Articles

The second of the accompanying folk concerts of the Janáček Brno festival took place at the Reduta Theatre. And it seems that the bar, set by the first concert, has remained high. The show, called Chodníčky k lidové písni (“Roads to folksong”) was to present one of Janáček’s favourite regions in Slovácko – Horňácko – to the audience. This job was taken on by a cimbalom band with the fitting name of Musica Folklorica.  more

“Beránci a vlci (“Lambs and wolves”) is my personal vision of Moravian world music,” says Marian Friedl, who is a brilliant player both on his handmade folk flutes and on the jazz bass. It was his experience with different genres, ranging from folk to free jazz, together with the cooperation with style-wise similarly open Jitka Šuranská, that led to the creation of an extraordinary kind of music with roots in the performance Z kořenů k world music (“From roots to world music”) at the Folk Holidays in Náměšť nad Oslavou. Thanks to a grant from the Ministry of Culture, the album Beránci a vlci had the participation of four musical formations of different styles (together comprising of more than twenty musicians and singers) and deservedly won the Anděl prize in the Folk category (newly including the genre of world music). In the meantime, the concert premiere of Beránci a vlci took place in the summer of 2017, again in Náměšť nad Oslavou (with the participation of album publisher Milan Páleš dressed as the sheep grandmother) and other festival performances followed – at the Hradecký slunovrat in Hradec nad Moravicí and at Colours of Ostrava. It was a small dream of Marian Friedl and all his lambs and wolves to bring this music into the aurally clean space of the Brno Sono centre, which was made possible thanks to a successful crowdfunding campaign. The roughly hour-long concert was not only merely the performing of the EP, but mainly a huge celebration and maybe even a new start for the project – a new direction towards greater and greater halls.  more

“I play contemporary folk, without other adjectives – raging and gentle, with and without humour,” says singer-songwriter Šimon Peták of himself. He was born at the very beginning of the nineties, “a year after the old times ended” as he puts it. He comes from South Bohemia, but grew up by the Berounka, lived a short time in Prague, which apparently turned sour for him, and finally settled in Brno. “I became a dramaturge here, trained as a chimney sweep,” he continues in his verse biography, which you can find in his profile on the server Bandzone.cz. It is there that you can also not just listen to but also legally download for free Šimon’s songs from the album Homo Habitusmore

In the somewhat untraditional environment of Brno’s Metro Music Bar there was a performance by the musical ensemble with the name Musica Folklorica, a group that needs little introduction for folk fans. These excellent musicians perform mainly their own arrangements of folk songs especially from Horňácko, Myjava and also Romania. They came to Brno to christen what is now their eleventh album.  more

The first few notes of the first and last songs tell us the most important things about the new album from the group Poletíme? Beginning with sharp guitars, a rock roar and lyrics about how “we sat with the boys backstage” and “we’re good, so we probably need a hit”. At the end a waltz with accordion, sloppy vocals and words about a disgruntled band, of homelessness and of a car “that carries sheep”. Songs full of rock energy of course are part of Poletíme? and this group has a whole range of hits. Nonetheless the move from sharp rock and roll to a comfortable little waltz shows the band with Rudolf Brančovský exactly how I see them after these years: Despite all their efforts to be tough guys they are at their best when telling an ordinary story, with interesting observed details (like that of the sheep in the car) and in an ordinary song. And it is also about the humour which again abounds on the new album. And I have the feeling that this time more than before Rudolf has managed to keep the balance outside the area of awkwardness.  more

In the course of four days the Brno Music Marathon offered some 150 concerts with more than 500 participants. The festival brought together local artists and guests from abroad. The Jazz Evening in the Sono Centre opened with Brno’s Marek Kotača Trio, followed by Yaron Herman from Israel and Kenny Garrett from the USA, while on the stage at Špilberk Castle the local hip-hop legends Chaozz and the crossover and world music Dog Eat Dog got the audience moving. The Adicts from England together with the Prague group The Fialky took care of the rock evening at Fléda, while in the Sono Centre it was the Dutch Physical Graffiti paying tribute to Led Zeppelin. Brno was full of rock, with the British alt-J also performing on Sunday evening.  more

After reconstruction the building of Czech Radio Brno has a new studio. Studio VII was figuratively baptised with the concert Living Notes from the series of folk concerts On a Moravian Note on Czech Radio Brno and Zlin. The musical dedication was made by the Horňácko group of Petr Mička, whose bandmaster is also one of the radio station’s editors. As guests they introduced the very talented young singers Anička Mičková and Janíček Pavlík and the Horňácko folk legend Martin Hrbáč. You can see the whole more than hour-long programme on the Czech Radio YouTube channel.  more

