This year's JazzFestBrno: a number of great female singers and musicians

17 May 2019, 12:00
This year's JazzFestBrno: a number of great female singers and musicians

This year's Jazzman, a fanzine of the JazzFest music festival, was full of extensive medallions and articles and also featured a noteworthy commentary by the Czech Radio's dramaturge Petr Vidomus with a somewhat provocative headline: Jazz Doesn't Need to Be a Men's Club. The article contemplates  some  of the gender stereotypes, which the world (and therefore consequently not even the Czech) jazz scene has not yet gotten rid of completely. Great female soloists, mastering instruments previously entirely reserved for men, are growing in numbers. Although gender coding, which Vidomus described in a very precise and ironic way, has not yet been  completely overcome, JazzFest contributed significantly to its gradual elimination this year.

Traditionally strong was the representation of top female vocalists in the programme – in fact, legendary  Diane Schuur (who is, by the way, a great pianist as well) decorated already the first season of JazzFest. This year's season offered as a finale of the programme an even brighter diva – the fresh holder of the Jazz Legends Awards and a unique female vocalist Dianne Reeves. She returned to Brno after four years even with an identical quartet relying on her long-time guitarist Romero Lubambo. Reeves' beautiful timbre, oscillating from the sung text to scat improvisation, transcending as far as the vocal imitation of various music instruments is absolutely unmistakable. In the improved acoustic ambiance of the Janáček Opera, visitors could enjoy the full range of shades of her colourful voice accompanied here and there by a solo piano in an imaginary battle of scat cadencies with a guitar riff. It also perfectly fulfilled the other characteristics of this year's JazzFest, namely a certain connection, and even better say, intermingling of several genres. Dianne Reeves offered songs from soul through rhythm'n'blues to traditional jazz. Eventually, her brought her show to culmination by singing without a microphone – just like a genuine operatic diva.

The female element pervaded this time the JazzFest programme already since the March prologue with the dignified forerunner of the renowned saxophonist Branford Marsalis, which was Kasia Pietrzko – a young Polish pianist, composer and arranger with her trio. One of  the most distinctive talents of Polish jazz has already won a number of awards, such as the second place in the New Hope category of the Jazz Forum magazine. Two years ago, she released her greatly acclaimed debut album Forthright Stories. This proficient improviser and creative pianist, with only two aditional musicians accompanying her on double bass and drums, did not have an easy position in the large hall of the Sono Centre in front of an audience looking forward to see the eldest of the brothers Marsalis, but eventually she met with great acclaim.

kasia_Pietrzko Trio_Credit_Martin Zeman_JazzFestBrno

Three days later, for a change, the biggest Czech talent of contemporary jazz was introduced in the intimate ambiance of the Husa Na Provázku theatre. Trumpeter, bandleader and composer  Štěpánka Balcarová brought to Brno her unique project of poems by a Polish poet Life and Happiness of Julian Tuwim put to music, in the  interpretation of her Czech-Polish sextet and especially her friend and classmate from the Polish town of Katowice, singer Malgorzata Hutek. Mature, communicative and multilayered songs on Tuwim's verses in combination with the soft sound of the Polish language conjured up special musical images and left a resonating impression in the audience. Another multitalent was added to the JazzFest programme from Slovakia. Theatrical writer, actress, but also flutist and composer Sisa Michalidesová (among others, Esprit Award winner for Slovak jazz album of 2017) presented her own multi-layered poetic story called Chloe, inspired by native Mexican legends. In addition to the music side, in which Sisa's voice and flute was accompanied by a five-member international line-up, the author also verbally introduced the legends that inspired the creation of individual parts of the composition (such as the mythical beast chupacabras) and the final catharsis of the escape of the heroine Chloe from the underworld back to life.

