The Brno-based big band Cotatcha Orchestra has now released its second single called Billy's Pilgrimage, with Lenka Dusilová appearing as a guest singer. The single is part of the upcoming album Bigbandová elektronika / Bigband Electronics, which will be released on the American label Parma Recordings as soon as tomorrow.
The Faculty of Music of the Janáček Academy of Performing Arts will be led for the next four years by Professor Barbara Maria Willi, Ph.D. At its meeting yesterday, the academic senate of the faculty decided on it in a secret vote. Professor Willi applied for this management position at the JAMU Faculty of Music with Associate Professor MgA. Vít Spilka.
The situation in the Czech club scene has been alarming for a long time now. Music clubs, which were the first to close in the first wave of the coronavirus crisis, are now facing serious existential problems. Without state aid to the cultural sector, there is a threat of absolute bankruptcy in the coming weeks.
For the fifth time already, the centre of Brno will be transformed into one big music stage. From Thursday to Sunday, the multi-genre Brno Music Marathon festival will take place here. The programme will surely please fans of rock, pop, groove, dance music, opera, folk, ethno, world music, classics or musicals. Brno is the only UNESCO City of Music to welcome 300 musicians in our country, among others, for example, Magdalena Kožená, Katarína Knechtová or Jan Bendig. You also should not miss Pianoštafeta, The Endless Organ and concerts in street rooms of Kateřina Šedá.
Metro Music Bar will open its Metro Open Air stage in the middle of August. Hence, in response to government regulations, the club concerts will be moved outdoors. The former post office building, which faces the club directly across the street, features a large inner courtyard. This particular venue is where all the concerts will be taking place for two weeks, starting from mid-August. The first two days of the new outdoor programme will be dedicated to the Brno Music Marathon festival.
The festival for the Jewish quarter of Boskovice will take place in a more intimate version with a limited number of visitors this year. The organisers invite you to a three-day festival to take place this August. The programme promises representation of the Czech-German jazz scene, blues, theatre performances, site-specific projects, readings and lectures.
The two-day Ghettofest festival is entering its ninth season. Its fundamental idea is to present the "Brno Bronx" as an open and friendly place for at least two days. The motto of this season is An Affair of the Heart, thematically following on from the Masopust (Carnival) festivity, which took place in February. Due to sanitary precautions, the programme will be divided between several smaller separate stages this time. The artists featured will be David Kraus & Gipsy Brothers, Tafrob, Maniak or Prago Union. The festival will also feature a programme for children.
“It’s absolutely perfect, I play it all the time and it plays in my head all the time,” commented Matěj H., a music studies graduate and Brno politician. In another Facebook debate, a musical editor with a pen name of Max B. depicts it to be “totally horrible stuff.” Few domestic albums recorded in 2020 received such varied responses as Folk Swings, a collection of what were initially contemporary folk songs, re-arranged to become big-band pieces and performed by B-Side Band with Josef Buchta as the bandmaster.
The album Folk Swings of the Brno-based B-Side Band is being vividly discussed on social networks. Can a big band take the liberty of to playing the "sacred" songs of Czech folk? And what if these compositions are sung along with the band directly by their authors such as Jaromír Nohavica, Vlasta Redl or Slávek Janoušek? However, while the above might have been able to have their say concerning the arrangements, Karel Kryl, Zuzana Navarová or Wabi Ryvola could no longer make any comments regarding the makeovers of their songs… We talked to Petr Kovařík and Pavel Zlámal, members of the orchestra, about how the album was created, why Ryvola's song 'Tereza' sounds like a Cuban dance, and why 'Podvod' ('Scam') by Honza Nedvěd is played only as an instrumental piece. The two guys have actually created new arrangements for widely famed as well as less well-known folk songs, which now appear on this album.
