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On the occasion of Richard Novák’s ninetieth birthday, the NTB’s Janáček Opera has prepared two concerts. Novák’s significant anniversary will be commemorated tomorrow with a song recital in the Mozart Hall of the Reduta Theatre, where he will perform alongside pianist Ivan Klánský. In December, a festive concert will take place at the Janáček Theatre.
Cellist Michaela Fukačová launches her domestic tour My Musical Home through tomorrow's concert in Brno's Besední dům (Community Hall) venue. Accompanied by pianist David Mareček, she will perform – in Brno, Hradec Králové, Prague and Karlovy Vary – a programme consisting of compositions that have shaped her extraordinary musical career.
For the fifth time, the festival will enliven the River Svitava’s waterfront. The programme, which is free of charge to visit, includes concerts, theatre performances, “neckyáda” (a show with boaters using unconventional and funny ways of boating or vessels) and much more. Performers will include Fast Food Orchestra, Phil Shoenfelt & Band of Heysek and more.
The 6th year of PonavaFest, an annual multi-genre festival, will take place at the end of July. The programme will offer musical and theatrical performances and workshops for children at the festival’s venue, which is the Lužánky park, Brno. Performers include Meow & Jim Black, Tygroo, The Which (Frank Zappa Tribute Orchestra) and Fly.
Yesterday, Visitors to the Brno City Theatre experienced the Czech premiere of the Broadway musical hit Pretty Woman. Directed by Stanislav Moša, this theatrical adaptation of the famous blockbuster highlighted the strengths of the movie. Until the break, the viewer is mostly laughing royally and having fun in this tale of a modern Cinderella, and then in the second half the impressiveness and lyricism of the whole title is especially pronounced.
One of the biggest attractions of this year's Olomouc Baroque Festival was the performance of the oratorio David by the Austrian composer Karl Ditters. It was the perfect opportunity to do so, after all – this year the work celebrates 250 years since its creation. Ditters composed the oratorio to a text by Ignazio Pinto in 1771 and in the same year it had its premiere at the castle of Bishop Philipp Gotthard Schaffgotsch of Wrocław on the Jánský Vrch (John´s Hill) near Javorník. In the musical production of violinist and artistic director of Volantes Orchestra Veronika Manová and conductor Ema Mikešová the oratorio was first performed in concert in Brno at the Church of St. Johns (4 August), then on 7 August in Podzámecká zahrada – a garden of the Archbishop’s Chateau in Kroměříž, and, finally, on 12–14 August in the Ambit and Basilica of the Visitation of the Virgin Mary on the Svatý Kopeček (Holy Hill) near Olomouc. The event of 12 August was the performance I visited. In addition to Volantes Orchestra, there were members of other ensembles – Arte dei Suonatori (PL), Il Cuore Barocco (SK), Musica Aeterna (HU) and Societas Incognitorum (CZ). In this aspect, this is another event from the series of concerts organised under the auspices of the festival which bring together musical ensembles from the Visegrad Four. However, there are also performers from other countries – Slovenia, Northern Macedonia and Great Britain. The solo roles were performed by: Doubravka Součková (David), Aco Bišćević (Saul, King of Israel), Helena Hozová (Jonathan, son of Saul), Jiří Miroslav Procházka (Abner, warlord) and Aneta Petrasová (Eliab, David’s brother). The concert was directed by Rocc; the choreography was designed by Sanja Nešković Peršin and costumes were rendered by Borjan Litovski.
American singer-songwriter Leyla McCalla is claiming her Haitian roots. She lives in Louisiana and connects the traditional musical genres of the U.S. South with the culture of the island where her ancestors came from. On Tuesday, 27 July, we will be able to hear her voice and songs live at the festival of Folkové prázdniny (Folk Holidays) in Náměšt' nad Oslavou.
Yesterday's concert, which took place as part of the Concentus Moraviae festival, entitled Scarlet Venice and featuring violinist, flute and piano player Anna Fusek along with lute and theorbo player Gianluca Geremia, was among the very first evenings indoors that classical music lovers were able to attend after the long, pandemic-forced pause. The chronologically compiled agenda presented those who paid a visit to the Church of All Saints, Moravský Krumlov, with works by early 16th century composers, the origins of the new style and compositions by late Baroque masters.
On this very day (19 May) an event will start in Valašské Meziříčí which all the dulcimer players from almost all over the world have been looking forward to for two years. It is the 14th International Dulcimer Festival, which has been held in this town every odd year since 1995. This year, it is sure to be rather modest due to the pandemic situation; the organizers are going to stream some of the concerts, while others will be broadcast on the Czech Radio stations Vltava and Brno. This year, Michal Grombiřík, a dulcimer player, became the first ever such musician admitted to the Jazz Music Interpretation Department of the Janáček Academy of Music and Performing Arts (JAMU). What is the path from a traditional folk song, through classical music to jazz music, and what exactly is Michal going to do at the aforementioned dulcimer festival? We covered all these topics in our conversation.
Ód ... The artistic name evokes singing, narration, poetry, odes… It is also a guide to pronounce the first name in Czech of the protagonist, a French singer settled in Brno, Aude Stulírová Martin. She has been living in Moravia for ten years and is an excellent Czech speaker. In that time she has co-founded a band called Šarivary as well as the theatre company of Le Cabaret Nomade. She was also active as an artistic director of the Bonjour Brno festival. Bébé Lune is her current, second album – a collection of lullabies from around the world, it was created by Ód as a result of her winning Expats for Brno, a competition seeking innovative projects. So, while the project is international in its content, it is very closely related to Brno.
Anyone who knows the B-Side Band, especially through performing international hit songs with the singer Vojtěch Dyk, or last year’s album Folk Swing, may be surprised by their unique take on a production of Jaromír Hnilička’s Missa Jazz. In fact, the big band’s history is tightly interwoven with the composer’s legendary Jazz Mass.
On the occasion of his 66th birthday last year, documentary film-maker, singer-songwriter, musician, author of theatre plays and writer Jiří Vondrák released a double album, one representative of his musical activities at large rather than a selection of his best-known material. Despite the title this is no “best of” collection, instead it’s a noteworthy mix of hits and rare pieces, old songs and new songs, and modern folk and rock pieces. As such it serves as a great introduction to Vondrák, a Renaissance man of culture in Brno, as well as a collector’s item featuring recordings not released elsewhere or almost impossible to find. The first half of the double CD really packs a punch, too.
Hajcman, a tramp-swing group with its roots in Brno, released their expected debut album Jednou to bude (It Will Come to Pass). The band’s name, derived from the Czech word for a supporting steel frame in coal mining, is a reference to cave exploring, the hobby of the group’s leader Martin Škrobák, whose first band was called Stalaktit (Stalactite). While the album largely showcases the talents of the tramping legend, it does feature a sample of the band’s work in the form of two songs by Martin, hinting at the direction of the band’s future album of author's songs. It’s Jaroslav Velinský aka Kapitán Kid who is the author of the most of the debut’s collection of songs, the result of over a decade’s effort. An old friend of Martin’s, as well as a fellow musician and inspiration to him, the tramping music king Kapitán Kid had planned to record some “blasts from the past” in 2005 with his previous outfit the Banjo Gang, as described in the sleeve notes and associated songbook. Joint recording sessions with Martin and his friends took place subsequently, but Velinský’s best-known tramping songs from the CD Tempo di kůň (Tempo de Horse; released in 2007) were eventually preferred. This is how these tracks came to be short-listed, with the blessing of Kapitán Kid himself, and recorded just a few years after the songwriter’s death, making it essentially a tribute to him.