The JazzFestBrno International Festival introduced the first names of performers for its upcoming 19th season. The festival will begin on 15 March 2020 with a concert by Joshua Redman Quartet. Also featured will be twenty-time Grammy winner Pat Metheny, singer Lizz Wright with a philharmonic, and bass player Avishai Cohen. After many years, and for the first time in Brno, he will perform in a trio with which he recorded his groundbreaking album Gently Disturbed in 2008. Joshua Redman, Bill Frisell and Chris Potter will also appear at the festival.
Techno events in Fléda club have a rich tradition, which is now to be even extended a new club night entitled Kurzor:\. It will provide space for current creators of the alternatively tuned parts of the scene. The aim of the event is to interconnect local artists with artists from abroad. The main guest of the premiere evening will be the German producer Alex.Do. Furthermore, followed by F i l t r., Herna and almost complete KOSMOSPIEL.
Workshop on the topic of How to make a living in music in 2020 will be held in cooperation with the label Future Archive Recordings. Artists and music professionals from abroad will come to Brno to share their experience in the music industry. The workshop is in English and is free of charge upon registration.
Drummer Chris "Daddy" Dave will be another guest of the autumn echoes of JazzFestBrno. He will perform in the Sono Centre with his own band called Drumhedz, where he will present his works combining various genre influences from modern jazz to rock and R&B or hip-hop. Hiromi, Aaron Parks "Little Big" and Shai Maestro Trio will also appear during the autumn concert series.
This year's Blues Rock Fest will feature as many as five music evenings at the Metro Music Bar in Brno. Matěj Ptaszek and Jan St. Johnny Stehlík, who together will present their new CD dedicated to the fiftieth anniversary of the legendary Woodstock festival. Also featured will be Lord Bishop Rocks from the USA and Tom Jegr Gang, Julian Sas Band, Pump and Charlie The Bomber. The conclusion of the festival will belong to Hoochie Coochie Band, who will celebrate their quarter of a century on the music scene.
The Icelandic band GusGus will start the autumn season at Fléda. It will be followed by a concert of the Ukrainian rapper Alyona Alyona. New albums will be presented in Brno by Hooverphonic, Jan Blomqvist Band, De Staat, Movits! and Kadebostany. The highlight of the autumn dramaturgy will be a performance by Vitalic with their new project Kompromat.
Summer courses of the Guitar Institute are coming up soon – a five-day series of lessons, workshops and outdoor concerts in Brno cafés and clubs. This year's lecturers include Klára Hemplová, David Pšenčík and Gabriel Červeňák. During the courses, participants can choose among genres such as rock & heavy, jazz-blues, pop-folk (acoustic guitar), flamenco or classical music.
For four days, the centre of Brno turned into a vibrant metropolis full of music of many genres that were heard virtually everywhere. Brno reaffirmed during this extended weekend that it deserves to be a UNESCO City of Music. Most of the productions were free of charge, the paid ones were sold out and even the shows were added. The attendance estimated by the organizer is 35 thousand people. It was played in the squares, in the streets, on the balconies, but also in the underground, in the town hall, in the arcade or in the churches. This year's specials were concerts in four street rooms by the artist Kateřina Šedá.
Four days of August, twenty-two music stages, dozens of concerts and performances, hundreds of performers and thousands of spectators. All this is promised by the Brno Music Marathon 2019 international festival, which will burst out in just a week, on 8 August 2019. Concerts in the streets and squares will be accessible for free, featuring among others Jana Kirschner, Khoiba, Motionhouse and NoFit State Circus, Monika Bagárová, Jan P. Muchow & The Antagonists, Progres 2, Žamboši or Pacora Trio with Denisa Kopačková. Buskers will play in dwelling rooms on the streets, barrel organ players will appear as part of their 10th international meeting. DJ Jon Hopkins, known for his cooperation with Coldplay, will also come to Brno. Cirk La Putyka and Pokáč are coming, and Lázně Rašínova [Rašínova Spa] will be occupied by opera singers and synchronised swimming. Music will sound also in the underground, in a mall, in churches, in a hotel or in the Town Hall.
