Reviews

The buildings of the Brno spa on Rašínova street were filled on Sunday with the new project of the Hausopera art society, which has the target of bringing new and quality productions to places in daily use that wouldn’t have much to do with music and especially opera otherwise. The forerunner is the short opera Poslední pólo (“The Final Polo”) by the composer - conductor Marek Ivanović and the librettist – opera singer Josef Škarka about two friends, a secret love and a guilty conscience. The work was directed by Petr Hašek, the stage set was designed by Ján Tereba and the lighting design was made by Pavla Beranová, Michal Hór and Zuzana Bottová. The main characters were played by Tomáš Krejčí, Aleš Procházka and Andrea Široká. The accordion was played by Žaneta Vítová, the vibraphone and drums by Kristýna Švihálková. It was presented by Lenka Sedláčková.  more

To record an album of famous jazz standards translated into Czech and yet not only to not come up short, but even to come across naturally and as much as possible even originally, is extremely demanding. Darek Neumann, “a kind of Brno character” (as stated in the booklet of the album) has managed it. The fact that it successfully balanced on the very borders of sentiment and pure blues, is much down to the lyrics of Ester Kočičková.  more

The group D.N.A. Brno, winners of the final of Porta in 2011, after a gap of four years have brought out a new album. Alongside a new surname for the bass guitarist (but it is still the same Barbora who years ago cofounded the then children’s and girls’ group) there was an important change in the line-up. Ondra Bojanovský (son of Aleš Bojanovský of FT Prima) has become a new member, playing rhythmic instruments. This has made it possible for the former percussionist Lenka Ručková to move over to the piano. Otherwise they remain as they were: D.N.A. is a group of young people, mostly classically trained, who like folk as well as classical. On the musical side they play it masterfully – there can be no objections to their skill, which is made evident in individual songs. The actual repertoire already on the last album has grown up from the childhood years and the innovation is of course, in this respect, a bit more mature. The band has not surprised us with any a sudden shift. But the result is a bit more mature and confident. And what has also been added are serious but at the same time credible themes.  more

Brno songwriter Michal “cosmonaut” Šimíček has long been seen as a man who knows how to write poetic, often multi-layered lyrics and link them with interesting music. Even the first album of his band Nevermore & Kosmonaut was for me was like a conceptual project. Although the songs lacked direct continuity in small details, lyrics and music, it was as if they were related to each other. In terms of novelty however Bleděmodré město (Pale Blue City) takes the band much further. This time it is a thematically sandwiched whole, dedicated to the city of Brno, worked out down to the last detail. “This conceptual album is our response to the current trend, where it has become a habit to do a single with a video and listen to the songs piecemeal, without order,” explains Šimíček in the album booklet, and this booklet is an integral part of this project and “story”.  more

Yesterday’s premiere in the Mahen Theatre added to the repertoire of the National Theatre Brno (NdB) the opera Così fan tutte by Wolfgang Amadeus Mozart in an interesting production by Anna Petrželková. In this tale of the imprudent temptation of human feelings will be appearing the soprano Pavla Vykopalová as Fiordiligi, the mezzosoprano Václava Krejčí Housková as Dorabella and Andrea Široká as Despina. In the male roles Ondřej Koplík was on stage as Ferrando, Roman Hoza as Guglielmo and Jan Šťáva played Don Alfonso. Also taking part in the performance were the choir and orchestra of the Janáček Opera of the NdB.  more

There were concerts by big bands at the start and finish of the spring programme of this year’s Jazzfest Brno. And both were supreme musical experiences. The Christian McBride Big Band as one of the three concluding concerts for their European tour for the first time performed in Brno’s Sono Centre. And it was great: crossover, entertaining and light playing, at the same time full of virtuosity and inventive and creative playing. “When we play together it is one big party,” stated the double bass player and bandleader Christian McBride at the start – and both he and his colleagues certainly confirmed that.  more

