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This international festival is entering its second year. Along with Martin Krajíček and his trio there will be appearances from the Mandolin Orchestra, Vítek Hanulík and Karel Začal, Tři grácie, Megafon and Michal Müller as well as Jiří Plocek and Jitka Šuranská. The festival will include workshops for the participants.
Amadeus MozArt is a ballet production by three contemporary choreographers, inspired by the works and personality of Wolfgang Amadeus Mozart. This project was created from the choreography and direction of Carolina Isach, Uladzimir Ivanou and Dan Datcu. The premiere will take place in the Reduta Theatre, which has a close connection with the figure of the composer.
In late June and July the 15th edition of the Ibérica festival of Ibero-American culture will bring to Brno the atmosphere of the Iberian Peninsula and Latin and South America to Brno. The festival programme will offer a fiesta with music, dancing and traditional dishes at the Old Town Hall, workshops and a film festival. This year's Ibérica will open with a concert by the guitar duo Cortés & Gallardo. José María Gallardo represents the world of the classical guitar and Miguel Angel Cortés comes from the environment of the Los Cortés flamenco dynasty. The biggest stars of the festival will appear in the gala concert in Špilberk Castle Courtyard, which will present the flamenco flautist Sergio de Lope with his group and the flamenco dancer Gema Moneo. The evening will conclude with the guitarist Paco León.
A production of the opera Così fan tutte by Wolfgang Amadeus Mozart has been created by the National Theatre Brno under the direction of Anna Petrželková. Jana Šrejma Kačírková alternating with Pavla Vykopalová, Jana Hrochová alternating with Václava Krejčí, Roman Hoza alternating with Igor Loškár, the guest Polish tenor Karol Kozlowský and many other will be appearing in Petrželková’s opera debut. The musical production was by Jakub Klecker.
To record an album of famous jazz standards translated into Czech and yet not only to not come up short, but even to come across naturally and as much as possible even originally, is extremely demanding. Darek Neumann, “a kind of Brno character” (as stated in the booklet of the album) has managed it. The fact that it successfully balanced on the very borders of sentiment and pure blues, is much down to the lyrics of Ester Kočičková.
The mandolin player Martin Krajíček plays in various genres of groups. He has his own acoustic trio, is a member of the Jitka Šuranská Trio, plays in the “Mexican” group Mariachi Espuelas and in Cimbal Classica, plays klezmer and also teaches the mandolin. Since last year he has also been the organiser of the Mandolin Festival in Boskovice. This year it will take place from 8 to 10 June.
The group D.N.A. Brno, winners of the final of Porta in 2011, after a gap of four years have brought out a new album. Alongside a new surname for the bass guitarist (but it is still the same Barbora who years ago cofounded the then children’s and girls’ group) there was an important change in the line-up. Ondra Bojanovský (son of Aleš Bojanovský of FT Prima) has become a new member, playing rhythmic instruments. This has made it possible for the former percussionist Lenka Ručková to move over to the piano. Otherwise they remain as they were: D.N.A. is a group of young people, mostly classically trained, who like folk as well as classical. On the musical side they play it masterfully – there can be no objections to their skill, which is made evident in individual songs. The actual repertoire already on the last album has grown up from the childhood years and the innovation is of course, in this respect, a bit more mature. The band has not surprised us with any a sudden shift. But the result is a bit more mature and confident. And what has also been added are serious but at the same time credible themes.
This year Miloš Štědroň is taking part as artist in residence at the festival Concentus Moraviae. This was a welcome pretext for an interview. It covered his musical beginnings, his path to a musical education, his artistic development and his famous teachers, his inclination to the legacy of the musical avant-garde as well as why he suddenly kept a certain distance from it, how he dedicated himself to faithful and successful cooperation with the Theatre Goose on a String as well as how he was affected by the political changes of the period, how he overcame their pressure, how he worked with today’s interviewer a banned playwright, how he wrote for the wonderful Due Boemi di Praga, how he taught music and the history of music and worked as a populariser, how he knowledgably interpreted ancient music, but also Leoš Janáček, how he worked as an editor, how he became a significant and famous cultural figure, and not just in Brno, and how all the tasks he set himself in his varied and rich creative life were and are being fulfilled, and the joy he has had from it all.
