Ondřej Pivec: The Muse is Kind to Me

25 October 2017, 5:00

Ondřej Pivec: The Muse is Kind to Me

As part of the Moravia Music Fest on 16 November the group Organic Quartet with Ondřej Pivec will be performing in Brno’s Metro Music Bar. This organist of Czech origin, who has lived in New York since 2009, has in recent years worked with the major signer Gregory Porter, and for his work on his album Take Me To The Alley even won a Grammy. In Brno he is presenting his new album Terms And Conditions Apply, which he recorded with his former Czech fellow players – the guitarist Libor Šmoldas, the drummer Tomáš Hobzek and the saxophonist Jakub Doležal.

Ondřej, at the start of this year you got a Grammy for your work on the Gregory Porter album Take Me To The Alley. What was your immediate reaction? Where you there for the awards ceremony?

I wasn’t there. It took place on a Sunday when I was on duty in the church where I play the organ. But as soon as I got home I played the several-hour-long broadcast on the internet. At the moment when they began to announce the category of Best Vocal Jazz Album, in which Gregory Porter was nominated, I dropped my meal. Of course I was overjoyed that Gregory won. I then got a certificate to show that I also won the prize.

Another major theme for this year is the new album from your Organic Quartet, a Czech group with which you celebrated great success before you departure to the United States. How did it happen that you issued something new with Organic Quartet after a decade?

Already for some time I had been talking with the guitarist Libor Šmoldas about how we should resuscitate Organic Quartet. We had planned a smaller tour for April 2016, we had agreed some dates, but in March I got a call from Gregory Porter’s manager, asking if I could go in April on a tour in England. And he was thinking of the whole month. So I compromised – I went on tour with Gregory, but there was also some playing with Organic. One of these concerts took place in Prague at Jazz Dock and we invited Petr Ostrouchov, director of Animal Music. After the concert he came to me and said: “It looks like after all these years you don’t get on each other’s nerves. And you are still playing well. Wouldn’t you like to bring out a new album on the occasion of the tenth birthday of Animal Music?” We were taken with the idea, and we also liked another of Petr’s proposals, that we should record on tape, like it used to be.

I was interested in the idea that you do not get on each other’s nerves. How was it to play together after so many years? In the meantime in America you had gained a lot of experience and the other players must also have progressed.

It was great and perhaps better than before, because none of us was under any kind of economic pressure. Previously I was financially depended on playing the organ with Organic, but that is not the case today for any of us. We are all in the group of our own free will and for the joy of it and we were even surprised how well it went. Last year in April we mainly played our old hits and we realised that we still have it under our skin. We did not even have to rehearse, as we still remembered everything.

Your new album Terms And Conditions Apply contains a new repertoire. I was interested to see that all four of you participated in it. You are the main writer but you did less than half of the pieces overall.

We agreed that beforehand. From the start Organic Quartet was a group linked with me, but in this case we all wrote new pieces directly for this disk. We sent each other scores and demo versions by E-mail. So when we got together for the first rehearsal we already knew it all. Earlier when someone brought something new to Organic it took a while before we decided how it should ideally sound. Today we all know straight away the author’s intentions.

How and where do you normally compose?

I don’t have any specific approach. Sometimes it’s the rhythm that comes to me first, and at others the melody and harmony, and yet others it is the harmonic progression and on that I build the melody. I think I somehow naturally learned how to shift into creative mode. When I have to I can come up with something. When I had to write pieces for the new disc, I sat down and had two works ready in one morning. Before I had various creative blocks, but now I am more open and the muse is kind to me.

While on older albums there is Ondřej Pivec & Organic Quartet, this time your name is absent from the front cover. Why?

I wanted it like that. I am not spending as much time in Czechia as before and I wanted the album to help us all to the same extent. So we decided that the album would carry portraits of all four of us.

How did analogue recording on tape work for you?

Given that it is a jazz group, it was simpler. We did not have to cut anything. All of us took it as a challenge and we recorded it in such a way that it was practically impossible to correct anything. We had to play well. And I think we did play well and the disc came out great.

How is the resulting sound?

