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This autumn’s Exposition of New Music is about to begin. Songs from another dimension, a world premiere and some contemplation in the penitentiary
The band WWW Neurobeat, after five years without an EP, has just brought out their new album Neutopíš se dvakrát řece (“You can’t drown in the same river twice”) and will be paying a visit to the Fléda club in Brno. Two singles from the album have been released so far – Pod nebem nebe (“Sky under the sky”) and Stát. The afterparty after the concert will be conducted by Dj Alyaz.
In a benefit concert in Brno’s Sono Centre young artists are supporting children with oncological conditions. The concert is being organised by the Společně k úsměvu (Smile Together) association, founded by former children’s oncology patients. The association supports families whose children are going through this disease, and also the newly founded outpatient department for the treatment of later effects in Brno.
The characteristic feature of the building of the Janáček Cultural Centre is duality; a linking of two structures in one building. One part is enclosed and fully given over to music while the second is transparent and open to people. This is how Tomasz Konior, general designer of the team that has worked on the design of the building since January this year with the acoustician Yasuhisa Toyota and architect Petr Hrůša, talks about the project for a new concert hall for Brno. They presented the results of their work today.
Musica Folklorica is to perform in Brno’s Metro Music Bar. In the first part of the concert they will play pieces from their repertoire and in the second half of the programme they will be presenting songs from the album Smrti, milá smrti, which is being christened that evening. Martin Hrbáč will be performing as a guest.
The Balladine Dance School has a new base. It is opening the winter semester in the building on the corner of the streets Hilleho and tř. Kpt. Jaroše. This year’s timetable includes classical ballet for children and adults. Something new is the course Variations, led by Vendula Vlasáková. The offer of contemporary dance has been expanded to include a course for children.
The theme of the 2018/19 opera season is Dreams! The Janáček Opera of the National Theatre Brno is also celebrating the centenary of Czech statehood, as the first premiere of the season showing Smetana’s Libuše. The first premiere of the season will take place in Pavilion P, the largest at the Brno Exhibition Centre.
“Beránci a vlci (“Lambs and wolves”) is my personal vision of Moravian world music,” says Marian Friedl, who is a brilliant player both on his handmade folk flutes and on the jazz bass. It was his experience with different genres, ranging from folk to free jazz, together with the cooperation with style-wise similarly open Jitka Šuranská, that led to the creation of an extraordinary kind of music with roots in the performance Z kořenů k world music (“From roots to world music”) at the Folk Holidays in Náměšť nad Oslavou. Thanks to a grant from the Ministry of Culture, the album Beránci a vlci had the participation of four musical formations of different styles (together comprising of more than twenty musicians and singers) and deservedly won the Anděl prize in the Folk category (newly including the genre of world music). In the meantime, the concert premiere of Beránci a vlci took place in the summer of 2017, again in Náměšť nad Oslavou (with the participation of album publisher Milan Páleš dressed as the sheep grandmother) and other festival performances followed – at the Hradecký slunovrat in Hradec nad Moravicí and at Colours of Ostrava. It was a small dream of Marian Friedl and all his lambs and wolves to bring this music into the aurally clean space of the Brno Sono centre, which was made possible thanks to a successful crowdfunding campaign. The roughly hour-long concert was not only merely the performing of the EP, but mainly a huge celebration and maybe even a new start for the project – a new direction towards greater and greater halls.
The buildings of the Brno spa on Rašínova street were filled on Sunday with the new project of the Hausopera art society, which has the target of bringing new and quality productions to places in daily use that wouldn’t have much to do with music and especially opera otherwise. The forerunner is the short opera Poslední pólo (“The Final Polo”) by the composer - conductor Marek Ivanović and the librettist – opera singer Josef Škarka about two friends, a secret love and a guilty conscience. The work was directed by Petr Hašek, the stage set was designed by Ján Tereba and the lighting design was made by Pavla Beranová, Michal Hór and Zuzana Bottová. The main characters were played by Tomáš Krejčí, Aleš Procházka and Andrea Široká. The accordion was played by Žaneta Vítová, the vibraphone and drums by Kristýna Švihálková. It was presented by Lenka Sedláčková.
“I play contemporary folk, without other adjectives – raging and gentle, with and without humour,” says singer-songwriter Šimon Peták of himself. He was born at the very beginning of the nineties, “a year after the old times ended” as he puts it. He comes from South Bohemia, but grew up by the Berounka, lived a short time in Prague, which apparently turned sour for him, and finally settled in Brno. “I became a dramaturge here, trained as a chimney sweep,” he continues in his verse biography, which you can find in his profile on the server Bandzone.cz. It is there that you can also not just listen to but also legally download for free Šimon’s songs from the album Homo Habitus.
In the somewhat untraditional environment of Brno’s Metro Music Bar there was a performance by the musical ensemble with the name Musica Folklorica, a group that needs little introduction for folk fans. These excellent musicians perform mainly their own arrangements of folk songs especially from Horňácko, Myjava and also Romania. They came to Brno to christen what is now their eleventh album.
It is a pity to only read an interview with Marta Kovářová, leader of the groups Budoár staré dámy. Marta is such a personality as a speaker that it is better to hear her. Or also to watch her. But on the other hand, as you will learn from the interview, which took place on the occasion of the 20th birthday of the group, a good song should be able to stand up without a pictorial accompaniment. And perhaps a good narrative will still interest us in written form.
From 30 August to 10 September the blues guitarist from Texas Jonn Del Toro Richardson will be touring the Czech Republic. One of his performances will take place in South Moravia – 2 September in the Strážničan House of Culture in Strážnice. Further concerts will take place for example on 30 August in Valašské Meziříčí, and 7 and 10 September in Ostrava. Jonn Del Toro Richardson has so far released only one solo album (a second is in preparation for 2019), but as a much sought after studio and concert guitarist he has worked with many of the top blues performers.
The first few notes of the first and last songs tell us the most important things about the new album from the group Poletíme? Beginning with sharp guitars, a rock roar and lyrics about how “we sat with the boys backstage” and “we’re good, so we probably need a hit”. At the end a waltz with accordion, sloppy vocals and words about a disgruntled band, of homelessness and of a car “that carries sheep”. Songs full of rock energy of course are part of Poletíme? and this group has a whole range of hits. Nonetheless the move from sharp rock and roll to a comfortable little waltz shows the band with Rudolf Brančovský exactly how I see them after these years: Despite all their efforts to be tough guys they are at their best when telling an ordinary story, with interesting observed details (like that of the sheep in the car) and in an ordinary song. And it is also about the humour which again abounds on the new album. And I have the feeling that this time more than before Rudolf has managed to keep the balance outside the area of awkwardness.
In the course of four days the Brno Music Marathon offered some 150 concerts with more than 500 participants. The festival brought together local artists and guests from abroad. The Jazz Evening in the Sono Centre opened with Brno’s Marek Kotača Trio, followed by Yaron Herman from Israel and Kenny Garrett from the USA, while on the stage at Špilberk Castle the local hip-hop legends Chaozz and the crossover and world music Dog Eat Dog got the audience moving. The Adicts from England together with the Prague group The Fialky took care of the rock evening at Fléda, while in the Sono Centre it was the Dutch Physical Graffiti paying tribute to Led Zeppelin. Brno was full of rock, with the British alt-J also performing on Sunday evening.