The 21st annual jazz festival is characterized by big bands and connecting world-renowned musicians with Czech ones. Among the performers will be Maria Schneider’s Orchestra, the Clayton-Hamilton Jazz Orchestra in conjunction with Dan Bárta, pianist Brad Mehldau in a Bach-based programme with the Brno Philharmonic, double bass player Christian McBride’s quintet and guitarist Lionel Loueke, both solo and in a project with his Czech musical guests.
The Cotatcha Orchestra, a big band from Brno, is preparing another concert in a series presenting the work and anniversaries of famous jazzmen. The Croatian singer Daniel Caccia will perform with them as a guest this time. Traditional as well as new arrangements will feature works by trumpeter and singer Louis Armstrong, who was born 120 years ago, singer Jon Hendricks, who would have turned 100 this year, and pianist Stan Kenton, ten years older than Hendricks.
As the designated UNESCO City of Music, Brno is all set to be filled with harmonious sounds of music once again. Hundreds of musicians will perform in the city over the four days of the festival, with dozens of concerts scheduled that shall make the squares, streets and concert halls resound with music. Encompassing a variety of genres, this year’s Brno Music Marathon will take place in mid-August, just like before, and it’s going to be one of the few public events to happen this year. The line-up includes Lenka Dusilová, Juwana Jenkins, Sisa Feher, Fanfara Transilvania, Malalata, Circus Brothers, Horňácká cimbálová muzika Petra Mičky (the Horňácko Cimbalom Band of Petr Mička), Javory and a host of others. Street “rooms” by Kateřina Šedá is not absent from it, either.
JazzFestBrno, an international jazz festival, has announced the name of its first guest for next year. British artist Jacob Collier, a social-media sensation who has risen to prominence videos made in his from his bedroom, is to come to Brno. The festival shall be the only event at which the 26-year-old multi-instrumentalist and singer is to perform in the Czech Republic.
Anyone who knows the B-Side Band, especially through performing international hit songs with the singer Vojtěch Dyk, or last year’s album Folk Swing, may be surprised by their unique take on a production of Jaromír Hnilička’s Missa Jazz. In fact, the big band’s history is tightly interwoven with the composer’s legendary Jazz Mass.
“It’s absolutely perfect, I play it all the time and it plays in my head all the time,” commented Matěj H., a music studies graduate and Brno politician. In another Facebook debate, a musical editor with a pen name of Max B. depicts it to be “totally horrible stuff.” Few domestic albums recorded in 2020 received such varied responses as Folk Swings, a collection of what were initially contemporary folk songs, re-arranged to become big-band pieces and performed by B-Side Band with Josef Buchta as the bandmaster.
The album Folk Swings of the Brno-based B-Side Band is being vividly discussed on social networks. Can a big band take the liberty of to playing the "sacred" songs of Czech folk? And what if these compositions are sung along with the band directly by their authors such as Jaromír Nohavica, Vlasta Redl or Slávek Janoušek? However, while the above might have been able to have their say concerning the arrangements, Karel Kryl, Zuzana Navarová or Wabi Ryvola could no longer make any comments regarding the makeovers of their songs… We talked to Petr Kovařík and Pavel Zlámal, members of the orchestra, about how the album was created, why Ryvola's song 'Tereza' sounds like a Cuban dance, and why 'Podvod' ('Scam') by Honza Nedvěd is played only as an instrumental piece. The two guys have actually created new arrangements for widely famed as well as less well-known folk songs, which now appear on this album.
To write a guide to music in Brno in the past and present means digging deep into one’s own recollections and those of others as well as into sources with varying degrees of reliability, and as far as possible not believing anything automatically but always asking “Did this really happen just like that?” And in doing so, to be very, very suspicious of one’s own memory. Two basic questions that cropped up in connection with almost every sentence were “What is it about this band or that event that makes them special? Would someone who’s never been to Brno and has no ties with the city find it interesting?”
Trumpet player Jiří Kotača is the leader of a young, but very interesting and healthily ambitious big band named Cotatcha Orchestra. While this Brno-based orchestra is still waiting for its first album, Kotača recently released a CD with his smaller ensemble – the international Alf Carlsson/Jiří Kotača Quartet. The album is entitled Journeys.
Due to the impact of extraordinary measures taken because of the Covid-19 pandemic on stakeholders of the cultural and creative industries in Brno, Brno leaders and the Department of Culture of the Brno City Municipality are working intensively on a set of precautions for minimizing the damages. At the same time, communication is conducted on all levels of public administration, predominantly in collaboration with the Institut umění – Divadelní ústav [Arts and Theatre Institute], which is mapping the situation on the nationwide level. Until 22 March 2020 you can help assess the current situation by means of an online survey (the link is provided below). Further steps will be taken according to the results of the survey.
The singer Lizz Wright was born in 1980 to the family of a pastor. From childhood, gospel music was close to her, she used to sing in a choir and later began to adore additional originally Afro-American genres, such as soul, blues and jazz. In November 2019 at the Blues Alive festival in Šumperk she performed with her own band, but in Brno she will be accompanied by the Brno Philharmonic along with a trio of Prague jazz performers (David Dorůžka – guitar, Tomáš Baroš – double bass, Daniel Šoltis – drums). The concert will take place on 3 May in the Janáček Theatre as part of the JAZZFESTBRNO 2020 festival.
On Friday 14 February, the Sono Centre in Brno hosted a genre-diversified festival, which was also a celebration of three decades of activity of three publishing branches, which we associate with the original simple name Indies Records. Over the years, Indies Records has divided itself into three separate labels with three distinct edition catalogues – Indies MG, Indies Scope and Indies Happy Trails, which are operated by the personalities of Miloš Gruber, Milan Páleš and Jaromír Kratochvíl.
While trumpeter Jiří Kotača is known to the Brno jazz audience mainly as the bandmaster of the progressive big band Cotatcha Orchestra, on his first CD he presents himself with a different formation. He had met the Swedish guitarist Alf Carlsson during his studies in the Netherlands, and then they met up again and founded their band during Alf's tourist trip to the Czech Republic. Then they invited two very talented Slovak players to a joint trip for music, drummer Kristián Kuruc and double bass player Peter Korman, who is a member of Kotača's big band. This international formation plays Kotača's and Carlsson's original compositions and gets more or less inspired by Moravian, Slovak and above all Scandinavian folklore. The album was given the name Journeys, because journeys – to music, to knowledge and to the heart of souls – are what the life of not only this band revolves around.