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The Brno-based big band Cotatcha Orchestra has now released its second single called Billy's Pilgrimage, with Lenka Dusilová appearing as a guest singer. The single is part of the upcoming album Bigbandová elektronika / Bigband Electronics, which will be released on the American label Parma Recordings as soon as tomorrow.
The Faculty of Music of the Janáček Academy of Performing Arts will be led for the next four years by Professor Barbara Maria Willi, Ph.D. At its meeting yesterday, the academic senate of the faculty decided on it in a secret vote. Professor Willi applied for this management position at the JAMU Faculty of Music with Associate Professor MgA. Vít Spilka.
This year's Janáček Brno festival of opera and music had to adapt to a complicated situation in the context of the pandemic. Despite that, the festival was a great success. The organisers managed to do as much as they could to keep its programme, which touched on the artistic turmoil at the turn of the 19th and 20th centuries and the search for new approaches in the musical expression of operatic and instrumental works.
The church concert of the Ensemble Opera Diversa was originally supposed to present Ondřej Kyas' oratorio Stabat Mater; due to the current situation, however, the production of this work will be replaced by a purely instrumental performance of other compositions. The new programme will feature MacMillan's Seraph, a concerto for trumpet and strings with Vít Otáhal as the soloist, and Arvo Pärt's Festina lente with Dominika Kvardová playing the harp. The concert will be complemented by instrumental works by Ondřej Kyas and Ľuboš Bernáth with the Czech premiere of a rarely performed piece - Summa by Arvo Pärt. The concert will be conducted by Gabriela Tardonová.
The situation in the Czech club scene has been alarming for a long time now. Music clubs, which were the first to close in the first wave of the coronavirus crisis, are now facing serious existential problems. Without state aid to the cultural sector, there is a threat of absolute bankruptcy in the coming weeks.
Tiché lodi ('Silent Ships') is not a band, but a project of the guitarist and singer René Müller, who lives in Brno. While he recorded his previous album Časy vody ('Times of Water' – 2015) working together with Roman Cipísek Cerman, his former colleague from the band Hynkovy zámky ('Hynek's Locks'), Müller is now appearing all by himself on the new album – as writer of the music and lyrics, guitarist and singer, or – in his case more precisely – narrator.
Until recently, this Brno singer with the shortest given and family names was the leader of the blues band The Weathermakers. He also led the ephemeral "tramping" group The Honzíci. However, the main thing that he attracts attention with – in addition to the guitars and other instruments that he produces under the brand Red Bird – is his original solo production. After the mature debut Město [The City] (2018), he has now made himself heard with a new album entitled Potom [After]. In the lyrics he goes down to the core again, being able to transform his personal problems into timeless stories and extraordinary poetic expressions. And even though he abandoned the blues form in most of his songs, the recording, in which Martin Kyšperský once again participated as a producer, has a blues nature by its very essence.
Those who were captivated by the introductory distinctive song with surrealistic lyrics Z ježatých hor [From the Spiky Mountains] on the previous album of the Brno group Budoár Staré dámy [Boudoir of an Old Lady] (Sůl [Salt], 2017), can rejoice. The collaboration with the contemporary poet Lubor Kasal that began only three years ago has now resulted in an entire album of his texts set to music. However, the songs on the new album Kostřičky [Little Skeletons] have one more characteristic in common: the production and arrangement contribution by the multi-instrumentalist Tomáš Vtípil.
The Janáček Brno 2020 International Festival promptly replaced yesterday's Hungarian performance of the opera Salome by Richard Strauss. Instead of the guest appearance, the National Theatre Brno offered a concert programme under the simple name Orchestra of the Janáček Opera. After a long time, the audience could see the musicians who normally remain hidden inside the orchestra pit. In addition to the orchestra, which was conducted by Robert Kružík, the violinist Josef Špaček and the pianist Miroslav Sekera also appeared. The programme clearly consisted only of the works by Leoš Janáček, and since the originally planned performances can no longer be staged in the ever-tightening quarantine environment, the evening at the Janáček Theatre meant a farewell to the festival as such. The last live concert of the Janáček Brno 2020 festival is today's performance of the Brno Philharmonic in the Basilica of the Assumption of the Virgin Mary in Old Brno.
