The international festival of noise, experimental music and performance follows the noise festivals of recent years that took place in the now closed Boro club and in the Paradox club. The Dutch band FCKN BSTRDS, Company Fuck from Australia and the noise propagator Dawid Kowalski, who appears under the stage name Purgist, will perform as part of this year’s festival.
The group Billy Barman from Slovakia ended its Czech-Slovak tour at Brno’s Fleda. This series of concerts was interesting not only its purely acoustic form but especially for bringing together five singers from SĹUK (the Slovak Folk Artists’ Collective). This fusion of pop music and folk was originally created for the Tatra Flowers festival. Its unprecedented success, however, made the musicians decide to expand their repertoire and perform not only in the Slovak Republic, but also for their Czech neighbours.
An interview between Kateřina Bajo, the main coordinator for the membership of Prague as a city of literature in the UNESCO Creative Cities Network and David Dittrich, main coordinator for the membership of Brno as a city of music in the same network. The UNESCO Creative Cities Network was set up in 2004 and its main aim is to support cooperation and international cooperation and creativity. Now it brings together 180 member cities from 72 countries from around the world. The cities fall into 7 creative areas – literature, music, design, film, gastronomy, traditional crafts and media. A city applying for membership in the network has to fulfil very strict criteria, and it must be supported not only by the commission of experts but also by all the member cities.
As part of the tour which has been in progress since the spring, on 28 November the group Zrní (which translates as Grain) will be coming to Fléda in Brno. They are performing their latest album called Jiskřící (Sparkling). The members of the group (four Honzas and one Ondra) reacted to our questions collectively, with only the responses of Honza Unger as the author of the lyrics sometimes coming to the forefront.
Many comebacks tend to provide rather a nostalgic or even sad perspective on something that will never return. There are however exceptions that prove the rule. Gaia Mesiah returned with its own verve and perhaps even greater energy than before. There were goose bumps at Fléda on Wednesday both among the audience and on stage.
Birthdays, and not just those on stage, bring a need to look back. In the case of London’s Placebo this is the case twice over, because they returned in Brno to songs that they have long avoided playing live. They kept their promise and at the Brno Exhibition Centre they gave a two-hour cross-section show.
This year the Beseda u Bigbítu (BuB) festival celebrates its quarter century and to mark this milestone it has added a little warm-up in the shape of an evening concert in Kabinet Múz called Beseda night. It gives a foretaste of this year’s Tasov and the evening will be introduced by the Šumperk-Brno group Acute Dose. Last year’s wind brought in the group Please The Trees and the composer and DJ Václav Čásenský aka Atrey.
Inconspicuous concerts in high-pitched frequencies go through the city. Their centre is an area called Rumiště, the producer and DJ Snediggen Snurssla stands behind them. This week, his AVA loft sessions are being held for the fifteenth time and they will head from Rumiště to Mosilana. Furthermore, we talked about adventurous music and listening to the city.
A very interesting building is growing before our eyes on Veveří (street). Once completed, it will be known as Sono Center, a club with superb acoustic properties. The concert hall will be located in a sphere placed between two semicircular concrete blocks. The two blocks will house facilities for musicians, as well as a hotel and a restaurant. We sat down with the dramaturge of Sono Centre Dan Giač and the investor of this project Jiří Štopl to discuss the upcoming programme, the ideal line-up or the very reason why Štopl decided to build the center, as he is also the co-owner of the Sono Records studio. The two gentlemen did not have time to do this interview together but they were okay with my postproduction mixing.