Vítá Vás hudební portál městohudby.cz
The Czech Ensemble Baroque invites you to watch a concert that will be streamed online from Besední dům. Händel’s oratorio will resound around the hall
The Czech Ensemble Baroque is preparing for another live concert. This time, the Power of Music – the oratorio by Händel, one in which the author included all his theatre experience – can be watched from the comfort of your own home. Performed in English – with Czech subtitles available, the show will feature Markéta Böhmová, Jaroslav Březina and Jiří Miloslav Procházka as the key soloists.
The Brno musician Radim Hanousek is behind the interactive website Malujeme hudbu (We’re Painting Music). The aim of his project is to develop children’s creativity even during the coronavirus crisis. Professional musicians and artists such as Nikol Bóková, Michal Wróblewski and Natalie Perkof got involved in this online help for quarantined children.
Throughout the theatre season, those favouring Brno City Theatre can vote for their best actress, actor, director, designer and composer, as well as their best creative work or individual staging performance. Voting is possible via poll tickets published in the Dokořán theatre magazine or on the theatre’s site. The results will be announced online this year.
The Janáček Opera gave a guest performance with success as part of year 45 of the prestigious international Hong Kong Arts Festival with Janáček’s Makropulos Affair earlier in 2017. This time, the Brno opera ensemble is returning to the Hong Kong festival’s stage. Due to the pandemic situation, the festival management decided that foreign ensembles would be participating online – through recordings and live streams.
Brno City Theatre is getting ready for another series of its summer performances to take place at the Bishop’s Courtyard
Brno City Theatre is planning its programme for the coming summer. The Bishop’s Courtyard (Biskupský dvůr) is going to get busy with multiple theatre shows featuring Alena Antalová, Hana Holišová, Michal Isteník, Boleslav Polívka, Petr Štěpán and other artists. There will be as many as 37 performances presenting six individual theatre plays. Tickets can be booked as of today.
Following the concerts streamed online in January and complete with a series of innovative video trailers, The Czech Ensemble Baroque returned with live streaming yesterday night. This time it was the second concert from their series entitled Bach & Mozart in Focus (Czech: Bacha na Mozarta); it was planned for 21 October, but rescheduled. From the Brothers of Mercy Convent, it featured, as the central part of the performance, the psalm of Dixit Dominus by Georg Friedrich Händel.
The coronavirus crisis of 2020 (and 2021) has had such an impact on the form of the musical market that researchers, with hindsight, will probably ask whether there are any recordings released at that time and not affected by it. Robert Křesťan and Druhá tráva (Second Grass) wanted to work on a double album containing cover versions of songs by his favourites and new own works next to each other. The British producer Eddie Stevens became a part of this ambitious project but the interrupted opportunity of travelling between the Czech Republic and London also stopped work on the 2CD. The band decided not to wait for the easing and released the Díl první (Part One) separately. This is not the exact form of the initially intended first disc. “Releasing cover versions only without any apparent relationship between them and the original works seemed inadequate to us and the production style of Eddie Stevens is individual and unifying in a specific way to such an extent that we decided to release a mix of the two on the first medium and delay the second part,” explains Křesťan. Therefore, we have Díl první in front of us, but this is not any half-hearted recording or unfinished work. In spite of the Act of God, Druhá tráva has succeeded in recording one of the strongest Czech discs of 2020.
With the current epidemiologic situation and the impossibility of live concerts, many large and small ensembles have been using the time to prepare new media. One of them is the Brno Philharmonic, which has extended its range to include its own edition of CD recordings with this bold motto: “Music you can hardly buy anywhere else”. Although it might seem that this is, primarily, a successful slogan created by the Marketing Department this brief description is not merely empty words. The first pair of CDs released at the end of 2020 offered the unfairly forgotten oratorio Lenora (Lenore) by Antonín Rejcha (heard at concerts on 5, 6 and 7 February, 2020). The philharmonic orchestra also recorded a programme with Dvořák’s Symphony No. 1 in C minor, Zlonické zvony (The Bells of Zlonice) and the composition entitled Bagatelles, Op. 47, (Maličkosti (Trivia)) both adapted (and in the case of Bagatelles also with richer instrumentation) by the chief conductor of the Brno Philharmonic, Dennis Russell Davies. And this is the album which will be the object of our evaluation.
