Articles

Under the “cipher” 29/2 (reads as “Twenty-ninth February”) there is a band that was created for a bit of fun. They used compositional techniques that should not work in songwriting at all. It has united musicians who, by definition, perhaps can never understand each other. And yet the result is an album of very strong songs that, despite all the experimentalism, makes sense and works as a whole.  more

Ód ... The artistic name evokes singing, narration, poetry, odes… It is also a guide to pronounce the first name in Czech of the protagonist, a French singer settled in Brno, Aude Stulírová Martin. She has been living in Moravia for ten years and is an excellent Czech speaker. In that time she has co-founded a band called Šarivary as well as the theatre company of Le Cabaret Nomade. She was also active as an artistic director of the Bonjour Brno festival. Bébé Lune is her current, second album – a collection of lullabies from around the world, it was created by Ód as a result of her winning Expats for Brno, a competition seeking innovative projects. So, while the project is international in its content, it is very closely related to Brno.  more

Anyone who knows the B-Side Band, especially through performing international hit songs with the singer Vojtěch Dyk, or last year’s album Folk Swing, may be surprised by their unique take on a production of Jaromír Hnilička’s Missa Jazz. In fact, the big band’s history is tightly interwoven with the composer’s legendary Jazz Massmore

On the occasion of his 66th birthday last year, documentary film-maker, singer-songwriter, musician, author of theatre plays and writer Jiří Vondrák released a double album, one representative of his musical activities at large rather than a selection of his best-known material. Despite the title this is no “best of” collection, instead it’s a noteworthy mix of hits and rare pieces, old songs and new songs, and modern folk and rock pieces. As such it serves as a great introduction to Vondrák, a Renaissance man of culture in Brno, as well as a collector’s item featuring recordings not released elsewhere or almost impossible to find. The first half of the double CD really packs a punch, too.  more

Hajcman, a tramp-swing group with its roots in Brno, released their expected debut album Jednou to bude (It Will Come to Pass). The band’s name, derived from the Czech word for a supporting steel frame in coal mining, is a reference to cave exploring, the hobby of the group’s leader Martin Škrobák, whose first band was called Stalaktit (Stalactite). While the album largely showcases the talents of the tramping legend, it does feature a sample of the band’s work in the form of two songs by Martin, hinting at the direction of the band’s future album of author's songs. It’s Jaroslav Velinský aka Kapitán Kid who is the author of the most of the debut’s collection of songs, the result of over a decade’s effort. An old friend of Martin’s, as well as a fellow musician and inspiration to him, the tramping music king Kapitán Kid had planned to record some “blasts from the past” in 2005 with his previous outfit the Banjo Gang, as described in the sleeve notes and associated songbook. Joint recording sessions with Martin and his friends took place subsequently, but Velinský’s best-known tramping songs from the CD Tempo di kůň (Tempo de Horse; released in 2007) were eventually preferred. This is how these tracks came to be short-listed, with the blessing of Kapitán Kid himself, and recorded just a few years after the songwriter’s death, making it essentially a tribute to him.  more

While concert halls and opera houses are rather on the empty side, seven hotels in the city have seen a lot more activity thanks to the Brno Contemporary Orchestra – a chamber music group led by Pavel Šnajdr and the arts platform Terén – Pole performativního umění (Terrain – Fields for the Performing Arts). Every night of the week, from 15 to 21 March, fans of modern artificial music had the opportunity to visit one of the hotels via YouTube. Not only was the atmosphere of the empty rooms and corridors absorbing, but also the drama in combination with unusual the visual stimuli. Please, do not disturb, as the series was named by its creators - the Brno Contemporary Orchestra and Terén, featured more than just standard recordings of concerts. Indeed, a narrative thread ran through every evening’s experience, which was directly or subtly connected with the musicians or the space itself.  more

“It’s absolutely perfect, I play it all the time and it plays in my head all the time,” commented Matěj H., a music studies graduate and Brno politician. In another Facebook debate, a musical editor with a pen name of Max B. depicts it to be “totally horrible stuff.” Few domestic albums recorded in 2020 received such varied responses as Folk Swings, a collection of what were initially contemporary folk songs, re-arranged to become big-band pieces and performed by B-Side Band with Josef Buchta as the bandmaster.  more