stepanka_Balcarova_Sextet_foto_martin_zeman_02

The joint project of New York keyboardist Brian Charett and South African singer and performer Melanie Scholtz, entitled Homeland, was also based on a combination of spoken word describing the culture and customs of South Africa, Kenya, Argentina and Scandinavia with music inspired by elements of these cultures. This partner duo introduced another novelty of this year's festival season: the expansion of JazzFest through a mini-tour of one of the projects in three cities in the surroundings of Brno (this year to Kyjov, Tišnov and Miroslav). This Afro-American duo with strong and long-term ties to the Czech environment (Brian travelled around Czechoslovakia as a member of the band Jazz Celulla of Laco Déczi, and Melanie lived and gave concerts here until recently with a Czech-African band) met up in Prague at a jazz workshop. The couple was brought together by the Brno bassist and dramaturge of the Stará Pekárna music club, Lukáš Kytnar, who recommended an excellent keyboard player to his colleague from the band. Nowadays, they live together in New York, but they are always happy to come back. As a screenwriter of a project built up on multi-ethnic inspiration, Melanie uses pre-recorded music background from original compositions. While singing, she uses a looper for the layering of vocals, and similarly Brian completes the Hammond organ sound with various samples and synthesizers. Even here, they managed to significantly overlap the boundaries of jazz as a genre in several different directions.

scholtz_melanie_2019_foto_martin_zeman

Big bands used to be, until recently, perhaps the most closed men's club in the world of jazz, (which was confirmed at JazzFest, for example, by the exclusively male line-up of Svoboda's revitalized Contraband). But even here this is not a dogma any longer. The line-up of the Divergent Connections Orchestra of jazz experimenter Pavel Zlámal was enlivened by female violinist Anna Neugebauerová and a flash of better times in this direction was seen in the line-up of the JAMU Jazz Orchestra of the teacher Matúš Jakabčic (female saxophonist Juliana Gazdagová and trumpeter Martina Hrmelová). The very successful concert of jazz hopes, i.e. students of the Department of Jazz Interpretation of the Faculty of Music of JAMU, was even more open in this direction. Juliana Gazdagová introduced herself with alto saxophone also in  a trio with piano and double bass Behul-Gazdagová-Marko and another female saxophonist Michaela Turcerová was a valid component of the trio (with guitar and drums for a change) Szabó-Turcerová-Maceček.

michalidesova_sisa_2019_foto_martin_zeman

The spring programme of the eighteenth season of JazzFest is a history, but it seems we will not have to wait for the next sequel until the spring of next year. Several Echoes of JazzFest Brno concerts are planned for this year as well. The programme will be revealed in June. And the dramaturges cautiously hinted that even in the autumn we might expect to see a great female jazz pianist in Brno.

Dianne Reeves / photo by Martin Zeman

Comments

Reply

No comment added yet..

Connection, unity, contemplation - these words can be used to describe the musical evening of Schola Gregoriana Pragensis under the direction of David Eben and organist Tomáš Thon, which took place yesterday as part of the Easter Festival of Sacred Music at the church of St. Thomas. Not only the singing of a Gregorian chant, but also the works of composer Petr Eben (1929-2007) enlivened the church space with sound and colour for an hour.  more

With a concert called Ensemble Inégal: Yesterday at the church of St. John, Zelenka opened the 31st edition of the Easter Festival of Sacred Music, this time with the suffix Terroir. This slightly mysterious word, which is popularly used in connection with wine, comes from the Latin word for land or soil, and carries the sum of all the influences, especially the natural conditions of a particular location and on the plants grown there. This term is thus metonymically transferred to the programme of this year's VFDH, as it consists exclusively of works by Czech authors, thus complementing the ongoing Year of Czech Musicmore

For the fourth subscription concert of the Philharmonic at Home serieswhich took place on 14 March at the Besední dům and was entitled Mozartiana, the Brno Philharmonic, this time under the direction of Czech-Japanese conductor Chuhei Iwasaki, chose four works from the 18th to 20th centuries. These works are dramaturgically linked either directly through their creation in the Classical period or by inspiration from musical practices typical of that period. The first half of the concert featured Martina Venc Matušínská with a solo flute.  more

The second stop on the short Neues Klavier Trio Dresden's Czech-German tour was at the concert hall of the Janáček Academy of Music on 6 March at 16:00. A programme consisting of world premières by two Czech and two German composers was performed in four cities (Prague, Brno, Leipzig and Dresden).  more

The last opera première of the National Theatre Brno this year was Hurvínek Sells the Bride, which was co-produced with the Spejbl and Hurvínek Theatre. The première continued the thematic focus associated with the Year of Czech Music and took place on 24 November in the large hall of the Reduta Theatre.  more

