Traditions, costumes, songs and often special food. This is the basis of folk culture, which is strongly rooted in Moravia. Interest in it has been growing recently – the Czech Republic is taking it as one of the bases of its promotion for domestic and foreign tourists. What is folklore actually about? Are young people coming back to it? And what makes it interesting? We interviewed Marie Hvozdecká, a music editor focusing on folklore at Czech Radio and also a long-time programmer of the folklore scene at the Brno Music Marathon Festival. As she says, “having an interest in folk music is a good thing. However, in order to remake it into a new form, one must know its origin and meaning, otherwise it becomes a mockery.”
You will read in the media about the impact of coronavirus on the level of teaching in compulsory schools. There is less talk of art schools. Yet a quarter of a million children attend primary art schools (PAS). What do these bring to us and to children? What makes them special? I put these and not only these questions to Pavel Borský, cellist of Indigo Quartet (a string ensemble), programmer of the musical scene of the Brno Music Marathon Festival, teacher at the Faculty of Theatre of JAMU and at V. Kaprálové PAS Brno as well as regional coordinator of the ZUŠ Open festival. As he himself pointed out, the exact impact of distance learning on art school students is yet to be seen, but the online environment has taught many children how to communicate better using modern technology.
How challenging is it to make it as a composer in this day and age? And does it require more than just musical knowledge and talent? We had a conversation with a renowned composer of many genres, a pianist and comedian in his own way. This is what Zdeněk Král is – a native of Nový Bor and the programmer of the Brno Music Marathon Festival, he has already performed at the show three times, and this year he added a whole dramaturgy of one stage called Humour in Music to his performance. As he himself says, “I want to show that even in the field of so-called classical music there can be room for humour and comedy.”
Thirty-one years. It has been exactly that long since the founding of the Brno-based Indies label, which has released hundreds of albums of Czech music during its existence. PR Manager Přemysl Štěpánek takes care of the promotion of one of the current successors, the Indies Scope label. Apart from the current state of the label, we also discussed the way of promoting Czech artists, his dramaturgical plan for the Brno Music Marathon Festival and the representation of the Hungarian Sziget Festival in the Czech Republic and Slovakia.