The opening of the seventh season of the Jazz & World Music cycle, which consists of six evenings this year, is approaching. It will introduce musicians from Europe and overseas. At the beginning of the subscription series, Dan Tepfer will perform his Natural Machines programme and will play on a Yamaha disklavier. Other concerts will feature Efe Turumtay & Nikola Zarić, Lucienne Renaudin Vary & Robert Balzar Trio and Airelle Besson & Lionel Suarez.
The premiere of a new programme called Step by Step is dedicated to the 65th anniversary of the military artistic ensemble VUS Ondráš. The programme is inspired by folklore material of Czech, Moravian and Slovak regions. The plot is the story of man from his first precarious steps, through the peak period of vitality, to the stage where his steps lose confidence. Year after year, all of his life. Alžběta Burianová took on the direction. The musical accompaniment was created by Jiří Slavík.
The dance group Protyboty, together with the musician Eva Rohleder, will launch their album Slon a mravenec [Elephant and Ant]. The stage production of the same name for children is based on a book by Daisy Mrázková, accompanied by songs of Eva Rohleder, which are now captured on the upcoming album. A guest of the album release will be Jiří Jelínek.
Babylonfest is a parade of national and ethnic minorities living in the city of Brno. This year it enters its 12th season. Its programme will offer concerts, music-literary works and a pub quiz. For example, the folk ensemble Púčik, the Russian ensemble Matrjoška [Matryoshka], Německý pěvecký kroužek [The German Singing Club], the dance group Piroš rouža, the dance ensemble Prometheus and others will perform.
The International Folklore Festival Brno has been held regularly since 1990, always at the end of the school holidays. The opening gala ceremony of this year's festival will take place tomorrow in the courtyard of the New Town Hall. We will see performances by BROLN and VUS ONDRÁŠ [Ondráš Military Artistic Ensemble] with their soloists. During the festival there will also appear ensembles such as Silesianie from Poland, Volynianka from Ukraine or Seljačka Sloga from Croatia.
For four days, the centre of Brno turned into a vibrant metropolis full of music of many genres that were heard virtually everywhere. Brno reaffirmed during this extended weekend that it deserves to be a UNESCO City of Music. Most of the productions were free of charge, the paid ones were sold out and even the shows were added. The attendance estimated by the organizer is 35 thousand people. It was played in the squares, in the streets, on the balconies, but also in the underground, in the town hall, in the arcade or in the churches. This year's specials were concerts in four street rooms by the artist Kateřina Šedá.
Four days of August, twenty-two music stages, dozens of concerts and performances, hundreds of performers and thousands of spectators. All this is promised by the Brno Music Marathon 2019 international festival, which will burst out in just a week, on 8 August 2019. Concerts in the streets and squares will be accessible for free, featuring among others Jana Kirschner, Khoiba, Motionhouse and NoFit State Circus, Monika Bagárová, Jan P. Muchow & The Antagonists, Progres 2, Žamboši or Pacora Trio with Denisa Kopačková. Buskers will play in dwelling rooms on the streets, barrel organ players will appear as part of their 10th international meeting. DJ Jon Hopkins, known for his cooperation with Coldplay, will also come to Brno. Cirk La Putyka and Pokáč are coming, and Lázně Rašínova [Rašínova Spa] will be occupied by opera singers and synchronised swimming. Music will sound also in the underground, in a mall, in churches, in a hotel or in the Town Hall.
On Saturday, the opening of the Folk Holidays international festival in Náměšť nad Oslavou will take place. This year, the festival enters its 34th season with names such as Edmar Castañeda, Omar Sosa & Seckou Keita, Félix Lajkó & VOŁOSI, Rura, Lenka Dusilová, Hana and Petr Ulrych or Spiritual Quintet.
The autumn program of the Fléda music club in Brno contains big names of the music world. The August visit of Jon Hopkins', who will appear at the Brno Marathon of Music festival is already at its imaginary beginning. The autumn season officially opens with a September dance party featuring GusGus from Iceland. This will be followed by concerts of Hooverphonic with a new singer, Jan Blomqvist & Band with their complete Disconnected project or the Berlin legend DJ Hell with his Zukunftmusic composition. Rockers De Staat will bring their novelty titled The Bubble Gum, Movits! their most hip-hop record so far – the double album V, Kadebostany in turn will bring their album Monumental. Last but not least, Vitalic with Rebeka Warrior will also be featured presenting their KCompromat project.
