An afternoon of contemporary music

9 March 2024, 18:00
An afternoon of contemporary music

The second stop on the short Neues Klavier Trio Dresden's Czech-German tour was at the concert hall of the Janáček Academy of Music on 6 March at 16:00. A programme consisting of world premières by two Czech and two German composers was performed in four cities (Prague, Brno, Leipzig and Dresden).

Peter Graham opened by thanking the Czech-German Future Fund for its support, and introduced the trio of Uta-Maria Lempert - violin, Matthias Lorenz - cello and Clemens Hund-Göschel - piano. These musicians then performed Trio for Violin, Cello and Piano, Part A by Luboš Mrkvička (*1978). In the composer's own words, this work was intended to show that the main building block of a composition does not have to be the creation of contrasts, but rather the rehashing and detailed examination of a single (or just a few) element(s). The starting point for this piece was the idea of music that resonates in three different positions, always corresponding to its own dynamic level in the given position and pulsating in different rhythmic values: deep in fff and triplets, medium in mf and sixteenths, and highly pulsating in pp and fifths. Yet in spite of this intention, contrasts still appear in the composition. According to the composer, this is due to differing arrangements of only a few musical structures, which themselves hardly transform at all.

The German composer Maline Euen (*1999) uses extra-musical impulses such as painting and movement in her compositions, her works being characterised by internal connections to spaces, gestures and colours. This was also the case in the composition Wärme umhüllt von Staubschwaden, to which Euen added a short text describing a ray of sunlight enveloped in dust and penetrating her room. The work featured several sonic devices, such as swiping along individual piano strings, using its case as a percussion instrument, and sliding across cello strings. These acoustic elements were interspersed with the melodies played on the individual instruments.

The second half of the afternoon opened with the Klaviertrio by Alfred Holzhausen (*1974), who had been mulling over a composition for the Neues Klaviertrio Dresden for some time. He made many sketches and notes over the years, yet the final version of this work was not created until 2023. The author was inspired by Gerhard Richter's 1969 photomontage Seascape (Cloudy). Although the piece has a single movement, it is formally composed in three parts, with the cello taking the lead in the first, slowly moving from high to deep positions. The violin then partially repeats this movement, but to a much lesser extent. The piano complements the strings with deep tones. In the second movement, on the contrary, the piano holds only in the high positions, while the strings stay on certain tonal centres that envelop the micro-intervals. The final movement is characterized by the wide range of the piano, over which the strings spread the previous tonal material.

The concert closed with the Trio by the Brno-based composer Peter Graham (*1952). This work is characterized by its complete unpredictability. Avant-garde compositional techniques, such as the playing of strings on a corpus of instruments, were mixed with hints of classical harmonic-melodic techniques, and at times even inspiration from jazz and country music. All this was supplemented with melodic whistling and singing by the musicians, which ended the piece.

The entire concert demanded a high level of concentration from the audience, each member of which having to deal with this in their own way, including as regards the interpretation. However, the members of the Neues Klaviertrio Dresden showed that they have a great deal of experience in the interpretation of modern music, both as individuals and in the trio as a whole. They handled the many unusual playing techniques perfectly, worked well with dynamic contrasts and were perfectly coordinated, something that doubtlessly required a great level of concentration throughout the concert.

Programme:

Luboš Mrkvička: Trio for Violin, Cello and Piano, Part A (2022)

Maline Euen: Wärme umhüllt von Staubschwaden (2024)

Alfred Holzhausen: Klaviertrio (2023)

Peter Graham: Trio (2023/24)

Neues Klaviertrio Dresden

Uta-Maria Lempert - violin

Matthias Lorenz - cello 

Clemens Hund-Göschel - piano 

Wednesday 6 March 2024, 16:00, JAMU Concert Hall

Neuen Klaviertrios Dresden/ Foto Susanne Keichel

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