After a gap of three years Rózinky (which could be translated as Raisins) from the South Moravian village of Kozojídky have recorded their second album. The girls attend elementary art school together and their teacher Kateřina Mičková, who put the group together, still writes songs for them. The girls also perform together on radio and television shows and have played at various festivals from Folk Holidays in Náměšť nad Oslavou to TrutnOff. The question of whether the group will still be viable once its members grow up and mature (and probably have other musical interests and tastes) still hangs in the air. A little doubt already hangs over the disc Cvrkot (which could be translated as Chirp), but not as a threat but rather as a reason for the greater diversity on the album.  more

It never ceases to amaze me when I see the volume of ideas from Martin Kyšperský and his band Květy. Only in 2017, all this happened: Martin received the Anděl prize for his solo album Vlakem (“By train”). With Květy, they played the role of a communist era organisation band brilliantly, singing his “normalisation” period hits in the series Svět pod hlavou (“World under your head”) (which received a well-earned Český lev award a year later). In their new line-up with Ondřej Kyas, Květy released the brilliant album Komik do půl osmé (“A comedian till half past seven”) (it’s sad that it didn’t get an Anděl, but I think the culprit for that is the reducing of genre prizes and a “bit” of chaos in the new category of Alternative). The book Průvodce po albech a historii kapely Květy (The guide to the albums and history of the band Květy) was released and with it also the album Spí vánoční pták (“The Christmas bird sleeps”). In the meantime, Květy started the YM project, in which all three members will present songs in individual unexpected genres. It was begun by once again by Martin Kyšperský with a programme of country songs – the public premiere took place with the guest artist Petr Uvira in a live broadcast of Radio Proglas in December 2017. For 2018, the electronic songs of Aleš Pilgr and hopefully also the folktronica of Ondřej Kyas are in preparation.  more

“I knew who I wanted to work with and that guided me when I was trying to set up a group with a pleasant sound,” said the French accordionist Vincent Peirani in 2015, shortly after the release of his key album Living Being. At that time he had already completed several interesting acoustic projects including an album with the saxophonist Emil Parisien and he has continued in this style. In 2016 he brought out an enjoyable CD of duets with the pianist Michael Wollny and not long ago he worked with the pianist Stefano Bollani and the Berlin Philharmonic on the album Mediterraneo, inspired by classical music. The Living Being project is however of a completely different character, embodying the accordionist’s conception of electric music on the borders between jazz, rock and other genres. And it was with this programme that Peirani and his group came to Brno’s Husa na provázku (Goose on a String) theatre.  more

“The history of the band Gazdina roba goes back to the 1990’s, when most of the current members would meet up in the local Brno bands. […] Gazdina roba functioned for years as a studio project. The turning point happened ten years after its creation with the release of their first regular album under the fitting title Deset let jsme se neviděli (We Haven’t Seen Each Other for Ten Years) in 2004 […] In 2017, the band released their second album První poslední (From Beginning to End)”. That is the basic information found on their website www.gazdinaroba.cz. These are bare facts, which doesn’t really tell us that Gazdina roba (which could be translated as Farmer’s Wench), an almost secret band in the Brno scene, is in its genre of rock song-writing one of the best to be found. Their musical energy brilliantly ties together with their poetic texts.  more

“Up until now, I recorded instrumental songs – with a few exceptions but most of them were instrumental. This is truly the first album where I sing 100% of the songs from beginning to end, which is a big change for me. I needed to make such a step, so I had a bit of fun and I recorded a vocal album,” Avishai Cohen, the Israeli bass player told me a few months ago over the phone. We were talking of course about his current album 1970, where he includes his own songs inspired by the popular music of the seventies, Eddie Palmieri’s classic Vamos Pa’l Monte, the American gospel Motherless Child or folk songs from the Middle East. The album 1970 in its context leans toward pop maybe as an exception, but also references the bass player’s personal history and his love of jazz and traditional Jewish music. The current tour, which included the concert in the Boby Centre in Brno as part of JazzFestBrno, corresponds with the album’s topic, and yet differs a bit. It is even more pop and can surprise even experienced listeners.  more

The oratorio St John Passion by the composer Johann Sebastian Bach is one of the indisputable jewels of the world’s music literature. Many conductors try to surprise the audience with a new, fresh, energetic and expressively rich conception of the composer's music. Among the bodies willingly accepting this difficult challenge is the Czech Ensemble Baroque under the direction of conductor and artistic director Roman Válek. They gave their version of one of the most frequently performed of Bach's works on Good Friday in Brno’s Church of the Immaculate Conception of the Virgin Mary.   more

