A concert organised for an exceptional event took place on Thursday at ZUŠ PhDr. Zbyňka Mrkose (a primary school specialising in music) in Brno’s Židenice district. The event was given the title Cimbálový kolaudační concert (A Cimbalom Commissioning Concert. What exactly was being commissioned? From the title it was evident the main star of the programme was a cimbalom. This big instrument with its velvet tones was not the centre of attention by accident. The item being commissioned was a new cimbalom for the musical inventory of the previously mentioned music school. The manufacturer of the instrument was the Brno company of Všianský. The actual maker Pavel Všianský, a famous musician, also personally took part, telling the participants something about the construction of this instrument.
The latest opera production of the National Theatre in Brno is Don Carlos by the composer Giuseppe Verdi and the poet Friedrich Schiller. This work, directed by the director of this institution, Martin Glaser, had its premiere on Saturday 2 February 2019 in the Janáček Theatre. The stage set was designed by Pavel Borák and the costumes by Markéta Sládečková-Oslzlá. Lighting was the responsibility of Martin Špetlík. The performance was conducted by Jaroslav Kyzlink, who also produced the performance with the choir and orchestra of the Janáček Opera of the National Theatre in Brno. The main roles were filled by Luciano Mastro as Don Carlos and Federico Sacchi as King Philip II, Carlos’ father; Jiří Brückler is the friend of the title character and the confidant of the king, Rodrigo, Marquis of Posa. Linda Ballová took the part of the young queen and madly infatuated Elisabeth of Valois; the figure of the vengeful Princess Eboli, who secretly loves the king’s son was played by Veronika Hajnová-Fialová. The intimidating inquisitor was played by Ondrej Mráz. Also appearing were Andrea Široká, Martina Mádlová, Zdeněk Nečas and David Szendiuch.
The Brno singer and artist Dáša Ubrová has sung with a group, performs with a big-band and is close to chanson, jazz and rock. Her album, named simply after her, is important to her and not only because it is her solo debut. It is the first time she has written all the lyrics herself. The music is mainly created by her “court co-workers” and album producers, the pianist Vojtěch Svatoš and the guitarist Pavel Šmíd.
Yesterday in Besední dům classical music lovers had their very first chance to hear the new chief conductor of the Brno Philharmonic Dennis Russell Davies also in the role of piano soloist. Under Davies’ baton there was a performance of the Symphony in D major, Op. 23 by the Vamberk native Jan Václav Hugo Voříšek and the premiere of the orchestral arrangement of the chamber work by Antonín Dvořák Bagatelles, Op. 47 created by the chief conductor himself. Davies took his place at the piano to play the Piano Concerto No. 24 in C minor by Wolfgang Amadeus Mozart. The chief conductor will also be performing as soloist in two upcoming recitals, playing for example works by Steve Reich, John Adams and Philip Glass.
We can often hear the works of contemporary composers connected to Brno in the performances of local ensembles. But it is not usual for them to reach a wider audience, and in that fashion, a relatively inconspicuous recital dedicated to the works of Brno composers took place yesterday at the Brothers of Charity Convent. A much greater level of attention should be raised by the interpreter Milan Paľa. He had, in his own words “decided to do something for Moravian music” and create in the coming years several CD’s mapping the repertoire for violin or viola by composers connected to Moravia. The Cantus Moraviae project already has its first double CD, which was christened at yesterday’s concert.
A sold out Fléda Club. Shoulder to shoulder. And yet, in this huge crowd you meet six classmates from the grammar school you went to in the first half of the nineties and a colleague with whom you later studied journalism. The band Dunaj (“Danube”) has returned to the stage after twenty years and its hometown was of course one of their first important stops.
Usually, we associate concerts of classical music with the evening hours, formal attire and in some cases even a glass of wine. Last Saturday showed us that the morning hours are not any less good a time for a musical production. In the Crystal Room of the Old Town Hall, an hour before noon, a a performance of cello sonatas by Ludwig van Beethoven, Claude Debussy and Dmitri Shostakovich by the cellist Štěpán Filípek and the pianist Mark Pinzow took place. The concert was organised by the National Theatre Brno.
The Slovak group Kiero Grande, two Polish bands and the Brno musician Jan Fic with his solo project progressed from the competition Blues Aperitiv to the international festival Blues Alive in Šumperk. Jan, or Honza as he is informally called, who under the label Red Bird Instruments makes cigar box guitars and other instruments, is otherwise known as the frontman of The Weathermakers, playing their raw blues even at Porta. And in several festivals he appeared as leader of the mock country group The Honzíci. The interview that follows took place on the occasion of the release of the solo album Město (City), which Jan Fic together with the producer Martin Kyšperský officially presented on 17 December in Brno’s Stereo – Vinyl Culture Shop.
The last week full of musical events culminated in the final round of the Central European Jazz Competition organised by the “neighbouring” jazz festivals – JazzFestBrno and Poysdorf Jazz & Wine. This cross-border musical project has a promising future: the first year of the jazz competition in its final afternoon offered six half-hour blocks of the finalists, who were a surprise with their musical range and the quality of their musicianship.