The coronavirus crisis of 2020 (and 2021) has had such an impact on the form of the musical market that researchers, with hindsight, will probably ask whether there are any recordings released at that time and not affected by it. Robert Křesťan and Druhá tráva (Second Grass) wanted to work on a double album containing cover versions of songs by his favourites and new own works next to each other. The British producer Eddie Stevens became a part of this ambitious project but the interrupted opportunity of travelling between the Czech Republic and London also stopped work on the 2CD. The band decided not to wait for the easing and released the Díl první (Part One) separately. This is not the exact form of the initially intended first disc. “Releasing cover versions only without any apparent relationship between them and the original works seemed inadequate to us and the production style of Eddie Stevens is individual and unifying in a specific way  to such an extent that we decided to release a mix of the two on the first medium and delay the second part,” explains Křesťan. Therefore, we have Díl první in front of us, but this is not any half-hearted recording or unfinished work. In spite of the Act of God, Druhá tráva has succeeded in recording one of the strongest Czech discs of 2020.  more

One older - not quite typical – Květy´s album began with the words: "The quietest band in the world so as not to disturb the neighbours." The newest album, called a bit mysteriously Květy Květy (Flowers Flowers) begins with this text: “We are heading into the dark at the highest speed.” Can one deduce anything from the fact that the band around Martin E. Kyšperský in the slowest year, at the time of the lockdown, came up with the fastest and perhaps the most energetic album in their career? Or is it more important that, despite all the pressure that emanates from Květy Květy (Flowers Flowers) as a collective work, it is actually a very solitary and intimate record?  more

Tomáš Kytnar, the manager of the Stará Pekárna club in Brno and bandleader of the group Tady To Máš (a pun containing Kytnar's given name 'Tomáš' but meaning 'Here You Are') has been setting Slovak lyrics to music for years. He based several of his albums on the poetry of contemporary Slovak poets Judita Kaššovicová and Erik Ondrejička. When asked if he deliberately avoided Czech lyrics, he replied in an interview for Brno – City of Music in 2013: "I really am thinking a little about Czech, but I will definitely not look for something in a systematic way or place an advertisement. As Slovak poets actually came to me by themselves, the Czech ones should come by way of chance, shouldn't they?" Seven years have passed. Since then, Kytnar and his band have released the "Slovak" albums Srdiečka tiché (Silent Hearts) and Krajina diamantov (Land of Diamonds), and... this year a change is coming. The novelty Ryba Květovoň (loosely translated as Flowerscent Fish) combines Kytnar's typical composing signature with Czech poetry written by Bogdan Trojak.  more

The poetic title Květy nevadnoucí (Flowers Never Fading) hides the most recent publishing achievement of Jiří Plocek. This compilation CD celebrates a quarter of a century since the establishment of the Moravian folklore series in his GNOSIS BRNO publishing house, which released fourteen albums created between 1995 and 2005. And they are not just ordinary albums. Jiří Plocek's enthusiasm and feeling for song is indisputable, but there is much more coming from the recordings – for example, it is the enthusiasm of the singers themselves, which Jiří Plocek fuelled during the recording sessions, while letting them play and sing according to their own will and mood. I must also emphasise the choice of performers themselves. The names have really become iconic by now – František Okénka, Zdeněk Kašpar, Karel Rajmic, Vlasta Grycová, Jiřina Miklošková and many others. Unfortunately, some of them have already departed from this world. Others, which we hear on the album as gifted children, are already rising to become another generations of singers – which is the case of Tomáš Beníček. I'm intentionally mentioning the singers, but the album itself also has a high musical quality. However, all the songs are performed by exceptional performers. This also gives them uniqueness in the spirit of a living folk tradition.  more

After almost thirty years, Brno has replaced the German capital Berlin as the main centre of the European panel of radio music publicists World Music Charts Europe (WMCE). From Berlin public radio, where the founder of this platform, Johannes Theurer, worked until 30 November 2020, the centre of WMCE's  activities is moving to the Brno headquarters of Radio Proglas. Milan Tesař, one of its two current Czech members and head of the music section of Proglas, became the new secretary of the panel starting from 1 December.  more

Two years after the monothematic album Bleděmodré město (Pale Blue City), for which the Brno-based group Nevermore & Kosmonaut received a nomination for the genre-specific Anděl Award, the band released a new album with a mysterious name XCR-9. The subheading Písně do rakety (Songs for a Space Shuttle) reveal more. While on the last album we walked through the streets of the city of Brno together with Michal Šimíček and his band, this time the singer-songwriter, who has been using the nickname Kosmonaut for years, is taking us on a fictitious journey into space.  more

Tiché lodi ('Silent Ships') is not a band, but a project of the guitarist and singer René Müller, who lives in Brno. While he recorded his previous album Časy vody ('Times of Water' – 2015) working together with Roman Cipísek Cerman, his former colleague from the band Hynkovy zámky ('Hynek's Locks'), Müller is now appearing all by himself on the new album – as writer of the music and lyrics, guitarist and singer, or – in his case more precisely – narrator.  more

