Year of Czech music with ProART: Smetana 200 and Ogoun 100

21 March 2024, 1:00
Year of Czech music with ProART: Smetana 200 and Ogoun 100

The ProART art group is celebrating 20 years of its activity. In addition to the celebrations, the Year of Czech Music also commemorates the anniversary of the composer Bedřich Smetana and the Czechoslovak choreographer Luboš Ogoun. These anniversaries will be combined into one production, DREAMS OF CONSCIOUSNESS.

ProART in 2024 was inspired by the Year of Czech Music and two anniversaries. The work of composer Bedřich Smetana is at the centre of musical events in 2024, when we commemorate the 200th anniversary of the great composer's birth. At the same time we commemorate the 100th anniversary of the birth of the important Czechoslovak choreographer Luboš Ogoun. The Brno performance of the production entitled DREAMS OF CONSCIOUSNESS will be held on 29 April 2024 at Villa Engelsmann.

The two-part dance evening SMETANA 200 - OGOUN 100 (Dreams of Consciousness) can be described as an evening created for two different dance generations - the beginning (students of dance schools) and the ending (dance personalities in the twilight of their dance careers). The first part of the evening is based on Smetana's piano sequence played live and at the same time developed with contemporary music by composer Beata Hlavenková responding to it. The six-part musical cycle will be choreographed by choreographer-dancers Martin Dvořák, Daniela Hanelová and Kristýna Vébr and will also involve students of a local Primary Art School. The aim is to offer creators and performers to create to live music and to respond with a completely contemporary movement vocabulary to "old music", which is no longer choreographically trendy nowadays and places considerable demands on both choreographers and performers. Work with music - with bars, phrases, musical assignments. The idea is to create six completely different short pieces in different dance styles, which will have the music of Bedřich Smetana and his piano sequence SNY as a unifying element.

The second half of the evening will belong to the "senior" dancers. Those who are not starting out, but are instead approaching their artistic departure. The theme of the choreography is the iconic work of choreographer Luboš Ogoun - Hiroshima - Conscience, Order from the era of (not only) Ballet Prague. The personality of Luboš Ogoun is absolutely fundamental to the development of Czech modern dance and ballet. Alongside Pavel Šmok, it was he who brought elements of modernism to the ballet companies of the country’s theatres. Luboš Ogoun was a versatile choreographer who excelled in his movement inventiveness and directing skills. The narrative part of his work especially is one of the best that has been created in the history of Czech dance. Also worth mentioning are his credits for original or little-performed productions (The Ballad of the Sailor, Hiroshima, The Strange Mandarin, The Lady Among the Shadows, The Strangler and many others). He has always followed the legacy of Sasha Makhov, who taught him how to create dance theatre with all the attributes of drama. The Czech dance world still lacks an artist of his stature today.

ProART photo archive

Comments

Reply

No comment added yet..

Like other music festivals, the 29th annual Concentus Moraviae International Music Festival has not only had to reflect the fact that it is the Year of Czech Music, but also the unique 200th anniversary of the birth of Bedřich Smetana, the founder of modern Czech music. The dramaturgy of this year’s festival, which has just launched, is in the spirit of "Metamorphoses: Czech Smetana!". The first festival concert, which took place on 31 May at the Kyjov Municipal Cultural Centre, gave a hint of the direction the rest of the festival's dramaturgy will take. The organisers of the show decided to explore Smetana's work from a fresh angle and to work not only with the music, but also with the audience’s expectations. The opening evening saw a performance of Smetana's famous String Quartet No. 1 in E minor From My Life, but in an arrangement for a symphony orchestra penned by conductor and pianist George Szell. Smetana's work was complemented by the world première of the Concerto for Flute and Orchestra "Sadunkertoja" by Finnish composer, conductor and artist in residence at the 29th annual festival, Olli Mustonen, commissioned especially for the festival. Mustonen also conducted the Prague Philharmonia's performance of the two works. Danish flautist Janne Thomsen performed as soloist.  more

As part of Ensemble Opera Diversa's Musical Inventory series of concerts, which began back in 2017, the ensemble aims to present (re)discovered works and composers that we rarely hear on stage. However, this dramaturgical line also offers the space and initiative to create some completely new works performed in world premières. This time, the chamber concert held on Wednesday, 29 May 2024 in the auditorium of the Rector's Office of the Brno University of Technology (BUT) was directed by the Diversa QuartetBarbara Tolarová (1st violin), Jan Bělohlávek (2nd violin), David Křivský (viola), Iva Wiesnerová (cello), OK Percussion Duo (Martin OpršálMartin Kneibl), soloists Aneta Podracká Bendová (soprano) and pianist Tereza Plešáková. The theme was a nod to the Prague composition school from a pedagogical and artistic perspective.  more

The concert with the subtitle Haydn and Shostakovich in G Minor closed the Philharmonia at Home subscription series on Thursday 16 May at the Besední dům. It was also the last concert of the 2023/24 season (not counting Friday's reprise), with the Brno Philharmonic led by its chief conductor Dennis Russell Davies. In the second half of the evening the orchestra was accompanied by singers Jana Šrejma Kačírková (soprano) and Jiří Služenko (bass). As the title of the concert implies, the dramaturgy juxtaposed works by Joseph Haydn and Dimitri Shostakovich, which are almost exclusively linked only by the key in which they were written.  more

Connection, unity, contemplation - these words can be used to describe the musical evening of Schola Gregoriana Pragensis under the direction of David Eben and organist Tomáš Thon, which took place yesterday as part of the Easter Festival of Sacred Music at the church of St. Thomas. Not only the singing of a Gregorian chant, but also the works of composer Petr Eben (1929-2007) enlivened the church space with sound and colour for an hour.  more

With a concert called Ensemble Inégal: Yesterday at the church of St. John, Zelenka opened the 31st edition of the Easter Festival of Sacred Music, this time with the suffix Terroir. This slightly mysterious word, which is popularly used in connection with wine, comes from the Latin word for land or soil, and carries the sum of all the influences, especially the natural conditions of a particular location and on the plants grown there. This term is thus metonymically transferred to the programme of this year's VFDH, as it consists exclusively of works by Czech authors, thus complementing the ongoing Year of Czech Musicmore