Reviews

In late 2020, the Brno Philharmonic released two recordings of works by Antonín Dvořák and Antonín Rejcha. We have already reviewed the “Dvořák” CD with the composer’s Symphony No. 1 and his Maličkosti (Bagatelles); the adaptation and instrumentation of the two works was provided by Dennis Russell Davies, the chief conductor of the orchestra. Now we are going to look at the recording of Lenore – a musical picture composed by Antonín Rejcha to the text of Gottfried August Bürger’s ballad of the same name. The CD features Martina Janková as Lenore, Pavla Vykopalová as Lenore’s mother, Wojciech Parchem as the narrator and Jiří Brückler as the late soldier William. The Czech Philharmonic Choir of Brno also performed side by side with the Brno Philharmonic Orchestra, led by Petr Fiala as the choir director. As with the recording of Antonín Dvořák´s works, this project was also directed by conductor Dennis Russell Davies.  more

Following the concerts streamed online in January and complete with a series of innovative video trailers, The Czech Ensemble Baroque returned with live streaming yesterday night. This time it was the second concert from their series entitled Bach & Mozart in Focus (Czech: Bacha na Mozarta); it was planned for 21 October, but rescheduled. From the Brothers of Mercy Convent, it featured, as the central part of the performance, the psalm of Dixit Dominus by Georg Friedrich Händel.  more

With the current epidemiologic situation and the impossibility of live concerts, many large and small ensembles have been using the time to prepare new media. One of them is the Brno Philharmonic, which has extended its range to include its own edition of CD recordings with this bold motto: “Music you can hardly buy anywhere else”. Although it might seem that this is, primarily, a successful slogan created by the Marketing Department this brief description is not merely empty words. The first pair of CDs released at the end of 2020 offered the unfairly forgotten oratorio Lenora (Lenore) by Antonín Rejcha (heard at concerts on 5, 6 and 7 February, 2020). The philharmonic orchestra also recorded a programme with Dvořák’s Symphony No. 1 in C minor, Zlonické zvony (The Bells of Zlonice) and the composition entitled Bagatelles, Op. 47(Maličkosti (Trivia)) both adapted (and in the case of Bagatelles also with richer instrumentation) by the chief conductor of the Brno Philharmonic, Dennis Russell Davies. And this is the album which will be the object of our evaluation.  more

The Janáček Brno 2020 International Festival promptly replaced yesterday's Hungarian performance of the opera Salome by Richard Strauss. Instead of the guest appearance, the National Theatre Brno offered a concert programme under the simple name Orchestra of the Janáček Opera. After a long time, the audience could see the musicians who normally remain hidden inside the orchestra pit. In addition to the orchestra, which was conducted by Robert Kružík, the violinist Josef Špaček and the pianist Miroslav Sekera also appeared. The programme clearly consisted only of the works by Leoš Janáček, and since the originally planned performances can no longer be staged in the ever-tightening quarantine environment, the evening at the Janáček Theatre meant a farewell to the festival as such. The last live concert of the Janáček Brno 2020 festival is today's performance of the Brno Philharmonic in the Basilica of the Assumption of the Virgin Mary in Old Brno.  more

Sunday afternoon was marked by another concert of the Janáček Brno 2020 festival. Chamber music performed by the Josef Suk Piano Quartet was given space in the Mozart Hall of Reduta. This ensemble (young both in the year of its founding and its age composition) prepared a truly beautiful and diverse programme for its visit to Brno, and presented it to the audience with adequate commitment.  more

Despite the unpredictability of the coronavirus situation, the Janáček Brno 2020 festival opened yesterday at the Janáček Theatre in Brno. The gala opening of the festival featured a premiere of the opera Destiny by Leoš Janáček directed by Robert Carsen, one of today's praised opera directors.  In fact, Brno audiences had the opportunity to get acquainted with his directing visions of Janáček's operas already in the past; Carsen's concepts for The Makropulos Affair and Katya Kabanova rank among the best that have appeared on the stage of the National Theatre in Brno in recent years. However, the production of Destiny at this year's Janáček's festival is even more exceptional, as this time the director created it directly for the Brno opera house. The costumes were designed by Annemarie Woods, while the stage design was created by Radu Boruzescu. Philip Sheffield (old Živný) and Enrico Casari (young Živný) played the roles of the composer Živný; his fateful love Míla Válková was portrayed by Alžběta Poláčková and her mother by Natascha Petrinsky. Peter Račko performed the role of Dr. Suda, Jan Šťáva was the painter Lhotský and Lukáš Bařák gave his voice to the character of Konečný. The music production is the work of Marko Ivanović, who also conducted the premiere yesterday.Destiny is often described as a problematic opera with a confused story and an imperfect libretto.  more

