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Frog Biscuits is the first official album of the ensemble Playground English. The album contains 27 songs for children in English ranging from simple nursery rhymes to more complicated tales. This disc brought out under Indies Scope is not only useful for teaching English but at the same time is fully and album of music to be listened to. The production of the album Frog Biscuits was the work of Ondřej Galuška (Eggnoise and The Odd Gifts).
The international festival that gives space for a new generation of percussionists from both Czech and foreign conservatories and academies is entering its fifth year. During these three days, the best students of chosen classes will be performing. The programme is completed by concerts, workshops of foreign lecturers and a sales show of percussion instruments. The big events this year are the percussion workshops.
The regular concerts by the band Funky Chicken have slowly transformed into a mini-festival, where the Funkshmakers Jindra Holubec y Amigoos and Funky Chicken will be performing, together with the dance rhythm of Dj Mik-mik from Equipe Animazione and Dj Ntkz from Bassinfection. Funky Night will take place in the large auditorium of the ArtBar Druhý Pád theatre.
The ceremonial opening of the Janáček Theatre is approaching. The theatre will be opening after reconstruction with a premiere of the opera The Cunning Little Vixen, which will also open the 6th year of the Janáček Brno 2018 international opera and music festival, which this year is dedicated to the centenary of the founding of the republic. In the course of the festival all the stage works Leoš Janáček will be performed in productions by such world-famous figures as Ivo van Hove, Robert Carsen, Kornél Mundruczó and Alvis Hermanis. Tomáš Hanus, Tomáš Netopil and Marko Ivanović will be taking their places on the conductor’s podium. The operatic production of The Cunning Little Vixen is the work of the director Jiří Heřman and the musical staging is by Marko Ivanović. The title roles will be taken by Jana Šrejma Kačírková or Michaela Kušteková, Václava Krejčí Housková alternating with Jana Hrochová and Svatopluk Sem with Jiří Sulženek. The public celebratory ceremony will begin on the piazzetta in front of the Janáček Theatre.
A Century Later or How the Republic was Declared in Brno. An event being set up in cooperation between the Brno Philharmonic and the Theatre Goose on a String. On 29 October they will jointly celebrate the declaration of independence of the republic. The date is that of the official declaration of the republic in Brno, which took place with a delay of one day. The event will be accompanied by a theatrical tour of Besední dům.
The main programme focus of this year’s Janáček Brno 2018 international festival is the performance of all of the composer’s musical-dramatic works. After the popular success of Káťa Kabanová and the precisely staged The Makropulos Affair yesterday it was the turn of the Polish ensemble Teatr Wielki from Poznan with a performance of Jenůfa, a work which, twelve years after its Brno premiere in 1904 opened the doors to the international musical scene to Leoš Janáček.
Many diverse and qualitatively varied opera performances were heard at the festival Janáček Brno 2018. Every now and then a production appears that divides Brno audiences into two irreconcilable camps, one overjoyed by the innovativeness, many non-musical references and bold direction, while the others lament the illogical symbolism, departures from the libretto, seeing it even as a slap in the face of the composer. The song cycle The Diary of One Who Disappeared from the Belgian ensemble Muziektheater Transparant as directed by Ivo van Hove and with compositional annotations by Annelies Van Parys is controversial in the true sense of the word. The scenographer Jan Versweyveld, the costume designer An D’Huys and the dramaturge Krystian Lada also took part in this new stage form. The solo roles were taken by Ed Lyon, Marie Hamard and Hugo Koolschijn, accompanied on the piano by Lada Valešová and the choral academy De Munt/La Monnaie also took part in the production. The Diary of One Who Disappeared was performed yesterday in the hall of the Mahen Theatre.
The second of the accompanying folk concerts of the Janáček Brno festival took place at the Reduta Theatre. And it seems that the bar, set by the first concert, has remained high. The show, called Chodníčky k lidové písni (“Roads to folksong”) was to present one of Janáček’s favourite regions in Slovácko – Horňácko – to the audience. This job was taken on by a cimbalom band with the fitting name of Musica Folklorica.
