The Brno-based rock band Kulturní úderka (which translates loosely as "Culture Brigade"), led by singer and guitarist Štěpán Dokoupil, did not keep its fans waiting for too long this time. While there was a fifteen-year break between their first and second albums, the new album Black Metall was released less than two years after the previous album Sarajevská Katarzija (Sarajevo Catharsis). The name of the new album must be handled with care. Úderka has never had anything to do with black metal as a music genre. And once again, we are treated not to metal, but to relatively raw rock, which in some moments is pleasantly softened by the keyboard of Omer Blentič, or the trumpet of their guest artist Jan Kozelek.
Shortly before the outbreak of the coronavirus crisis, the Brno-based group Plum Dumplings released a new album. As opposed to their official debut L'épitaphe des papillons (The Epitome of Butterflies, 2014), sung in French, the band went for Czech lyrics this time. We are talking to the band's vocalist, who presents herself as Adéla Polka.
Oldřich Veselý, a Brno-based singer, composer and keyboard player, died in January 2018. In February 2019, the 10th Brno Beatfest, dedicated to his memory, took place in the Semilasso music hall. And a year later, a CD recording of this concert was released under the title Malý princ [The Little Prince], complemented by several bonus items.
Bands that have been present on the scene for several decades have two options: Either they make a living from their own substance, and therefore from hits of the past. Or they are still trying to come up with something new, sometimes with the wishes of conservative fans in spite of it. The "Brno-based" group Poutníci (meaning Pilgrims in Czech), who are celebrating their 50th anniversary this year, are somewhere halfway in between. They still play Panenka [The Doll], which the audience demands, but fortunately they didn't get stuck and – maybe after a long time, but still – they come up with a new serial album, which should not pass unbeknown to the fans of Czech country and bluegrass.
The double album Hrubá Hudba, which was jointly created by producer Jiří Hradil (Lesní zvěř, Tata Bojs, Kafka Band and others) and the Horňácká muzika band of Petr Mička, is an extraordinary musical achievement that puts together genuine Horňácko singing (the CD Hlasy starého světa [Voices of the Old World]) and folklore shifted to modern musical expression (the CD Hrubá hudba [Rough Music]). In an extensive two-part interview, we talked to the two fathers of the project, Jiří Hradil and Petr Mička, about their long-term cooperation, their path to Hrubá Hudba and finally about the double album itself and the possible continuation of the project.
Trumpet player Jiří Kotača is the leader of a young, but very interesting and healthily ambitious big band named Cotatcha Orchestra. While this Brno-based orchestra is still waiting for its first album, Kotača recently released a CD with his smaller ensemble – the international Alf Carlsson/Jiří Kotača Quartet. The album is entitled Journeys.
We know several singing cello players from the domestic music scene: Olin Nejezchleba, who recorded his first solo album at the age of fifty; Tara Fuki, which even consists of two singing cellists; and Natálie Velšmídová, who shone out bright with her folk song remakes at the end of the millennium. However, Pavel Čadek is the only true singer-songwriter in the sense that he writes his own songs and uses cello as his main (or even the only) accompanying instrument. Moreover, thanks to his classical music training and his past with The Eclipse, a harder cello group, he is able to work with the cello freshly and, above all, in a non-folk manner, and that is why his instrument sometimes plays more than just an accompanying role. Although his debut album would be sufficiently varied even with cello only, Pavel decided to work with more sophisticated arrangements and invited accordionist Ondřej Zámečník, cajon player Jakub Špiřík and some other guests in episode roles to the studio.
The singer Lizz Wright was born in 1980 to the family of a pastor. From childhood, gospel music was close to her, she used to sing in a choir and later began to adore additional originally Afro-American genres, such as soul, blues and jazz. In November 2019 at the Blues Alive festival in Šumperk she performed with her own band, but in Brno she will be accompanied by the Brno Philharmonic along with a trio of Prague jazz performers (David Dorůžka – guitar, Tomáš Baroš – double bass, Daniel Šoltis – drums). The concert will take place on 3 May in the Janáček Theatre as part of the JAZZFESTBRNO 2020 festival.
The cellist Josef Klíč, concert master of the Janáček Theatre in Brno, is close to classical music as well as underground, works together with poets and wrote several essential compositions exploring the border between contemporary and alternative music. His new solo album, Josef Klíč & His One Man Cello Squad, contains songs without words, which is, as Klíč pointed out in an interview last year for our server, a form that "existed already in the Renaissance times". And he explains: "A song without words is a composition that you can put your own lyrics into. It has a melody and you can sing the lyrics to it for yourself. Therefore, it must be a song with a powerful melody."
If a band releases a new album after ten years and calls it Dej si čas [Take Your Time], it sounds like a pleasant self-irony. But what is ten years against delays of other bands, whose fans had to wait for new albums for eighteen (AG Flek) or even thirty years (Progres 2). For Mošny, it was said that the new album started to emerge a few years ago, but the group wanted to include some brand new songs, which they needed to rehearse and finish.