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Ensemble Opera Diversa has prepared an advent programme of contemporary religious music for Euroradio Christmas Music Day. There will be performances of the works O antifony for baritone and strings and the Magnificat for choir and strings by their court composer Ondřej Kyas and the Sonata da Chiesa by Peter Graham. The concert will be conducted by Gabriela Tardonová, with the baritone Roman Hoza, the Ensemble Opera Diversa orchestra and the Ensemble Versus choir performing.
The album Moravské hlasy (Moravian Voices) captures the phenomenon of the South Moravian art of singing
Magdalena Kožená, patroness of the Concentus Moraviae festival, today will take the stage of Brno’s Boby Centre with Ondřej Havelka and his Melody Makers. This benefit concert for the festival will jointly promote the songs of Cole Porter and at the same time invite us to the next year. The event will also include the christening of the Cole Porter CD with songs which will be performed by Kožená and Havelka’s Melody Makers in a premiere as part of this year’s Concentus Moraviae festival.
It will soon be six year since the death of President Václav Havel. The Sokol Brno I Symphony Orchestra in cooperation with the Theatre Goose on a String will be following up on last year’s event, the Czech Christmas Mass by J. J. Ryba with the subtitle "Hej Václave" (“Hey, Václav”). The orchestra is looking for musicians who want to be part of the event this year.
If you went to the Brno Philharmonic’s New Year Concert expecting a serious, rigorous celebration, with measured and distinguished entertainment, most probably you left extremely disappointed. In your frustration you may have complained and muttered: what was this conducting dance creation, why did they clap to the rhythm of the Radetzky March and primarily – why were we made to sing? And the programme! Last year at least there was Smetana, but this year? Just waltzes and polkas, operettas and whipped cream! If you are not a bitter grouch, it is likely that along with the Brno Philharmonic you danced into 2018 with ease and sprightliness.
Julia Ulehla is an American singer, grand-daughter of Vladimír Úlehla, the Moravian musicologist and collector of folk songs and author of the legendary book Živá píseň (Living Song). Together with her husband, the guitarist with Armenian roots Aram Bajakian and former player with Lou Reed and Diana Krall, Julia set up the group Dálava, which works in a non-traditional way with Moravian folk music. They have recorded what is already their second album, The Book of Transfiguration, and we talked about it with Julia and Aram during their recent stay in Brno.
On the first Sunday in Advent in Veselí nad Moravou there will be a concert to celebrate the 65th anniversary of the founding of the Brno Radio Orchestra of Folk Instruments (abbreviated to BROLN in Czech). For many this ensemble is an inseparable twin of Czech Radio Brno. The orchestra was set up in 1952 for the needs of the radio for two reasons: to create an archive of quality musical recordings and to give live concerts around the world. The recordings of BROLN on old LP discs were for many folk music fans one of their first encounters with this art form. BROLN produced artistically valuable arrangements of folk songs and began a trend that has continued to this day.
The programme of the third Sunday of Advent from the orchestra of the Ensemble Opera Diversa with the help of their sister body – the choir Ensemble Versus – was marked by modern contemporary creations. In the Convent of the Merciful Brethren they performed the works O antifony for baritone and strings and the Magnificat and choir and strings from the ensemble’s court composer Ondřej Kyas and the Sonata da chiesa by the composer Jaroslav Štastný-Pokorný, written under his artistic pseudonym of Peter Graham. The soloist for the evening was the baritone Roman Hoza, while the performance was conducted by Gabriela Tardonová. The concert was broadcast live by Czech Radio Vltava and other stations in the Euroradio network. In this way the music was heard by listeners in Spain, Saarland, Estonia, Sweden, Portugal, Hessen, Denmark, Greece, Iceland, Slovenia and it was broadcast by the BBC.
Pavel Šporcl’s new and first Christmas album Christmas on the Blue Violin, with traditional and less well-known carols, came out at the end of the November. At the same time as the CD is coming on to the market Pavel Šporcl is setting out on a tour of the Czech Republic with the same name. He will be coming to Brno on 11 December together with the Bohuslav Martinů Philharmonic Orchestra, the soprano Jana Šrejma Kačírková and the Czech boys’ choir Boni pueri. The programme (of which not much could be found out ahead of time) and the venue for the concert in the Boby Centre hinted at quite a spectacular and challenging production with many question marks and potential pitfalls. And it should be said right at the outset that precisely because of this the concert cannot really be evaluated artistically.
An interview between Kateřina Bajo, the main coordinator for the membership of Prague as a city of literature in the UNESCO Creative Cities Network and David Dittrich, main coordinator for the membership of Brno as a city of music in the same network. The UNESCO Creative Cities Network was set up in 2004 and its main aim is to support cooperation and international cooperation and creativity. Now it brings together 180 member cities from 72 countries from around the world. The cities fall into 7 creative areas – literature, music, design, film, gastronomy, traditional crafts and media. A city applying for membership in the network has to fulfil very strict criteria, and it must be supported not only by the commission of experts but also by all the member cities.
Since the album Sme len hostia na zemi (We Are Only Guests on the Earth) (2009) Tomáš Kytnar and his group Tady To Máš has brought out a new album every two years. In a time when U2 completes a disc three years after the previous one and reviewers think it is too soon, this can seem like overproduction, but that is nothing compared to Neil Young, who even into his seventies is providing his fans with more than an album a year … However frequency is a relative term, in this case linked to the fact that Kytnar – once a rock pianist, and today more in the genre blues-chanson – still has something to express in music. Some years back he came under the spell of Slovak as a very musical language, and so his albums, even though created in Brno in the circles around the Stará Pekárna club and the Indies studio, contain Slovak poetry put to music. At the same time the new album directly follows on from the previous title Srdiečka tiché (Quiet Heart) and is dedicated solely to the verse of the Bratislava native and wonderful poet of the city Erika Ondrejičky (*1964). Kytnar has drawn on his poetry over the long term – alongside both single-theme albums his poetry also found a place on the preceding recordings Vôňa rána (Fragrant Morning) (2011) and Krátkovlasá čembalistka (Short-haired Harpsichordist) (2013).
As part of the tour which has been in progress since the spring, on 28 November the group Zrní (which translates as Grain) will be coming to Fléda in Brno. They are performing their latest album called Jiskřící (Sparkling). The members of the group (four Honzas and one Ondra) reacted to our questions collectively, with only the responses of Honza Unger as the author of the lyrics sometimes coming to the forefront.
Yesterday the biggest hall of the Brno Exhibition Centre – Pavilion P – was filled with an audience of a thousand. The premiere of the ballet West Side Story was completely sold out. The performance was given by the National Theatre Brno, the author of the original concept and also the original choreography is Jerome Robbins, the libretto is by Arthur Laurents, the music from Leonard Bernstein and the song lyrics by Stephen Sondheim. The Brno performance of this world-famous musical was directed by Mário Radačovský, who also created the choreography for this new production. The sets were designed by Marek Hollý and the costumes by Alexandra Grusková. The lighting design was by Tomáš Morávek while the projection was directed by Jan Fuksa and Martin Svobodník.
Přístav, many times winners of Porta and other folk festivals, are not prolific with new albums. In 2001 they made their debut with the recording Prašná cesta (Dirt Road), in 2008 they brought out Papírový drak (Paper Kite) and as recently as in 2017 their third disc PřiHrátky. This average of eight years between LP recordings has one advantage. In between the group plays intensively, work on themselves and so a certain progress should be visible in each new album. Theoretically this should be the case and fortunately with Přístav it is. And just as with the previous disc I stated that Přístav is becoming steadily more convincing, with this new one that feeling has deepened.