The Closure of the NdB Opera Season: Three Fragments of Juliette / Human Voice

The Closure of the NdB Opera Season: Three Fragments of Juliette / Human Voice

As the last of the opera premieres of this season, the NdB will present a production by one of the leading Czech directors, David Radok, who is returning to follow up on Modrovousův hrad/ Očekávání [Modrovous's Castle / Expectations]. This production combines two one-act works: Martinů's Three Fragments of Juliette and Poulenc's Human Voice. Radok is also the author of stage design. The musical production of the opera was led by the chief conductor of the Janáček Opera of the National Theatre Brno, Marko Ivanović. The main role will be performed by Jana Šrejma Kačírková, who will portray both Juliette and The Woman in Human Voice. The Danish tenor Magnus Vigilius is also returning to the Brno stage, this time in the role of Michele. The performance has been co-produced with the Swedish Opera in Gothenburg.

David Radok is not only the director of the upcoming opera performance, but also its stage designer. His artistic concept is connected with the work of the Danish painter Vilhelm Hammershøi (1864–1916), whose images play with light and shadow in subdued shades of dark colours filled with a feeling of tense atmosphere and mystery. Radok's show is a world of dreams and illusions, continuing to explore the relationships between man and woman, both real and imaginary, where the present is confronted with real and fictitious past, and the characters move in a world of imagination and dreams. "It is interesting for me that two stories, which are superficially unrelated to each other but a common denominator can be found, will come together, and make the two stories become eventually a single story. While Juliette is expressly one of the few surrealistic operas, Poulenc's Human Voice is mostly categorised as realism, which I don't think is entirely true. I think Poulenc's Voice is surrealistic, maybe even more than Martinů. The common denominator for Juliette and Poulenc's Human Voice consists of two things – illusion and time. The illusion lies in the fact that we create an illusion about people we meet, people we fall in love with, people we live with, but we also have our own illusion about ourselves,” says David Radok about his work.

The Brno performance of Tři fragmenty z Juliette / Lidský hlas  [Three Fragments of Juliette / Human Voice] features Jana Šrejma Kačírková as Juliette, guest-appearing Magnus Vigilius as Michele, Roman Hoza in the role of The Old Arab, and many others. The premiere is announced to take place on Friday 14 June 2019 at 19:00 at the Janáček Theatre.

Bohuslav Martinů's surrealistic opera Juliette and Francis Poulenc's Human Voice invite you to a journey into the intricate world between dreams and reality. In the case of Bohuslav Martinů's work, this is not the whole opera, as we know it, but a selection that the composer prepared in 1939 for the French radio. Choosing a scene in the woods, scenes of memories, and the finale in a dream office further elevate the feeling of an unreal and dreamy world. The performance on the radio never happened due to the outbreak of World War II and the Three Fragments of Juliette were first performed in a concert of the Czech Philharmonic in 2008. The performance on the stage of the Janáček Theatre is thus a Czech stage premiere. 

Photo by Marek Olbrzymek

Comments

Reply

No comment added yet..

Connection, unity, contemplation - these words can be used to describe the musical evening of Schola Gregoriana Pragensis under the direction of David Eben and organist Tomáš Thon, which took place yesterday as part of the Easter Festival of Sacred Music at the church of St. Thomas. Not only the singing of a Gregorian chant, but also the works of composer Petr Eben (1929-2007) enlivened the church space with sound and colour for an hour.  more

With a concert called Ensemble Inégal: Yesterday at the church of St. John, Zelenka opened the 31st edition of the Easter Festival of Sacred Music, this time with the suffix Terroir. This slightly mysterious word, which is popularly used in connection with wine, comes from the Latin word for land or soil, and carries the sum of all the influences, especially the natural conditions of a particular location and on the plants grown there. This term is thus metonymically transferred to the programme of this year's VFDH, as it consists exclusively of works by Czech authors, thus complementing the ongoing Year of Czech Musicmore

For the fourth subscription concert of the Philharmonic at Home serieswhich took place on 14 March at the Besední dům and was entitled Mozartiana, the Brno Philharmonic, this time under the direction of Czech-Japanese conductor Chuhei Iwasaki, chose four works from the 18th to 20th centuries. These works are dramaturgically linked either directly through their creation in the Classical period or by inspiration from musical practices typical of that period. The first half of the concert featured Martina Venc Matušínská with a solo flute.  more

The second stop on the short Neues Klavier Trio Dresden's Czech-German tour was at the concert hall of the Janáček Academy of Music on 6 March at 16:00. A programme consisting of world premières by two Czech and two German composers was performed in four cities (Prague, Brno, Leipzig and Dresden).  more

The last opera première of the National Theatre Brno this year was Hurvínek Sells the Bride, which was co-produced with the Spejbl and Hurvínek Theatre. The première continued the thematic focus associated with the Year of Czech Music and took place on 24 November in the large hall of the Reduta Theatre.  more