Until recently, this Brno singer with the shortest given and family names was the leader of the blues band The Weathermakers. He also led the ephemeral "tramping" group The Honzíci. However, the main thing that he attracts attention with – in addition to the guitars and other instruments that he produces under the brand Red Bird – is his original solo production. After the mature debut Město [The City] (2018), he has now made himself heard with a new album entitled Potom [After]. In the lyrics he goes down to the core again, being able to transform his personal problems into timeless stories and extraordinary poetic expressions. And even though he abandoned the blues form in most of his songs, the recording, in which Martin Kyšperský once again participated as a producer, has a blues nature by its very essence.  more

The long-delayed premiere of the composition The Basement Sketches by composer Michal Nejtek, whose performance was planned for June 2020 and which was commissioned by the Brno Philharmonic, was finally performed on Thursday 25 November at the Community Hall (Besední dům) venue. Together with the Cellar Sketches, the Variations on a Theme by Haydn in B flat major, Op. 56a by Johannes Brahms and Cello Concerto Op. 22 by Samuel Barber were played. In addition to Brno Philharmonic players, cellist Matt Haimovitz and pianist Nikol Bóková also performed. The dramaturgically varied evening, consisting of three distinctly different musical pieces of work and period contexts, was led by the ensemble’s chief conductor Dennis Russell Daviesmore

On Monday 22 November, the second concert of the Brno Contemporary Orchestra’s festive tenth season, entitled Kamenné mantry (Stone Mantras), presented compositions by Fausto Romitelli, Michal Rataj, Miloslav Ištvan and the recently deceased (well known to Brno audiences) Lithuanian composer Bronius Kutavičius. In addition to the orchestra itself, there were also soprano singer Irena Troupová, marimba player Martin Opršál and reciter Pavel Zajíc, who replaced Otakar Blaha in the programme. The concert, organised in cooperation with the Moravian Museum, was conducted by the artistic director of the ensemble Pavel Šnajdrmore

The work by the British composer Benjamin Britten forms an essential part of contemporary opera production. Worldwide, he is even the most frequently staged author born in the 20th century.  Peter Grimes, with a libretto by Montagu Slater based on a poem by George Crabbe, became the opera that set the course for Britten's next musical-dramatic works. And it is with the title Peter Grimes that the Brno National Theatre has opened the opera part of the 2021/2022 season. The story of a rough and tumble fisherman, whose two young apprentices die soon after each other and who as a result sails out to sea, where he sinks his boat and himself with it, had its Czechoslovak premiere in Brno in June 1947. Almost 75 years after, the story of a fishing village, resentment, cruelty and gossip is now coming to life again in the Janáček Theatre, directed by David Radok and with a musical score by Marko Ivanović. The title role was played by tenor Joachim Bäckström and the widowed teacher Ellen Orford, who found affection in Grimes, was portrayed by soprano Jana Šrejma Kačírková. This is not the first time that these two have met on stage together – it was with Mark Ivanović and David Radok that they had previously joined forces for the play Juliette / Lidský hlas (Juliette/The Human Voice). Jana Hrochová (Auntie), Andrea Široká (Niece), Tereza Kyzlinková (Niece), Svatopluk Sem (Balstrode), Jitka Sapara-Fischerová (Mrs. Nabob Sedley), Jan Št'áva (Swallow), Vít Nosek (Bob Boles), Petr Levíček (Horace Adams), David Nykl (Hobson), Jiří Hájek (Ned Keene) and Ivo Šiler (Dr. Crabbe) were also featured, along with the others.  more

Under the “cipher” 29/2 (reads as “Twenty-ninth February”) there is a band that was created for a bit of fun. They used compositional techniques that should not work in songwriting at all. It has united musicians who, by definition, perhaps can never understand each other. And yet the result is an album of very strong songs that, despite all the experimentalism, makes sense and works as a whole.  more

Yesterday, Visitors to the Brno City Theatre experienced the Czech premiere of the Broadway musical hit Pretty Woman. Directed by Stanislav Moša, this theatrical adaptation of the famous blockbuster highlighted the strengths of the movie. Until the break, the viewer is mostly laughing royally and having fun in this tale of a modern Cinderella, and then in the second half the impressiveness and lyricism of the whole title is especially pronounced.  more

For two consecutive Saturdays, visitors to the Olomoucké barokní slavnosti (Olomouc Baroque Festival) had the opportunity to listen to works by lesser-known composers whose music not only in many respects far surpassed the standard of the time, but whose fates were also closely linked to Olomouc.  more