Two sold-out concerts launched on Saturday filled-up the hall of the Koruna cinema in Břeclav, where the Národopisný soubor Břeclavan [Břeclavan Ethnographic Ensemble] celebrated its 65th anniversary and joined thus the series of jubilee folklore ensembles this year. The afternoon concert had to be eventually added because of the huge audience acclaim, which only confirms that in South Moravia folklore is still widely known and enjoys unremitting popularity.
Yesterday evening at the piazzetta of the Janáček Theatre was marked by a concert to commence the 2019/2020 season of the National Theatre Brno (NdB). Promotion of the event ensured the most important thing for this music evening – hundreds of spectators who filled up the whole place. We should not forget the really wide age range, which is so much needed for future culture, especially at its lower limit (still in strollers).
As a UNESCO-listed city of music, Brno has had four festival days full of music and dance. Tens of concerts and performances with hundreds of performers took place at twenty-two music venues. Music in the streets sounded on every corner, but most attention this year was attracted by four rooms by the artist Kateřina Šedá, in which artists of different genres and nationalities took turns. Another attraction was the performances of the British Motionhouse and No Fit State Circus, who repeatedly enchanted the Náměstí Svobody Square with their acrobatic pieces and breathtaking performances. Two large stages were also set up – Dominik Stage on Dominikánské Square and Django Stage on Malinovského Square, on which appeared artists such as Jana Kirschner, Monika Bagárová, minus123minutes or Jan P. Muchow & The Antagonists. Traditionally, the festival was accompanied by the sound of barrel organs whose players met in Brno as part of their 10th international meeting. This year, singer and multi-instrumentalist Tinatin Tsereteli (Hannover) and violinist Nicola Manzan (Bologna) as artists from UNESCO partner cities of music also premiered at the Brno Music Marathon. The atmosphere of the festival is captured in the video below.
Last weekend, the 74th Strážnice International Folklore Festival 2019 as well as the 37th Strážnice Children's Folklore Festival were held in the South Moravian Mecca of folklore. The biggest folklore festival in the Czech Republic enjoys great interest and it wasn't any different this year either, despite tropical temperatures, with tens of thousands of people coming back to Strážnice again.
On the 100th anniversary of the birth of poet Jiří Orten, the company ProArt prepared a multi-genre project called Ohnice – Where the Wind Is Dancing in the former Brno penitentiary on Cejl Street. The poetic production with verses of the young poet, which reflected his hard and short life, was premiered on 25 June.
In the summer months Špilberk Castle’s courtyard often resounds to the sound of music. Until September it is possible to combine a tour of the castle with a cultural experience. The organizers have tried to prepare a programme across genres that has something for everyone. Yesterday it was the turn of folk music. Despite the adverse weather the stage was dominated by the Military Art Ensemble Ondráš.
On the last day of May, the Dominikánské Square in Brno came to life with music, singing and dancing. At half past two in the afternoon, the programme of the nationwide happening of primary artistic schools ZUŠ started under the patronage of the Magdalena Kožená Endowment Fund by announcing the results of the "TO JE talent"competition. The participants did not only come to pick up with prizes. Several of the award-winning singers and musicians proved this. For example, Lucie Sedláčková with the song by Ewa Farná Měls mě vůbec rád [Did You Love Me At All?] attracted an ever growing crowd of listeners, while singer and pianist Veronika Vávrová did the same with the ballad Million Reasons by Lady Gaga.
In the course of four days the Brno Music Marathon offered some 150 concerts with more than 500 participants. The festival brought together local artists and guests from abroad. The Jazz Evening in the Sono Centre opened with Brno’s Marek Kotača Trio, followed by Yaron Herman from Israel and Kenny Garrett from the USA, while on the stage at Špilberk Castle the local hip-hop legends Chaozz and the crossover and world music Dog Eat Dog got the audience moving. The Adicts from England together with the Prague group The Fialky took care of the rock evening at Fléda, while in the Sono Centre it was the Dutch Physical Graffiti paying tribute to Led Zeppelin. Brno was full of rock, with the British alt-J also performing on Sunday evening.
Brno is a city full of contrasts. A short walk through its centre reveals curious contrasts: the Rozkvět passage next to the House of the Lords of Lipá or the Omega department store inserted into the historic centre are clear examples. The Brno Philharmonic also bases its musical production on the contrast of old with new. More than once I have praised the fresh programmes of the concerts, which go for contrasting musical works and present combinations of compositions which are rarely heard alongside each other. In the case of the concert entitled Romantic Fairy Tales of 24 January however the programme was down to earth. There were no sudden dissonances or odd instrumental combinations and the musical language did not depart from the moderately conventional. However we do not have only the contrasts of old and new, known and unknown, but unfortunately also between quality and its absence and not last between interesting and dull.