Nevermore & Kosmonaut – XCR-9

2 December 2020, 2:00

Nevermore & Kosmonaut – XCR-9

Two years after the monothematic album Bleděmodré město (Pale Blue City), for which the Brno-based group Nevermore & Kosmonaut received a nomination for the genre-specific Anděl Award, the band released a new album with a mysterious name XCR-9. The subheading Písně do rakety (Songs for a Space Shuttle) reveal more. While on the last album we walked through the streets of the city of Brno together with Michal Šimíček and his band, this time the singer-songwriter, who has been using the nickname Kosmonaut for years, is taking us on a fictitious journey into space.

The band once again conceived the album conceptually. Instead of photographs of actors in the Brno backdrops, this time we find drawings by Jindřich Janíček in the booklet, which illustrate astronauts – "members of the band" on their journey "to distant places in the nearest universe". In addition, somewhere in the middle of the album, the unprepared listener will be surprised by a salutation from Jiří Grygar. The fact that the group Nevermore & Kosmonaut is inclined to the themes of universe is obvious already from its very name. However, there are additional points of contact. The guitarist Pavel Karas, aside from Michal "Kosmonaut" Šimíček the second most senior member of the group, is the head of the programme planning department of the Brno Observatory and Planetarium. And already the band's first album from 2014 was called Mezi planetami (Among the Planets).

Although the story embodied in the songs of the new album can be perceived, for example, as sci-fi, and barcodes, erased data and displays appear in the lyrics of the songs, the album contains no hilarious technological stories. In its songs, rather than zigzagging among the planets at faster-than-light speeds, the band addresses topics such as separation from home, distance (real and virtual) between people, loneliness, the need to take a rest from oneself, or the question of what we are actually hiding, and from whom. As seems implied by the song Mezi pochybami (Between Doubts), the album is actually to a great extent about the expanding inner universe. Hence, while Michal Šimíček invited us two years ago into Brno as the city of his childhood, which has been changing recently, but still retains its magical places, this time he invites us into his "private universe". And the questions he poses in that "weird" year 2020, with months of compulsory isolation, night-time curfews and emptied cities, are taking on new meaning.

The previously mentioned nomination for the Anděl Award was given to the group Nevermore & Kosmonaut in the Folk category. Given the emphasis on lyrics, the band remains close to folk music, but its sound changes and develops slightly from one album to another. The shift to pop or pop-rock was noteworthy already on the previous album. This time, it is rather the stylistic variance within the whole album that is interesting – from the acoustic folk positions through the pop of the new version of the song Mezi planetami (as opposed to the album of the same name, it has also undergone changes concerning the lyrics) to harder rock passages. Before recording the album, the band had undergone a significant transformation, as part of which Šimíček and Karas were complemented by two newcomers: the bassist Vít Sklenář and the experienced drummer Vladimír Třebický. Positive features that contribute to the varied nature of the album are not only the broad range of registers and effects used by the guitarist Pavel Karas, or the work with the bass guitar, but also the fact that as many as three members of the band take turns at the vocal microphone, and one of the songs is sung by Lada Šimíčková as a guest. Overall, there have been fewer musicians and guests compared to the last album (provided the information in the booklet is really complete), and in spite of that, the outcome even sounds a bit more colourful.

With all the varied nature of the album and despite the theme of universe, of course, the band remains within the determined musical boundaries of the selected genres. Generally speaking, this time we are getting hardly anything more than well-performed and meticulously thought-out pop or mainstream folk. Whoever is looking for experiments in music, will probably set off for a journey with different cosmonauts. On the XCR-9 album, here and there something slightly pulls your ears, such as the phrase "jako v knize Lema" ("like in a book by Lem") instead of the correct phrasing such as "v Lemově knize" ("in Lem's book") or "v knize Stanisława Lema" ("in a book by Stanisław Lem"). That perhaps would not fit into the rhyme, but rather than having a stumbling verse, it would be better to re-work it completely. However, positive impressions prevail here. Just because, as opposed to the unequivocally trustworthy Brno, the band could break their teeth on a fictitious journey into space. Such a theme might have sounded creaky and fabricated – just a theme for theme’s sake. Fortunately, this has not happened and the album XCR-9 once again functions not only as a collection of songs, but also as a continuous entity, which asks a number of questions and answers some of them in an interesting fashion.

Nevermore & Kosmonaut – XCR-9 / Písně do rakety, self-published in 2020, 9 songs and one intermezzo, total playing time: 33:03

Photo by archive

Comments

Reply

No comment added yet..