To write a guide to music in Brno in the past and present means digging deep into one’s own recollections and those of others as well as into sources with varying degrees of reliability, and as far as possible not believing anything automatically but always asking “Did this really happen just like that?” And in doing so, to be very, very suspicious of one’s own memory. Two basic questions that cropped up in connection with almost every sentence were “What is it about this band or that event that makes them special? Would someone who’s never been to Brno and has no ties with the city find it interesting?”
Trumpet player Jiří Kotača is the leader of a young, but very interesting and healthily ambitious big band named Cotatcha Orchestra. While this Brno-based orchestra is still waiting for its first album, Kotača recently released a CD with his smaller ensemble – the international Alf Carlsson/Jiří Kotača Quartet. The album is entitled Journeys.
Due to the impact of extraordinary measures taken because of the Covid-19 pandemic on stakeholders of the cultural and creative industries in Brno, Brno leaders and the Department of Culture of the Brno City Municipality are working intensively on a set of precautions for minimizing the damages. At the same time, communication is conducted on all levels of public administration, predominantly in collaboration with the Institut umění – Divadelní ústav [Arts and Theatre Institute], which is mapping the situation on the nationwide level. Until 22 March 2020 you can help assess the current situation by means of an online survey (the link is provided below). Further steps will be taken according to the results of the survey.
The singer Lizz Wright was born in 1980 to the family of a pastor. From childhood, gospel music was close to her, she used to sing in a choir and later began to adore additional originally Afro-American genres, such as soul, blues and jazz. In November 2019 at the Blues Alive festival in Šumperk she performed with her own band, but in Brno she will be accompanied by the Brno Philharmonic along with a trio of Prague jazz performers (David Dorůžka – guitar, Tomáš Baroš – double bass, Daniel Šoltis – drums). The concert will take place on 3 May in the Janáček Theatre as part of the JAZZFESTBRNO 2020 festival.
On Friday 14 February, the Sono Centre in Brno hosted a genre-diversified festival, which was also a celebration of three decades of activity of three publishing branches, which we associate with the original simple name Indies Records. Over the years, Indies Records has divided itself into three separate labels with three distinct edition catalogues – Indies MG, Indies Scope and Indies Happy Trails, which are operated by the personalities of Miloš Gruber, Milan Páleš and Jaromír Kratochvíl.
While trumpeter Jiří Kotača is known to the Brno jazz audience mainly as the bandmaster of the progressive big band Cotatcha Orchestra, on his first CD he presents himself with a different formation. He had met the Swedish guitarist Alf Carlsson during his studies in the Netherlands, and then they met up again and founded their band during Alf's tourist trip to the Czech Republic. Then they invited two very talented Slovak players to a joint trip for music, drummer Kristián Kuruc and double bass player Peter Korman, who is a member of Kotača's big band. This international formation plays Kotača's and Carlsson's original compositions and gets more or less inspired by Moravian, Slovak and above all Scandinavian folklore. The album was given the name Journeys, because journeys – to music, to knowledge and to the heart of souls – are what the life of not only this band revolves around.
As a UNESCO-listed city of music, Brno has had four festival days full of music and dance. Tens of concerts and performances with hundreds of performers took place at twenty-two music venues. Music in the streets sounded on every corner, but most attention this year was attracted by four rooms by the artist Kateřina Šedá, in which artists of different genres and nationalities took turns. Another attraction was the performances of the British Motionhouse and No Fit State Circus, who repeatedly enchanted the Náměstí Svobody Square with their acrobatic pieces and breathtaking performances. Two large stages were also set up – Dominik Stage on Dominikánské Square and Django Stage on Malinovského Square, on which appeared artists such as Jana Kirschner, Monika Bagárová, minus123minutes or Jan P. Muchow & The Antagonists. Traditionally, the festival was accompanied by the sound of barrel organs whose players met in Brno as part of their 10th international meeting. This year, singer and multi-instrumentalist Tinatin Tsereteli (Hannover) and violinist Nicola Manzan (Bologna) as artists from UNESCO partner cities of music also premiered at the Brno Music Marathon. The atmosphere of the festival is captured in the video below.