This year’s eighteenth JazzFest Brno will exceptionally not close with a concert, but rather a unique (though not unusual for world festivals) series of musical and dance workshops, centred on children. On Saturday 4 May, in the pleasant environment of Café Práh, near Vaňkovka, the children students will be taken on board by the significant young personalities of the jazz scene: Beata Hlavenková (pianist and composition lecturer), Dano Šoltis (leader of the drum class) and the multi-instrumentalists Jiří Slavík and Marian Friedl (conductors of Wandering on Jazz Paths), who will be accompanied by Kateřina Hanzlíková with the Tancohraní lectures. With the exception of composition, where it is necessary for the participants to be older than twelve, all the other “classes” are open to everyone, including the youngest. We asked the co-author of the idea of the children’s workshop and director of JazzFest Brno, Vilém Spilka, for further information.
One of the musical highlights of last week was the concert of the Malina Brothers with two unique guest musicians, Kateřina García and Charlie McCoy in the Sono Centre in Brno. And because the performance was recorded on a professional video for the band’s first live DVD, the evening itself was extraordinary both in its length and quality.
Letošní ročník festivalu Jazzfest Brno nabízí nepřeberné množství rozmanitých crossoverů , žánrových směsic a fúzí. V duchu tohoto stylového spektra v rekonstruovaném (akusticky významně vylepšeném) sále Janáčkova divadla nabídl svůj vyhlášený osobitý nadžánrový sound klasik jazz fusion a britský kytarista John McLaughlin se svou formací The 4th Dimension. V Brně se představil vůbec poprvé.
The last week full of musical events culminated in the final round of the Central European Jazz Competition organised by the “neighbouring” jazz festivals – JazzFestBrno and Poysdorf Jazz & Wine. This cross-border musical project has a promising future: the first year of the jazz competition in its final afternoon offered six half-hour blocks of the finalists, who were a surprise with their musical range and the quality of their musicianship.
There were concerts by big bands at the start and finish of the spring programme of this year’s Jazzfest Brno. And both were supreme musical experiences. The Christian McBride Big Band as one of the three concluding concerts for their European tour for the first time performed in Brno’s Sono Centre. And it was great: crossover, entertaining and light playing, at the same time full of virtuosity and inventive and creative playing. “When we play together it is one big party,” stated the double bass player and bandleader Christian McBride at the start – and both he and his colleagues certainly confirmed that.
The parade of European and world saxophonists at this year's Jazzfest Brno festival stylishly concluded with virtuoso technique and inventiveness linking the various branches of jazz - the respected Austrian sideman and soloist Harald Harry Sokal with his Groove trio and the New York legend Chris Potter, who led his Quartet on the stage of the Sono Centre with his latest project - the album The Dreamer Is The Dream.
In the week before Easter JazzFest entered its second half. Another series of concerts linking various forms of jazz from traditional through jazz-rock to funk begun with an evening of Brno and Prague jazz legends in CED Husa na provázku and followed by a double concert of the Jiří Šimek guitar trio and the stellar Poogie Bell Band with their unmistakeable (and resounding) frontman on his drum kit.
The singer Lenka Nová was born in Brno. Even now she frequently and happily returns. Last autumn she released her third profile disk, Čtyřicítka (Forty), on which there are ten personal songs with texts by Michal Horáček. She was recently nominated for the Anděl music prize in the category Singer of the Year. This year with a newly rehearsed repertoire on March 8 and 9 in the bar U kouřícího králíka in her home town she opened her Čtyřicítka Tour, the spring part of which will be concluded with a Prague concert in the DVA studio on May 21. And we spoke about all of this …