Hajcman, a tramp-swing group with its roots in Brno, released their expected debut album Jednou to bude (It Will Come to Pass). The band’s name, derived from the Czech word for a supporting steel frame in coal mining, is a reference to cave exploring, the hobby of the group’s leader Martin Škrobák, whose first band was called Stalaktit (Stalactite). While the album largely showcases the talents of the tramping legend, it does feature a sample of the band’s work in the form of two songs by Martin, hinting at the direction of the band’s future album of author's songs. It’s Jaroslav Velinský aka Kapitán Kid who is the author of the most of the debut’s collection of songs, the result of over a decade’s effort. An old friend of Martin’s, as well as a fellow musician and inspiration to him, the tramping music king Kapitán Kid had planned to record some “blasts from the past” in 2005 with his previous outfit the Banjo Gang, as described in the sleeve notes and associated songbook. Joint recording sessions with Martin and his friends took place subsequently, but Velinský’s best-known tramping songs from the CD Tempo di kůň (Tempo de Horse; released in 2007) were eventually preferred. This is how these tracks came to be short-listed, with the blessing of Kapitán Kid himself, and recorded just a few years after the songwriter’s death, making it essentially a tribute to him.  more

While concert halls and opera houses are rather on the empty side, seven hotels in the city have seen a lot more activity thanks to the Brno Contemporary Orchestra – a chamber music group led by Pavel Šnajdr and the arts platform Terén – Pole performativního umění (Terrain – Fields for the Performing Arts). Every night of the week, from 15 to 21 March, fans of modern artificial music had the opportunity to visit one of the hotels via YouTube. Not only was the atmosphere of the empty rooms and corridors absorbing, but also the drama in combination with unusual the visual stimuli. Please, do not disturb, as the series was named by its creators - the Brno Contemporary Orchestra and Terén, featured more than just standard recordings of concerts. Indeed, a narrative thread ran through every evening’s experience, which was directly or subtly connected with the musicians or the space itself.  more

“It’s absolutely perfect, I play it all the time and it plays in my head all the time,” commented Matěj H., a music studies graduate and Brno politician. In another Facebook debate, a musical editor with a pen name of Max B. depicts it to be “totally horrible stuff.” Few domestic albums recorded in 2020 received such varied responses as Folk Swings, a collection of what were initially contemporary folk songs, re-arranged to become big-band pieces and performed by B-Side Band with Josef Buchta as the bandmaster.  more

In late 2020, the Brno Philharmonic released two recordings of works by Antonín Dvořák and Antonín Rejcha. We have already reviewed the “Dvořák” CD with the composer’s Symphony No. 1 and his Maličkosti (Bagatelles); the adaptation and instrumentation of the two works was provided by Dennis Russell Davies, the chief conductor of the orchestra. Now we are going to look at the recording of Lenore – a musical picture composed by Antonín Rejcha to the text of Gottfried August Bürger’s ballad of the same name. The CD features Martina Janková as Lenore, Pavla Vykopalová as Lenore’s mother, Wojciech Parchem as the narrator and Jiří Brückler as the late soldier William. The Czech Philharmonic Choir of Brno also performed side by side with the Brno Philharmonic Orchestra, led by Petr Fiala as the choir director. As with the recording of Antonín Dvořák´s works, this project was also directed by conductor Dennis Russell Davies.  more

Following the concerts streamed online in January and complete with a series of innovative video trailers, The Czech Ensemble Baroque returned with live streaming yesterday night. This time it was the second concert from their series entitled Bach & Mozart in Focus (Czech: Bacha na Mozarta); it was planned for 21 October, but rescheduled. From the Brothers of Mercy Convent, it featured, as the central part of the performance, the psalm of Dixit Dominus by Georg Friedrich Händel.  more

The coronavirus crisis of 2020 (and 2021) has had such an impact on the form of the musical market that researchers, with hindsight, will probably ask whether there are any recordings released at that time and not affected by it. Robert Křesťan and Druhá tráva (Second Grass) wanted to work on a double album containing cover versions of songs by his favourites and new own works next to each other. The British producer Eddie Stevens became a part of this ambitious project but the interrupted opportunity of travelling between the Czech Republic and London also stopped work on the 2CD. The band decided not to wait for the easing and released the Díl první (Part One) separately. This is not the exact form of the initially intended first disc. “Releasing cover versions only without any apparent relationship between them and the original works seemed inadequate to us and the production style of Eddie Stevens is individual and unifying in a specific way  to such an extent that we decided to release a mix of the two on the first medium and delay the second part,” explains Křesťan. Therefore, we have Díl první in front of us, but this is not any half-hearted recording or unfinished work. In spite of the Act of God, Druhá tráva has succeeded in recording one of the strongest Czech discs of 2020.  more