Entitled Stay Here and Keep Watch With Me, yesterday the Easter Festival of Sacred Music offered another concert in the Church of St. Augustine. To perform his Vigil for Six Voices and Instrumental Ensemble Wolfgang Rihm invited to the festival two renowned German ensembles - Ensemble Musikfabrik and the vocal sextet Singer Pur - for which the work was composed. The conductor Christian Eggen was responsible for a bravura performance of this extremely harrowing piece.  more

At first, Slavík performed only with the experienced American musician Doug Hammond, who has played with stars of the American jazz scene like Charles Mingus and Sonny Rollins. Hammond’s compositions are based almost solely on rhythm, to which he adds his specific kind of singing that doesn’t follow the classic melodic line, rather playing rhythmic games with the drums. Here, one truly cannot talk about incomprehensible drum solos. The entirety together with Slavík’s piano felt surprisingly light.  more

The musical ensemble Brno Contemporary Orchestra, which deals with contemporary musical work followed up on the last concert From Czechoslovakia by looking at it from another angle. The For Czechoslovakia concert’s programme included works by foreign composers, written either specifically for the anniversary or with topics related to Czechoslovakia. Quo vadis? by Alois Piňos, who died exactly ten years ago on 19 September, was the first song to be played.  more

This week in Prague and Brno the English singer Chris Norman, founding and long-time member of the popular band Smokie, will be performing. His concert in the Brno DRFG Arena will be on Saturday 6 October and he will perform at the Prague Forum Karlín two days earlier.  more

“Beránci a vlci (“Lambs and wolves”) is my personal vision of Moravian world music,” says Marian Friedl, who is a brilliant player both on his handmade folk flutes and on the jazz bass. It was his experience with different genres, ranging from folk to free jazz, together with the cooperation with style-wise similarly open Jitka Šuranská, that led to the creation of an extraordinary kind of music with roots in the performance Z kořenů k world music (“From roots to world music”) at the Folk Holidays in Náměšť nad Oslavou. Thanks to a grant from the Ministry of Culture, the album Beránci a vlci had the participation of four musical formations of different styles (together comprising of more than twenty musicians and singers) and deservedly won the Anděl prize in the Folk category (newly including the genre of world music). In the meantime, the concert premiere of Beránci a vlci took place in the summer of 2017, again in Náměšť nad Oslavou (with the participation of album publisher Milan Páleš dressed as the sheep grandmother) and other festival performances followed – at the Hradecký slunovrat in Hradec nad Moravicí and at Colours of Ostrava. It was a small dream of Marian Friedl and all his lambs and wolves to bring this music into the aurally clean space of the Brno Sono centre, which was made possible thanks to a successful crowdfunding campaign. The roughly hour-long concert was not only merely the performing of the EP, but mainly a huge celebration and maybe even a new start for the project – a new direction towards greater and greater halls.  more

The buildings of the Brno spa on Rašínova street were filled on Sunday with the new project of the Hausopera art society, which has the target of bringing new and quality productions to places in daily use that wouldn’t have much to do with music and especially opera otherwise. The forerunner is the short opera Poslední pólo (“The Final Polo”) by the composer - conductor Marek Ivanović and the librettist – opera singer Josef Škarka about two friends, a secret love and a guilty conscience. The work was directed by Petr Hašek, the stage set was designed by Ján Tereba and the lighting design was made by Pavla Beranová, Michal Hór and Zuzana Bottová. The main characters were played by Tomáš Krejčí, Aleš Procházka and Andrea Široká. The accordion was played by Žaneta Vítová, the vibraphone and drums by Kristýna Švihálková. It was presented by Lenka Sedláčková.  more

The Jazz Groove Brno festival will take place in several venues in Brno from 2 October to 5 December 2018. With its director Josef Buchta we talk not just about this year’s programme but primarily about the new name and the new content of the event, which you can learn more about at groovebrno.cz.  more