One older - not quite typical – Květy´s album began with the words: "The quietest band in the world so as not to disturb the neighbours." The newest album, called a bit mysteriously Květy Květy (Flowers Flowers) begins with this text: “We are heading into the dark at the highest speed.” Can one deduce anything from the fact that the band around Martin E. Kyšperský in the slowest year, at the time of the lockdown, came up with the fastest and perhaps the most energetic album in their career? Or is it more important that, despite all the pressure that emanates from Květy Květy (Flowers Flowers) as a collective work, it is actually a very solitary and intimate record?
The poetic title Květy nevadnoucí (Flowers Never Fading) hides the most recent publishing achievement of Jiří Plocek. This compilation CD celebrates a quarter of a century since the establishment of the Moravian folklore series in his GNOSIS BRNO publishing house, which released fourteen albums created between 1995 and 2005. And they are not just ordinary albums. Jiří Plocek's enthusiasm and feeling for song is indisputable, but there is much more coming from the recordings – for example, it is the enthusiasm of the singers themselves, which Jiří Plocek fuelled during the recording sessions, while letting them play and sing according to their own will and mood. I must also emphasise the choice of performers themselves. The names have really become iconic by now – František Okénka, Zdeněk Kašpar, Karel Rajmic, Vlasta Grycová, Jiřina Miklošková and many others. Unfortunately, some of them have already departed from this world. Others, which we hear on the album as gifted children, are already rising to become another generations of singers – which is the case of Tomáš Beníček. I'm intentionally mentioning the singers, but the album itself also has a high musical quality. However, all the songs are performed by exceptional performers. This also gives them uniqueness in the spirit of a living folk tradition.
Two years after the monothematic album Bleděmodré město (Pale Blue City), for which the Brno-based group Nevermore & Kosmonaut received a nomination for the genre-specific Anděl Award, the band released a new album with a mysterious name XCR-9. The subheading Písně do rakety (Songs for a Space Shuttle) reveal more. While on the last album we walked through the streets of the city of Brno together with Michal Šimíček and his band, this time the singer-songwriter, who has been using the nickname Kosmonaut for years, is taking us on a fictitious journey into space.
The album Folk Swings of the Brno-based B-Side Band is being vividly discussed on social networks. Can a big band take the liberty of to playing the "sacred" songs of Czech folk? And what if these compositions are sung along with the band directly by their authors such as Jaromír Nohavica, Vlasta Redl or Slávek Janoušek? However, while the above might have been able to have their say concerning the arrangements, Karel Kryl, Zuzana Navarová or Wabi Ryvola could no longer make any comments regarding the makeovers of their songs… We talked to Petr Kovařík and Pavel Zlámal, members of the orchestra, about how the album was created, why Ryvola's song 'Tereza' sounds like a Cuban dance, and why 'Podvod' ('Scam') by Honza Nedvěd is played only as an instrumental piece. The two guys have actually created new arrangements for widely famed as well as less well-known folk songs, which now appear on this album.
Tiché lodi ('Silent Ships') is not a band, but a project of the guitarist and singer René Müller, who lives in Brno. While he recorded his previous album Časy vody ('Times of Water' – 2015) working together with Roman Cipísek Cerman, his former colleague from the band Hynkovy zámky ('Hynek's Locks'), Müller is now appearing all by himself on the new album – as writer of the music and lyrics, guitarist and singer, or – in his case more precisely – narrator.
Until recently, this Brno singer with the shortest given and family names was the leader of the blues band The Weathermakers. He also led the ephemeral "tramping" group The Honzíci. However, the main thing that he attracts attention with – in addition to the guitars and other instruments that he produces under the brand Red Bird – is his original solo production. After the mature debut Město [The City] (2018), he has now made himself heard with a new album entitled Potom [After]. In the lyrics he goes down to the core again, being able to transform his personal problems into timeless stories and extraordinary poetic expressions. And even though he abandoned the blues form in most of his songs, the recording, in which Martin Kyšperský once again participated as a producer, has a blues nature by its very essence.
Those who were captivated by the introductory distinctive song with surrealistic lyrics Z ježatých hor [From the Spiky Mountains] on the previous album of the Brno group Budoár Staré dámy [Boudoir of an Old Lady] (Sůl [Salt], 2017), can rejoice. The collaboration with the contemporary poet Lubor Kasal that began only three years ago has now resulted in an entire album of his texts set to music. However, the songs on the new album Kostřičky [Little Skeletons] have one more characteristic in common: the production and arrangement contribution by the multi-instrumentalist Tomáš Vtípil.