The Czech Radio Endowment Fund and Czech Radio – Radiožurnál, in cooperation with the Endowment Fund of the Brno-born Magdalena Kožená, are launching a non-financial collection named after the favorite Czech musical “Kdyby tisíc klarinetů”, or “If a Thousand Clarinets”. The collection is intended for all child musicians for whom the purchase of a musical instrument is beyond the means of their family budget. The collection works on the principle of connecting donors and volunteers on the platform www.kdybytisicklarinetu.cz.
For the fifth time, the festival will enliven the River Svitava’s waterfront. The programme, which is free of charge to visit, includes concerts, theatre performances, “neckyáda” (a show with boaters using unconventional and funny ways of boating or vessels) and much more. Performers will include Fast Food Orchestra, Phil Shoenfelt & Band of Heysek and more.
As the designated UNESCO City of Music, Brno is all set to be filled with harmonious sounds of music once again. Hundreds of musicians will perform in the city over the four days of the festival, with dozens of concerts scheduled that shall make the squares, streets and concert halls resound with music. Encompassing a variety of genres, this year’s Brno Music Marathon will take place in mid-August, just like before, and it’s going to be one of the few public events to happen this year. The line-up includes Lenka Dusilová, Juwana Jenkins, Sisa Feher, Fanfara Transilvania, Malalata, Circus Brothers, Horňácká cimbálová muzika Petra Mičky (the Horňácko Cimbalom Band of Petr Mička), Javory and a host of others. Street “rooms” by Kateřina Šedá is not absent from it, either.
Shortly before the outbreak of the coronavirus crisis, the Brno-based group Plum Dumplings released a new album. As opposed to their official debut L'épitaphe des papillons (The Epitome of Butterflies, 2014), sung in French, the band went for Czech lyrics this time. We are talking to the band's vocalist, who presents herself as Adéla Polka.
To write a guide to music in Brno in the past and present means digging deep into one’s own recollections and those of others as well as into sources with varying degrees of reliability, and as far as possible not believing anything automatically but always asking “Did this really happen just like that?” And in doing so, to be very, very suspicious of one’s own memory. Two basic questions that cropped up in connection with almost every sentence were “What is it about this band or that event that makes them special? Would someone who’s never been to Brno and has no ties with the city find it interesting?”
Due to the impact of extraordinary measures taken because of the Covid-19 pandemic on stakeholders of the cultural and creative industries in Brno, Brno leaders and the Department of Culture of the Brno City Municipality are working intensively on a set of precautions for minimizing the damages. At the same time, communication is conducted on all levels of public administration, predominantly in collaboration with the Institut umění – Divadelní ústav [Arts and Theatre Institute], which is mapping the situation on the nationwide level. Until 22 March 2020 you can help assess the current situation by means of an online survey (the link is provided below). Further steps will be taken according to the results of the survey.
On Friday 14 February, the Sono Centre in Brno hosted a genre-diversified festival, which was also a celebration of three decades of activity of three publishing branches, which we associate with the original simple name Indies Records. Over the years, Indies Records has divided itself into three separate labels with three distinct edition catalogues – Indies MG, Indies Scope and Indies Happy Trails, which are operated by the personalities of Miloš Gruber, Milan Páleš and Jaromír Kratochvíl.
As a UNESCO-listed city of music, Brno has had four festival days full of music and dance. Tens of concerts and performances with hundreds of performers took place at twenty-two music venues. Music in the streets sounded on every corner, but most attention this year was attracted by four rooms by the artist Kateřina Šedá, in which artists of different genres and nationalities took turns. Another attraction was the performances of the British Motionhouse and No Fit State Circus, who repeatedly enchanted the Náměstí Svobody Square with their acrobatic pieces and breathtaking performances. Two large stages were also set up – Dominik Stage on Dominikánské Square and Django Stage on Malinovského Square, on which appeared artists such as Jana Kirschner, Monika Bagárová, minus123minutes or Jan P. Muchow & The Antagonists. Traditionally, the festival was accompanied by the sound of barrel organs whose players met in Brno as part of their 10th international meeting. This year, singer and multi-instrumentalist Tinatin Tsereteli (Hannover) and violinist Nicola Manzan (Bologna) as artists from UNESCO partner cities of music also premiered at the Brno Music Marathon. The atmosphere of the festival is captured in the video below.
On the last day of May, the Dominikánské Square in Brno came to life with music, singing and dancing. At half past two in the afternoon, the programme of the nationwide happening of primary artistic schools ZUŠ started under the patronage of the Magdalena Kožená Endowment Fund by announcing the results of the "TO JE talent"competition. The participants did not only come to pick up with prizes. Several of the award-winning singers and musicians proved this. For example, Lucie Sedláčková with the song by Ewa Farná Měls mě vůbec rád [Did You Love Me At All?] attracted an ever growing crowd of listeners, while singer and pianist Veronika Vávrová did the same with the ballad Million Reasons by Lady Gaga.
In the course of four days the Brno Music Marathon offered some 150 concerts with more than 500 participants. The festival brought together local artists and guests from abroad. The Jazz Evening in the Sono Centre opened with Brno’s Marek Kotača Trio, followed by Yaron Herman from Israel and Kenny Garrett from the USA, while on the stage at Špilberk Castle the local hip-hop legends Chaozz and the crossover and world music Dog Eat Dog got the audience moving. The Adicts from England together with the Prague group The Fialky took care of the rock evening at Fléda, while in the Sono Centre it was the Dutch Physical Graffiti paying tribute to Led Zeppelin. Brno was full of rock, with the British alt-J also performing on Sunday evening.
An interview between Kateřina Bajo, the main coordinator for the membership of Prague as a city of literature in the UNESCO Creative Cities Network and David Dittrich, main coordinator for the membership of Brno as a city of music in the same network. The UNESCO Creative Cities Network was set up in 2004 and its main aim is to support cooperation and international cooperation and creativity. Now it brings together 180 member cities from 72 countries from around the world. The cities fall into 7 creative areas – literature, music, design, film, gastronomy, traditional crafts and media. A city applying for membership in the network has to fulfil very strict criteria, and it must be supported not only by the commission of experts but also by all the member cities.