Sunday afternoon was marked by another concert of the Janáček Brno 2020 festival. Chamber music performed by the Josef Suk Piano Quartet was given space in the Mozart Hall of Reduta. This ensemble (young both in the year of its founding and its age composition) prepared a truly beautiful and diverse programme for its visit to Brno, and presented it to the audience with adequate commitment.
Despite the unpredictability of the coronavirus situation, the Janáček Brno 2020 festival opened yesterday at the Janáček Theatre in Brno. The gala opening of the festival featured a premiere of the opera Destiny by Leoš Janáček directed by Robert Carsen, one of today's praised opera directors. In fact, Brno audiences had the opportunity to get acquainted with his directing visions of Janáček's operas already in the past; Carsen's concepts for The Makropulos Affair and Katya Kabanova rank among the best that have appeared on the stage of the National Theatre in Brno in recent years. However, the production of Destiny at this year's Janáček's festival is even more exceptional, as this time the director created it directly for the Brno opera house. The costumes were designed by Annemarie Woods, while the stage design was created by Radu Boruzescu. Philip Sheffield (old Živný) and Enrico Casari (young Živný) played the roles of the composer Živný; his fateful love Míla Válková was portrayed by Alžběta Poláčková and her mother by Natascha Petrinsky. Peter Račko performed the role of Dr. Suda, Jan Šťáva was the painter Lhotský and Lukáš Bařák gave his voice to the character of Konečný. The music production is the work of Marko Ivanović, who also conducted the premiere yesterday.Destiny is often described as a problematic opera with a confused story and an imperfect libretto.
Let us hope that Sunday's concert to mark the fifteenth anniversary of the great music band of the Brno-based Valášek Children's Ethnographic Ensemble (Dětský národopisný soubor Valášek) will not be the last event that ever-changing government regulations will allow. And even if that, God forbid, was the case, it would be a dignified farewell.
The newly built church in Brno Lesná suburb provided inspiration for the flautist Martina Komínková for her album Resonance. The CD cover art features photos of the church ceiling, which glitters with all the colours of the rainbow. The album itself is colourful in a similar way; the musician uses several different types of flute on it.
For the end of this summer, the National Theatre Brno prepared a children's opera, written by the composer Evžen Zámečník under the title Ferdy the Ant (original Czech title: Ferda Mravenec), based on the story by Ondřej Sekora. The stories of an optimistic ant who "can do anything and knows everything" and doesn’t turn his nose up at “work of all kinds", however, are actually not appearing at the Janáček Theatre for first time. Zámečník's work in eight scenes won the hearts of the Brno audiences between the years 1977 and 1986 with astounding success; it helped bring a number of children to opera – the most refined form of musical theatre. Today, these already adult musicians, actors, directors, lighting technicians and many others have decided to pay tribute to the composer, who also carried out a lot of "work of all kinds" for Brno's musical life.
The municipal council of Velká nad Veličkou decided already in mid-April that this year's Horňácké Festivities (original name: Horňácké slavnosti) would not take place on the traditional dates around the feast of St. Mary Magdalene, and their scope, previously meant to be of three to five days, would also be modified. Obviously, it was impossible to foresee the development of lockdown measures towards the third week of July, but musicians from the Horňácko district tried to come up with at least a partial alternative solution in order to maintain continuity. Eventually, two concerts were officially held on two consecutive Saturdays: On 18 July, live broadcast of a public radio recording of Czech Radio Brno under the title Hrajte že ně, hrajte aneb Horňácké trochu jinak (Play for Me, or Horňácké Festivities in a Slightly Different Fashion) took place at the Culture House in Velká nad Veličkou. A week later, at a sports complex in Javorník, a traditional competition for "the biggest expert on Horňácko peasant songs" was held under the auspices of the Horňácko Dulcimer Band of Libor Sup. Needless to say, both events have found their spectators and listeners.