One year later, Pretty Woman shines in Brno, too

12 September 2021, 19:00
One year later, Pretty Woman shines in Brno, too

Yesterday, Visitors to the Brno City Theatre experienced the Czech premiere of the Broadway musical hit Pretty Woman. Directed by Stanislav Moša, this theatrical adaptation of the famous blockbuster highlighted the strengths of the movie. Until the break, the viewer is mostly laughing royally and having fun in this tale of a modern Cinderella, and then in the second half the impressiveness and lyricism of the whole title is especially pronounced.

No need to introduce the 1990 film and box office blockbuster starring Julia Roberts and Richard Gere. Indeed, the audience of the Brno musical production will remember this iconic celluloid story about a prostitute who found happiness and love with a billionaire more than once thanks to the replicas of some of the dresses not only of the main heroine. Inspired by the stage play Pygmalion, in which a rich man takes a poor woman off the street and moulds her into a lady (in the same breath, we’re also talking about the musical theatre hit My Fair Lady), the film had a magical early 1990s atmosphere that the theatre adaptation also tries to preserve: in the music, costumes and overall period feel.

Just for the record, and as an initial plus of the Brno production, it should be mentioned that the world premiere of Pretty Woman: The Musical opened at the Oriental Theater in Chicago in March 2018 and ran for five weeks until it transferred to Broadway on 15 April. In addition to the American production versions, this musical appeared in Hamburg in September 2019 and in London in February 2020. The official West End premiere took place in March 2020, and due to COVID restrictions, the marketing of the title had to stop. The Brno City Theatre has once again lived up to its reputation as an agile musical arena where the audience meets contemporary musical trends and novelties – it rehearsed the production last September and for the above-mentioned pandemic reasons it could only put it in front of an audience now.

So what is Pretty Woman by Brno like? Director of the Brno production and CEO of the Brno City Theatre Stanislav Moša who had the opportunity to see the title by Garry Marshall, Jonathan Frederick Lawton, Bryan Adams and Jim Vallance as early as its Chicago period, has prepared a brisk three-hour production in which the audience alternately moves from laughter to tears. Here it is impossible to count on surprising the audience, which has known the whole love story and many scenes from it for three decades. In this case, the viewer needs to be struck by the quality of the staging: the bravura music played and sung and the superb musical acting. And the 1990 retro-style Brno production has all this.

pretty_woman_foto_MdB_03

There is little to fault with the musical staging by Dan Kalousek, who also conducted the premiere. All of the songs have a 90s sound and Brian Adams’ musical delivery is unobtrusive and very listenable and accessible. The predominant genres here are a combination of pop and rock. And the viewer may be pleasantly surprised that the musical positions of the production also briefly veer towards jazz and classical opera, and at one point these seemingly disparate genres even interpenetrate. Perhaps it can be revealed that the central melody from the film is not heard in the story itself, only in the middle of the performance the audience catches a hint of it. But the viewer will not miss Pretty Woman and the whole theme is heard during the curtain call, as the authors prescribed.

‘Welcome to Hollywood’ is heard at the beginning and end of the piece, perhaps to make the viewer realise that anything is possible in this dream factory. And this is where the story takes the audience. Set designer Christoph Weyers had to deal with the requirement for frequent changes of scenery, and so the Beverly Wilshire's entrance foyer and its top suites are often represented only by cartoonish descending sets. The set design is functional, however, and the viewer will appreciate the joke in the entrance scene from the Hollywood street, such as the poster for the film Miles from Home, starring Richard Gere, whose name also appears in the ad.

pretty_woman_foto_MdB_02

Most of the roles are alternates, with Světlana Janotová and Petr Štěpán featuring as part of the first opening night’s cast. It is gratifying that they do not imitate their more famous American film counterparts in any way. Janotová can play out a joke, even as a stoned prostitute she does not cross the boundaries of taste and her singing solos with prolonged ends are a treat for the ears. In the production, she has carefully balanced the position of a sassy girl from the street and a sexual servant into the form of a graceful swan who has found her pride, soul, worth and, eventually, a groom. The groom is played sovereignly by Petr Štěpán, whose performance can be appreciated for not only presenting a bon vivant absorbed in mammon, but also for his transformation into a decent fellow who realizes the meaning and value of love without a sugary aftertaste.

