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For the first time ever, the artistic ensemble Kafka Band will bring its music and literature performance entitled Amerika to Brno. The project has been inspired by fragments of the unfinished novel of the same name by Franz Kafka. The seven-member line-up of the ensemble, headed by Jaroslav Rudiš and Jaromír Švejdík, will also present twelve brand new compositions in the Fléda music club.
The Schola Artist dance school offers dance classes of various styles under the guidance of professional dancers, champions of the world and of the Czech Republic and certified tutors. Their roster features pole dance, classical ballet, contemporary dance and more. This year, the school will be celebrating its 2nd birthday with a gala evening in the studio on Hybešova Street.
Brno Philharmonic and Free Radicals. The last concert of the Classically and Modernly subscription series
Free Radicals (Böse Zellen) is the title of a piano concerto by Thomas Larcher (1963), which will be played next week in Besední dům in Czech premiere. When composing it, the author was inspired by a film of the same name by the Austrian director Barbara Albert. The concert is conducted by Nicholas Milton. The work of Thomas Larcher will be heard twice, and a meeting with the dramaturge Vítězslav Mikeš will take place before both concerts, introducing the audience to the world of the upcoming compositions.
The music festival ObrFest will take place in Brno – in the Maloměřice and Obřany district for the seventh time. During one June weekend the stage will include musicians such as Lenka Dusilová, Kittchen + Aid Kid with projections by Linda Arbanová, Lazer Viking, Už jsme doma, Jiří Schmitzer and British blues singer-songwriter Justin Lavash. As every year, the festival will include Brno bands and musicians from Maloměřice and Obřany. The accompanying programme of the festival also includes children’s activities.
Ivana Rusko (née Krejčiříková) was one of the first primadonnas in the history of the ensemble. Now, Rusko will appear in Brno after many years with her husband, the tenor Jan Rusko and Slovakian pianist Matej Arendárik. The programme of the concert is a cross-section of Czech and Slovak music composers ranging from Vítězslav Novák to Peter Špilák.
The flute player and teacher Martina Komínková is currently preparing a project entitled The Prophet and the Wind, based on the novel of the same name by Italian writer Stefano Biavaschi. The author of the music and the key protagonist is Komínková herself. Two premières await the project, one in her hometown Brno and one in Italy. Komínková is now looking for financial support on the Hithit web portal, where you can contribute until 30 May 2019.
This year’s eighteenth JazzFest Brno will exceptionally not close with a concert, but rather a unique (though not unusual for world festivals) series of musical and dance workshops, centred on children. On Saturday 4 May, in the pleasant environment of Café Práh, near Vaňkovka, the children students will be taken on board by the significant young personalities of the jazz scene: Beata Hlavenková (pianist and composition lecturer), Dano Šoltis (leader of the drum class) and the multi-instrumentalists Jiří Slavík and Marian Friedl (conductors of Wandering on Jazz Paths), who will be accompanied by Kateřina Hanzlíková with the Tancohraní lectures. With the exception of composition, where it is necessary for the participants to be older than twelve, all the other “classes” are open to everyone, including the youngest. We asked the co-author of the idea of the children’s workshop and director of JazzFest Brno, Vilém Spilka, for further information.
The musical Nine, based on the legendary film 8½ by director Frederico Fellini, was prepared under director Stanislav Moša as the penultimate premiere of the season at the Brno City Theatre. They prepared an at places almost erotic show, led by interesting scenography, well-made costumes, brilliant musical preparation and the energy of the female acting. The sensuality of some of the dance parts thankfully did not overshadow the central theme of the hero’s crises: mid-life, art and relationship.
This year's JazzFestBrno festival had several highlights – of course, it depended on each visitor's personal taste, their expectations, and of course on how many shows they managed to visit. For the author of this article, one of the highlights the evening with bassist Stanley Clark on 23 April, varied in genre and arrangement, as well as the last but one concert of the festival, the performance of "the other" Avishai Cohen in the Husa na provázku Theatre on 28 April. It was a musically pure essence of jazz with a message – imperative, heartbreaking and poetic.