With Thursday's concert entitled Bruckneriana, the Brno Philharmonic under the direction of Principal Conductor Dennis Russell Davies launched the subscription series Philharmonia in the Theatre I. The orchestra performed works by Anton Bruckner and Stanislaw Skrowaczewski, a Polish-American conductor and composer who devoted his life's work to Bruckner. Performers wearing crimson sashes with the inscription "Playing forte!” appeared in front of the audience, joining the "Let's not let culture die” initiative, which draws attention to the underfunding of culture and opposes the government's plan to invest just 0.64% of the state budget into culture next year, moving further and further away from its promise to spend at least 1%.  more

The Brno Philharmonic Orchestra has been running the Orchestral Academy of the Brno Philharmonic (OAFB) project for nine seasons, enabling young talented musicians to gain orchestral experience in a professional ensemble. In this manner, the orchestra educates the next generation of musicians, both permanent and external. However, working here also gives young people the opportunity to show their skills in chamber music and in a concert series called Young Blood aka Music Up Close. The first seasonal concert took place on Wednesday 15 November at Besední dom.  more

Baladas da Luta, Fighting Ballads, is the title of the sixth album by Brazilian singer Mariana Da Cruz and her Swiss-Brazilian band Da Cruz. It is a combination of modern music that combines Latin American tradition and contemporary electronic elements with strong lyrics. In them, the author fights for women’s rights, stands up against dictatorships and specifically criticizes the atmosphere that has evolved in Brazil under the now former authoritarian President Bolsonaro. Da Cruz performed at Brasil Fest Brno in August 2023. We revisit this festival with an interview conducted following their concert at Zelný trh. Singer Mariana Da Cruz and keyboard player and producer Ane Hebeisn, performing as Ane H, responded to our questions.  more

The programme for Janáček Brno 2024, an international opera and music festival now in its 9th year, was unveiled at a concert held to mark this occasion entitled Janáček to the start! On Saturday, 4 November, the Mahen Theatre was filled not only with devoted fans of the festival, but also with foreign journalists, politicians and prominent figures from the world of culture. In addition to a collection of wonderful musical performances, the audience was also treated to a lineup of renowned artists – Kateřina Kněžíková (soprano), Václava Krejčí Housková (mezzo-soprano), Josef Špaček (violin) and, last but not least, Robert Kružík, who took on the role of both conductor leading the Orchestra of the Janáček Opera at the National Theatre Brno during the evening and also performing as a cellist.  more

The musical comedy The Addams Family is the latest production to hit the stage of the Music Theatre of Brno City Theatre. Audiences are in for an ironic, slightly morbid and enticingly horrific spectacle for the whole family. A musical production has been crafted here which serves up a famous contemporary pop culture phenomenon, as well as a generous helping of hyperbole and catchy melodies to boot. And testament to the audience’s hunger for this wacky family is the fact that all thirty performances are already nearly sold out…  more

The Ensemble Versus choir, accompanied by the Ensemble Opera Diversa under the baton of Gabriela Tardonová, demonstrated what a combination of historical and modern instruments sounds like within a contemporary musical context in the Red Church. The dramaturgical line of Tuesday evening was presented in the spirit of a combination of the works of Carlo Gesualdo da Venosa (1566-1613) and the world premiere of Exsultet by the principal composer Ondřej Kyas (*1979), which also includes parts written for cornett (Radovan Vašina), dulcian (Jan Klimeš), trombone (Pavel Novotný) and theorbo (Marek Kubát).  more

The second New World of Moravian Autumn festival began on Thursday in Brno’s Besední dům. This project, by students of the Faculty of Music at the Janáček Academy of Performing Arts, was primarily originally created for the practical musical programming course and intended to be a one-off event during the Moravian Autumn the year before last. Subsequently, however, more students signed up and started working on a repeat festival. The dramaturgy for New World 2023 was handled by percussionists Adéla Spurná and David Paša, bassoonists Aneta Kubů and Josef Paik, and multimedia composer Martin Janda. Three concerts were prepared for 19, 20 and 21 October for this mini festival.  more

The Restlessness of Icelandic Peace was the name of a concert on 15 October at the Cathedral of Saints Peter and Paul in Brno, at which conductor Chuhei Iwasaki with the Moravia Brass Band and American artist Adam Wiltzie performed a work by Icelandic composer Jóhann Jóhannsson (1969-2018). Many of you may know his music from the award-winning films The Theory of Everything and Arrivalmore