The temperament and emotion of Roma music are well known. In 2016 the recording studio Amaro records was set up with the same verve and positive energy. The entire voluntary project was set up with support and guarantees from the IQ Roma servis organisation. The guiding spirit and person responsible is Petra Borovičková, herself an excellent singer and member of several bands. The originator of the idea was Gejza Horváth, a top Roma musician who earlier ran courses for young Roma musicians. He saw huge potential in them.  more

The group Billy Barman from Slovakia ended its Czech-Slovak tour at Brno’s Fleda. This series of concerts was interesting not only its purely acoustic form but especially for bringing together five singers from SĹUK (the Slovak Folk Artists’ Collective). This fusion of pop music and folk was originally created for the Tatra Flowers festival. Its unprecedented success, however, made the musicians decide to expand their repertoire and perform not only in the Slovak Republic, but also for their Czech neighbours.  more

On Saturday 14 April, Dělnický dům in Brno-Židenice hosted the traditional performance of the Javorník ensemble and its guests. The Olšava ensemble from Uherský Brod was their guest. The history of these double concerts dates back to 2003, and from that time thirteen folk ensembles have performed on the stage.  more

On the first Sunday in Advent in Veselí nad Moravou there will be a concert to celebrate the 65th anniversary of the founding of the Brno Radio Orchestra of Folk Instruments (abbreviated to BROLN in Czech). For many this ensemble is an inseparable twin of Czech Radio Brno. The orchestra was set up in 1952 for the needs of the radio for two reasons: to create an archive of quality musical recordings and to give live concerts around the world. The recordings of BROLN on old LP discs were for many folk music fans one of their first encounters with this art form. BROLN produced artistically valuable arrangements of folk songs and began a trend that has continued to this day.  more

Brno is now one of the 180 cities from around the world that belongs to the UNESCO Creative Cities Network. Only some three dozen of these are focused on music. After Prague it is the second city in the Czech Republic to be accepted into this network. The awarded title recognises the work of artists, people working in culture, the diversity of genres and cooperation with the surrounding region.  more

The unique event ZUŠ Open will present on Tuesday May 30 up to a thousand musical, dance, theatre and artistic performances in 280 Bohemian, Moravian and Silesian towns and cities. Brno also will have an exceptionally rich programme tomorrow, culminating in a joint vocal performance of children with Magdalena Kožená on Moravian Square and a celebratory concert of the Mozart’s Children Festival in Besední dům together with the Brno Philharmonic. The Brno event is part of Brno’s candidacy for the UNESCO Creative Cities Network in the field of music.  more

I saw them at the bottom end of Kobližná street. That’s it! It’s a rare example, seldom seen. With this my picture of Brno’s musical fauna has been brought to a satisfying close. After all what kind of city of music would it be if an organ grinder didn’t appear at least occasionally!  more

Composer Leoš Janáček is one of Brno's prodigies. The Janáček Brno Project presents the composer in several stages. One of them is the recently updated Leoš Janáček app, which maps the sites of his work and contains parts of his compositions.  more

The main programme focus of this year’s Janáček Brno 2018 international festival is the performance of all of the composer’s musical-dramatic works. After the popular success of Káťa Kabanová and the precisely staged The Makropulos Affair yesterday it was the turn of the Polish ensemble Teatr Wielki from Poznan with a performance of Jenůfa, a work which, twelve years after its Brno premiere in 1904 opened the doors to the international musical scene to Leoš Janáček.  more

Many diverse and qualitatively varied opera performances were heard at the festival Janáček Brno 2018. Every now and then a production appears that divides Brno audiences into two irreconcilable camps, one overjoyed by the innovativeness, many non-musical references and bold direction, while the others lament the illogical symbolism, departures from the libretto, seeing it even as a slap in the face of the composer. The song cycle The Diary of One Who Disappeared from the Belgian ensemble Muziektheater Transparant as directed by Ivo van Hove and with compositional annotations by Annelies Van Parys is controversial in the true sense of the word. The scenographer Jan Versweyveld, the costume designer An D’Huys and the dramaturge Krystian Lada also took part in this new stage form. The solo roles were taken by Ed Lyon, Marie Hamard and Hugo Koolschijn, accompanied on the piano by Lada Valešová and the choral academy De Munt/La Monnaie also took part in the production. The Diary of One Who Disappeared was performed yesterday in the hall of the Mahen Theatre.  more

The second of the accompanying folk concerts of the Janáček Brno festival took place at the Reduta Theatre. And it seems that the bar, set by the first concert, has remained high. The show, called Chodníčky k lidové písni (“Roads to folksong”) was to present one of Janáček’s favourite regions in Slovácko – Horňácko – to the audience. This job was taken on by a cimbalom band with the fitting name of Musica Folklorica.  more

