For the eighth year running, Czech Ensemble Baroque under the baton of Roman Válek has been performing a subscription series of early music entitled Bacha na Mozarta! (in Czech, this is a pun meaning both "Bach on Mozart!" and "Beware of Mozart!"). The advanced sales of tickets for this cycle will begin as part of the closing concert of the Easter Festival of Sacred Music, where the orchestra will perform Bach's Easter Oratorio. The dramaturgy of the eighth season features, for example, Mozart's Requiem, a Baroque fashion show, Te Deum Three Times Differently, and a vocal concert.
The Easter Festival of Sacred Music is Approaching. There will be Works from the 7th Century to the Present
This year the festival programme includes musical works from the 7th century to the present. Gregorian chants, a setting of Book of Lamentations from the 10th century, Renaissance Rome, the orthodox repertoire, 18th century services from the Moravian countryside, organ pieces and contemporary works. The festival will also for the first time be welcomed into the church on Josefská street.
In his lecture, Miloš Štědroň will present Ludvík Kundera as Janáček's assistant and expert in his work. Milan Kundera will be shown as the author of the respected book Můj Janáček [My Janáček]. The lecture will take place in the Moravian Regional Library. The event is an accompanying programme to an exhibition about the translations of Milan Kundera’s works.
After two years the Symposium: Art | Music | Management is returning to Brno’s JAMU (Janáček Academy of Music and Performing Arts). Three days in April will be given over to debate, new ideas and exchanging of contacts between professionals, teachers and students. The 7th Symposium promises more than thirty lecturers from four countries and an accompanying programme. This time the symposium focuses on the education of artistic, and primarily music managers.
The Summer School of Baroque Music in Holešov focuses on performing vocal-instrumental works of older style periods in the style of informed interpretation of early music. Teaching takes place in the form of workshops and lectures led by domestic and foreign artists and teachers. This year's season offers tuition in all artistic categories that are involved in the performance of the compositions (choir, soloists, ensembles, positive organ, harpsichord, figured bass, violin, viola, cello, bassoon, flute and newly also baroque trombone – sackbut, percussion and viola da gamba). Among the lecturers of this year's run are Anastasia Baraviera, Tereza Válková, Jean-François Lombard, Robin Tyson and Roman Válek.
The Tourist Information Centre recently published the second part of its Authentic Guide THIS IS BRNO II. The city of Brno is presented in it by prominent local personalities from the ranks of artists, publicists, photographers and Brno patriots, plus one Prague writer. One separate chapter in the guide is dedicated to musical Brno; it was written by a performer who calls himself burning.
The Easter Festival of Sacred Music 2019 will again resound in Brno‘s churches. There will be, for example, the world première of a composition by Toivo Tulev, Gregorian chant, Byzantine passion, a symphony for solo violin, organ concerts, dark hours, festive Renaissance Rome or Bach's Easter Oratorio. The theme of this year's season Ceremony / It's Good to Praise the Lord; the programme consists of six concerts and three dark hours.
Even though the audience's attention is generally focused on music ensembles that have already been vetted by time, yesterday's concert of the newly formed Camerata Brunensis ensemble in the Historical Hall of the Brno Bishop's Court proved that even young blood can offer a remarkable artistic experience. The concert was programmed in cooperation with the Moravian Regional Museum and the Academy of Early Music at Masaryk University, which the Camerata Brunensis‘ artists attend. The ensemble consists of soprano Veronika Vojířová, who performed for example with ensembles like Collegium Marianum, Collegium Floreum, Capella Regia Prague or Cappella Mariana, and the flutist Michaela Durajová, who could be listened to by audiences with the Orchestral Academy of the Brno Philharmonic, the Moravian Philharmonic Olomouc, the Czech Virtuosi orchestra or with the Prague Philharmonic Orchestra. Also, the double bassist and violonist Matyáš Berdych regularly appears with important music ensembles such as Musica Florea, Collegium Marianum and Czech Ensemble Baroque. The backbone of the ensemble is formed by the harpsichordist Jan Hajič, who works as a répétiteur for the Prague choir Vagantes, accompanies concerts and master classes at the Prague Conservatory, and works as a backup organist at the Prague Academic Parish under the guidance of Robert Hugo.
Yesterday’s concert from the Principal Conductor’s series of the Brno Philharmonic presented Yumi Hwang-Williams, concertmaster of the Colorado Symphonic Orchestra, in an intimately conceived programme. Together with the principal conductor of the Brno philharmonic, Dennis Russel Davies, she performed several classical and contemporary works composed for violin and piano. In this, the Brno audience had a chance to see the soloist before she plays tomorrow together with the Brno Philharmonic.
