The band Poletíme? returns to the Brno club Fléda on the occasion of recording a new album. The album BEST OF DO GRAMOFONU (Best of, for the turntable) will map the greatest hits in the fifteen years of the band’s existence. Fans will get a unique chance to be part of the live recording in two concert days.
The band will release a new album tomorrow called Money Will Burn. Jay Delver’s lyrics reflect the trends of modern civilization such as social isolation and the negative effects of modern technology on society. The story line follows the previous concept album. The launch will take place at the end of the 15th Groove Brno festival in Metro Music Bar.
JazzFestBrno has announced the names of the main stars of the next edition. The main announcements of the festival’s headliners will be the singer and pianist Diana Krall, and for the first time ever the iconic string ensemble Kronos Quartet, celebrating 50 years on the scene, will perform at the festival. Other personalities of the 22nd edition of the festival will include guitarist John Scofield, pianist Tigran Hamasyan, and double bassist Dave Holland.
Maushaus Club Night returns to Brno. The second edition of this unique techno festival will take place in the Fléda club as well as in its underground. In addition to the new music space, the event will also introduce the “Dark Room” concept with a special sound design. Leaders of the contemporary dance underground such as Tommy Four Seven (UK), Colin Benders (NL), Olivia (PL) and Anthony Parasole (US) will visit Moravia.
Over two nights, more than sixty concerts by artists from dozens of countries will take place in thirteen clubs in Brno. Clubs such as Alterna, ArtBar Druhý Pád, Fléda, Kabinet múz, Kafara, Metro Music Bar, Music Lab, Ponava, Rusty Nail, Sibiř, Sono Music Club, Stará Pekárna, and Vegalité, united in BACH – Brno Association of Club Music, have joined the first edition of the Batch club night.
The multi-genre festival will offer dozens of concerts in the center of Brno in mid-August. The music will be played in squares, streets, and concert halls. New to the program this year is the post of artist-in-residence; the phenomenal multi-instrumentalist Anna Fusek will take on this role for the first time. The festival will also present Kateřina Šedá’s popular busker rooms, this year expanded to include Johann Gregor Mendel’s greenhouse.
Another in a series of themed “anniversary” orchestral concepts by Jiří Kotača for his big band, this one commemorates the centenary of the birth of Canadian-American jazz pianist, composer, bandleader, and above all, genius arranger Gil Evans and his successful collaboration with legendary trumpeter Miles Davis in the late 1950s.
Brno musicians are talented in various genres, and they’re generally long-lived and vital individuals. This was resoundingly clear during the jubilee celebration of Mojmír Bártek, a teacher, composer, arranger, and above all a virtuoso trombone player. The jubilee concert, dubbed Mojda Bártek 80, was prepared by his friends under the direction of B-Side Band trumpeter and bandleader Josef Buchta. Despite the birthday boy’s open and (sometimes emotional) enjoyment of the two and a half hour program, he still remained an active participant of the entire musical production except for brief moments of rest. He performed as the author of many compositions, but above all as a player, trombone in hand and fully committed.
Electronic music, big beat and clubbing go together - but that’s only a small part of the truth. In fact electronic music was here long before clubbing, and thanks to enlightened teachers at JAMU it was doing very well indeed in Brno as early as the 1960s. That is, long before synthesizers and sequencers appeared on rock podiums, long before any old band had a computer, long before the first dance parties in glittering halls and dark cellars. Today electronic music is one of music’s most omnipresent genres: neither dance parties nor contemporary operas can do without it. Electronic big beat music has occupied reggae and swing, remixing is a daily affair, Brno artists have learned to sell instruments they built themselves to the whole world and to amplify an old knitting machine. As early as 1907 the composer Ferruccio Busoni dreamt of the future potential of electronic music, but not even his imagination and genius could have anticipated what Thaddeus Cahill’s first weird experiment with an immense electrical organ would lead to one day.
Due to the impact of extraordinary measures taken because of the Covid-19 pandemic on stakeholders of the cultural and creative industries in Brno, Brno leaders and the Department of Culture of the Brno City Municipality are working intensively on a set of precautions for minimizing the damages. At the same time, communication is conducted on all levels of public administration, predominantly in collaboration with the Institut umění – Divadelní ústav [Arts and Theatre Institute], which is mapping the situation on the nationwide level. Until 22 March 2020 you can help assess the current situation by means of an online survey (the link is provided below). Further steps will be taken according to the results of the survey.
Last year, after several years of stagnation, Brno's folklore enthusiasts woke up again and began organizing gatherings with dulcimer music, folklore parties, etc. at several different venues. This is certainly gratifying. However, motivation, experiences and concepts differ. One of them is We <3 folklore in the Metro music bar.
The singer Lizz Wright was born in 1980 to the family of a pastor. From childhood, gospel music was close to her, she used to sing in a choir and later began to adore additional originally Afro-American genres, such as soul, blues and jazz. In November 2019 at the Blues Alive festival in Šumperk she performed with her own band, but in Brno she will be accompanied by the Brno Philharmonic along with a trio of Prague jazz performers (David Dorůžka – guitar, Tomáš Baroš – double bass, Daniel Šoltis – drums). The concert will take place on 3 May in the Janáček Theatre as part of the JAZZFESTBRNO 2020 festival.
On Friday 14 February, the Sono Centre in Brno hosted a genre-diversified festival, which was also a celebration of three decades of activity of three publishing branches, which we associate with the original simple name Indies Records. Over the years, Indies Records has divided itself into three separate labels with three distinct edition catalogues – Indies MG, Indies Scope and Indies Happy Trails, which are operated by the personalities of Miloš Gruber, Milan Páleš and Jaromír Kratochvíl.
As a UNESCO-listed city of music, Brno has had four festival days full of music and dance. Tens of concerts and performances with hundreds of performers took place at twenty-two music venues. Music in the streets sounded on every corner, but most attention this year was attracted by four rooms by the artist Kateřina Šedá, in which artists of different genres and nationalities took turns. Another attraction was the performances of the British Motionhouse and No Fit State Circus, who repeatedly enchanted the Náměstí Svobody Square with their acrobatic pieces and breathtaking performances. Two large stages were also set up – Dominik Stage on Dominikánské Square and Django Stage on Malinovského Square, on which appeared artists such as Jana Kirschner, Monika Bagárová, minus123minutes or Jan P. Muchow & The Antagonists. Traditionally, the festival was accompanied by the sound of barrel organs whose players met in Brno as part of their 10th international meeting. This year, singer and multi-instrumentalist Tinatin Tsereteli (Hannover) and violinist Nicola Manzan (Bologna) as artists from UNESCO partner cities of music also premiered at the Brno Music Marathon. The atmosphere of the festival is captured in the video below.