As I have already said, I was pleasantly surprised by the well-played shades of comedy and humour in this sweet lemonade. In supporting roles, Kristýna DaňhelováRobert Jícha and Daniel Rymeš really shone in this respect. This trio (who at times are hot on the heels of the leads) bring excellent humour to the stage in their roles. Rymeš’ dance number with Jícha evokes justified volleys of laughter; the former in the role of the hotel busboy works perfectly with gestures, mime and complex dance expression. Daňhelová in the role of the harlot Kit wins the audience with her extraordinary singing with impressively constructed and interpreted feeling positions. She manages to make a joke even in a small replica and to throw it, as if unwittingly, to an appreciative audience.

pretty_woman_foto_MdB_01

Add the fully played out choral figures and the proficient dancing and singing company to these individual performances, and in sum you have a successful musical and lyrical comedy that offers the audience everything they come to musicals for. Brno’s Pretty Woman was simply a success even with a one-year hiatus and the Lidická ulice Street’s theatre has a grateful and probably long sought-after, cheerful as well as touching musical hit.

Brno City Theatre

Garry Marshall, Jonathan Frederick Lawton, Bryan Adams, Jim Vallance

Pretty Woman

Director and adaptations: Stanislav Moša

Translation: Zdeněk Bartoš

Musical production & conductors: Dan Kalousek, Josef Javora

Piano transcription: Zdeněk Bartoš

Adaptation of the musical arrangement: Daniel Kyzlink

Set design: Christoph Weyers

Costumes: Andrea Kučerová, Adéla Kučerová

Choreography: Michal Matěj

Chorusmaster: Dan Kalousek

Répétiteurs: Monika Jakubíčková, Jaroslava Michalíková

Lighting director: David Kachlíř

Sound director: Michal Hula

Sound supervisors: Jiří Topol Novotný, Petr Gazdík

Dramaturgy: Miroslav Ondra

First premiered on 11 September 2021 at the Hudební scéna (Musical Stage) of the Brno City Theatre

Photograph: Brno City Theatre’s archive

Comments

Reply

No comment added yet..

After the first successful concert of the Concentus Moraviae festival’s resident ensemble at the castle in Slavkov, the ensemble led by violinist Pavel Fischer expanded to include pianist Katya Apekisheva and on Sunday, 12 June, in the Great Hall of Mikulov Castle, presented an unknown face of the musical language of Hungarian composer Béla Bartók with his Piano Quintet in C Major. Along with Fischer and Apekisheva, the concert also featured violinist Markéta Janoušková, violist Diede Verpoest, and cellist Erich Oskar Hüttermore

Last year’s 100th anniversary of Gustav Brom’s birth still resonates on the domestic jazz scene. At the very end of 2021, a 4-CD set entitled “Gustav Brom – 100 Years” was released, offering a cross-section of the orchestra’s repertoire, from songwriting to jazz to intersections with contemporary classical music. Alongside this, an album charting the Brom Orchestra’s long-standing collaboration with Karel Velebný has also appeared on the same label (Indies Happy Trails). Radio editor, jazz musician, and teacher Jan Dalecký was one of the producers of both albums.  more

In its twenty-seven years of existence, the Concentus Moraviae International Music Festival has been held in a number of unusual and unique places. Sunday's program Homo Sapiens – The Story of Rhythm in Velké Meziříčí has the potential to be one of the most memorable concerts of the festival. On June 5, OK Percussion Duo musicians Martin Opršál and Martin Kleibl, together with guests and students Tomáš Javora and Kryštof Vašíček performed in the normally inaccessible premises of the New Synagogue, which has served as a center of affordable shopping for years. The concert was held in cooperation with the European Festival of Philosophy, the Jewish Community of Brno, and the town of Velké Meziříčí. At the same time, it was part of the project From the Shopping Center to the Cultural Communitymore