It is different than with digital recording. I recognise it because recently a lot of studio work has been devoted to it. It can easily be seen already when mixing. We recorded it on twenty four tracks and from there we mixed it straight to left and right. When you mix sound digitally you deal with every decibel and it can be heard. In analogue it can be heard as well, but somehow it all sounds good. Tape softens everything and the result is a very pleasant sound. We brought out the album also on vinyl. When you play it you have a guarantee that during the whole process there was not even a hint of digital technology. And I recommend it to everyone – it is a super experience.

You listen to vinyl at home?

Yes, I have a lot of discs – Aretha Franklin, old Tower of Power, George Benson, Off The Wall by Michael Jackson. It sounds really good from vinyl.

You mentioned the cover of your new album. How important for digitally propagated music is the cover to you?

The album itself and its cover are bound together, even if obviously the music comes first. I always liked covers, as I liked looking at the pictures. We were particularly concerned with the cover for the vinyl version. We also included there notes for all the pieces. And as far as our four portraits on the album cover are concerned, we agreed that every ten years we will bring out a new disc with a similar cover.

In mid-November you will once more be going on a short Czech tour with Organic Quartet. What can fan look forward to?

A new repertoire, lots of energy and four handsome guys … (laughs)

How is your cooperation with Gregory Porter going?

Very productive. We had agreed that next year I am going on tour with him from the end of March to the end of April and a few days ago that was extended to from mid-March to mid-May.

Currently you are bringing out a disc with the American group Kennedy Administration. What can you tell me about it?

It is a very important project for me. I made a strong contribution to the disc as an author and producer and I am really happy with the result. It came out in Germany as a gramophone record and CD and in Japan on CD. It looks like we will be flying to Tokyo in February.

Ondřej Pivec/ Photo from the artist’s archive

Comments

Reply

No comment added yet..

Connection, unity, contemplation - these words can be used to describe the musical evening of Schola Gregoriana Pragensis under the direction of David Eben and organist Tomáš Thon, which took place yesterday as part of the Easter Festival of Sacred Music at the church of St. Thomas. Not only the singing of a Gregorian chant, but also the works of composer Petr Eben (1929-2007) enlivened the church space with sound and colour for an hour.  more

With a concert called Ensemble Inégal: Yesterday at the church of St. John, Zelenka opened the 31st edition of the Easter Festival of Sacred Music, this time with the suffix Terroir. This slightly mysterious word, which is popularly used in connection with wine, comes from the Latin word for land or soil, and carries the sum of all the influences, especially the natural conditions of a particular location and on the plants grown there. This term is thus metonymically transferred to the programme of this year's VFDH, as it consists exclusively of works by Czech authors, thus complementing the ongoing Year of Czech Musicmore

For the fourth subscription concert of the Philharmonic at Home serieswhich took place on 14 March at the Besední dům and was entitled Mozartiana, the Brno Philharmonic, this time under the direction of Czech-Japanese conductor Chuhei Iwasaki, chose four works from the 18th to 20th centuries. These works are dramaturgically linked either directly through their creation in the Classical period or by inspiration from musical practices typical of that period. The first half of the concert featured Martina Venc Matušínská with a solo flute.  more

The second stop on the short Neues Klavier Trio Dresden's Czech-German tour was at the concert hall of the Janáček Academy of Music on 6 March at 16:00. A programme consisting of world premières by two Czech and two German composers was performed in four cities (Prague, Brno, Leipzig and Dresden).  more

The last opera première of the National Theatre Brno this year was Hurvínek Sells the Bride, which was co-produced with the Spejbl and Hurvínek Theatre. The première continued the thematic focus associated with the Year of Czech Music and took place on 24 November in the large hall of the Reduta Theatre.  more

With Thursday's concert entitled Bruckneriana, the Brno Philharmonic under the direction of Principal Conductor Dennis Russell Davies launched the subscription series Philharmonia in the Theatre I. The orchestra performed works by Anton Bruckner and Stanislaw Skrowaczewski, a Polish-American conductor and composer who devoted his life's work to Bruckner. Performers wearing crimson sashes with the inscription "Playing forte!” appeared in front of the audience, joining the "Let's not let culture die” initiative, which draws attention to the underfunding of culture and opposes the government's plan to invest just 0.64% of the state budget into culture next year, moving further and further away from its promise to spend at least 1%.  more