For the end of this summer, the National Theatre Brno prepared a children's opera, written by the composer Evžen Zámečník under the title Ferdy the Ant  (original Czech title: Ferda Mravenec), based on the story by Ondřej Sekora. The stories of an optimistic ant who "can do anything and knows everything" and doesn’t turn his nose up at “work of all kinds", however, are actually not appearing at the Janáček Theatre for first time. Zámečník's work in eight scenes won the hearts of the Brno audiences between the years 1977 and 1986 with astounding success; it helped bring a number of children to opera – the most refined form of musical theatre. Today, these already adult musicians, actors, directors, lighting technicians and many others have decided to pay tribute to the composer, who also carried out a lot of "work of all kinds" for Brno's musical life.  more

On the eve of the premiere of the operatic pantomime Der Traum, which is to become a virtual culmination of the 16th season of the Znojmo Music Festival, its visitors were given the opportunity to look into the impressive but dilapidating Loucký Monastery. This peculiar place with a unique atmosphere was not chosen by chance. The above-mentioned show not only takes care of the cultural presence, but also co-finances a number of reconstructions of rundown heritage sights. For several years now, its goal has been the restoration of the Loucký Monastery, hence,  just like in previous years, yesterday's concert became a suitable opportunity for a charity wine auction, the proceeds of which are designated for the repair of the devastated building. The Znojmo Chamber Orchestra, accompanied by guests of honour, violists Reinhold Rieger and Emil Machain, in the sunlit courtyard resounding with clinking glasses, presented itself with a variegated programme consisting of works by Henry Purcell, Giovanni Battista Pergolesi, Šimon Brixi, George Frederick Handel, Antonio Vivaldi and Wolfgang Amadeus Mozart. The soprano Zuzana Barochová and the trombone player Tomáš Votava performed as soloists; the concert was conducted by violinist and music teacher Marek Filip, who is at the same time the artistic director of the ensemble.  more

The Brno Contemporary Orchestra, conducted by Pavel Šnajdr, concluded its ninth season with a concert called Con certo: With Certainty or with the Devil?, held in the hall of the Convent of the Merciful Brethren. The programme featured works by authors already established in the world of contemporary classical music: Alexej Fried, Olga Neuwirth and György Ligeti, whose violin concerto was performed by the violin virtuoso Milan Paľa.  more

The fourth subscription evening prepared by the Brno Philharmonic for the chief conductor's series called Philharmonic at Stadion and Janáček Theatre is an exceptional dramaturgical feat. The programme entitled "Pictures at an Exhibition", based on Modest Petrovich Mussorgsky's initial composition, combines additional works originated in and inspired by painting: The Frescoes of Piero della Francesca by Bohuslav Martinů, and Mathis der Maler, a symphony by Paul Hindemith. Sounding painting is accompanied by unique, music-illustrated visualisations of Cori O’Lan in collaboration with Ars Electronica. This week's difficult situation, not only for cultural institutions, was managed by the Brno Philharmonic promptly and with a great acclaim. Much like Cirk La Putyka on the day before, the Philharmonic decided not to cancel the performance at the Janáček Theatre and to broadcast the music and visualisations on 12 March from the Besední dům live on the web and on social networks.  more

The story of fateful love of the beautiful courtesan Marguerite and her sweetheart Armand, as we know it from the autobiographical prose The Lady of the Camellias by Alexander Dumas Jr., need not be largely introduced. One of the most famous novels of the 19th century has already been subject to a number of remakes, and now the National Theatre Brno ballet ensemble also came up with a new modern concept of this story of pain, passion and self-sacrifice.  more