This year’s 27th edition of the international music festival Concentus Moraviae is still at the beginning of its almost month-long program, yet in terms of dramaturgy it is not holding back at all. After the opening featuring Argentinian and Uruguayan tango in Boskovice and Balkan music in Ivančice, the festival brought the Arcadia String Quartet to the atrium of the town hall in Kyjov on Thursday 2 June, where they performed the String Octet in C Major by Romanian composer George Enescu together with their friends from the Transylvanian Philharmonic Orchestra. In addition to the members of the quartet (violinists Ana TörökRăsvan Dumitru, violist Traian Boală and cellist Zsolt Török), there were also violinists Vlad RăceuValentin Șerban, violist Mihai Oșvat and cellist Ștefan Cazacu. The concert was held under the auspices of the Ambassador of Romania to the Czech Republic, H.E. Antoaneta Barta.  more

We met violinist Pavel Fischer at the Budějovická metro station in Prague, and on the way to the Dobeška Theater we managed to discuss his holiday in Italy. At the time, we were already working out the subtitle of this year's Concentus Moraviae festival “From Roots to the Future”. Next to Dobeška, where the Sklep Theater plays, is what we call the “woodshed”, where the Škampa Quartet has been rehearsing for thirty-five years. Pavel Fischer was a founding member of the ensemble which he left at a time when it was enjoying one international success after another. As he says, he was attracted by greater musical freedom and a quieter life. At Dobeška, after our interview, he had a concert with cellist Olin Nejezchleba and guitarist Norbi Kovács. We started with him, although our main topic was Fischer's residency at this year's Concentus Moraviae.  more

Brno musicians are talented in various genres, and they’re generally long-lived and vital individuals. This was resoundingly clear during the jubilee celebration of Mojmír Bártek, a teacher, composer, arranger, and above all a virtuoso trombone player. The jubilee concert, dubbed Mojda Bártek 80, was prepared by his friends under the direction of B-Side Band trumpeter and bandleader Josef Buchta. Despite the birthday boy’s open and (sometimes emotional) enjoyment of the two and a half hour program, he still remained an active participant of the entire musical production except for brief moments of rest. He performed as the author of many compositions, but above all as a player, trombone in hand and fully committed.  more

On Thursday 24 March, a Brno audience experienced a truly special evening. Director Břetislav Rychlík and his wife prepared a concert on the music stage of the Brno Municipal Theatre in support of Ukrainian artists who fled their country to escape the war. The evening was entitled “Common Roots” and sought to closer acquaint the audience with the similarities between the folk cultures of Ukraine and Moravia. During the evening's program, I could feel the general musical parallels in particular. Exceptional artists are able to pass such beauty onwards anywhere in the world.  more

The original programme of the Brno Philharmonic Orchestra’s third subscription concert, as part of the Philharmonic Orchestra series in Theatre II, promised to continue the originally scheduled Dvořák-Brahms dramaturgy line as interpreted by Elisabeth Leonská. However, of the intended programme for the evening of Dvořák & Brahms II, only Dvořák’s Symphony No. 4 remained. Because Elisabeth Leonská fell ill for the concerts on the 25th and 26th of February at The National Theatre Brno - Janáček Theatre, her place was filled by pianist Alexander Ullman with a performance of The Concerto for Piano and Orchestra in A minor by Edvard Hagerup Grieg. The orchestra was led by head conductor of the Brno Philharmonic Orchestra Dennis Russell Davies.  more

The long-delayed premiere of the composition The Basement Sketches by composer Michal Nejtek, whose performance was planned for June 2020 and which was commissioned by the Brno Philharmonic, was finally performed on Thursday 25 November at the Community Hall (Besední dům) venue. Together with the Cellar Sketches, the Variations on a Theme by Haydn in B flat major, Op. 56a by Johannes Brahms and Cello Concerto Op. 22 by Samuel Barber were played. In addition to Brno Philharmonic players, cellist Matt Haimovitz and pianist Nikol Bóková also performed. The dramaturgically varied evening, consisting of three distinctly different musical pieces of work and period contexts, was led by the ensemble’s chief conductor Dennis Russell Daviesmore

On Monday 22 November, the second concert of the Brno Contemporary Orchestra’s festive tenth season, entitled Kamenné mantry (Stone Mantras), presented compositions by Fausto Romitelli, Michal Rataj, Miloslav Ištvan and the recently deceased (well known to Brno audiences) Lithuanian composer Bronius Kutavičius. In addition to the orchestra itself, there were also soprano singer Irena Troupová, marimba player Martin Opršál and reciter Pavel Zajíc, who replaced Otakar Blaha in the programme. The concert, organised in cooperation with the Moravian Museum, was conducted by the artistic director of the ensemble Pavel Šnajdrmore

