The JazzFestBrno International Festival introduced the first names of performers for its upcoming 19th season. The festival will begin on 15 March 2020 with a concert by Joshua Redman Quartet. Also featured will be twenty-time Grammy winner Pat Metheny, singer Lizz Wright with a philharmonic, and bass player Avishai Cohen. After many years, and for the first time in Brno, he will perform in a trio with which he recorded his groundbreaking album Gently Disturbed in 2008. Joshua Redman, Bill Frisell and Chris Potter will also appear at the festival.
The opening of the seventh season of the Jazz & World Music cycle, which consists of six evenings this year, is approaching. It will introduce musicians from Europe and overseas. At the beginning of the subscription series, Dan Tepfer will perform his Natural Machines programme and will play on a Yamaha disklavier. Other concerts will feature Efe Turumtay & Nikola Zarić, Lucienne Renaudin Vary & Robert Balzar Trio and Airelle Besson & Lionel Suarez.
Concerts in the new season 2019/2020 are promising a varied range of genres. For example, Vlasta Redl, who will start the season, will perform as part of the musical evenings at the Brno National Theater. He will be followed by Vladimír Mišík & ETC, Věra Martinová, Anna K., Petr Bende, Bára Zmeková and many others.
Workshop on the topic of How to make a living in music in 2020 will be held in cooperation with the label Future Archive Recordings. Artists and music professionals from abroad will come to Brno to share their experience in the music industry. The workshop is in English and is free of charge upon registration.
Drummer Chris "Daddy" Dave will be another guest of the autumn echoes of JazzFestBrno. He will perform in the Sono Centre with his own band called Drumhedz, where he will present his works combining various genre influences from modern jazz to rock and R&B or hip-hop. Hiromi, Aaron Parks "Little Big" and Shai Maestro Trio will also appear during the autumn concert series.
Brno Radio will open an exhibition tomorrow to mark its 95th anniversary of regular broadcasting. The exhibition features the voices of Oldřich Nový, Karel Absolon and Jiří Mahen falling from a special sound shower. There will also be a radio receiver, which was made ninety years ago by Brno airport staff for their director. The exhibition starts today 6 September.
The Gido Returns Home project commemorates the 100th anniversary of the birth of musician, composer, teacher, music promoter and native of Přerov Gideon Klein. In the framework of this project, the artist will symbolically return home to his native town of Přerov and also to the places he used to love. In Brno, it will be the Löw-Beer villa, where a birthday celebration called Jazz for Gido is going to be organised; it will be followed by a concert along with a guided tour in the Stiassni Villa.
Summer courses of the Guitar Institute are coming up soon – a five-day series of lessons, workshops and outdoor concerts in Brno cafés and clubs. This year's lecturers include Klára Hemplová, David Pšenčík and Gabriel Červeňák. During the courses, participants can choose among genres such as rock & heavy, jazz-blues, pop-folk (acoustic guitar), flamenco or classical music.
As a UNESCO-listed city of music, Brno has had four festival days full of music and dance. Tens of concerts and performances with hundreds of performers took place at twenty-two music venues. Music in the streets sounded on every corner, but most attention this year was attracted by four rooms by the artist Kateřina Šedá, in which artists of different genres and nationalities took turns. Another attraction was the performances of the British Motionhouse and No Fit State Circus, who repeatedly enchanted the Náměstí Svobody Square with their acrobatic pieces and breathtaking performances. Two large stages were also set up – Dominik Stage on Dominikánské Square and Django Stage on Malinovského Square, on which appeared artists such as Jana Kirschner, Monika Bagárová, minus123minutes or Jan P. Muchow & The Antagonists. Traditionally, the festival was accompanied by the sound of barrel organs whose players met in Brno as part of their 10th international meeting. This year, singer and multi-instrumentalist Tinatin Tsereteli (Hannover) and violinist Nicola Manzan (Bologna) as artists from UNESCO partner cities of music also premiered at the Brno Music Marathon. The atmosphere of the festival is captured in the video below.
One of the musicians who will appear at Folkové prázdniny [Folk Holidays] in Náměšť nad Oslavou as part of a special programme called Harfy nad Oslavou [Harps upon Oslava], is the Colombian harpist Edmar Castañeda. In Náměšť, he will also give a solo recital as part of an evening called O duši s lehkostí i naléhavostí [About Soul with Lightness and Urgency]. In our telephone conversation – we called him to New York where he lives – we talked to Edmar Castañeda, for example, about a harp specially constructed according to his requirements, or about his cooperation with the Czech singer Marta Töpferová.
The title of this album is deceiving. Although the group Šarivary uses the Czech phonetic transcription of the French expressions charivari and mélange, it is not composed of any Czechs. The quartet that got together in Brno is headed by French singer, flutist and accordionist Aude Martin and American guitarist and singer Chris Coleman. Besides them, the band is formed by Swedish trumpeter Christopher Strandh and Slovak bass guitar player Tomáš Ulahel. The band's music is as colourful as its motley ethnic composition.
On the last day of May, the Dominikánské Square in Brno came to life with music, singing and dancing. At half past two in the afternoon, the programme of the nationwide happening of primary artistic schools ZUŠ started under the patronage of the Magdalena Kožená Endowment Fund by announcing the results of the "TO JE talent"competition. The participants did not only come to pick up with prizes. Several of the award-winning singers and musicians proved this. For example, Lucie Sedláčková with the song by Ewa Farná Měls mě vůbec rád [Did You Love Me At All?] attracted an ever growing crowd of listeners, while singer and pianist Veronika Vávrová did the same with the ballad Million Reasons by Lady Gaga.
This year's Jazzman, a fanzine of the JazzFest music festival, was full of extensive medallions and articles and also featured a noteworthy commentary by the Czech Radio's dramaturge Petr Vidomus with a somewhat provocative headline: Jazz Doesn't Need to Be a Men's Club. The article contemplates some of the gender stereotypes, which the world (and therefore consequently not even the Czech) jazz scene has not yet gotten rid of completely. Great female soloists, mastering instruments previously entirely reserved for men, are growing in numbers. Although gender coding, which Vidomus described in a very precise and ironic way, has not yet been completely overcome, JazzFest contributed significantly to its gradual elimination this year.
This year’s eighteenth JazzFest Brno will exceptionally not close with a concert, but rather a unique (though not unusual for world festivals) series of musical and dance workshops, centred on children. On Saturday 4 May, in the pleasant environment of Café Práh, near Vaňkovka, the children students will be taken on board by the significant young personalities of the jazz scene: Beata Hlavenková (pianist and composition lecturer), Dano Šoltis (leader of the drum class) and the multi-instrumentalists Jiří Slavík and Marian Friedl (conductors of Wandering on Jazz Paths), who will be accompanied by Kateřina Hanzlíková with the Tancohraní lectures. With the exception of composition, where it is necessary for the participants to be older than twelve, all the other “classes” are open to everyone, including the youngest. We asked the co-author of the idea of the children’s workshop and director of JazzFest Brno, Vilém Spilka, for further information.
This year's JazzFestBrno festival had several highlights – of course, it depended on each visitor's personal taste, their expectations, and of course on how many shows they managed to visit. For the author of this article, one of the highlights the evening with bassist Stanley Clark on 23 April, varied in genre and arrangement, as well as the last but one concert of the festival, the performance of "the other" Avishai Cohen in the Husa na provázku Theatre on 28 April. It was a musically pure essence of jazz with a message – imperative, heartbreaking and poetic.