With this concert I am giving thanks for all I get

20 February 2020, 1:00

With this concert I am giving thanks for all I get

The singer Lizz Wright was born in 1980 to the family of a pastor. From childhood, gospel music was close to her, she used to sing in a choir and later began to adore additional originally Afro-American genres, such as soul, blues and jazz. In November 2019 at the Blues Alive festival in Šumperk she performed with her own band, but in Brno she will be accompanied by the Brno Philharmonic along with a trio of Prague jazz performers (David Dorůžka – guitar, Tomáš Baroš – double bass, Daniel Šoltis – drums). The concert will take place on 3 May in the Janáček Theatre as part of the JAZZFESTBRNO 2020 festival.

You used to sing in a choir and eventually with smaller vocal ensembles. Now, standing on the stage as a solo singer, do you miss the other voices supporting you?

Sometimes I feel like I can hear a choir singing, accompanying and supporting me in my mind. It's still somewhere in there. Besides that, I have great bonds with my fellow instrumentalists who play the role of the other voices on the stage.

You appeared with your own band at the Blues Alive festival in Šumperk. How did you actually meet your instrumentalists?

I was really lucky finding these guys. After twenty years in the music industry I can rely on my friends who can recommend their acquaintances. Today I play with people that some of those close to me suggested.

I tend to behave very spontaneously on the stage. I am open-minded and I need my instrumentalists to respect that and get used to it.

I have noticed you being very spontaneous on the stage. However, I have caught myself thinking about how much of what we can see and hear is staged and how much it is improvised. Can you tell us the secret?

What I'll be doing on the stage is not prepared. With the players we know the playlist in advance and we talk about transitions between individual pieces.

Above all, I try to perceive the energy flowing between me and my instrumentalists during the performance. When I get the feeling that I should do something different to what we have prepared, I do just that. In fact, I don't consider our performance a concert per se - for me it is more like sharing. We show who we are as people. I spend a lot of time with my instrumentalists, sometimes we stay together in a car for hours. Therefore we know each other very well and we can feel our connection. Even when we aren't holding our instruments we are, in fact, playing together. What is happening among us on the stage is real.

You started off as a gospel singer, hence a spiritual music performer. Is God still the addressee of your songs?

By singing I make peace with myself. I also sing to God, which I perceive as a love energy, as the one who gave life to you and me. I once again have to emphasise that I don't see my singing as any sort of concert or an artistic performance on the stage. I rather see it as showing gratitude for the gifts I am receiving, and the joy of giving away something of myself.

Is singing in a gospel choir a good training for ordinary solo singing?

Nowadays I see my upbringing in a Christian family and religious environment as a great gift. Thanks to that, I can stand up in front of a congregation and pray, meditate, or cry through a song. Thanks to this ability to open up and share with other people I see music as a real fellowship. Ergo, I try to make the audience realise they're part of a moment, which – I'm repeating once again – is not just a concert.

How can you then transfer all that you are talking about to a CD? Is that even possible?

It is difficult to transfer all this to a CD – that must be clear to you just as much as it is to me. On stage I experience a truly deep connection to my brothers – musicians. In the studio you may be pressed for time, recording does cost you money... But, indeed, we are capable of making an interesting project with beautiful cover artwork that we present at concerts and build upon that. However, it is really not easy at all.

You have used the word project. Do you consider your individual albums in some sense individual projects?

When I talk about artistic collaboration, I like to use the word project. Grace – my latest album – was produced by a good friend of mine, Joe Henry, one of my favourite composers. We've known each other for thirteen years and we had discussed what the album would be like for many long hours.

I tried to explain to him metaphorically how I imagined the result and he understood perfectly. He is a poet, he can play with words wonderfully. Collaboration with him is as natural and casual as if we were two kids playing together.

When you work on your album with a producer, does it ever occur that he proposes a song that you cannot identify yourself with?

Yes, it may happen. In any case I learn to sing the individual songs really honestly. I see it as a gift to have a voice, using which I can share my emotions with people.