Two servings of first class musical mastery and each one different. One was musical show that was demanding for its audience, where only informed listeners perceived it as a reminder of tragic events. And the second was a lighter dance-like evening with songs that could be sung by the whole of the hall at the Sono Centre. The organisers of JazzFest Brno have shown that no two jazz quintets are alike. Both of the leaders in the last two concerts of this year’s festival rightly got the stormy applause they deserved. At the same time you could hardly see on stage two such different musicians as Terence Blanchard and Richard Bona.  more

On Tuesday the tones of folk song resounded in the courtyard of the Rectorate of Brno University of Technology on Antonínská street in Brno. The first folk accompanying programme of the festival Janáček Brno 2018 carried the poetic name Kvítí milodějné (which might translate as Merciful Flowers), borrowed from the composer’s eponymous arrangements from a unique song cycle of Moravian folk poetry. The entire programme had an interesting and attractive concept, in which there were performances of three versions of folk material from the collections of Leoš Janáček. All three were close not only to the composer himself but were also generally popular.  more

The international music festival Janáček Brno 2018 yesterday opened its sixth year with a new production of the opera The Cunning Little Vixen. The performance was directed by the artistic director of the Brno Opera Jiří Heřman, the stage sets were designed by Dragan Stojčevski, the costumes by Alexandra Grusková and the lighting was by Daniel Tesař. The role of Bystrouška was taken by Jana Šrejma Kačírková, the forester was Svatopluk Sem, Zlatohřbítek was played by Václava Krejčí Housková, Schoolmaster/Mosquito by Ondřej Koplík, Priest/Badger by Jan Šťáva and Harašta by Roman Hoza. The orchestra of the National Theatre in Brno performed under its chief conductor Marko Ivanović, who was also responsible for the musical production of the work.  more

The Cameroonian musician Richard Bona is returning to Brno after a year and a half. While last year the audience in the Janáček Theatre had their breath taken away by his Afro-Cuban project Heritage, this time he is coming with his international group Richard Bona Group. When on 25 November in the Sono Centre we are admiring Bono’s virtuoso guitar playing, it would be good to be aware while he may have inherited his sense of rhythm and general relationship to music from his ancestors, his current level is the result of his hard work. At least this was something he emphasised in our interview, in which we also covered Bono’s love of flamenco and for his club, which he recently opened not far from Paris.  more

Brno City Theatre has come out with another premiere of a Czech musical in the form of Big. This musical novelty, taken from the film of the same name, will entertain children, adolescents and their parents. This musical tale is truly for all the generations. Big is a family comedy, in places also a fantasy spectacle, in others a romantic sweet piece about love or an exciting story of an impatient little boy, in which however all ends well.  more

On Friday 19 October the big band Cotatcha Orchestra performed in HaDivadlo with an important foreign guest: the trombonist, composer and arranger Ilja Reijngoud. After the review of the concert we are now also bringing you an interview with this Dutch jazzman, holder of a Latin Grammy and other significant awards. Reijngoud answered our questions shortly before the Brno concert.  more

The promising developing contemporary Czech jazz scene, which includes well-functioning festivals and two universities with the teaching of jazz (in Brno and in Prague), is creating the background not just for little ensembles, but also for large orchestras. In Prague there is the excellent Concept Art Orchestra, which under the leadership of the trumpeter Štěpánka Balcarová focuses on the work of contemporary Czech authors in the middle and younger generation (the so-called Prague Six). In Brno the B-Side Band, led by the trumpeter Josef Buchta, sells out big halls and plays at major festivals, cooperating with the popular Vojtěch Dyk, but has not given up on its original jazz repertoire and also cooperates with foreign stars of the calibre of Kurt Elling. Another Brno big band, the Cotatcha Orchestra, under the leadership of (yet another trumpeter) Jiří Kotač, has not yet met with such great success. Despite this the ensemble, put together from students and teachers of the jazz department at the Janáček Academy of Music and Performing Arts, is fiercely and healthily making progress in our scene and given the quality of the musicians it has at its centre, I believe that it will in the coming years win a unique place for itself.  more

The jubilee 25th year of Olomouc’s Autumn Festival of Sacred Music is drawing to a close. Before the finale with Verdi’s Requiem yesterday there was a concert from the Brno chamber group Ensemble Versus under Vladimír Maňas with an ensemble of renaissance wind instruments accompanied by the continuo provided by Capella Ornamentata under the artistic leadership of its founder Richard Šeda in Olomouc’s Church of the Annunciation (Kostel Zvěstování Páně). Both bodies are mainly concerned with the interpretation of the religious music of the 16th and 17th centuries and have engaged in many other joint projects. In 2017 this cooperation led to a CD of the works of the late renaissance composer Nicolaus Zangius, whose works were heard at Sunday’s concert.  more

The Exposition of New Music festival has been confronting Brno listeners with contemporary Czech and world music for thirty-one years. Over this time, the festival’s concerts have gained a devoted audience wishing to experience the non-traditional musical works and experiments themselves. The autumn part of this years’ festival begun yesterday with the vocal cycle Canti del Capricorno by the Italian composer Giacinto Scelsi, performed by solo soprano Lore Lixenberg.  more

