An operatic production of Ferdy the Ant, who can do anything and knows everything

24 August 2020, 10:00
An operatic production of Ferdy the Ant, who can do anything and knows everything

For the end of this summer, the National Theatre Brno prepared a children's opera, written by the composer Evžen Zámečník under the title Ferdy the Ant  (original Czech title: Ferda Mravenec), based on the story by Ondřej Sekora. The stories of an optimistic ant who "can do anything and knows everything" and doesn’t turn his nose up at “work of all kinds", however, are actually not appearing at the Janáček Theatre for first time. Zámečník's work in eight scenes won the hearts of the Brno audiences between the years 1977 and 1986 with astounding success; it helped bring a number of children to opera – the most refined form of musical theatre. Today, these already adult musicians, actors, directors, lighting technicians and many others have decided to pay tribute to the composer, who also carried out a lot of "work of all kinds" for Brno's musical life.

Zámečník's "play at an opera for both the big and the little ones", as the author himself described it, does not begin in the forest with the actual story of Ferdy the Ant and the troubles of Bug Butterfingers (in Czech: Brouk Pytlík). Before our protagonist encounters a grumpy snail on a rainy night, the individual characters – at the moment still enthusiastic theatre performers preparing a performance – will present some of the typical features of an operatic performance. The first arias, duets, quartets or music imagery demonstrating the variegated timbre possibilities of the orchestra are meant especially for younger visitors, yet they can likewise entertain their parents with their overstatement and consciously comic nature.  However, it is not until the arrival of rain and painted paper backdrops with excellent lighting design that the gym hall space turns into a dark forest plantation, crumbling and swarming with all sorts of heteroptera, spiders, bumblebees, agriotes, stag beetles and other representatives of animal species of the rich insect kingdom. Once the plot of the opera moves to the woods, the director Magdalena Švecová, set designer David Janoška, costume designer Zuzana Přidalová and lighting designer Pavla Beranová fully develop their narration. Švecová chose a relatively traditional approach devoid of experimental features and remained loyal to the original, purely fairy-tale concept of the work. This concept was elevated not only by the magic stage design with rampant greenery (which by its arrangement especially in the last scene evoked Baroque theatre staging procedures) or a giant matchbox (used by Ferdy as a dwelling as well as a workshop), but also expressive costumes. Although they maintained styles and features of traditional human clothing (jackets, skirts, caps, etc.), they managed to evoke entirely naturally specific animals from Ferdy's adventures, with their looks, colours and mainly accessories. The rafters, wings or long tentacles were then clearly defining the individual animals. The only creature that needed a more expressive costume/prop was the snail. But this applied only until the moment it got out of its shell and paraded in a transparent plastic rendition of mucus and in red pump shoes on top of that. The entire show was elevated by its lighting design, which managed to change the tone of the scene in an instant and often functioned as an imaginary "wave of a magic wand" when routine opera practice turned into great art.

Although the visual component was a real sight for sore eyes, the director was not always able to make some reasonable use of the great amount of strange beetles, bees and bugs. In many cases, the insects only stayed aimlessly on the stage and filled it statically. As a photograph from the forest, that would be perfectly fine; not so much as a demonstration of the swarming of an insect community. At other times, however, the choreography was successful: as was the case of the impressive ballet scenes, fully matching the forest ecosystem, and above all the creations of female spiders threading on hanging clothes.  Singing performances definitely did not lag behind the successful visual component – the excellent Andrea Široká in the role of the capricious Gwendolyn (in Czech: Beruška) managed to enchant people with sweet, carefully articulated coloraturas and also Václava Krejčí Housková set the bar high already in the first lovable duet with the no less high-quality Petr Levíček. The main soloist of the evening, however, was Tomáš Kořínek in the role of Ferdy the Ant, who showed virtually nothing to criticise – excellent diction, clear voice timbre and flawless intonation. It is only a pity that the work does not put the soloist's vocal qualities on display until almost the very end, during the last chorus "Já jsem Ferda Mravenec a všechno umím a všechno znám" ("I'm Ferdy the Ant and I can do anything and I know everything", where the transposed theme music sounds in all its strength as a final reaffirmation of Ferdy's personal victory. However, my personal favourite was Bug Butterfingers performed by Roman Hoza. The baritone singer not only performed an incredibly fluid expression, which was original in every situation – merrily cheerful here, cakewalking and lecturing there – yet still interpretively sophisticated. Hoza's surprisingly natural acting in the opening scenes of the opera also deserve mention. Although his character is deliberately exaggerated, in Hoza's interpretation the praise of the theatre and the opera did not sound convulsive and artificial, but passionate and truly sincere. Also the choir gave a good performance and its scenes gave the opera the necessary shine.