I wish that people could identify themselves with my songs when listening to my recordings or concerts; I want them to feel like I am singing about them, and to think more about themselves than about me.

You will be performing in Brno this May, accompanied by a big orchestra, the Brno Philharmonic. How do you feel about such concerts?

I like such concerts very much. Everything about them is written in the score well in advance and I admire people who can write good music. I myself have to prepare for such a concert in a different way, but the result is magical anyway. I like, for instance, the orchestrations by Vince Mendoza on which I worked together with some German musicians. They were really open towards my music and they brought a whole new light into the songs. I really love singing with the accompaniment of a symphony orchestra. I'm wearing a long frock, the music sounds noble, and it is beautiful...

In Brno you will sing at a jazz festival, in Šumperk you sang at a blues festival; your repertoire still features gospel, soul, or for example, a song by Bob Dylan. Is a particular singing technique needed for combining all this?

I am a classically-trained musician and I employ certain breathing techniques but when I'm singing gospel I have to focus above all on what I want to hand over to the people. I have to be physically and mentally fit to capture a specific thought and pass it on as authentically as possible. I do my best to be successful at that.

Photo by Jesse Kitt

Comments

Reply

No comment added yet..

After the first successful concert of the Concentus Moraviae festival’s resident ensemble at the castle in Slavkov, the ensemble led by violinist Pavel Fischer expanded to include pianist Katya Apekisheva and on Sunday, 12 June, in the Great Hall of Mikulov Castle, presented an unknown face of the musical language of Hungarian composer Béla Bartók with his Piano Quintet in C Major. Along with Fischer and Apekisheva, the concert also featured violinist Markéta Janoušková, violist Diede Verpoest, and cellist Erich Oskar Hüttermore

Last year’s 100th anniversary of Gustav Brom’s birth still resonates on the domestic jazz scene. At the very end of 2021, a 4-CD set entitled “Gustav Brom – 100 Years” was released, offering a cross-section of the orchestra’s repertoire, from songwriting to jazz to intersections with contemporary classical music. Alongside this, an album charting the Brom Orchestra’s long-standing collaboration with Karel Velebný has also appeared on the same label (Indies Happy Trails). Radio editor, jazz musician, and teacher Jan Dalecký was one of the producers of both albums.  more

In its twenty-seven years of existence, the Concentus Moraviae International Music Festival has been held in a number of unusual and unique places. Sunday's program Homo Sapiens – The Story of Rhythm in Velké Meziříčí has the potential to be one of the most memorable concerts of the festival. On June 5, OK Percussion Duo musicians Martin Opršál and Martin Kleibl, together with guests and students Tomáš Javora and Kryštof Vašíček performed in the normally inaccessible premises of the New Synagogue, which has served as a center of affordable shopping for years. The concert was held in cooperation with the European Festival of Philosophy, the Jewish Community of Brno, and the town of Velké Meziříčí. At the same time, it was part of the project From the Shopping Center to the Cultural Communitymore

This year’s 27th edition of the international music festival Concentus Moraviae is still at the beginning of its almost month-long program, yet in terms of dramaturgy it is not holding back at all. After the opening featuring Argentinian and Uruguayan tango in Boskovice and Balkan music in Ivančice, the festival brought the Arcadia String Quartet to the atrium of the town hall in Kyjov on Thursday 2 June, where they performed the String Octet in C Major by Romanian composer George Enescu together with their friends from the Transylvanian Philharmonic Orchestra. In addition to the members of the quartet (violinists Ana TörökRăsvan Dumitru, violist Traian Boală and cellist Zsolt Török), there were also violinists Vlad RăceuValentin Șerban, violist Mihai Oșvat and cellist Ștefan Cazacu. The concert was held under the auspices of the Ambassador of Romania to the Czech Republic, H.E. Antoaneta Barta.  more