The Brno Philharmonic Orchestra has been running the Orchestral Academy of the Brno Philharmonic (OAFB) project for nine seasons, enabling young talented musicians to gain orchestral experience in a professional ensemble. In this manner, the orchestra educates the next generation of musicians, both permanent and external. However, working here also gives young people the opportunity to show their skills in chamber music and in a concert series called Young Blood aka Music Up Close. The first seasonal concert took place on Wednesday 15 November at Besední dom.  more

Baladas da Luta, Fighting Ballads, is the title of the sixth album by Brazilian singer Mariana Da Cruz and her Swiss-Brazilian band Da Cruz. It is a combination of modern music that combines Latin American tradition and contemporary electronic elements with strong lyrics. In them, the author fights for women’s rights, stands up against dictatorships and specifically criticizes the atmosphere that has evolved in Brazil under the now former authoritarian President Bolsonaro. Da Cruz performed at Brasil Fest Brno in August 2023. We revisit this festival with an interview conducted following their concert at Zelný trh. Singer Mariana Da Cruz and keyboard player and producer Ane Hebeisn, performing as Ane H, responded to our questions.  more

The programme for Janáček Brno 2024, an international opera and music festival now in its 9th year, was unveiled at a concert held to mark this occasion entitled Janáček to the start! On Saturday, 4 November, the Mahen Theatre was filled not only with devoted fans of the festival, but also with foreign journalists, politicians and prominent figures from the world of culture. In addition to a collection of wonderful musical performances, the audience was also treated to a lineup of renowned artists – Kateřina Kněžíková (soprano), Václava Krejčí Housková (mezzo-soprano), Josef Špaček (violin) and, last but not least, Robert Kružík, who took on the role of both conductor leading the Orchestra of the Janáček Opera at the National Theatre Brno during the evening and also performing as a cellist.  more

The musical comedy The Addams Family is the latest production to hit the stage of the Music Theatre of Brno City Theatre. Audiences are in for an ironic, slightly morbid and enticingly horrific spectacle for the whole family. A musical production has been crafted here which serves up a famous contemporary pop culture phenomenon, as well as a generous helping of hyperbole and catchy melodies to boot. And testament to the audience’s hunger for this wacky family is the fact that all thirty performances are already nearly sold out…  more

The Ensemble Versus choir, accompanied by the Ensemble Opera Diversa under the baton of Gabriela Tardonová, demonstrated what a combination of historical and modern instruments sounds like within a contemporary musical context in the Red Church. The dramaturgical line of Tuesday evening was presented in the spirit of a combination of the works of Carlo Gesualdo da Venosa (1566-1613) and the world premiere of Exsultet by the principal composer Ondřej Kyas (*1979), which also includes parts written for cornett (Radovan Vašina), dulcian (Jan Klimeš), trombone (Pavel Novotný) and theorbo (Marek Kubát).  more

The second New World of Moravian Autumn festival began on Thursday in Brno’s Besední dům. This project, by students of the Faculty of Music at the Janáček Academy of Performing Arts, was primarily originally created for the practical musical programming course and intended to be a one-off event during the Moravian Autumn the year before last. Subsequently, however, more students signed up and started working on a repeat festival. The dramaturgy for New World 2023 was handled by percussionists Adéla Spurná and David Paša, bassoonists Aneta Kubů and Josef Paik, and multimedia composer Martin Janda. Three concerts were prepared for 19, 20 and 21 October for this mini festival.  more

The Restlessness of Icelandic Peace was the name of a concert on 15 October at the Cathedral of Saints Peter and Paul in Brno, at which conductor Chuhei Iwasaki with the Moravia Brass Band and American artist Adam Wiltzie performed a work by Icelandic composer Jóhann Jóhannsson (1969-2018). Many of you may know his music from the award-winning films The Theory of Everything and Arrivalmore