One of the musical highlights of last week was the concert of the Malina Brothers with two unique guest musicians, Kateřina García and Charlie McCoy in the Sono Centre in Brno. And because the performance was recorded on a professional video for the band’s first live DVD, the evening itself was extraordinary both in its length and quality.
Letošní ročník festivalu Jazzfest Brno nabízí nepřeberné množství rozmanitých crossoverů , žánrových směsic a fúzí. V duchu tohoto stylového spektra v rekonstruovaném (akusticky významně vylepšeném) sále Janáčkova divadla nabídl svůj vyhlášený osobitý nadžánrový sound klasik jazz fusion a britský kytarista John McLaughlin se svou formací The 4th Dimension. V Brně se představil vůbec poprvé.
On Palm Sunday a concert with the subtitle Nova et Vetera opened the 28th Easter Festival of Sacred Music with the theme Ceremony/It is Good to Celebrate the Lord. Aside from Gregorian Chant for Holy Week performed by the ensemble Schola Gregoriana Pragensis, which opened yesterday’s concert, there was also the world premiere of So Shall He Descend by the Estonian composer Toivo Tulev as performed by the soprano Ivana Rusko, the mezzosoprano Bettina Schneebeli, tenor Jaroslav Březina, baritone Jiří Hájek, choristers Aneta Bendová Podracka, Jana Vondrů and Pavla Radostová, the choir Ars Brunensis under choirmaster Dan Kalousek and the Brno Philharmonic under the baton of its principal conductor Denis Russell Davies. The work was written to a commission from the festival and was intended for the Cathedral of St. Peter and Paul.
This year, the JazzFestBrno festival has expanded its offer to include an "electronic" programme line named Tension. Within that series, the bands Zabelov Group and HRTL Spaghetti Ensemble appeared in the Praha space in Brno on 28 March. However, the two-hour concert, which took place on 5 April in the sold-out Sono Centre, was also ideologically close to this new series. The Manchester-based trio GoGo Penguin perhaps uses an instrumental layout of a jazz piano trio vetted by decades, but still oscillates around electronic music as a starting point in its albums and concerts.
Even though the audience's attention is generally focused on music ensembles that have already been vetted by time, yesterday's concert of the newly formed Camerata Brunensis ensemble in the Historical Hall of the Brno Bishop's Court proved that even young blood can offer a remarkable artistic experience. The concert was programmed in cooperation with the Moravian Regional Museum and the Academy of Early Music at Masaryk University, which the Camerata Brunensis‘ artists attend. The ensemble consists of soprano Veronika Vojířová, who performed for example with ensembles like Collegium Marianum, Collegium Floreum, Capella Regia Prague or Cappella Mariana, and the flutist Michaela Durajová, who could be listened to by audiences with the Orchestral Academy of the Brno Philharmonic, the Moravian Philharmonic Olomouc, the Czech Virtuosi orchestra or with the Prague Philharmonic Orchestra. Also, the double bassist and violonist Matyáš Berdych regularly appears with important music ensembles such as Musica Florea, Collegium Marianum and Czech Ensemble Baroque. The backbone of the ensemble is formed by the harpsichordist Jan Hajič, who works as a répétiteur for the Prague choir Vagantes, accompanies concerts and master classes at the Prague Conservatory, and works as a backup organist at the Prague Academic Parish under the guidance of Robert Hugo.
Filip Míšek and Ema Brabcová have worked together for as many as twenty years already. They met each other back in 1999 in the group Roe-Deer, as part of which they created their own project called Khoiba. Under this name they released their albums Nice Traps (2004) and Mellow Drama (2007), shone on the domestic scene and drew attention to themselves in neighbouring Germany, but then each of the protagonists set out on their own paths – Filip came up with the solo project Dikolson and Ema was active first in the group Luno and later became part of The Antagonists under the leadership of Jan P. Muchow. Only in January 2019 did the resurrected Khoiba draw attention to itself – first with the single Log and two months later with the album Khoiba. As part of an intensive spring concert the duo is also coming to perform in Brno. The concert will take place in Kabinet múz on 24 April and supporting Khoiba will be Jan Boroš with Čáry života [Life Lines], this year’s winner of the Apollo award.