We met violinist Pavel Fischer at the Budějovická metro station in Prague, and on the way to the Dobeška Theater we managed to discuss his holiday in Italy. At the time, we were already working out the subtitle of this year's Concentus Moraviae festival “From Roots to the Future”. Next to Dobeška, where the Sklep Theater plays, is what we call the “woodshed”, where the Škampa Quartet has been rehearsing for thirty-five years. Pavel Fischer was a founding member of the ensemble which he left at a time when it was enjoying one international success after another. As he says, he was attracted by greater musical freedom and a quieter life. At Dobeška, after our interview, he had a concert with cellist Olin Nejezchleba and guitarist Norbi Kovács. We started with him, although our main topic was Fischer's residency at this year's Concentus Moraviae.  more

Brno musicians are talented in various genres, and they’re generally long-lived and vital individuals. This was resoundingly clear during the jubilee celebration of Mojmír Bártek, a teacher, composer, arranger, and above all a virtuoso trombone player. The jubilee concert, dubbed Mojda Bártek 80, was prepared by his friends under the direction of B-Side Band trumpeter and bandleader Josef Buchta. Despite the birthday boy’s open and (sometimes emotional) enjoyment of the two and a half hour program, he still remained an active participant of the entire musical production except for brief moments of rest. He performed as the author of many compositions, but above all as a player, trombone in hand and fully committed.  more

On Thursday 24 March, a Brno audience experienced a truly special evening. Director Břetislav Rychlík and his wife prepared a concert on the music stage of the Brno Municipal Theatre in support of Ukrainian artists who fled their country to escape the war. The evening was entitled “Common Roots” and sought to closer acquaint the audience with the similarities between the folk cultures of Ukraine and Moravia. During the evening's program, I could feel the general musical parallels in particular. Exceptional artists are able to pass such beauty onwards anywhere in the world.  more

The original programme of the Brno Philharmonic Orchestra’s third subscription concert, as part of the Philharmonic Orchestra series in Theatre II, promised to continue the originally scheduled Dvořák-Brahms dramaturgy line as interpreted by Elisabeth Leonská. However, of the intended programme for the evening of Dvořák & Brahms II, only Dvořák’s Symphony No. 4 remained. Because Elisabeth Leonská fell ill for the concerts on the 25th and 26th of February at The National Theatre Brno - Janáček Theatre, her place was filled by pianist Alexander Ullman with a performance of The Concerto for Piano and Orchestra in A minor by Edvard Hagerup Grieg. The orchestra was led by head conductor of the Brno Philharmonic Orchestra Dennis Russell Davies.  more

The long-delayed premiere of the composition The Basement Sketches by composer Michal Nejtek, whose performance was planned for June 2020 and which was commissioned by the Brno Philharmonic, was finally performed on Thursday 25 November at the Community Hall (Besední dům) venue. Together with the Cellar Sketches, the Variations on a Theme by Haydn in B flat major, Op. 56a by Johannes Brahms and Cello Concerto Op. 22 by Samuel Barber were played. In addition to Brno Philharmonic players, cellist Matt Haimovitz and pianist Nikol Bóková also performed. The dramaturgically varied evening, consisting of three distinctly different musical pieces of work and period contexts, was led by the ensemble’s chief conductor Dennis Russell Daviesmore

On Monday 22 November, the second concert of the Brno Contemporary Orchestra’s festive tenth season, entitled Kamenné mantry (Stone Mantras), presented compositions by Fausto Romitelli, Michal Rataj, Miloslav Ištvan and the recently deceased (well known to Brno audiences) Lithuanian composer Bronius Kutavičius. In addition to the orchestra itself, there were also soprano singer Irena Troupová, marimba player Martin Opršál and reciter Pavel Zajíc, who replaced Otakar Blaha in the programme. The concert, organised in cooperation with the Moravian Museum, was conducted by the artistic director of the ensemble Pavel Šnajdrmore

