The Brno Cultural Coronewsletter provides an overview of events that took place during the past week and maps upcoming ones. It also publishes the results of an online questionnaire from the Department of Culture of the Brno City Municipality in order to effectively evaluate the temporary impact of the current situation on stakeholders in the Brno cultural and creative industries and the subsequent implementation of further measures.
TIC Brno responds to the current state of society and culture by launching an online project entitled (ni)KAM v Brně [(no)WHERE TO in Brno], which follows on the printed KAM (WHERE TO) magazine. The portal will gather and promote cultural activities in Brno so that supporters of culture can stay together even during this quarantine period.
Cotatcha Orchestra is preparing a concert to mark the 100th anniversary of the birth of jazz legends that have influenced the history of this genre. Among those to whom tribute is paid there are the bebop icon Charlie Parker, trumpeter Clark Terry, double Grammy winner Peggy Lee, pioneer of odd rhythms in jazz music Dave Brubeck and Modern Jazz Quartet bandleader John Lewis. Catalan vocalist Mar Vilaseca will appear as a guest.
A summer walk around Brno's downtown where music sounds at every step? That was and will be the Marathon of Music Festival in Brno. The centre of Brno will resound with the festival already for the fifth time this August. The programme promises a great variety of genres, reputed names of artists, but also space for young talent. Once again, music will be played at unconventional venues and in rooms by Kateřina Šedá; concerts will newly be staged, for example, in a kitchen storage room or a in a children's room.
Electronic music, big beat and clubbing go together - but that’s only a small part of the truth. In fact electronic music was here long before clubbing, and thanks to enlightened teachers at JAMU it was doing very well indeed in Brno as early as the 1960s. That is, long before synthesizers and sequencers appeared on rock podiums, long before any old band had a computer, long before the first dance parties in glittering halls and dark cellars. Today electronic music is one of music’s most omnipresent genres: neither dance parties nor contemporary operas can do without it. Electronic big beat music has occupied reggae and swing, remixing is a daily affair, Brno artists have learned to sell instruments they built themselves to the whole world and to amplify an old knitting machine. As early as 1907 the composer Ferruccio Busoni dreamt of the future potential of electronic music, but not even his imagination and genius could have anticipated what Thaddeus Cahill’s first weird experiment with an immense electrical organ would lead to one day.
Due to the impact of extraordinary measures taken because of the Covid-19 pandemic on stakeholders of the cultural and creative industries in Brno, Brno leaders and the Department of Culture of the Brno City Municipality are working intensively on a set of precautions for minimizing the damages. At the same time, communication is conducted on all levels of public administration, predominantly in collaboration with the Institut umění – Divadelní ústav [Arts and Theatre Institute], which is mapping the situation on the nationwide level. Until 22 March 2020 you can help assess the current situation by means of an online survey (the link is provided below). Further steps will be taken according to the results of the survey.
Last year, after several years of stagnation, Brno's folklore enthusiasts woke up again and began organizing gatherings with dulcimer music, folklore parties, etc. at several different venues. This is certainly gratifying. However, motivation, experiences and concepts differ. One of them is We <3 folklore in the Metro music bar.
The singer Lizz Wright was born in 1980 to the family of a pastor. From childhood, gospel music was close to her, she used to sing in a choir and later began to adore additional originally Afro-American genres, such as soul, blues and jazz. In November 2019 at the Blues Alive festival in Šumperk she performed with her own band, but in Brno she will be accompanied by the Brno Philharmonic along with a trio of Prague jazz performers (David Dorůžka – guitar, Tomáš Baroš – double bass, Daniel Šoltis – drums). The concert will take place on 3 May in the Janáček Theatre as part of the JAZZFESTBRNO 2020 festival.
On Friday 14 February, the Sono Centre in Brno hosted a genre-diversified festival, which was also a celebration of three decades of activity of three publishing branches, which we associate with the original simple name Indies Records. Over the years, Indies Records has divided itself into three separate labels with three distinct edition catalogues – Indies MG, Indies Scope and Indies Happy Trails, which are operated by the personalities of Miloš Gruber, Milan Páleš and Jaromír Kratochvíl.
As a UNESCO-listed city of music, Brno has had four festival days full of music and dance. Tens of concerts and performances with hundreds of performers took place at twenty-two music venues. Music in the streets sounded on every corner, but most attention this year was attracted by four rooms by the artist Kateřina Šedá, in which artists of different genres and nationalities took turns. Another attraction was the performances of the British Motionhouse and No Fit State Circus, who repeatedly enchanted the Náměstí Svobody Square with their acrobatic pieces and breathtaking performances. Two large stages were also set up – Dominik Stage on Dominikánské Square and Django Stage on Malinovského Square, on which appeared artists such as Jana Kirschner, Monika Bagárová, minus123minutes or Jan P. Muchow & The Antagonists. Traditionally, the festival was accompanied by the sound of barrel organs whose players met in Brno as part of their 10th international meeting. This year, singer and multi-instrumentalist Tinatin Tsereteli (Hannover) and violinist Nicola Manzan (Bologna) as artists from UNESCO partner cities of music also premiered at the Brno Music Marathon. The atmosphere of the festival is captured in the video below.
This year's JazzFestBrno festival had several highlights – of course, it depended on each visitor's personal taste, their expectations, and of course on how many shows they managed to visit. For the author of this article, one of the highlights the evening with bassist Stanley Clark on 23 April, varied in genre and arrangement, as well as the last but one concert of the festival, the performance of "the other" Avishai Cohen in the Husa na provázku Theatre on 28 April. It was a musically pure essence of jazz with a message – imperative, heartbreaking and poetic.
One of the musical highlights of last week was the concert of the Malina Brothers with two unique guest musicians, Kateřina García and Charlie McCoy in the Sono Centre in Brno. And because the performance was recorded on a professional video for the band’s first live DVD, the evening itself was extraordinary both in its length and quality.