A fateful comedy, the third part of a musical trilogy or a fantasy musical. These attributes define Paradise, a new authorial piece from the workshop of Zdenek Merta and Stanislav Moša. Their ninth joint work in the field of music theatre was premiered yesterday on the big stage of the Brno City Theatre. The result is embarrassing.  more

Director, librettist and stage designer David Radok and composer, but also chief conductor of the opera ensemble Marko Ivanović created the authorial work for the opera ensemble of the National Theatre Brno. The opera The Monument, which was premiered yesterday, tells the story of sculptor Otakar Švec (1892–1955), whose design in 1955 was a portent of Stalin's monument at Letná. The title roles in the Janáček Theatre were performed by: Stanislav Sem (Sculptor), Markéta Cukrová (Wife), Roman Hoza (Colleague) and Ondřej Koplík (Minister of Culture). The solo parts were complemented by the Opera Choir, the Czech Academic Choir and the Brno Children's Choir. The Janáček Opera Orchestra was directed by the author of the music Marko Ivanović.  more

With the return to the Janáček Theatre after three years and with the first foreshadowing of the upcoming celebrations of the 250th anniversary of Ludwig van Beethoven's birth, the Brno Philharmonic entered the new year with its traditional, already the 65th New Year concert in history. For this occasion, it chose a programme truly magnificent and appropriate, crowned by the European-famous Ode to Joy. The whole gala evening took place under the baton of Chief Conductor Dennis Russell Davies.  more

In the premises of the neo-Gothic Czech Brethren Evangelical Church of J. A. Comenius, on the fifth evening of the Moravian Autumn festival, a performance of sacred music for choir and organ took place. In addition to the choir of the same name, Martinů Voices was also dominated by the organist Linda Sítková and a four-member ensemble of French horns. All this under the direction of choirmaster Lukáš Vasilek.  more

Hajcman, a tramp-swing group with its roots in Brno, released their expected debut album Jednou to bude (It Will Come to Pass). The band’s name, derived from the Czech word for a supporting steel frame in coal mining, is a reference to cave exploring, the hobby of the group’s leader Martin Škrobák, whose first band was called Stalaktit (Stalactite). While the album largely showcases the talents of the tramping legend, it does feature a sample of the band’s work in the form of two songs by Martin, hinting at the direction of the band’s future album of author's songs. It’s Jaroslav Velinský aka Kapitán Kid who is the author of the most of the debut’s collection of songs, the result of over a decade’s effort. An old friend of Martin’s, as well as a fellow musician and inspiration to him, the tramping music king Kapitán Kid had planned to record some “blasts from the past” in 2005 with his previous outfit the Banjo Gang, as described in the sleeve notes and associated songbook. Joint recording sessions with Martin and his friends took place subsequently, but Velinský’s best-known tramping songs from the CD Tempo di kůň (Tempo de Horse; released in 2007) were eventually preferred. This is how these tracks came to be short-listed, with the blessing of Kapitán Kid himself, and recorded just a few years after the songwriter’s death, making it essentially a tribute to him.  more

While concert halls and opera houses are rather on the empty side, seven hotels in the city have seen a lot more activity thanks to the Brno Contemporary Orchestra – a chamber music group led by Pavel Šnajdr and the arts platform Terén – Pole performativního umění (Terrain – Fields for the Performing Arts). Every night of the week, from 15 to 21 March, fans of modern artificial music had the opportunity to visit one of the hotels via YouTube. Not only was the atmosphere of the empty rooms and corridors absorbing, but also the drama in combination with unusual the visual stimuli. Please, do not disturb, as the series was named by its creators - the Brno Contemporary Orchestra and Terén, featured more than just standard recordings of concerts. Indeed, a narrative thread ran through every evening’s experience, which was directly or subtly connected with the musicians or the space itself.  more

“It’s absolutely perfect, I play it all the time and it plays in my head all the time,” commented Matěj H., a music studies graduate and Brno politician. In another Facebook debate, a musical editor with a pen name of Max B. depicts it to be “totally horrible stuff.” Few domestic albums recorded in 2020 received such varied responses as Folk Swings, a collection of what were initially contemporary folk songs, re-arranged to become big-band pieces and performed by B-Side Band with Josef Buchta as the bandmaster.  more