Brno songwriter Michal “cosmonaut” Šimíček has long been seen as a man who knows how to write poetic, often multi-layered lyrics and link them with interesting music. Even the first album of his band Nevermore & Kosmonaut was for me was like a conceptual project. Although the songs lacked direct continuity in small details, lyrics and music, it was as if they were related to each other. In terms of novelty however Bleděmodré město (Pale Blue City) takes the band much further. This time it is a thematically sandwiched whole, dedicated to the city of Brno, worked out down to the last detail. “This conceptual album is our response to the current trend, where it has become a habit to do a single with a video and listen to the songs piecemeal, without order,” explains Šimíček in the album booklet, and this booklet is an integral part of this project and “story”.
Yesterday’s premiere in the Mahen Theatre added to the repertoire of the National Theatre Brno (NdB) the opera Così fan tutte by Wolfgang Amadeus Mozart in an interesting production by Anna Petrželková. In this tale of the imprudent temptation of human feelings will be appearing the soprano Pavla Vykopalová as Fiordiligi, the mezzosoprano Václava Krejčí Housková as Dorabella and Andrea Široká as Despina. In the male roles Ondřej Koplík was on stage as Ferrando, Roman Hoza as Guglielmo and Jan Šťáva played Don Alfonso. Also taking part in the performance were the choir and orchestra of the Janáček Opera of the NdB.
Pavel Koudelka, former drummer with the bands Dunaj, Z kopce, Krutnava and Mňága a Žďorp, recently became a member of two new groups. One of them is the drumming duo Zesilovači with Pavel Fajt and the second is Kucharski. In this group he works with musicians known from the Třebíč group FruFru – the vocalist Václav Bartoš, guitarist Vladimír Dudek and bass guitarist Adam Kotrba – and with the keyboard player Víťa Košíček. Kucharski will be giving their first concert on Thursday 17 May in Brno at the Stará Pekárna.
There were concerts by big bands at the start and finish of the spring programme of this year’s Jazzfest Brno. And both were supreme musical experiences. The Christian McBride Big Band as one of the three concluding concerts for their European tour for the first time performed in Brno’s Sono Centre. And it was great: crossover, entertaining and light playing, at the same time full of virtuosity and inventive and creative playing. “When we play together it is one big party,” stated the double bass player and bandleader Christian McBride at the start – and both he and his colleagues certainly confirmed that.
After a gap of three years Rózinky (which could be translated as Raisins) from the South Moravian village of Kozojídky have recorded their second album. The girls attend elementary art school together and their teacher Kateřina Mičková, who put the group together, still writes songs for them. The girls also perform together on radio and television shows and have played at various festivals from Folk Holidays in Náměšť nad Oslavou to TrutnOff. The question of whether the group will still be viable once its members grow up and mature (and probably have other musical interests and tastes) still hangs in the air. A little doubt already hangs over the disc Cvrkot (which could be translated as Chirp), but not as a threat but rather as a reason for the greater diversity on the album.
It never ceases to amaze me when I see the volume of ideas from Martin Kyšperský and his band Květy. Only in 2017, all this happened: Martin received the Anděl prize for his solo album Vlakem (“By train”). With Květy, they played the role of a communist era organisation band brilliantly, singing his “normalisation” period hits in the series Svět pod hlavou (“World under your head”) (which received a well-earned Český lev award a year later). In their new line-up with Ondřej Kyas, Květy released the brilliant album Komik do půl osmé (“A comedian till half past seven”) (it’s sad that it didn’t get an Anděl, but I think the culprit for that is the reducing of genre prizes and a “bit” of chaos in the new category of Alternative). The book Průvodce po albech a historii kapely Květy (The guide to the albums and history of the band Květy) was released and with it also the album Spí vánoční pták (“The Christmas bird sleeps”). In the meantime, Květy started the YM project, in which all three members will present songs in individual unexpected genres. It was begun by once again by Martin Kyšperský with a programme of country songs – the public premiere took place with the guest artist Petr Uvira in a live broadcast of Radio Proglas in December 2017. For 2018, the electronic songs of Aleš Pilgr and hopefully also the folktronica of Ondřej Kyas are in preparation.