The orchestra under the direction of the conductor Jakub Klecker was united, rhythmically stable and dealt easily with the colourful and often onomatopoeic score. The conductor achieved not only a sharp comic atmosphere – wherever it was it necessary – but also kind lyricism. The particularly emotionally expressive violin solo (not only) during Ferdy's confession to Gwendolyn were an unexpected diversion from the otherwise mischievous blare of percussion instruments and the (great!) brasswind section.

Ferdy the Ant is undoubtedly a successful production both for kids and adults. It is strong where every good opera performance must have solid pillars or in the directing, stage design, singing and orchestra. It is however also true that the opera itself, probably for the sake of better understanding of soloists, does not belong to the most melodically arched works of music history. Some parts – such as the glorification of organised morning physical training, harassment of the snail for sleeping a little late, or the fascination by a tractor – belong more in the past. However, the major part of Ferdy the Ant will make children and adults happy. It could be seen and heard that the National Theatre Brno could pay adequate respect to the legacy of Evžen Zámečník.

Premiere on 22 August 2020 at the Janáček Theatre

author: Evžen Zámečník

libretto: Rudolf Žák

music production: Jakub Klecker

conductor: Jakub Klecker

director: Magdalena Švecová

stage design: David Janošek

costumes: Zuzana Přidalová

lighting design: Pavla Beranová

choreography: Martin Pacek

dramaturgy: Patricie Částková

choirmaster: Zuzana Kadlčíková Pirnerová and Valeria Maťašová

assistant conductor: Patrik Červák and Ľubomír Zelenák

assistant choirmaster: Klára Složilová Roztočilová assistant director: Otakar Blaha 

 

Characters and cast on  22 August 2020

 

FERDY THE ANT: Tomáš Kořínek as a guest GWENDOLYN (LAURA): Andrea Široká

BUG BUTTERFINGERS: Roman Hoza

TRUE BUG: Václava Krejčí Housková

CRICKET: Petr Levíček

ARAMBULA: Michael Robotka as a guest

BUMBLEBEE / BUG SNIFFY JUDGE: Jan Šťáva

1st AGRIOTE: Robert Musialek

2nd AGRIOTE: Kornel Mikecz, Petr Karas

SNAIL: Tadeáš Hoza as a guest

STAG BEETLE: Jiří Miroslav Procházka as a guest 1st EARWIG: Pavel Valenta

2nd EARWIG: Ivo Musil

GOLDHEAD: Lukáš Hlavatý

LITTLE TRUE BUG: Sára Benešová

RUSHER: Vojtěch Orenič

LAY JUDGE: Milan Řihák

Photo by Marek Olbrzymek

Comments

Reply

No comment added yet..

Connection, unity, contemplation - these words can be used to describe the musical evening of Schola Gregoriana Pragensis under the direction of David Eben and organist Tomáš Thon, which took place yesterday as part of the Easter Festival of Sacred Music at the church of St. Thomas. Not only the singing of a Gregorian chant, but also the works of composer Petr Eben (1929-2007) enlivened the church space with sound and colour for an hour.  more

With a concert called Ensemble Inégal: Yesterday at the church of St. John, Zelenka opened the 31st edition of the Easter Festival of Sacred Music, this time with the suffix Terroir. This slightly mysterious word, which is popularly used in connection with wine, comes from the Latin word for land or soil, and carries the sum of all the influences, especially the natural conditions of a particular location and on the plants grown there. This term is thus metonymically transferred to the programme of this year's VFDH, as it consists exclusively of works by Czech authors, thus complementing the ongoing Year of Czech Musicmore

