka Monastery – the reprise and last performances will take place on the following two days. Shira Patchornik (Sarah), Lucie Kaňková (d'Azaria), Dagmar Šašková (Anna), Theodore Browne (Tobias), and Adam Plachetka (Tobit) performed the solo roles. Costumes were designed by Ivana Ševčíková Miklošková, choreography by Martin Šinták, and lighting design by Tomáš Příkrý.  more

This year’s 27th edition of the Concentus Moraviae Festival is history after almost a month of music. The gala closing concert at the Zlín Congress Centre presented a program of songs by Ernest Chausson, Igor Stravinsky, Johannes Brahms, Richard Strauss, Leoš Janáček and Antonín Dvořák. Magdalena Kožená, mezzo-soprano and patron of the show, performed as a soloist. She was joined by pianist and conductor Sir Simon Rattle, flutist and this year’s Artist in Residence Kaspar Zehnder, violinist Giovanni Guzzo, violinist Rahel Maria Rilling, violist Amihai Grosz, cellist Dávid Adorján, and clarinettist Christopher Richards. Dvořák’s songs were specially arranged for this ensemble by the English composer and conductor Duncan Ward.  more

This year's 27th edition of the Concentus Moraviae Music Festival is slowly coming to a grand finale as a joint concert by flutist and artist in residence Kaspar Zehnder, mezzo-soprano and patron of the festival Magdalena Kožená, and her husband, pianist and conductor Sir Simon Rattle. On Friday 24 June, at one of the last concerts of the culminating festival, artist-in-residence Kaspar Zehnder, together with his friends Giovanni Guzzo (violin), Rahel Maria Rilling (violin), Amihai Grosz (viola), Dávid Adorján (cello), Wolfgang Klinser (clarinet), and Anaïs Gaudemard (harp), prepared the dramaturgy of Friday's chamber concert in the library of the Náměšť Castle.  more

On 22 June, the Ensemble Opera Diversa visited the atrium of the Faculty of Arts at Masaryk University on Arne Novák Street with the program Dances in the Gardens, which continued the series of outdoor projects started last year. Bassoonist Pavel Horák and marimba player Martin Švec performed as soloists. The concert was conducted by conductor Patrik Červák, who stood in front of the Ensemble Opera Diversa string orchestra for the very first time.  more

After the first successful concert of the Concentus Moraviae festival’s resident ensemble at the castle in Slavkov, the ensemble led by violinist Pavel Fischer expanded to include pianist Katya Apekisheva and on Sunday, 12 June, in the Great Hall of Mikulov Castle, presented an unknown face of the musical language of Hungarian composer Béla Bartók with his Piano Quintet in C Major. Along with Fischer and Apekisheva, the concert also featured violinist Markéta Janoušková, violist Diede Verpoest, and cellist Erich Oskar Hütter.  more