In late 2020, the Brno Philharmonic released two recordings of works by Antonín Dvořák and Antonín Rejcha. We have already reviewed the “Dvořák” CD with the composer’s Symphony No. 1 and his Maličkosti (Bagatelles); the adaptation and instrumentation of the two works was provided by Dennis Russell Davies, the chief conductor of the orchestra. Now we are going to look at the recording of Lenore – a musical picture composed by Antonín Rejcha to the text of Gottfried August Bürger’s ballad of the same name. The CD features Martina Janková as Lenore, Pavla Vykopalová as Lenore’s mother, Wojciech Parchem as the narrator and Jiří Brückler as the late soldier William. The Czech Philharmonic Choir of Brno also performed side by side with the Brno Philharmonic Orchestra, led by Petr Fiala as the choir director. As with the recording of Antonín Dvořák´s works, this project was also directed by conductor Dennis Russell Davies.  more

Following the concerts streamed online in January and complete with a series of innovative video trailers, The Czech Ensemble Baroque returned with live streaming yesterday night. This time it was the second concert from their series entitled Bach & Mozart in Focus (Czech: Bacha na Mozarta); it was planned for 21 October, but rescheduled. From the Brothers of Mercy Convent, it featured, as the central part of the performance, the psalm of Dixit Dominus by Georg Friedrich Händel.  more

The coronavirus crisis of 2020 (and 2021) has had such an impact on the form of the musical market that researchers, with hindsight, will probably ask whether there are any recordings released at that time and not affected by it. Robert Křesťan and Druhá tráva (Second Grass) wanted to work on a double album containing cover versions of songs by his favourites and new own works next to each other. The British producer Eddie Stevens became a part of this ambitious project but the interrupted opportunity of travelling between the Czech Republic and London also stopped work on the 2CD. The band decided not to wait for the easing and released the Díl první (Part One) separately. This is not the exact form of the initially intended first disc. “Releasing cover versions only without any apparent relationship between them and the original works seemed inadequate to us and the production style of Eddie Stevens is individual and unifying in a specific way  to such an extent that we decided to release a mix of the two on the first medium and delay the second part,” explains Křesťan. Therefore, we have Díl první in front of us, but this is not any half-hearted recording or unfinished work. In spite of the Act of God, Druhá tráva has succeeded in recording one of the strongest Czech discs of 2020.  more

With the current epidemiologic situation and the impossibility of live concerts, many large and small ensembles have been using the time to prepare new media. One of them is the Brno Philharmonic, which has extended its range to include its own edition of CD recordings with this bold motto: “Music you can hardly buy anywhere else”. Although it might seem that this is, primarily, a successful slogan created by the Marketing Department this brief description is not merely empty words. The first pair of CDs released at the end of 2020 offered the unfairly forgotten oratorio Lenora (Lenore) by Antonín Rejcha (heard at concerts on 5, 6 and 7 February, 2020). The philharmonic orchestra also recorded a programme with Dvořák’s Symphony No. 1 in C minor, Zlonické zvony (The Bells of Zlonice) and the composition entitled Bagatelles, Op. 47(Maličkosti (Trivia)) both adapted (and in the case of Bagatelles also with richer instrumentation) by the chief conductor of the Brno Philharmonic, Dennis Russell Davies. And this is the album which will be the object of our evaluation.  more

One older - not quite typical – Květy´s album began with the words: "The quietest band in the world so as not to disturb the neighbours." The newest album, called a bit mysteriously Květy Květy (Flowers Flowers) begins with this text: “We are heading into the dark at the highest speed.” Can one deduce anything from the fact that the band around Martin E. Kyšperský in the slowest year, at the time of the lockdown, came up with the fastest and perhaps the most energetic album in their career? Or is it more important that, despite all the pressure that emanates from Květy Květy (Flowers Flowers) as a collective work, it is actually a very solitary and intimate record?  more