One of the biggest attractions of this year's Olomouc Baroque Festival was the performance of the oratorio David by the Austrian composer Karl Ditters. It was the perfect opportunity to do so, after all – this year the work celebrates 250 years since its creation. Ditters composed the oratorio to a text by Ignazio Pinto in 1771 and in the same year it had its premiere at the castle of Bishop Philipp Gotthard Schaffgotsch of Wrocław on the Jánský Vrch (John´s Hill) near Javorník. In the musical production of violinist and artistic director of Volantes Orchestra Veronika Manová and conductor Ema Mikešová the oratorio was first performed in concert in Brno at the Church of St. Johns (4 August), then on 7 August in Podzámecká zahrada – a garden of the Archbishop’s Chateau in Kroměříž, and, finally, on 12–14 August in the Ambit and Basilica of the Visitation of the Virgin Mary on the Svatý Kopeček (Holy Hill) near Olomouc. The event of 12 August was the performance I visited. In addition to Volantes Orchestra, there were members of other ensembles – Arte dei Suonatori (PL), Il Cuore Barocco (SK), Musica Aeterna (HU) and Societas Incognitorum (CZ). In this aspect, this is another event from the series of concerts organised under the auspices of the festival which bring together musical ensembles from the Visegrad Four. However, there are also performers from other countries – Slovenia, Northern Macedonia and Great Britain. The solo roles were performed by: Doubravka Součková (David), Aco Bišćević (Saul, King of Israel), Helena Hozová (Jonathan, son of Saul), Jiří Miroslav Procházka (Abner, warlord) and Aneta Petrasová (Eliab, David’s brother). The concert was directed by Rocc; the choreography was designed by Sanja Nešković Peršin and costumes were rendered by Borjan Litovski.  more

Traditions, costumes, songs and often special food. This is the basis of folk culture, which is strongly rooted in Moravia. Interest in it has been growing recently – the Czech Republic is taking it as one of the bases of its promotion for domestic and foreign tourists. What is folklore actually about? Are young people coming back to it? And what makes it interesting? We interviewed Marie Hvozdecká, a music editor focusing on folklore at Czech Radio and also a long-time programmer of the folklore scene at the Brno Music Marathon Festival. As she says, “having an interest in folk music is a good thing. However, in order to remake it into a new form, one must know its origin and meaning, otherwise it becomes a mockery.”  more

The Brno Music Marathon Festival will include a world music scene for the first time this year. In addition to the award-winning Bosnian singer-songwriter Damir Imamović and the female vocal group Kata from the exotic Faroe Islands, the group Spilar from Belgium will perform in the Biskupský dvůr venue on Saturday 14 August. Its first album Stormweere reached number eight on the World Music Charts Europe, the official partner of the scene and compiled by leading radio music writers from across Europe, last November. We interviewed Maarten Decombel, one of the founders of the group.  more

American singer-songwriter Leyla McCalla is claiming her Haitian roots. She lives in Louisiana and connects the traditional musical genres of the U.S. South with the culture of the island where her ancestors came from. On Tuesday, 27 July, we will be able to hear her voice and songs live at the festival of Folkové prázdniny (Folk Holidays) in Náměšt' nad Oslavou.  more

You will read in the media about the impact of coronavirus on the level of teaching in compulsory schools. There is less talk of art schools. Yet a quarter of a million children attend primary art schools (PAS). What do these bring to us and to children? What makes them special? I put these and not only these questions to Pavel Borský, cellist of Indigo Quartet (a string ensemble), programmer of the musical scene of the Brno Music Marathon Festival, teacher at the Faculty of Theatre of JAMU and at V. Kaprálové PAS Brno as well as regional coordinator of the ZUŠ Open festival. As he himself pointed out, the exact impact of distance learning on art school students is yet to be seen, but the online environment has taught many children how to communicate better using modern technology.  more

How challenging is it to make it as a composer in this day and age? And does it require more than just musical knowledge and talent? We had a conversation with a renowned composer of many genres, a pianist and comedian in his own way. This is what Zdeněk Král is – a native of Nový Bor and the programmer of the Brno Music Marathon Festival, he has already performed at the show three times, and this year he added a whole dramaturgy of one stage called Humour in Music to his performance. As he himself says, “I want to show that even in the field of so-called classical music there can be room for humour and comedy.”  more

Thirty-one years. It has been exactly that long since the founding of the Brno-based Indies label, which has released hundreds of albums of Czech music during its existence. PR Manager Přemysl Štěpánek takes care of the promotion of one of the current successors, the Indies Scope label. Apart from the current state of the label, we also discussed the way of promoting Czech artists, his dramaturgical plan for the Brno Music Marathon Festival and the representation of the Hungarian Sziget Festival in the Czech Republic and Slovakia.  more