“I play contemporary folk, without other adjectives – raging and gentle, with and without humour,” says singer-songwriter Šimon Peták of himself. He was born at the very beginning of the nineties, “a year after the old times ended” as he puts it. He comes from South Bohemia, but grew up by the Berounka, lived a short time in Prague, which apparently turned sour for him, and finally settled in Brno. “I became a dramaturge here, trained as a chimney sweep,” he continues in his verse biography, which you can find in his profile on the server Bandzone.cz. It is there that you can also not just listen to but also legally download for free Šimon’s songs from the album Homo Habitusmore

In the somewhat untraditional environment of Brno’s Metro Music Bar there was a performance by the musical ensemble with the name Musica Folklorica, a group that needs little introduction for folk fans. These excellent musicians perform mainly their own arrangements of folk songs especially from Horňácko, Myjava and also Romania. They came to Brno to christen what is now their eleventh album.  more

It is a pity to only read an interview with Marta Kovářová, leader of the groups Budoár staré dámy. Marta is such a personality as a speaker that it is better to hear her. Or also to watch her. But on the other hand, as you will learn from the interview, which took place on the occasion of the 20th birthday of the group, a good song should be able to stand up without a pictorial accompaniment. And perhaps a good narrative will still interest us in written form.  more

From 30 August to 10 September the blues guitarist from Texas Jonn Del Toro Richardson will be touring the Czech Republic. One of his performances will take place in South Moravia – 2 September in the Strážničan House of Culture in Strážnice. Further concerts will take place for example on 30 August in Valašské Meziříčí, and 7 and 10 September in Ostrava. Jonn Del Toro Richardson has so far released only one solo album (a second is in preparation for 2019), but as a much sought after studio and concert guitarist he has worked with many of the top blues performers.  more

The first few notes of the first and last songs tell us the most important things about the new album from the group Poletíme? Beginning with sharp guitars, a rock roar and lyrics about how “we sat with the boys backstage” and “we’re good, so we probably need a hit”. At the end a waltz with accordion, sloppy vocals and words about a disgruntled band, of homelessness and of a car “that carries sheep”. Songs full of rock energy of course are part of Poletíme? and this group has a whole range of hits. Nonetheless the move from sharp rock and roll to a comfortable little waltz shows the band with Rudolf Brančovský exactly how I see them after these years: Despite all their efforts to be tough guys they are at their best when telling an ordinary story, with interesting observed details (like that of the sheep in the car) and in an ordinary song. And it is also about the humour which again abounds on the new album. And I have the feeling that this time more than before Rudolf has managed to keep the balance outside the area of awkwardness.  more

In the course of four days the Brno Music Marathon offered some 150 concerts with more than 500 participants. The festival brought together local artists and guests from abroad. The Jazz Evening in the Sono Centre opened with Brno’s Marek Kotača Trio, followed by Yaron Herman from Israel and Kenny Garrett from the USA, while on the stage at Špilberk Castle the local hip-hop legends Chaozz and the crossover and world music Dog Eat Dog got the audience moving. The Adicts from England together with the Prague group The Fialky took care of the rock evening at Fléda, while in the Sono Centre it was the Dutch Physical Graffiti paying tribute to Led Zeppelin. Brno was full of rock, with the British alt-J also performing on Sunday evening.  more

After reconstruction the building of Czech Radio Brno has a new studio. Studio VII was figuratively baptised with the concert Living Notes from the series of folk concerts On a Moravian Note on Czech Radio Brno and Zlin. The musical dedication was made by the Horňácko group of Petr Mička, whose bandmaster is also one of the radio station’s editors. As guests they introduced the very talented young singers Anička Mičková and Janíček Pavlík and the Horňácko folk legend Martin Hrbáč. You can see the whole more than hour-long programme on the Czech Radio YouTube channel.  more

To record an album of famous jazz standards translated into Czech and yet not only to not come up short, but even to come across naturally and as much as possible even originally, is extremely demanding. Darek Neumann, “a kind of Brno character” (as stated in the booklet of the album) has managed it. The fact that it successfully balanced on the very borders of sentiment and pure blues, is much down to the lyrics of Ester Kočičková.  more