With the current epidemiologic situation and the impossibility of live concerts, many large and small ensembles have been using the time to prepare new media. One of them is the Brno Philharmonic, which has extended its range to include its own edition of CD recordings with this bold motto: “Music you can hardly buy anywhere else”. Although it might seem that this is, primarily, a successful slogan created by the Marketing Department this brief description is not merely empty words. The first pair of CDs released at the end of 2020 offered the unfairly forgotten oratorio Lenora (Lenore) by Antonín Rejcha (heard at concerts on 5, 6 and 7 February, 2020). The philharmonic orchestra also recorded a programme with Dvořák’s Symphony No. 1 in C minor, Zlonické zvony (The Bells of Zlonice) and the composition entitled Bagatelles, Op. 47(Maličkosti (Trivia)) both adapted (and in the case of Bagatelles also with richer instrumentation) by the chief conductor of the Brno Philharmonic, Dennis Russell Davies. And this is the album which will be the object of our evaluation.  more

One older - not quite typical – Květy´s album began with the words: "The quietest band in the world so as not to disturb the neighbours." The newest album, called a bit mysteriously Květy Květy (Flowers Flowers) begins with this text: “We are heading into the dark at the highest speed.” Can one deduce anything from the fact that the band around Martin E. Kyšperský in the slowest year, at the time of the lockdown, came up with the fastest and perhaps the most energetic album in their career? Or is it more important that, despite all the pressure that emanates from Květy Květy (Flowers Flowers) as a collective work, it is actually a very solitary and intimate record?  more

Tomáš Kytnar, the manager of the Stará Pekárna club in Brno and bandleader of the group Tady To Máš (a pun containing Kytnar's given name 'Tomáš' but meaning 'Here You Are') has been setting Slovak lyrics to music for years. He based several of his albums on the poetry of contemporary Slovak poets Judita Kaššovicová and Erik Ondrejička. When asked if he deliberately avoided Czech lyrics, he replied in an interview for Brno – City of Music in 2013: "I really am thinking a little about Czech, but I will definitely not look for something in a systematic way or place an advertisement. As Slovak poets actually came to me by themselves, the Czech ones should come by way of chance, shouldn't they?" Seven years have passed. Since then, Kytnar and his band have released the "Slovak" albums Srdiečka tiché (Silent Hearts) and Krajina diamantov (Land of Diamonds), and... this year a change is coming. The novelty Ryba Květovoň (loosely translated as Flowerscent Fish) combines Kytnar's typical composing signature with Czech poetry written by Bogdan Trojak.  more

The poetic title Květy nevadnoucí (Flowers Never Fading) hides the most recent publishing achievement of Jiří Plocek. This compilation CD celebrates a quarter of a century since the establishment of the Moravian folklore series in his GNOSIS BRNO publishing house, which released fourteen albums created between 1995 and 2005. And they are not just ordinary albums. Jiří Plocek's enthusiasm and feeling for song is indisputable, but there is much more coming from the recordings – for example, it is the enthusiasm of the singers themselves, which Jiří Plocek fuelled during the recording sessions, while letting them play and sing according to their own will and mood. I must also emphasise the choice of performers themselves. The names have really become iconic by now – František Okénka, Zdeněk Kašpar, Karel Rajmic, Vlasta Grycová, Jiřina Miklošková and many others. Unfortunately, some of them have already departed from this world. Others, which we hear on the album as gifted children, are already rising to become another generations of singers – which is the case of Tomáš Beníček. I'm intentionally mentioning the singers, but the album itself also has a high musical quality. However, all the songs are performed by exceptional performers. This also gives them uniqueness in the spirit of a living folk tradition.  more

Two years after the monothematic album Bleděmodré město (Pale Blue City), for which the Brno-based group Nevermore & Kosmonaut received a nomination for the genre-specific Anděl Award, the band released a new album with a mysterious name XCR-9. The subheading Písně do rakety (Songs for a Space Shuttle) reveal more. While on the last album we walked through the streets of the city of Brno together with Michal Šimíček and his band, this time the singer-songwriter, who has been using the nickname Kosmonaut for years, is taking us on a fictitious journey into space.  more

The album Folk Swings of the Brno-based B-Side Band is being vividly discussed on social networks. Can a big band take the liberty of to playing the "sacred" songs of Czech folk? And what if these compositions are sung along with the band directly by their authors such as Jaromír Nohavica, Vlasta Redl or Slávek Janoušek? However, while the above might have been able to have their say concerning the arrangements, Karel Kryl, Zuzana Navarová or Wabi Ryvola could no longer make any comments regarding the makeovers of their songs… We talked to Petr Kovařík and Pavel Zlámal, members of the orchestra, about how the album was created, why Ryvola's song 'Tereza' sounds like a Cuban dance, and why 'Podvod' ('Scam') by Honza Nedvěd is played only as an instrumental piece. The two guys have actually created new arrangements for widely famed as well as less well-known folk songs, which now appear on this album.  more