For the fourth subscription concert of the Philharmonic at Home serieswhich took place on 14 March at the Besední dům and was entitled Mozartiana, the Brno Philharmonic, this time under the direction of Czech-Japanese conductor Chuhei Iwasaki, chose four works from the 18th to 20th centuries. These works are dramaturgically linked either directly through their creation in the Classical period or by inspiration from musical practices typical of that period. The first half of the concert featured Martina Venc Matušínská with a solo flute.  more

The second stop on the short Neues Klavier Trio Dresden's Czech-German tour was at the concert hall of the Janáček Academy of Music on 6 March at 16:00. A programme consisting of world premières by two Czech and two German composers was performed in four cities (Prague, Brno, Leipzig and Dresden).  more

The last opera première of the National Theatre Brno this year was Hurvínek Sells the Bride, which was co-produced with the Spejbl and Hurvínek Theatre. The première continued the thematic focus associated with the Year of Czech Music and took place on 24 November in the large hall of the Reduta Theatre.  more

With Thursday's concert entitled Bruckneriana, the Brno Philharmonic under the direction of Principal Conductor Dennis Russell Davies launched the subscription series Philharmonia in the Theatre I. The orchestra performed works by Anton Bruckner and Stanislaw Skrowaczewski, a Polish-American conductor and composer who devoted his life's work to Bruckner. Performers wearing crimson sashes with the inscription "Playing forte!” appeared in front of the audience, joining the "Let's not let culture die” initiative, which draws attention to the underfunding of culture and opposes the government's plan to invest just 0.64% of the state budget into culture next year, moving further and further away from its promise to spend at least 1%.  more

The Brno Philharmonic Orchestra has been running the Orchestral Academy of the Brno Philharmonic (OAFB) project for nine seasons, enabling young talented musicians to gain orchestral experience in a professional ensemble. In this manner, the orchestra educates the next generation of musicians, both permanent and external. However, working here also gives young people the opportunity to show their skills in chamber music and in a concert series called Young Blood aka Music Up Close. The first seasonal concert took place on Wednesday 15 November at Besední dom.  more

Baladas da Luta, Fighting Ballads, is the title of the sixth album by Brazilian singer Mariana Da Cruz and her Swiss-Brazilian band Da Cruz. It is a combination of modern music that combines Latin American tradition and contemporary electronic elements with strong lyrics. In them, the author fights for women’s rights, stands up against dictatorships and specifically criticizes the atmosphere that has evolved in Brazil under the now former authoritarian President Bolsonaro. Da Cruz performed at Brasil Fest Brno in August 2023. We revisit this festival with an interview conducted following their concert at Zelný trh. Singer Mariana Da Cruz and keyboard player and producer Ane Hebeisn, performing as Ane H, responded to our questions.  more

The programme for Janáček Brno 2024, an international opera and music festival now in its 9th year, was unveiled at a concert held to mark this occasion entitled Janáček to the start! On Saturday, 4 November, the Mahen Theatre was filled not only with devoted fans of the festival, but also with foreign journalists, politicians and prominent figures from the world of culture. In addition to a collection of wonderful musical performances, the audience was also treated to a lineup of renowned artists – Kateřina Kněžíková (soprano), Václava Krejčí Housková (mezzo-soprano), Josef Špaček (violin) and, last but not least, Robert Kružík, who took on the role of both conductor leading the Orchestra of the Janáček Opera at the National Theatre Brno during the evening and also performing as a cellist.  more

The musical comedy The Addams Family is the latest production to hit the stage of the Music Theatre of Brno City Theatre. Audiences are in for an ironic, slightly morbid and enticingly horrific spectacle for the whole family. A musical production has been crafted here which serves up a famous contemporary pop culture phenomenon, as well as a generous helping of hyperbole and catchy melodies to boot. And testament to the audience’s hunger for this wacky family is the fact that all thirty performances are already nearly sold out…  more