The main programme focus of this year’s Janáček Brno 2018 international festival is the performance of all of the composer’s musical-dramatic works. After the popular success of Káťa Kabanová and the precisely staged The Makropulos Affair yesterday it was the turn of the Polish ensemble Teatr Wielki from Poznan with a performance of Jenůfa, a work which, twelve years after its Brno premiere in 1904 opened the doors to the international musical scene to Leoš Janáček.
Many diverse and qualitatively varied opera performances were heard at the festival Janáček Brno 2018. Every now and then a production appears that divides Brno audiences into two irreconcilable camps, one overjoyed by the innovativeness, many non-musical references and bold direction, while the others lament the illogical symbolism, departures from the libretto, seeing it even as a slap in the face of the composer. The song cycle The Diary of One Who Disappeared from the Belgian ensemble Muziektheater Transparant as directed by Ivo van Hove and with compositional annotations by Annelies Van Parys is controversial in the true sense of the word. The scenographer Jan Versweyveld, the costume designer An D’Huys and the dramaturge Krystian Lada also took part in this new stage form. The solo roles were taken by Ed Lyon, Marie Hamard and Hugo Koolschijn, accompanied on the piano by Lada Valešová and the choral academy De Munt/La Monnaie also took part in the production. The Diary of One Who Disappeared was performed yesterday in the hall of the Mahen Theatre.
The second of the accompanying folk concerts of the Janáček Brno festival took place at the Reduta Theatre. And it seems that the bar, set by the first concert, has remained high. The show, called Chodníčky k lidové písni (“Roads to folksong”) was to present one of Janáček’s favourite regions in Slovácko – Horňácko – to the audience. This job was taken on by a cimbalom band with the fitting name of Musica Folklorica.
Two servings of first class musical mastery and each one different. One was musical show that was demanding for its audience, where only informed listeners perceived it as a reminder of tragic events. And the second was a lighter dance-like evening with songs that could be sung by the whole of the hall at the Sono Centre. The organisers of JazzFest Brno have shown that no two jazz quintets are alike. Both of the leaders in the last two concerts of this year’s festival rightly got the stormy applause they deserved. At the same time you could hardly see on stage two such different musicians as Terence Blanchard and Richard Bona.
On Tuesday the tones of folk song resounded in the courtyard of the Rectorate of Brno University of Technology on Antonínská street in Brno. The first folk accompanying programme of the festival Janáček Brno 2018 carried the poetic name Kvítí milodějné (which might translate as Merciful Flowers), borrowed from the composer’s eponymous arrangements from a unique song cycle of Moravian folk poetry. The entire programme had an interesting and attractive concept, in which there were performances of three versions of folk material from the collections of Leoš Janáček. All three were close not only to the composer himself but were also generally popular.
The international music festival Janáček Brno 2018 yesterday opened its sixth year with a new production of the opera The Cunning Little Vixen. The performance was directed by the artistic director of the Brno Opera Jiří Heřman, the stage sets were designed by Dragan Stojčevski, the costumes by Alexandra Grusková and the lighting was by Daniel Tesař. The role of Bystrouška was taken by Jana Šrejma Kačírková, the forester was Svatopluk Sem, Zlatohřbítek was played by Václava Krejčí Housková, Schoolmaster/Mosquito by Ondřej Koplík, Priest/Badger by Jan Šťáva and Harašta by Roman Hoza. The orchestra of the National Theatre in Brno performed under its chief conductor Marko Ivanović, who was also responsible for the musical production of the work.
Czech conductor and a Bohemian sound. Jakub Hrůša is the new conductor of the Bamberg Symphony Orchestra
Jakub Hrůša will become the fifth Chief Conductor and the musical director of the prominent German orchestra the Bamberg Symphony Orchestra Players – the Bavarian State Philharmonic Orchestra (Bamberger Symphoniker – Bayerische Staatsphilharmonie) in the 2016/2017 season. It was announced today during the morning ceremony, which was attended by Jakub Hrůša himself, by Bavaria’ Minister of Culture Dr. Ludwig Spaenle together with Marcus Rudolf Axt, Chief Executive.
The club, which is starting its 25th concert season, has been reconstructed and is now reopening to jazz musicians from both the domestic and foreign scene. The season will introduce bands as well as individuals such as Ostrich Quartet, Ambrose Akinmusire, Robert Balzar Trio, Vilém Spilka Quartet or Nuf Said.
The current 17th year of the festival is divided into two parts. The first part, called Intake of Breath, will take place during October and it will be the celebration of the 20th anniversary of the Filigrán dance ensemble. The other part, called Exhalation, will introduce international guests and dance themed movies in November.
The Makropulos Affair opera record directed by David Radok and with music production by Marek Ivanovič won two awards at the International Television Festival Golden Prague which took place last night. The recordings won the Foundation VIZE 97 prize and a prize in the category of Performing Arts. The premiere of the opera was on 21 November 2014 during the Janáček Brno festival.