Tiché lodi ('Silent Ships') is not a band, but a project of the guitarist and singer René Müller, who lives in Brno. While he recorded his previous album Časy vody ('Times of Water' – 2015) working together with Roman Cipísek Cerman, his former colleague from the band Hynkovy zámky ('Hynek's Locks'), Müller is now appearing all by himself on the new album – as writer of the music and lyrics, guitarist and singer, or – in his case more precisely – narrator.  more

Until recently, this Brno singer with the shortest given and family names was the leader of the blues band The Weathermakers. He also led the ephemeral "tramping" group The Honzíci. However, the main thing that he attracts attention with – in addition to the guitars and other instruments that he produces under the brand Red Bird – is his original solo production. After the mature debut Město [The City] (2018), he has now made himself heard with a new album entitled Potom [After]. In the lyrics he goes down to the core again, being able to transform his personal problems into timeless stories and extraordinary poetic expressions. And even though he abandoned the blues form in most of his songs, the recording, in which Martin Kyšperský once again participated as a producer, has a blues nature by its very essence.  more

Those who were captivated by the introductory distinctive song with surrealistic lyrics  Z ježatých hor [From the Spiky Mountains] on the previous album of the Brno group Budoár Staré dámy [Boudoir of an Old Lady] (Sůl [Salt], 2017), can rejoice. The collaboration with the contemporary poet Lubor Kasal that began only three years ago has now resulted in an entire album of his texts set to music. However, the songs on the new album Kostřičky [Little Skeletons] have one more characteristic in common: the production and arrangement contribution by the multi-instrumentalist Tomáš Vtípil.  more

Editorial

The theatre (NTB) has released details of the 2021/2022 season, which includes premieres of five operas and three ballets. Janáček Opera has dubbed the upcoming season “Follow the voice of the heart…”, and in keeping with this, Peter Grimes by Benjamin Britten is scheduled, directed by David Radok. The long-awaited, The Greek Passion by Bohuslav Martinů under the direction of Jiří Heřman, and Mozart’s The Magic Flute directed by Miroslav Krobot are included, too. NTB’s ballet celebrates the 250th anniversary of Ludwig van Beethoven’s birth by presenting a piece entitled Beethoven with Mário Radačovský as the choreographer. After more than thirty years, Cinderella, a ballet by Sergei Prokofiev, returns to the stage of the Janáček Theatre as a brand-new production choreographed by Markéta Pimek Habalová. The new season reflects the sentiment of the heading “Honouring the Greats”.  more

The Brno Cultural Newsletter outlines what’s on and the latest developments and opportunities in culture.   more

The Brno Philharmonic is preparing another performance for streaming online. Two symphonies are scheduled – by Johannes Brahms and Philip Glass. The composers’ respective Symphony No. 2 have been chosen, making it the Czech premiere of the piece by Glass. The concert – to be streamed live from the Community Hall (Besední dům) venue – will be conducted by chief conductor Dennis Russell Davies, who shall also interview Philip Glass during the interval.  more

Brno's Shot-C’s first CD release is entitled “Multipotential” (“Multipotenciál”). Six young musicians present original compositions and new arrangements of cover songs on the album.   more

The Indigo Quartet string ensemble will celebrate its milestone anniversary with a concert at the House of Arts. The event is part of the programme of the multi-genre festival Brno Music Marathon multi-genre festival. Guests of the evening will be the actress and chanson singer Andrea Buršová, accordionist Klára Veselá and composer and pianist Zdeněk Král.  more

The Moravian Library (ML) has signed a Memorandum of Cooperation (MoC) with the French National Library (Bibliothèque nationale de France, BnF). Signed by ML’s Director Tomáš Kubíček and his counterpart, President of BnF Laurence Engel, the memorandum has stipulated joint activity to be performed by the two institutions in the field of science & research as well as digitisation and mutual internships. Together, ML and BnF launch an online exhibition entitled Antonín Rejcha znovunalezený (Antonín Rejcha Lost and Found).  more

The session today at the Moravian Library is to be chaired by Vítězslav Mikeš, the dramaturgist of the Brno Philharmonic. His guests are the chief conductor Dennis Russell Davies and opera singer Martina Janková. The discussion is part of a programme accompanying an online exhibition currently taking place, entitled Antonín Rejcha Lost and Foundmore

The ceremony announcing the results of the 29th annual Theatre Critics’ Awards will take place online this year. Janáček Opera received exactly three nominations.  more

Today’s online lecture focuses on the Neo-Baroque elements in the creative production of Bohuslav Martinů. The event is part of the programme accompanying the presentation entitled The Eyes of Brno and taking place at the Moravian Library.  more

The Czech Ensemble Baroque is preparing for another live concert. This time, the Power of Music – the oratorio by Händel, one in which the author included all his theatre experience – can be watched from the comfort of your own home. Performed in English – with Czech subtitles available, the show will feature Markéta Böhmová, Jaroslav Březina and Jiří Miloslav Procházka as the key soloists.  more