A Brno Contemporary Orchestra concert will take place in the former headquarters of the Communist Party of Czechoslovakia

23 February 2024, 1:00
A Brno Contemporary Orchestra concert will take place in the former headquarters of the Communist Party of Czechoslovakia

The fourth instalment of the Invisible City series is entitled Ministry of Truth - based on George Orwell's novel 1984, which deals with the manipulation of the past. This time the Bruno Contemporary Orchestra will play in the former headquarters of the Communist Party of Czechoslovakia. The world premiere will feature, for example, Jiří Adámek Austerlitz’s composition We Are The Power.

The twelfth season of the Brno Contemporary Orchestra is based on musical excursions to vanishing, disappearing or changing places in Brno, to wanted and unwanted memories and to places of complete oblivion. “Music can't build a better tomorrow, and fortunately even composers don't have that in their job description anymore. So, maybe that is why we do not evaluate, we do not dictate a single truth, but we juxtapose different truths, different sincerities and different incommensurable honours and above all different approaches to music and sound", explains dramaturge Viktor Pantůček. The concert will take place on February 26, 2024 at 7:00 p.m. (the main radio news broadcast from 26 February 1974 at 6:30 p.m.).

The world premiere will feature Jiří Adámek Austerlitz 's composition WE ARE THE POWER (Exorcism of the Dictator by Pussy Riot), inspired by the story of Russian activists who attempted to perform a protest song in Moscow's Christ the Saviour Cathedral. The rigged trial against them led to two of them being sentenced to two years in the harshest prison in Siberia. Their warnings about Vladimir Putin seem somewhat prophetic today.

John Adams' work also includes a number of politically engaged creations. His Scratchband, however, represents a kind of rebellion against the cheapness and programmatic intrusiveness of popular culture, from which he takes his energy and instrumentation, but does not give up his compositional language and interpretive virtuosity. It is a non-epigonic reaction to the "enfant terrible" of American music and culture, Frank Zappa.

In the second half of the evening, the brilliant composition "Price of Oil" by Marxist Frederic Rzewski is a searing critique of capitalist society. All this is framed by a radio broadcast from 1974 and a recording of a concert by the punk band Visací zámek from February 1984.

Absolutely useless and futile (...)", "We were very satisfied (...)" are examples of controversial reviews by people who have used the services of the ombudsman, the headquarters of whom are located in the controversial building of the former Communist Party of Czechoslovakia, which was built in 1977-1979 on Údolní Street. We couldn't have found a better place for our program. Don't miss our journey backward or forward (?) in time and come at 6:30 p.m., so you don't miss the VERY INTERESTING BROADCAST from 1974," adds Pavel Šnajdr, conductor and artistic director of the BCO.

PROGRAMME:

A story about music that can't build better tomorrows

MINISTRY OF TRUTH

The building of the former Communist Party of Czechoslovakia, now the headquarters of the Ombudsman, Údolní 39

Main radio news from 26 February 1974

Jiří Adámek Austerlitz - WE ARE THE POWER, (exorcism of the dictator by Pussy Riot), order BCO
John Adams - Scratchband (1996, rev. 1997)

Visací zámek - a recording from a live performance at Žofín in February 1984
Frederic Rzewski - The Price of Oil (1980)

Jana Vondru, Vojtech Šembera - vocals
Kateřina Císařová, Vendula Holičková and Bára Miššíková - backing vocals
Brno Contemporary Orchestra - conducted by Pavel Šnajdr

Pavel Šnajdr/ photo BCO archive

Comments

Reply

No comment added yet..

Like other music festivals, the 29th annual Concentus Moraviae International Music Festival has not only had to reflect the fact that it is the Year of Czech Music, but also the unique 200th anniversary of the birth of Bedřich Smetana, the founder of modern Czech music. The dramaturgy of this year’s festival, which has just launched, is in the spirit of "Metamorphoses: Czech Smetana!". The first festival concert, which took place on 31 May at the Kyjov Municipal Cultural Centre, gave a hint of the direction the rest of the festival's dramaturgy will take. The organisers of the show decided to explore Smetana's work from a fresh angle and to work not only with the music, but also with the audience’s expectations. The opening evening saw a performance of Smetana's famous String Quartet No. 1 in E minor From My Life, but in an arrangement for a symphony orchestra penned by conductor and pianist George Szell. Smetana's work was complemented by the world première of the Concerto for Flute and Orchestra "Sadunkertoja" by Finnish composer, conductor and artist in residence at the 29th annual festival, Olli Mustonen, commissioned especially for the festival. Mustonen also conducted the Prague Philharmonia's performance of the two works. Danish flautist Janne Thomsen performed as soloist.  more

As part of Ensemble Opera Diversa's Musical Inventory series of concerts, which began back in 2017, the ensemble aims to present (re)discovered works and composers that we rarely hear on stage. However, this dramaturgical line also offers the space and initiative to create some completely new works performed in world premières. This time, the chamber concert held on Wednesday, 29 May 2024 in the auditorium of the Rector's Office of the Brno University of Technology (BUT) was directed by the Diversa QuartetBarbara Tolarová (1st violin), Jan Bělohlávek (2nd violin), David Křivský (viola), Iva Wiesnerová (cello), OK Percussion Duo (Martin OpršálMartin Kneibl), soloists Aneta Podracká Bendová (soprano) and pianist Tereza Plešáková. The theme was a nod to the Prague composition school from a pedagogical and artistic perspective.  more

The concert with the subtitle Haydn and Shostakovich in G Minor closed the Philharmonia at Home subscription series on Thursday 16 May at the Besední dům. It was also the last concert of the 2023/24 season (not counting Friday's reprise), with the Brno Philharmonic led by its chief conductor Dennis Russell Davies. In the second half of the evening the orchestra was accompanied by singers Jana Šrejma Kačírková (soprano) and Jiří Služenko (bass). As the title of the concert implies, the dramaturgy juxtaposed works by Joseph Haydn and Dimitri Shostakovich, which are almost exclusively linked only by the key in which they were written.  more

Connection, unity, contemplation - these words can be used to describe the musical evening of Schola Gregoriana Pragensis under the direction of David Eben and organist Tomáš Thon, which took place yesterday as part of the Easter Festival of Sacred Music at the church of St. Thomas. Not only the singing of a Gregorian chant, but also the works of composer Petr Eben (1929-2007) enlivened the church space with sound and colour for an hour.  more

With a concert called Ensemble Inégal: Yesterday at the church of St. John, Zelenka opened the 31st edition of the Easter Festival of Sacred Music, this time with the suffix Terroir. This slightly mysterious word, which is popularly used in connection with wine, comes from the Latin word for land or soil, and carries the sum of all the influences, especially the natural conditions of a particular location and on the plants grown there. This term is thus metonymically transferred to the programme of this year's VFDH, as it consists exclusively of works by Czech authors, thus complementing the ongoing Year of Czech Musicmore