Tomáš Kytnar, the manager of the Stará Pekárna club in Brno and bandleader of the group Tady To Máš (a pun containing Kytnar's given name 'Tomáš' but meaning 'Here You Are') has been setting Slovak lyrics to music for years. He based several of his albums on the poetry of contemporary Slovak poets Judita Kaššovicová and Erik Ondrejička. When asked if he deliberately avoided Czech lyrics, he replied in an interview for Brno – City of Music in 2013: "I really am thinking a little about Czech, but I will definitely not look for something in a systematic way or place an advertisement. As Slovak poets actually came to me by themselves, the Czech ones should come by way of chance, shouldn't they?" Seven years have passed. Since then, Kytnar and his band have released the "Slovak" albums Srdiečka tiché (Silent Hearts) and Krajina diamantov (Land of Diamonds), and... this year a change is coming. The novelty Ryba Květovoň (loosely translated as Flowerscent Fish) combines Kytnar's typical composing signature with Czech poetry written by Bogdan Trojak.  more

The poetic title Květy nevadnoucí (Flowers Never Fading) hides the most recent publishing achievement of Jiří Plocek. This compilation CD celebrates a quarter of a century since the establishment of the Moravian folklore series in his GNOSIS BRNO publishing house, which released fourteen albums created between 1995 and 2005. And they are not just ordinary albums. Jiří Plocek's enthusiasm and feeling for song is indisputable, but there is much more coming from the recordings – for example, it is the enthusiasm of the singers themselves, which Jiří Plocek fuelled during the recording sessions, while letting them play and sing according to their own will and mood. I must also emphasise the choice of performers themselves. The names have really become iconic by now – František Okénka, Zdeněk Kašpar, Karel Rajmic, Vlasta Grycová, Jiřina Miklošková and many others. Unfortunately, some of them have already departed from this world. Others, which we hear on the album as gifted children, are already rising to become another generations of singers – which is the case of Tomáš Beníček. I'm intentionally mentioning the singers, but the album itself also has a high musical quality. However, all the songs are performed by exceptional performers. This also gives them uniqueness in the spirit of a living folk tradition.  more

Two years after the monothematic album Bleděmodré město (Pale Blue City), for which the Brno-based group Nevermore & Kosmonaut received a nomination for the genre-specific Anděl Award, the band released a new album with a mysterious name XCR-9. The subheading Písně do rakety (Songs for a Space Shuttle) reveal more. While on the last album we walked through the streets of the city of Brno together with Michal Šimíček and his band, this time the singer-songwriter, who has been using the nickname Kosmonaut for years, is taking us on a fictitious journey into space.  more

The album Folk Swings of the Brno-based B-Side Band is being vividly discussed on social networks. Can a big band take the liberty of to playing the "sacred" songs of Czech folk? And what if these compositions are sung along with the band directly by their authors such as Jaromír Nohavica, Vlasta Redl or Slávek Janoušek? However, while the above might have been able to have their say concerning the arrangements, Karel Kryl, Zuzana Navarová or Wabi Ryvola could no longer make any comments regarding the makeovers of their songs… We talked to Petr Kovařík and Pavel Zlámal, members of the orchestra, about how the album was created, why Ryvola's song 'Tereza' sounds like a Cuban dance, and why 'Podvod' ('Scam') by Honza Nedvěd is played only as an instrumental piece. The two guys have actually created new arrangements for widely famed as well as less well-known folk songs, which now appear on this album.  more

Tiché lodi ('Silent Ships') is not a band, but a project of the guitarist and singer René Müller, who lives in Brno. While he recorded his previous album Časy vody ('Times of Water' – 2015) working together with Roman Cipísek Cerman, his former colleague from the band Hynkovy zámky ('Hynek's Locks'), Müller is now appearing all by himself on the new album – as writer of the music and lyrics, guitarist and singer, or – in his case more precisely – narrator.  more

Until recently, this Brno singer with the shortest given and family names was the leader of the blues band The Weathermakers. He also led the ephemeral "tramping" group The Honzíci. However, the main thing that he attracts attention with – in addition to the guitars and other instruments that he produces under the brand Red Bird – is his original solo production. After the mature debut Město [The City] (2018), he has now made himself heard with a new album entitled Potom [After]. In the lyrics he goes down to the core again, being able to transform his personal problems into timeless stories and extraordinary poetic expressions. And even though he abandoned the blues form in most of his songs, the recording, in which Martin Kyšperský once again participated as a producer, has a blues nature by its very essence.  more