The work by the British composer Benjamin Britten forms an essential part of contemporary opera production. Worldwide, he is even the most frequently staged author born in the 20th century.  Peter Grimes, with a libretto by Montagu Slater based on a poem by George Crabbe, became the opera that set the course for Britten's next musical-dramatic works. And it is with the title Peter Grimes that the Brno National Theatre has opened the opera part of the 2021/2022 season. The story of a rough and tumble fisherman, whose two young apprentices die soon after each other and who as a result sails out to sea, where he sinks his boat and himself with it, had its Czechoslovak premiere in Brno in June 1947. Almost 75 years after, the story of a fishing village, resentment, cruelty and gossip is now coming to life again in the Janáček Theatre, directed by David Radok and with a musical score by Marko Ivanović. The title role was played by tenor Joachim Bäckström and the widowed teacher Ellen Orford, who found affection in Grimes, was portrayed by soprano Jana Šrejma Kačírková. This is not the first time that these two have met on stage together – it was with Mark Ivanović and David Radok that they had previously joined forces for the play Juliette / Lidský hlas (Juliette/The Human Voice). Jana Hrochová (Auntie), Andrea Široká (Niece), Tereza Kyzlinková (Niece), Svatopluk Sem (Balstrode), Jitka Sapara-Fischerová (Mrs. Nabob Sedley), Jan Št'áva (Swallow), Vít Nosek (Bob Boles), Petr Levíček (Horace Adams), David Nykl (Hobson), Jiří Hájek (Ned Keene) and Ivo Šiler (Dr. Crabbe) were also featured, along with the others.  more

Under the “cipher” 29/2 (reads as “Twenty-ninth February”) there is a band that was created for a bit of fun. They used compositional techniques that should not work in songwriting at all. It has united musicians who, by definition, perhaps can never understand each other. And yet the result is an album of very strong songs that, despite all the experimentalism, makes sense and works as a whole.  more

Yesterday, Visitors to the Brno City Theatre experienced the Czech premiere of the Broadway musical hit Pretty Woman. Directed by Stanislav Moša, this theatrical adaptation of the famous blockbuster highlighted the strengths of the movie. Until the break, the viewer is mostly laughing royally and having fun in this tale of a modern Cinderella, and then in the second half the impressiveness and lyricism of the whole title is especially pronounced.  more

For two consecutive Saturdays, visitors to the Olomoucké barokní slavnosti (Olomouc Baroque Festival) had the opportunity to listen to works by lesser-known composers whose music not only in many respects far surpassed the standard of the time, but whose fates were also closely linked to Olomouc.  more

One of the biggest attractions of this year's Olomouc Baroque Festival was the performance of the oratorio David by the Austrian composer Karl Ditters. It was the perfect opportunity to do so, after all – this year the work celebrates 250 years since its creation. Ditters composed the oratorio to a text by Ignazio Pinto in 1771 and in the same year it had its premiere at the castle of Bishop Philipp Gotthard Schaffgotsch of Wrocław on the Jánský Vrch (John´s Hill) near Javorník. In the musical production of violinist and artistic director of Volantes Orchestra Veronika Manová and conductor Ema Mikešová the oratorio was first performed in concert in Brno at the Church of St. Johns (4 August), then on 7 August in Podzámecká zahrada – a garden of the Archbishop’s Chateau in Kroměříž, and, finally, on 12–14 August in the Ambit and Basilica of the Visitation of the Virgin Mary on the Svatý Kopeček (Holy Hill) near Olomouc. The event of 12 August was the performance I visited. In addition to Volantes Orchestra, there were members of other ensembles – Arte dei Suonatori (PL), Il Cuore Barocco (SK), Musica Aeterna (HU) and Societas Incognitorum (CZ). In this aspect, this is another event from the series of concerts organised under the auspices of the festival which bring together musical ensembles from the Visegrad Four. However, there are also performers from other countries – Slovenia, Northern Macedonia and Great Britain. The solo roles were performed by: Doubravka Součková (David), Aco Bišćević (Saul, King of Israel), Helena Hozová (Jonathan, son of Saul), Jiří Miroslav Procházka (Abner, warlord) and Aneta Petrasová (Eliab, David’s brother). The concert was directed by Rocc; the choreography was designed by Sanja Nešković Peršin and costumes were rendered by Borjan Litovski.  more