Two servings of first class musical mastery and each one different. One was musical show that was demanding for its audience, where only informed listeners perceived it as a reminder of tragic events. And the second was a lighter dance-like evening with songs that could be sung by the whole of the hall at the Sono Centre. The organisers of JazzFest Brno have shown that no two jazz quintets are alike. Both of the leaders in the last two concerts of this year’s festival rightly got the stormy applause they deserved. At the same time you could hardly see on stage two such different musicians as Terence Blanchard and Richard Bona.
On Tuesday the tones of folk song resounded in the courtyard of the Rectorate of Brno University of Technology on Antonínská street in Brno. The first folk accompanying programme of the festival Janáček Brno 2018 carried the poetic name Kvítí milodějné (which might translate as Merciful Flowers), borrowed from the composer’s eponymous arrangements from a unique song cycle of Moravian folk poetry. The entire programme had an interesting and attractive concept, in which there were performances of three versions of folk material from the collections of Leoš Janáček. All three were close not only to the composer himself but were also generally popular.
The international music festival Janáček Brno 2018 yesterday opened its sixth year with a new production of the opera The Cunning Little Vixen. The performance was directed by the artistic director of the Brno Opera Jiří Heřman, the stage sets were designed by Dragan Stojčevski, the costumes by Alexandra Grusková and the lighting was by Daniel Tesař. The role of Bystrouška was taken by Jana Šrejma Kačírková, the forester was Svatopluk Sem, Zlatohřbítek was played by Václava Krejčí Housková, Schoolmaster/Mosquito by Ondřej Koplík, Priest/Badger by Jan Šťáva and Harašta by Roman Hoza. The orchestra of the National Theatre in Brno performed under its chief conductor Marko Ivanović, who was also responsible for the musical production of the work.
The Cameroonian musician Richard Bona is returning to Brno after a year and a half. While last year the audience in the Janáček Theatre had their breath taken away by his Afro-Cuban project Heritage, this time he is coming with his international group Richard Bona Group. When on 25 November in the Sono Centre we are admiring Bono’s virtuoso guitar playing, it would be good to be aware while he may have inherited his sense of rhythm and general relationship to music from his ancestors, his current level is the result of his hard work. At least this was something he emphasised in our interview, in which we also covered Bono’s love of flamenco and for his club, which he recently opened not far from Paris.
Brno City Theatre has come out with another premiere of a Czech musical in the form of Big. This musical novelty, taken from the film of the same name, will entertain children, adolescents and their parents. This musical tale is truly for all the generations. Big is a family comedy, in places also a fantasy spectacle, in others a romantic sweet piece about love or an exciting story of an impatient little boy, in which however all ends well.
On Friday 19 October the big band Cotatcha Orchestra performed in HaDivadlo with an important foreign guest: the trombonist, composer and arranger Ilja Reijngoud. After the review of the concert we are now also bringing you an interview with this Dutch jazzman, holder of a Latin Grammy and other significant awards. Reijngoud answered our questions shortly before the Brno concert.
The promising developing contemporary Czech jazz scene, which includes well-functioning festivals and two universities with the teaching of jazz (in Brno and in Prague), is creating the background not just for little ensembles, but also for large orchestras. In Prague there is the excellent Concept Art Orchestra, which under the leadership of the trumpeter Štěpánka Balcarová focuses on the work of contemporary Czech authors in the middle and younger generation (the so-called Prague Six). In Brno the B-Side Band, led by the trumpeter Josef Buchta, sells out big halls and plays at major festivals, cooperating with the popular Vojtěch Dyk, but has not given up on its original jazz repertoire and also cooperates with foreign stars of the calibre of Kurt Elling. Another Brno big band, the Cotatcha Orchestra, under the leadership of (yet another trumpeter) Jiří Kotač, has not yet met with such great success. Despite this the ensemble, put together from students and teachers of the jazz department at the Janáček Academy of Music and Performing Arts, is fiercely and healthily making progress in our scene and given the quality of the musicians it has at its centre, I believe that it will in the coming years win a unique place for itself.