Those who were captivated by the introductory distinctive song with surrealistic lyrics  Z ježatých hor [From the Spiky Mountains] on the previous album of the Brno group Budoár Staré dámy [Boudoir of an Old Lady] (Sůl [Salt], 2017), can rejoice. The collaboration with the contemporary poet Lubor Kasal that began only three years ago has now resulted in an entire album of his texts set to music. However, the songs on the new album Kostřičky [Little Skeletons] have one more characteristic in common: the production and arrangement contribution by the multi-instrumentalist Tomáš Vtípil.  more

Editorial

The theatre (NTB) has released details of the 2021/2022 season, which includes premieres of five operas and three ballets. Janáček Opera has dubbed the upcoming season “Follow the voice of the heart…”, and in keeping with this, Peter Grimes by Benjamin Britten is scheduled, directed by David Radok. The long-awaited, The Greek Passion by Bohuslav Martinů under the direction of Jiří Heřman, and Mozart’s The Magic Flute directed by Miroslav Krobot are included, too. NTB’s ballet celebrates the 250th anniversary of Ludwig van Beethoven’s birth by presenting a piece entitled Beethoven with Mário Radačovský as the choreographer. After more than thirty years, Cinderella, a ballet by Sergei Prokofiev, returns to the stage of the Janáček Theatre as a brand-new production choreographed by Markéta Pimek Habalová. The new season reflects the sentiment of the heading “Honouring the Greats”.  more

The Brno Cultural Newsletter outlines what’s on and the latest developments and opportunities in culture.   more

The Brno Philharmonic is preparing another performance for streaming online. Two symphonies are scheduled – by Johannes Brahms and Philip Glass. The composers’ respective Symphony No. 2 have been chosen, making it the Czech premiere of the piece by Glass. The concert – to be streamed live from the Community Hall (Besední dům) venue – will be conducted by chief conductor Dennis Russell Davies, who shall also interview Philip Glass during the interval.  more

Brno's Shot-C’s first CD release is entitled “Multipotential” (“Multipotenciál”). Six young musicians present original compositions and new arrangements of cover songs on the album.   more

The Indigo Quartet string ensemble will celebrate its milestone anniversary with a concert at the House of Arts. The event is part of the programme of the multi-genre festival Brno Music Marathon multi-genre festival. Guests of the evening will be the actress and chanson singer Andrea Buršová, accordionist Klára Veselá and composer and pianist Zdeněk Král.  more

The Moravian Library (ML) has signed a Memorandum of Cooperation (MoC) with the French National Library (Bibliothèque nationale de France, BnF). Signed by ML’s Director Tomáš Kubíček and his counterpart, President of BnF Laurence Engel, the memorandum has stipulated joint activity to be performed by the two institutions in the field of science & research as well as digitisation and mutual internships. Together, ML and BnF launch an online exhibition entitled Antonín Rejcha znovunalezený (Antonín Rejcha Lost and Found).  more

The session today at the Moravian Library is to be chaired by Vítězslav Mikeš, the dramaturgist of the Brno Philharmonic. His guests are the chief conductor Dennis Russell Davies and opera singer Martina Janková. The discussion is part of a programme accompanying an online exhibition currently taking place, entitled Antonín Rejcha Lost and Foundmore

The ceremony announcing the results of the 29th annual Theatre Critics’ Awards will take place online this year. Janáček Opera received exactly three nominations.  more

Today’s online lecture focuses on the Neo-Baroque elements in the creative production of Bohuslav Martinů. The event is part of the programme accompanying the presentation entitled The Eyes of Brno and taking place at the Moravian Library.  more

The Czech Ensemble Baroque is preparing for another live concert. This time, the Power of Music – the oratorio by Händel, one in which the author included all his theatre experience – can be watched from the comfort of your own home. Performed in English – with Czech subtitles available, the show will feature Markéta Böhmová, Jaroslav Březina and Jiří Miloslav Procházka as the key soloists.  more