The work by the British composer Benjamin Britten forms an essential part of contemporary opera production. Worldwide, he is even the most frequently staged author born in the 20th century.  Peter Grimes, with a libretto by Montagu Slater based on a poem by George Crabbe, became the opera that set the course for Britten's next musical-dramatic works. And it is with the title Peter Grimes that the Brno National Theatre has opened the opera part of the 2021/2022 season. The story of a rough and tumble fisherman, whose two young apprentices die soon after each other and who as a result sails out to sea, where he sinks his boat and himself with it, had its Czechoslovak premiere in Brno in June 1947. Almost 75 years after, the story of a fishing village, resentment, cruelty and gossip is now coming to life again in the Janáček Theatre, directed by David Radok and with a musical score by Marko Ivanović. The title role was played by tenor Joachim Bäckström and the widowed teacher Ellen Orford, who found affection in Grimes, was portrayed by soprano Jana Šrejma Kačírková. This is not the first time that these two have met on stage together – it was with Mark Ivanović and David Radok that they had previously joined forces for the play Juliette / Lidský hlas (Juliette/The Human Voice). Jana Hrochová (Auntie), Andrea Široká (Niece), Tereza Kyzlinková (Niece), Svatopluk Sem (Balstrode), Jitka Sapara-Fischerová (Mrs. Nabob Sedley), Jan Št'áva (Swallow), Vít Nosek (Bob Boles), Petr Levíček (Horace Adams), David Nykl (Hobson), Jiří Hájek (Ned Keene) and Ivo Šiler (Dr. Crabbe) were also featured, along with the others.  more

Under the “cipher” 29/2 (reads as “Twenty-ninth February”) there is a band that was created for a bit of fun. They used compositional techniques that should not work in songwriting at all. It has united musicians who, by definition, perhaps can never understand each other. And yet the result is an album of very strong songs that, despite all the experimentalism, makes sense and works as a whole.  more

Yesterday, Visitors to the Brno City Theatre experienced the Czech premiere of the Broadway musical hit Pretty Woman. Directed by Stanislav Moša, this theatrical adaptation of the famous blockbuster highlighted the strengths of the movie. Until the break, the viewer is mostly laughing royally and having fun in this tale of a modern Cinderella, and then in the second half the impressiveness and lyricism of the whole title is especially pronounced.  more

For two consecutive Saturdays, visitors to the Olomoucké barokní slavnosti (Olomouc Baroque Festival) had the opportunity to listen to works by lesser-known composers whose music not only in many respects far surpassed the standard of the time, but whose fates were also closely linked to Olomouc.  more

One of the biggest attractions of this year's Olomouc Baroque Festival was the performance of the oratorio David by the Austrian composer Karl Ditters. It was the perfect opportunity to do so, after all – this year the work celebrates 250 years since its creation. Ditters composed the oratorio to a text by Ignazio Pinto in 1771 and in the same year it had its premiere at the castle of Bishop Philipp Gotthard Schaffgotsch of Wrocław on the Jánský Vrch (John´s Hill) near Javorník. In the musical production of violinist and artistic director of Volantes Orchestra Veronika Manová and conductor Ema Mikešová the oratorio was first performed in concert in Brno at the Church of St. Johns (4 August), then on 7 August in Podzámecká zahrada – a garden of the Archbishop’s Chateau in Kroměříž, and, finally, on 12–14 August in the Ambit and Basilica of the Visitation of the Virgin Mary on the Svatý Kopeček (Holy Hill) near Olomouc. The event of 12 August was the performance I visited. In addition to Volantes Orchestra, there were members of other ensembles – Arte dei Suonatori (PL), Il Cuore Barocco (SK), Musica Aeterna (HU) and Societas Incognitorum (CZ). In this aspect, this is another event from the series of concerts organised under the auspices of the festival which bring together musical ensembles from the Visegrad Four. However, there are also performers from other countries – Slovenia, Northern Macedonia and Great Britain. The solo roles were performed by: Doubravka Součková (David), Aco Bišćević (Saul, King of Israel), Helena Hozová (Jonathan, son of Saul), Jiří Miroslav Procházka (Abner, warlord) and Aneta Petrasová (Eliab, David’s brother). The concert was directed by Rocc; the choreography was designed by Sanja Nešković Peršin and costumes were rendered by Borjan Litovski.  more