The mandolin player Martin Krajíček plays in various genres of groups. He has his own acoustic trio, is a member of the Jitka Šuranská Trio, plays in the “Mexican” group Mariachi Espuelas and in Cimbal Classica, plays klezmer and also teaches the mandolin. Since last year he has also been the organiser of the Mandolin Festival in Boskovice. This year it will take place from 8 to 10 June.  more

The group D.N.A. Brno, winners of the final of Porta in 2011, after a gap of four years have brought out a new album. Alongside a new surname for the bass guitarist (but it is still the same Barbora who years ago cofounded the then children’s and girls’ group) there was an important change in the line-up. Ondra Bojanovský (son of Aleš Bojanovský of FT Prima) has become a new member, playing rhythmic instruments. This has made it possible for the former percussionist Lenka Ručková to move over to the piano. Otherwise they remain as they were: D.N.A. is a group of young people, mostly classically trained, who like folk as well as classical. On the musical side they play it masterfully – there can be no objections to their skill, which is made evident in individual songs. The actual repertoire already on the last album has grown up from the childhood years and the innovation is of course, in this respect, a bit more mature. The band has not surprised us with any a sudden shift. But the result is a bit more mature and confident. And what has also been added are serious but at the same time credible themes.  more

This year Miloš Štědroň is taking part as artist in residence at the festival Concentus Moraviae. This was a welcome pretext for an interview. It covered his musical beginnings, his path to a musical education, his artistic development and his famous teachers, his inclination to the legacy of the musical avant-garde as well as why he suddenly kept a certain distance from it, how he dedicated himself to faithful and successful cooperation with the Theatre Goose on a String as well as how he was affected by the political changes of the period, how he overcame their pressure, how he worked with today’s interviewer a banned playwright, how he wrote for the wonderful Due Boemi di Praga, how he taught music and the history of music and worked as a populariser, how he knowledgably interpreted ancient music, but also Leoš Janáček, how he worked as an editor, how he became a significant and famous cultural figure, and not just in Brno, and how all the tasks he set himself in his varied and rich creative life were and are being fulfilled, and the joy he has had from it all.  more

Editorial

Jakub Hrůša will become the fifth Chief Conductor and the musical director of the prominent German orchestra the Bamberg Symphony Orchestra Players – the Bavarian State Philharmonic Orchestra (Bamberger Symphoniker – Bayerische Staatsphilharmonie) in the 2016/2017 season. It was announced today during the morning ceremony, which was attended by Jakub Hrůša himself, by Bavaria’ Minister of Culture Dr. Ludwig Spaenle together with Marcus Rudolf Axt, Chief Executive.  more

The choir at VUT in Brno is seeking new vocal talent. The audition will take place next week.  more

The 21st edition of this competition is being organized by the Musical faculty of the Janáček Academy of Music and Performing Arts in Brno. The competition focusing on young artists playing the violin and on string quartets is being held in cooperation with the Leoš Janáček Foundation.  more

The club, which is starting its 25th concert season, has been reconstructed and is now reopening to jazz musicians from both the domestic and foreign scene. The season will introduce bands as well as individuals such as Ostrich Quartet, Ambrose Akinmusire, Robert Balzar Trio, Vilém Spilka Quartet or Nuf Said.  more

The current 17th year of the festival is divided into two parts. The first part, called Intake of Breath, will take place during October and it will be the celebration of the 20th anniversary of the Filigrán dance ensemble. The other part, called Exhalation, will introduce international guests and dance themed movies in November.  more

Old buildings are seemingly silent, but they resonate with memories and lives vanished long ago; this is where they get their distinctive atmosphere from. Watch the video recording of a concert in the former MEZ factory hall in Židenice.  more

The winner of the solo violin category is Amalia Hall from New Zealand while the winner of the string quartet category is a Slovak ensemble called the Mucha Quartet.  more

The new operetta Studio Brno presents the operetta The Cousin from Batavia by Eduard Künneke for the first time.  more

The Brno vocal group Megafon has recorded a debut album full of successful hits and authorial compositions.  more

The Makropulos Affair opera record directed by David Radok and with music production by Marek Ivanovič won two awards at the International Television Festival Golden Prague which took place last night. The recordings won the Foundation VIZE 97 prize and a prize in the category of Performing Arts. The premiere of the opera was on 21 November 2014 during the Janáček Brno festival.  more