The band The Shookies has recently had concerts with the Irish formation Interference and Glen Hansard and has also released a new single, Lonely & Weak. In March, they are planning to christen a second album, Sooner or Later, which is being created in cooperation with producer Tomáš Neuwerth in the Animan studio in Kopřivnice. The Brno christening of the album will take place in the Melodka club.
The regular concerts by the band Funky Chicken have slowly transformed into a mini-festival, where the Funkshmakers Jindra Holubec y Amigoos and Funky Chicken will be performing, together with the dance rhythm of Dj Mik-mik from Equipe Animazione and Dj Ntkz from Bassinfection. Funky Night will take place in the large auditorium of the ArtBar Druhý Pád theatre.
In a benefit concert in Brno’s Sono Centre young artists are supporting children with oncological conditions. The concert is being organised by the Společně k úsměvu (Smile Together) association, founded by former children’s oncology patients. The association supports families whose children are going through this disease, and also the newly founded outpatient department for the treatment of later effects in Brno.
This international festival is entering its second year. Along with Martin Krajíček and his trio there will be appearances from the Mandolin Orchestra, Vítek Hanulík and Karel Začal, Tři grácie, Megafon and Michal Müller as well as Jiří Plocek and Jitka Šuranská. The festival will include workshops for the participants.
In the course of four days the Brno Music Marathon offered some 150 concerts with more than 500 participants. The festival brought together local artists and guests from abroad. The Jazz Evening in the Sono Centre opened with Brno’s Marek Kotača Trio, followed by Yaron Herman from Israel and Kenny Garrett from the USA, while on the stage at Špilberk Castle the local hip-hop legends Chaozz and the crossover and world music Dog Eat Dog got the audience moving. The Adicts from England together with the Prague group The Fialky took care of the rock evening at Fléda, while in the Sono Centre it was the Dutch Physical Graffiti paying tribute to Led Zeppelin. Brno was full of rock, with the British alt-J also performing on Sunday evening.
An interview between Kateřina Bajo, the main coordinator for the membership of Prague as a city of literature in the UNESCO Creative Cities Network and David Dittrich, main coordinator for the membership of Brno as a city of music in the same network. The UNESCO Creative Cities Network was set up in 2004 and its main aim is to support cooperation and international cooperation and creativity. Now it brings together 180 member cities from 72 countries from around the world. The cities fall into 7 creative areas – literature, music, design, film, gastronomy, traditional crafts and media. A city applying for membership in the network has to fulfil very strict criteria, and it must be supported not only by the commission of experts but also by all the member cities.
Brno is now one of the 180 cities from around the world that belongs to the UNESCO Creative Cities Network. Only some three dozen of these are focused on music. After Prague it is the second city in the Czech Republic to be accepted into this network. The awarded title recognises the work of artists, people working in culture, the diversity of genres and cooperation with the surrounding region.
Brno said goodbye on Sunday to Marta Kubišová. This made it the first city in the Czech part of the Marta Naposledy (Marta One Last Time) tour. It will end in České Budějovice on her 75th birthday. The Sono Centre, full to bursting, could enjoy not only a cross-section of her musical career but also a tribute to American pop music, given in her latest album “Soul”. As it has been for the last nineteen years she was accompanied on her final tour by Petr Malásek (keyboard) and a band made up of Martin Lehký (double bass), Budy Zbořil (drums), Josef Štěpánek (guitar) and František Kop (saxophone).
The unique event ZUŠ Open will present on Tuesday May 30 up to a thousand musical, dance, theatre and artistic performances in 280 Bohemian, Moravian and Silesian towns and cities. Brno also will have an exceptionally rich programme tomorrow, culminating in a joint vocal performance of children with Magdalena Kožená on Moravian Square and a celebratory concert of the Mozart’s Children Festival in Besední dům together with the Brno Philharmonic. The Brno event is part of Brno’s candidacy for the UNESCO Creative Cities Network in the field of music.
This year the Beseda u Bigbítu (BuB) festival celebrates its quarter century and to mark this milestone it has added a little warm-up in the shape of an evening concert in Kabinet Múz called Beseda night. It gives a foretaste of this year’s Tasov and the evening will be introduced by the Šumperk-Brno group Acute Dose. Last year’s wind brought in the group Please The Trees and the composer and DJ Václav Čásenský aka Atrey.
The specialised radio magazine Svět rozhlasu published extensive material in issue 35 – responses of employees to a poll regarding the issue of regional broadcasting. From it, we publish part of the critical text of Jiří Plocek which deals with the Brno station of Czech Radio. Based on the suggestions from the poll, the management of the Czech Radio decided to organise a conference on regional broadcasting and its perspective on 11 October. Both the professional and general public are invited.
Songwriter and guitarist František Chaloupka switches between rock, contemporary and classical music and other genres. Besides that, he founded the Guitar Institute in 2014. We talked about guitar instruction tailored to students. And about the directions in which the Institute could develop further.
Nearly 100 performances will take place in 25 blocks over the weekend during the first year of the multi-genre Brno Music Marathon festival. Concerts, happenings, performances and workshops led by prominent musicians transform the city into one big music scene. The festival is a pilot project of the Brno – Music Friendly City project.
One of the reasons for founding Dragoun's band Futurum in 1983 was allegedly a desire to do "short songs" at a time when Progres focused on broad zones. The fact that the nearly 10-minute song Zdroj then became one of the biggest hits of Futurum is a different story. The founder of Futurum, Roman Dragoun, has remained faithful to shorter songs even in his solo career – from the comeback album Stín mý krvez from 1995 to the present.