As a UNESCO-listed city of music, Brno has had four festival days full of music and dance. Tens of concerts and performances with hundreds of performers took place at twenty-two music venues. Music in the streets sounded on every corner, but most attention this year was attracted by four rooms by the artist Kateřina Šedá, in which artists of different genres and nationalities took turns. Another attraction was the performances of the British Motionhouse and No Fit State Circus, who repeatedly enchanted the Náměstí Svobody Square with their acrobatic pieces and breathtaking performances. Two large stages were also set up – Dominik Stage on Dominikánské Square and Django Stage on Malinovského Square, on which appeared artists such as Jana Kirschner, Monika Bagárová, minus123minutes or Jan P. Muchow & The Antagonists. Traditionally, the festival was accompanied by the sound of barrel organs whose players met in Brno as part of their 10th international meeting. This year, singer and multi-instrumentalist Tinatin Tsereteli (Hannover) and violinist Nicola Manzan (Bologna) as artists from UNESCO partner cities of music also premiered at the Brno Music Marathon. The atmosphere of the festival is captured in the video below.
This year's JazzFestBrno festival had several highlights – of course, it depended on each visitor's personal taste, their expectations, and of course on how many shows they managed to visit. For the author of this article, one of the highlights the evening with bassist Stanley Clark on 23 April, varied in genre and arrangement, as well as the last but one concert of the festival, the performance of "the other" Avishai Cohen in the Husa na provázku Theatre on 28 April. It was a musically pure essence of jazz with a message – imperative, heartbreaking and poetic.
One of the musical highlights of last week was the concert of the Malina Brothers with two unique guest musicians, Kateřina García and Charlie McCoy in the Sono Centre in Brno. And because the performance was recorded on a professional video for the band’s first live DVD, the evening itself was extraordinary both in its length and quality.
This year, the JazzFestBrno festival has expanded its offer to include an "electronic" programme line named Tension. Within that series, the bands Zabelov Group and HRTL Spaghetti Ensemble appeared in the Praha space in Brno on 28 March. However, the two-hour concert, which took place on 5 April in the sold-out Sono Centre, was also ideologically close to this new series. The Manchester-based trio GoGo Penguin perhaps uses an instrumental layout of a jazz piano trio vetted by decades, but still oscillates around electronic music as a starting point in its albums and concerts.
The JAZZFESTBRNO Festival is expanding this year with the new Tension programme line, which will feature musicians on the borderline between jazz and electronic music. One of the performers who will appear on 28 March in the Praha space in Brno will be the Czech-Ukrainian duo Zabelov Group, which has recently released a new album called Eg. This interview with Roman Zabelov (accordion, voice, piano, organ, harp…) and Jan Šikl (drums, trumpet, guitar, percussion…) was done in a Prague café just before a rehearsal of the band.
A sold out Fléda Club. Shoulder to shoulder. And yet, in this huge crowd you meet six classmates from the grammar school you went to in the first half of the nineties and a colleague with whom you later studied journalism. The band Dunaj (“Danube”) has returned to the stage after twenty years and its hometown was of course one of their first important stops.
The Cameroonian musician Richard Bona is returning to Brno after a year and a half. While last year the audience in the Janáček Theatre had their breath taken away by his Afro-Cuban project Heritage, this time he is coming with his international group Richard Bona Group. When on 25 November in the Sono Centre we are admiring Bono’s virtuoso guitar playing, it would be good to be aware while he may have inherited his sense of rhythm and general relationship to music from his ancestors, his current level is the result of his hard work. At least this was something he emphasised in our interview, in which we also covered Bono’s love of flamenco and for his club, which he recently opened not far from Paris.
“Beránci a vlci (“Lambs and wolves”) is my personal vision of Moravian world music,” says Marian Friedl, who is a brilliant player both on his handmade folk flutes and on the jazz bass. It was his experience with different genres, ranging from folk to free jazz, together with the cooperation with style-wise similarly open Jitka Šuranská, that led to the creation of an extraordinary kind of music with roots in the performance Z kořenů k world music (“From roots to world music”) at the Folk Holidays in Náměšť nad Oslavou. Thanks to a grant from the Ministry of Culture, the album Beránci a vlci had the participation of four musical formations of different styles (together comprising of more than twenty musicians and singers) and deservedly won the Anděl prize in the Folk category (newly including the genre of world music). In the meantime, the concert premiere of Beránci a vlci took place in the summer of 2017, again in Náměšť nad Oslavou (with the participation of album publisher Milan Páleš dressed as the sheep grandmother) and other festival performances followed – at the Hradecký slunovrat in Hradec nad Moravicí and at Colours of Ostrava. It was a small dream of Marian Friedl and all his lambs and wolves to bring this music into the aurally clean space of the Brno Sono centre, which was made possible thanks to a successful crowdfunding campaign. The roughly hour-long concert was not only merely the performing of the EP, but mainly a huge celebration and maybe even a new start for the project – a new direction towards greater and greater halls.