The piano recital by the chief conductor of the Brno Philharmonic Denis Russell Davies and his wife the pianist Maki Namekawa yesterday in Besední dům offered three works by three significant figures from American minimalism. The concert included minimalist works by Steve Reich in the shape of Piano Phase, the composition Hallelujah Junction by John Adams and Four Movements for Two Pianos by Philip Glass.
Evenings of the cycle named Music Stocktaking of the Brno-based orchestra Ensemble Opera Diversa regularly bring to light various half-forgotten works by Czech composers. This Tuesday's concert in the concert hall of the Convent of Merciful Brother [Konvent Milosrdných bratří] became a commemorative tribute to the anniversary of the tragic years 1939 and 1969. Violinist Milan Paľa and pianists Kristýna Znamenáčková and Lucie Pokorná performed alongside the orchestra. The performance was conducted by the permanent conductor of the orchestra Gabriela Tardonová.
In the hall of Blahoslav House (the centre for the Evangelical Church of the Czech Brethren) yesterday evening there were performances of religious works from the late Renaissance and the early Baroque by the chamber choir Ensemble Versus and the period instruments ensemble Castello in Aria. Both bodies were conducted by the artistic director Vladimír Maňas. In yesterday’s programme there were both proven works and unknown ones by rarely performed European composers.
The web portal Brno – Music Friendly City is celebrating its sixth birthday. As a symbolic present to our readers we are bringing you the first of our regular monthly contributions from the Brno dramatist, writer and screenwriter Milan Uhde. He will be sharing his memories and thoughts as well as descriptions of current events in the field of culture in Brno. His theme today is the Janáček Brno festival.
The latest opera production of the National Theatre in Brno is Don Carlos by the composer Giuseppe Verdi and the poet Friedrich Schiller. This work, directed by the director of this institution, Martin Glaser, had its premiere on Saturday 2 February 2019 in the Janáček Theatre. The stage set was designed by Pavel Borák and the costumes by Markéta Sládečková-Oslzlá. Lighting was the responsibility of Martin Špetlík. The performance was conducted by Jaroslav Kyzlink, who also produced the performance with the choir and orchestra of the Janáček Opera of the National Theatre in Brno. The main roles were filled by Luciano Mastro as Don Carlos and Federico Sacchi as King Philip II, Carlos’ father; Jiří Brückler is the friend of the title character and the confidant of the king, Rodrigo, Marquis of Posa. Linda Ballová took the part of the young queen and madly infatuated Elisabeth of Valois; the figure of the vengeful Princess Eboli, who secretly loves the king’s son was played by Veronika Hajnová-Fialová. The intimidating inquisitor was played by Ondrej Mráz. Also appearing were Andrea Široká, Martina Mádlová, Zdeněk Nečas and David Szendiuch.
Yesterday in Besední dům classical music lovers had their very first chance to hear the new chief conductor of the Brno Philharmonic Dennis Russell Davies also in the role of piano soloist. Under Davies’ baton there was a performance of the Symphony in D major, Op. 23 by the Vamberk native Jan Václav Hugo Voříšek and the premiere of the orchestral arrangement of the chamber work by Antonín Dvořák Bagatelles, Op. 47 created by the chief conductor himself. Davies took his place at the piano to play the Piano Concerto No. 24 in C minor by Wolfgang Amadeus Mozart. The chief conductor will also be performing as soloist in two upcoming recitals, playing for example works by Steve Reich, John Adams and Philip Glass.
We can often hear the works of contemporary composers connected to Brno in the performances of local ensembles. But it is not usual for them to reach a wider audience, and in that fashion, a relatively inconspicuous recital dedicated to the works of Brno composers took place yesterday at the Brothers of Charity Convent. A much greater level of attention should be raised by the interpreter Milan Paľa. He had, in his own words “decided to do something for Moravian music” and create in the coming years several CD’s mapping the repertoire for violin or viola by composers connected to Moravia. The Cantus Moraviae project already has its first double CD, which was christened at yesterday’s concert.
Usually, we associate concerts of classical music with the evening hours, formal attire and in some cases even a glass of wine. Last Saturday showed us that the morning hours are not any less good a time for a musical production. In the Crystal Room of the Old Town Hall, an hour before noon, a a performance of cello sonatas by Ludwig van Beethoven, Claude Debussy and Dmitri Shostakovich by the cellist Štěpán Filípek and the pianist Mark Pinzow took place. The concert was organised by the National Theatre Brno.