Yesterday's concert, which took place as part of the Concentus Moraviae festival, entitled Scarlet Venice and featuring violinist, flute and piano player Anna Fusek along with lute and theorbo player Gianluca Geremia, was among the very first evenings indoors that classical music lovers were able to attend after the long, pandemic-forced pause. The chronologically compiled agenda presented those who paid a visit to the Church of All Saints, Moravský Krumlov, with works by early 16th century composers, the origins of the new style and compositions by late Baroque masters.  more

On this very day (19 May) an event will start in Valašské Meziříčí which all the dulcimer players from almost all over the world have been looking forward to for two years. It is the 14th International Dulcimer Festival, which has been held in this town every odd year since 1995. This year, it is sure to be rather modest due to the pandemic situation; the organizers are going to stream some of the concerts, while others will be broadcast on the Czech Radio stations Vltava and Brno. This year, Michal Grombiřík, a dulcimer player, became the first ever such musician admitted to the Jazz Music Interpretation Department of the Janáček Academy of Music and Performing Arts (JAMU). What is the path from a traditional folk song, through classical music to jazz music, and what exactly is Michal going to do at the aforementioned dulcimer festival? We covered all these topics in our conversation.  more

Editorial

This year marks the 1100th anniversary of the death of St. Ludmila, an important personality of Czech history and patroness of the Czech lands. To mark the occasion, the Czech Philharmonic Choir Brno is preparing a concert at the venue of the Community Hall (Besední dům), featuring an oratorio by composer Petr Fiala, The Baptism of Saint Ludmila, set to a text by poet Zuzana Nováková-Renčová. Together with the Choir and the Czech Virtuosi orchestra, actress Simona Postlerová will perform.  more

Tomorrow there will be the public habilitation lecture of Vladimír Maňas entitled Nicolaus Zangius: musician of the late Renaissance. Maňas’ book on Nicolaus Zangius and a recording of his compositions was published by Munipress and is available online.  more

Brno Cultural Newsletter presents a summary of events and changes relating to theatres, clubs, festivals and cultural events in Brno in the upcoming period. Last but not least, it also invites you to join the upcoming session of the Brno Cultural Parliament (Brněnský kulturní parlament).  more

Brno Contemporary Orchestra will once again perform in a non-traditional space. This time they will play under the direction of conductor Pavel Šnajdr at Anthropos in Brno. They will present spectacular compositions by Italian composer Fausto Romitelli, a post-modern chamber cantata by Miloslav Ištvan, the work entitled Hours of the Past by the recently deceased Lithuanian composer Bronius Kutavičius and a composition by Michal Rataj, composed directly for BCO.  more

Brno Cultural Newsletter presents a summary of events and changes relating to theatres, clubs, festivals and, overall, cultural events in Brno in the upcoming period. This time, it also focuses on Brno’s candidacy for the European Capital of Culture 2028.  more

The book Zápisky potulného lidopisce (Notes of a Wandering Folklorist) by Jiří Plocek was published last year. The Jiří Mahen Library, which celebrates its 100th anniversary this year, will host this author’s reading from two parts of the book.  more

The International Biennial Percussion Instrument Festival returns to the Orlí Street Theatre, but only after three years due to last year’s pandemic situation. Students from music schools in the Czech Republic, Slovakia and Poland will meet in Brno to exchange experiences. The event offers five concerts for the public over three days, a gala opening of a photographic exhibition and the opportunity to try out various percussion instruments as part of the “PerkuSeanse” project. Students are then invited to workshops with well-known percussionists.  more

UNESCO and the ZUŠ Open festival prepared the exceptional benefit concert. The song recital will take place on Monday, 13 December at 7 p.m. in Brno's Besední dům and will also be available as a live video broadcast. The purpose of the evening is to support and raise the profile of the unique Czech system of Primary Art Schools (ZUŠ).  more

Interested candidates can apply for the post of Marketing Manager until Sunday 14 November 2021. The anticipated start date for this position is January next year.  more

The 21st annual jazz festival is characterized by big bands and connecting world-renowned musicians with Czech ones. Among the performers will be Maria Schneider’s Orchestra, the Clayton-Hamilton Jazz Orchestra in conjunction with Dan Bárta, pianist Brad Mehldau in a Bach-based programme with the Brno Philharmonic, double bass player Christian McBride’s quintet and guitarist Lionel Loueke, both solo and in a project with his Czech musical guests.  more