The third concert of the Moravian Autumn Festival, held under the auspices of the Ambassadors of Latvia and Lithuania, Elita Kuzma and Laimonas Talat-Kelpša, presented mostly contemporary works by foreign composers on Wednesday 4 October at the Besední dům. The show was directed by the Kremerata Baltica string orchestra, who invited the young talented pianist Onutė Gražinytė to join them, and the whole evening primarily rode on a wave of minimalism. However, during the preparation of the concert, the programme was changed and instead of Geörgy Ligeti's String Quartet No.1 "Métamorphoses nocturnes", works by Jēkabs Jančevskis and Olli Mustonen were performed in their place.  more

The Ensemble Opera Diversa has already presented several compositions by David Matthews (*1943) to Brno audiences, and in most cases these were Czech or even world premieres. This year Matthews’ 80th birthday was celebrated with a performance by the above-mentioned ensemble, or rather its chamber branch Diversa Quartet, headed by dramaturge Jiří Čevela, with a concert on 20 September at the Villa Löw-Beer. The programme, consisting of works by composers closely associated with David Matthews himself, including his own compositions, was preceded by an hour-long discussion in the presence of the composer. Matthews is a British-born composer with long-standing ties to the Brno circle of composers and musicologists. In addition to his participation in the so-called "apartment seminars" in the 1980s, he also is friends with several personalities such as composer, pedagogue and oboist Pavel Zemek Novák (*1957).  more

Editorial

Terroir, a term used especially in the wine industry, is the subheading of this year's 31st annual Easter Festival of Sacred Music. It refers to the set of natural conditions, especially soil properties, which give a crop its distinctive character. Terroir perfectly describes the dramaturgy of this year's edition, which is focused exclusively on the work of domestic composers in the Year of Czech Music.  more

The Brno Culture Newsletter brings you an overview of what is happening in theatres, clubs, festivals and cultural events in Brno.  more

The Musica Florea ensemble is preparing a new concert programme to be performed for the first time this April. This year marks the 170th anniversary of Leoš Janáček's birth, and to mark the occasion the ensemble has taken up his earliest compositions to set them alongside works from the early Italian Baroque. Musica Florea will be performing with conductor Mark Štryncl. The soloists will be Barbora Kabátková, Stanislava Mihalcová, Daniela Čermáková, Hasan El Dunia and Jaromír Nosek.  more

Easter concerts are already a tradition at the Brno City Theatre. This Easter, the Rock Mass will be performed on Friday and Saturday at the Music Stage of the Brno City Theatre.  more

The ProART art group is celebrating 20 years of its activity. In addition to the celebrations, the Year of Czech Music also commemorates the anniversary of the composer Bedřich Smetana and the Czechoslovak choreographer Luboš Ogoun. These anniversaries will be combined into one production, DREAMS OF CONSCIOUSNESS.  more

Tenebrae, has long been one of the most impressive parts of the Easter Festival of Sacred Music. They are held from Wednesday to Good Friday, always from 9 pm at the Jesuits'. This year, the darkened church, in which candles are burning, will be unusually filled with music commissioned by the festival.  more

The festival enters its 17th year with a series of concerts that will fill not only the South Moravian metropolis with funky music, but also Prague as part of the "travelling" concerts. The year-long festival programme is starting to take off and the organisers are adding two more names. The previously announced French band Electro Deluxe is now joined by Fun Lovin' Criminals and the most prominent jazz-funk formation from Iceland - Mezzoforte.  more

The concert entitled "In between genres" is the culmination of a three-day event celebrating 100 years of radio broadcasting in Moravia. The whole event includes genre-free concerts, a showcase of new music recordings from radio production and a colloquium dealing with folk songs in radio broadcasting, and last but not least, a commemoration of editor Jaromír Nečas and his radio venture - a series of programmes called The Colourful Singing World. The final concert is moderated by Břetislav Rychlík and Jiří Plocek.  more

Mahan Esfahani, an absolute world leader in harpsichord playing, is coming to Brno. He was the first and only harpsichordist in the world to win the BBC's New Generation Artist in 2008-2010 and has won countless prestigious music awards. He will perform with the Brno Philharmonic Orchestra in a programme entitled Mahan Esfahani: harpsichord in the main role.  more

Years of international cooperation between the cities of Brno and Stuttgart will culminate in one musical event - a joint concert in the Hall of the Brothers of Charity. Rossini's Petite Messe Solennelle will be performed by the Ökumenischer Choir.  more