This week in Prague and Brno the English singer Chris Norman, founding and long-time member of the popular band Smokie, will be performing. His concert in the Brno DRFG Arena will be on Saturday 6 October and he will perform at the Prague Forum Karlín two days earlier.  more

“Beránci a vlci (“Lambs and wolves”) is my personal vision of Moravian world music,” says Marian Friedl, who is a brilliant player both on his handmade folk flutes and on the jazz bass. It was his experience with different genres, ranging from folk to free jazz, together with the cooperation with style-wise similarly open Jitka Šuranská, that led to the creation of an extraordinary kind of music with roots in the performance Z kořenů k world music (“From roots to world music”) at the Folk Holidays in Náměšť nad Oslavou. Thanks to a grant from the Ministry of Culture, the album Beránci a vlci had the participation of four musical formations of different styles (together comprising of more than twenty musicians and singers) and deservedly won the Anděl prize in the Folk category (newly including the genre of world music). In the meantime, the concert premiere of Beránci a vlci took place in the summer of 2017, again in Náměšť nad Oslavou (with the participation of album publisher Milan Páleš dressed as the sheep grandmother) and other festival performances followed – at the Hradecký slunovrat in Hradec nad Moravicí and at Colours of Ostrava. It was a small dream of Marian Friedl and all his lambs and wolves to bring this music into the aurally clean space of the Brno Sono centre, which was made possible thanks to a successful crowdfunding campaign. The roughly hour-long concert was not only merely the performing of the EP, but mainly a huge celebration and maybe even a new start for the project – a new direction towards greater and greater halls.  more

The buildings of the Brno spa on Rašínova street were filled on Sunday with the new project of the Hausopera art society, which has the target of bringing new and quality productions to places in daily use that wouldn’t have much to do with music and especially opera otherwise. The forerunner is the short opera Poslední pólo (“The Final Polo”) by the composer - conductor Marek Ivanović and the librettist – opera singer Josef Škarka about two friends, a secret love and a guilty conscience. The work was directed by Petr Hašek, the stage set was designed by Ján Tereba and the lighting design was made by Pavla Beranová, Michal Hór and Zuzana Bottová. The main characters were played by Tomáš Krejčí, Aleš Procházka and Andrea Široká. The accordion was played by Žaneta Vítová, the vibraphone and drums by Kristýna Švihálková. It was presented by Lenka Sedláčková.  more

Editorial

Jakub Hrůša will become the fifth Chief Conductor and the musical director of the prominent German orchestra the Bamberg Symphony Orchestra Players – the Bavarian State Philharmonic Orchestra (Bamberger Symphoniker – Bayerische Staatsphilharmonie) in the 2016/2017 season. It was announced today during the morning ceremony, which was attended by Jakub Hrůša himself, by Bavaria’ Minister of Culture Dr. Ludwig Spaenle together with Marcus Rudolf Axt, Chief Executive.  more

The choir at VUT in Brno is seeking new vocal talent. The audition will take place next week.  more

The 21st edition of this competition is being organized by the Musical faculty of the Janáček Academy of Music and Performing Arts in Brno. The competition focusing on young artists playing the violin and on string quartets is being held in cooperation with the Leoš Janáček Foundation.  more

The club, which is starting its 25th concert season, has been reconstructed and is now reopening to jazz musicians from both the domestic and foreign scene. The season will introduce bands as well as individuals such as Ostrich Quartet, Ambrose Akinmusire, Robert Balzar Trio, Vilém Spilka Quartet or Nuf Said.  more

The current 17th year of the festival is divided into two parts. The first part, called Intake of Breath, will take place during October and it will be the celebration of the 20th anniversary of the Filigrán dance ensemble. The other part, called Exhalation, will introduce international guests and dance themed movies in November.  more

Old buildings are seemingly silent, but they resonate with memories and lives vanished long ago; this is where they get their distinctive atmosphere from. Watch the video recording of a concert in the former MEZ factory hall in Židenice.  more

The winner of the solo violin category is Amalia Hall from New Zealand while the winner of the string quartet category is a Slovak ensemble called the Mucha Quartet.  more

The new operetta Studio Brno presents the operetta The Cousin from Batavia by Eduard Künneke for the first time.  more

The Brno vocal group Megafon has recorded a debut album full of successful hits and authorial compositions.  more

The Makropulos Affair opera record directed by David Radok and with music production by Marek Ivanovič won two awards at the International Television Festival Golden Prague which took place last night. The recordings won the Foundation VIZE 97 prize and a prize in the category of Performing Arts. The premiere of the opera was on 21 November 2014 during the Janáček Brno festival.  more