The third concert of the Moravian Autumn Festival, held under the auspices of the Ambassadors of Latvia and Lithuania, Elita Kuzma and Laimonas Talat-Kelpša, presented mostly contemporary works by foreign composers on Wednesday 4 October at the Besední dům. The show was directed by the Kremerata Baltica string orchestra, who invited the young talented pianist Onutė Gražinytė to join them, and the whole evening primarily rode on a wave of minimalism. However, during the preparation of the concert, the programme was changed and instead of Geörgy Ligeti's String Quartet No.1 "Métamorphoses nocturnes", works by Jēkabs Jančevskis and Olli Mustonen were performed in their place.  more

The Ensemble Opera Diversa has already presented several compositions by David Matthews (*1943) to Brno audiences, and in most cases these were Czech or even world premieres. This year Matthews’ 80th birthday was celebrated with a performance by the above-mentioned ensemble, or rather its chamber branch Diversa Quartet, headed by dramaturge Jiří Čevela, with a concert on 20 September at the Villa Löw-Beer. The programme, consisting of works by composers closely associated with David Matthews himself, including his own compositions, was preceded by an hour-long discussion in the presence of the composer. Matthews is a British-born composer with long-standing ties to the Brno circle of composers and musicologists. In addition to his participation in the so-called "apartment seminars" in the 1980s, he also is friends with several personalities such as composer, pedagogue and oboist Pavel Zemek Novák (*1957).  more

Editorial

Terroir, a term used especially in the wine industry, is the subheading of this year's 31st annual Easter Festival of Sacred Music. It refers to the set of natural conditions, especially soil properties, which give a crop its distinctive character. Terroir perfectly describes the dramaturgy of this year's edition, which is focused exclusively on the work of domestic composers in the Year of Czech Music.  more

The Brno Culture Newsletter brings you an overview of what is happening in theatres, clubs, festivals and cultural events in Brno.  more

The Musica Florea ensemble is preparing a new concert programme to be performed for the first time this April. This year marks the 170th anniversary of Leoš Janáček's birth, and to mark the occasion the ensemble has taken up his earliest compositions to set them alongside works from the early Italian Baroque. Musica Florea will be performing with conductor Mark Štryncl. The soloists will be Barbora Kabátková, Stanislava Mihalcová, Daniela Čermáková, Hasan El Dunia and Jaromír Nosek.  more

Easter concerts are already a tradition at the Brno City Theatre. This Easter, the Rock Mass will be performed on Friday and Saturday at the Music Stage of the Brno City Theatre.  more

The ProART art group is celebrating 20 years of its activity. In addition to the celebrations, the Year of Czech Music also commemorates the anniversary of the composer Bedřich Smetana and the Czechoslovak choreographer Luboš Ogoun. These anniversaries will be combined into one production, DREAMS OF CONSCIOUSNESS.  more

Tenebrae, has long been one of the most impressive parts of the Easter Festival of Sacred Music. They are held from Wednesday to Good Friday, always from 9 pm at the Jesuits'. This year, the darkened church, in which candles are burning, will be unusually filled with music commissioned by the festival.  more

The festival enters its 17th year with a series of concerts that will fill not only the South Moravian metropolis with funky music, but also Prague as part of the "travelling" concerts. The year-long festival programme is starting to take off and the organisers are adding two more names. The previously announced French band Electro Deluxe is now joined by Fun Lovin' Criminals and the most prominent jazz-funk formation from Iceland - Mezzoforte.  more

The concert entitled "In between genres" is the culmination of a three-day event celebrating 100 years of radio broadcasting in Moravia. The whole event includes genre-free concerts, a showcase of new music recordings from radio production and a colloquium dealing with folk songs in radio broadcasting, and last but not least, a commemoration of editor Jaromír Nečas and his radio venture - a series of programmes called The Colourful Singing World. The final concert is moderated by Břetislav Rychlík and Jiří Plocek.  more

Mahan Esfahani, an absolute world leader in harpsichord playing, is coming to Brno. He was the first and only harpsichordist in the world to win the BBC's New Generation Artist in 2008-2010 and has won countless prestigious music awards. He will perform with the Brno Philharmonic Orchestra in a programme entitled Mahan Esfahani: harpsichord in the main role.  more

Years of international cooperation between the cities of Brno and Stuttgart will culminate in one musical event - a joint concert in the Hall of the Brothers of Charity. Rossini's Petite Messe Solennelle will be performed by the Ökumenischer Choir.  more