Editorial

The most ambitious, the most unrepeatable, and the most challenging to produce. This is this year's “Mozart's Children” festival, whose Gala Concert will take place this Sunday at the Janáček Theater. Nearly two hundred performers will appear on stage, with young talents from all over South Moravia outnumbering professional musicians.  more

Brno’s sacred history and present is presented by the Brno and its Temples project, organized by TIC BRNO in cooperation with the Bishopric of Brno, Christian parishes in Brno, the Jewish Community of Brno, and the Brno branch of the Jewish Museum in Prague. It includes guided tours and lectures about Brno churches and important personalities connected with the church, as well as the opportunity to visit 7 Brno churches. In mid-June, it will start with a concert with the Horňácko Music of Petr Mička.  more

The organizers of the Pop Messe festival will shorten their fans’ wait for the last weekend in July with the Druž Messe event. It promises a pair of warm-up concerts in Brno and Veselí nad Moravou. The bands B4 and Wczasy from Poland will perform at the Kabinet Múz.  more

The Ibérica Festival of Ibero-American Cultures will take place this year in Brno, Prague, Čechy pod Kosířem, and Zdounky. The nineteenth edition of the festival will feature several Czech premieres. For the first time in the Czech Republic, the main star of the gala evening at Brno’s Špilberk, flamenco guitarist Álvaro Martinete, will perform with dancer Coral Fernández, as well as Colombian singer with Caribbean roots Concha Bernal and the Catalan duo Magalí Sare & Sebastià Gris. This year’s festival will also feature the premiere of a poetic recital from Karel Čapek’s texts, A Trip to Spain, performed by actor Tomáš Hanák, accompanied by Petr Vít’s guitar and Verónica Roa’s dance. There will be dance and music workshops for beginners, advanced, and children.  more

The management of the Brno Philharmonic announces a vacancy for the position of Secretary of Artistic Operations. The possible start date is mid-August 2022.  more

The Czech Radio Endowment Fund and Czech Radio – Radiožurnál, in cooperation with the Endowment Fund of the Brno-born Magdalena Kožená, are launching a non-financial collection named after the favorite Czech musical “Kdyby tisíc klarinetů”, or “If a Thousand Clarinets”. The collection is intended for all child musicians for whom the purchase of a musical instrument is beyond the means of their family budget. The collection works on the principle of connecting donors and volunteers on the platform www.kdybytisicklarinetu.cz.  more

The next-to-last premiere of the 2021/22 season is Mozart's “The Magic Flute”. It will be directed by Miroslav Krobot. This unconventional presentation of the opera promises the audience a journey into space. The musical staging is led by Pavel Šnajdr. Title roles will be played by Jiří Sulženko, David Szendiuch, Petr Nekoranec, Daniel Matoušek, Martina Masaryková, Doubravka Součková, Jana Šrejma Kačírková, Andrea Široká, and others. Scenography by Andrej Ďurík.  more

Eight years after the release of their album Šero, which received both the Anděl and Apollo music awards, the Orff Brothers will release their new Song for Stefanie Sauer. You can hear it in concert in Brno, where the band will start their spring tour.  more

The Brno Philharmonic is holding a benefit concert for Ukraine this week. Proceeds from the entrance fee will go to the Vesna Women's Educational Association, which is now helping Ukrainian refugees. The evening will include Dvořák's Symphony No. 9 in E minor From the New World, conducted by Leoš Svárovský.  more

The City of Brno has announced that an agreement has been reached with the owner of the International Hotel, HIB DEVELOPMENT, a. s. If the agreement is fulfilled, the construction of the Janáček Cultural Centre (JKC) will not be a compromise, but will fulfil the vision of having a top concert hall in Brno and gaining a new high-quality public space in the historic city centre. The interrelated key documents, i.e. the exchange agreement, the artwork purchase agreement, and the cooperation agreement, were recommended for approval by the Brno City Council today.  more