Editorial

The most ambitious, the most unrepeatable, and the most challenging to produce. This is this year's “Mozart's Children” festival, whose Gala Concert will take place this Sunday at the Janáček Theater. Nearly two hundred performers will appear on stage, with young talents from all over South Moravia outnumbering professional musicians.  more

Brno’s sacred history and present is presented by the Brno and its Temples project, organized by TIC BRNO in cooperation with the Bishopric of Brno, Christian parishes in Brno, the Jewish Community of Brno, and the Brno branch of the Jewish Museum in Prague. It includes guided tours and lectures about Brno churches and important personalities connected with the church, as well as the opportunity to visit 7 Brno churches. In mid-June, it will start with a concert with the Horňácko Music of Petr Mička.  more

The organizers of the Pop Messe festival will shorten their fans’ wait for the last weekend in July with the Druž Messe event. It promises a pair of warm-up concerts in Brno and Veselí nad Moravou. The bands B4 and Wczasy from Poland will perform at the Kabinet Múz.  more

The Ibérica Festival of Ibero-American Cultures will take place this year in Brno, Prague, Čechy pod Kosířem, and Zdounky. The nineteenth edition of the festival will feature several Czech premieres. For the first time in the Czech Republic, the main star of the gala evening at Brno’s Špilberk, flamenco guitarist Álvaro Martinete, will perform with dancer Coral Fernández, as well as Colombian singer with Caribbean roots Concha Bernal and the Catalan duo Magalí Sare & Sebastià Gris. This year’s festival will also feature the premiere of a poetic recital from Karel Čapek’s texts, A Trip to Spain, performed by actor Tomáš Hanák, accompanied by Petr Vít’s guitar and Verónica Roa’s dance. There will be dance and music workshops for beginners, advanced, and children.  more

The management of the Brno Philharmonic announces a vacancy for the position of Secretary of Artistic Operations. The possible start date is mid-August 2022.  more

The Czech Radio Endowment Fund and Czech Radio – Radiožurnál, in cooperation with the Endowment Fund of the Brno-born Magdalena Kožená, are launching a non-financial collection named after the favorite Czech musical “Kdyby tisíc klarinetů”, or “If a Thousand Clarinets”. The collection is intended for all child musicians for whom the purchase of a musical instrument is beyond the means of their family budget. The collection works on the principle of connecting donors and volunteers on the platform www.kdybytisicklarinetu.cz.  more

The next-to-last premiere of the 2021/22 season is Mozart's “The Magic Flute”. It will be directed by Miroslav Krobot. This unconventional presentation of the opera promises the audience a journey into space. The musical staging is led by Pavel Šnajdr. Title roles will be played by Jiří Sulženko, David Szendiuch, Petr Nekoranec, Daniel Matoušek, Martina Masaryková, Doubravka Součková, Jana Šrejma Kačírková, Andrea Široká, and others. Scenography by Andrej Ďurík.  more

Eight years after the release of their album Šero, which received both the Anděl and Apollo music awards, the Orff Brothers will release their new Song for Stefanie Sauer. You can hear it in concert in Brno, where the band will start their spring tour.  more

The Brno Philharmonic is holding a benefit concert for Ukraine this week. Proceeds from the entrance fee will go to the Vesna Women's Educational Association, which is now helping Ukrainian refugees. The evening will include Dvořák's Symphony No. 9 in E minor From the New World, conducted by Leoš Svárovský.  more

The City of Brno has announced that an agreement has been reached with the owner of the International Hotel, HIB DEVELOPMENT, a. s. If the agreement is fulfilled, the construction of the Janáček Cultural Centre (JKC) will not be a compromise, but will fulfil the vision of having a top concert hall in Brno and gaining a new high-quality public space in the historic city centre. The interrelated key documents, i.e. the exchange agreement, the artwork purchase agreement, and the cooperation agreement, were recommended for approval by the Brno City Council today.  more