The Ensemble Versus choir, accompanied by the Ensemble Opera Diversa under the baton of Gabriela Tardonová, demonstrated what a combination of historical and modern instruments sounds like within a contemporary musical context in the Red Church. The dramaturgical line of Tuesday evening was presented in the spirit of a combination of the works of Carlo Gesualdo da Venosa (1566-1613) and the world premiere of Exsultet by the principal composer Ondřej Kyas (*1979), which also includes parts written for cornett (Radovan Vašina), dulcian (Jan Klimeš), trombone (Pavel Novotný) and theorbo (Marek Kubát).  more

The second New World of Moravian Autumn festival began on Thursday in Brno’s Besední dům. This project, by students of the Faculty of Music at the Janáček Academy of Performing Arts, was primarily originally created for the practical musical programming course and intended to be a one-off event during the Moravian Autumn the year before last. Subsequently, however, more students signed up and started working on a repeat festival. The dramaturgy for New World 2023 was handled by percussionists Adéla Spurná and David Paša, bassoonists Aneta Kubů and Josef Paik, and multimedia composer Martin Janda. Three concerts were prepared for 19, 20 and 21 October for this mini festival.  more

The Restlessness of Icelandic Peace was the name of a concert on 15 October at the Cathedral of Saints Peter and Paul in Brno, at which conductor Chuhei Iwasaki with the Moravia Brass Band and American artist Adam Wiltzie performed a work by Icelandic composer Jóhann Jóhannsson (1969-2018). Many of you may know his music from the award-winning films The Theory of Everything and Arrivalmore

The third concert of the Moravian Autumn Festival, held under the auspices of the Ambassadors of Latvia and Lithuania, Elita Kuzma and Laimonas Talat-Kelpša, presented mostly contemporary works by foreign composers on Wednesday 4 October at the Besední dům. The show was directed by the Kremerata Baltica string orchestra, who invited the young talented pianist Onutė Gražinytė to join them, and the whole evening primarily rode on a wave of minimalism. However, during the preparation of the concert, the programme was changed and instead of Geörgy Ligeti's String Quartet No.1 "Métamorphoses nocturnes", works by Jēkabs Jančevskis and Olli Mustonen were performed in their place.  more

The Ensemble Opera Diversa has already presented several compositions by David Matthews (*1943) to Brno audiences, and in most cases these were Czech or even world premieres. This year Matthews’ 80th birthday was celebrated with a performance by the above-mentioned ensemble, or rather its chamber branch Diversa Quartet, headed by dramaturge Jiří Čevela, with a concert on 20 September at the Villa Löw-Beer. The programme, consisting of works by composers closely associated with David Matthews himself, including his own compositions, was preceded by an hour-long discussion in the presence of the composer. Matthews is a British-born composer with long-standing ties to the Brno circle of composers and musicologists. In addition to his participation in the so-called "apartment seminars" in the 1980s, he also is friends with several personalities such as composer, pedagogue and oboist Pavel Zemek Novák (*1957).  more

Editorial

Terroir, a term used especially in the wine industry, is the subheading of this year's 31st annual Easter Festival of Sacred Music. It refers to the set of natural conditions, especially soil properties, which give a crop its distinctive character. Terroir perfectly describes the dramaturgy of this year's edition, which is focused exclusively on the work of domestic composers in the Year of Czech Music.  more

The Brno Culture Newsletter brings you an overview of what is happening in theatres, clubs, festivals and cultural events in Brno.  more

The Musica Florea ensemble is preparing a new concert programme to be performed for the first time this April. This year marks the 170th anniversary of Leoš Janáček's birth, and to mark the occasion the ensemble has taken up his earliest compositions to set them alongside works from the early Italian Baroque. Musica Florea will be performing with conductor Mark Štryncl. The soloists will be Barbora Kabátková, Stanislava Mihalcová, Daniela Čermáková, Hasan El Dunia and Jaromír Nosek.  more

Easter concerts are already a tradition at the Brno City Theatre. This Easter, the Rock Mass will be performed on Friday and Saturday at the Music Stage of the Brno City Theatre.  more

The ProART art group is celebrating 20 years of its activity. In addition to the celebrations, the Year of Czech Music also commemorates the anniversary of the composer Bedřich Smetana and the Czechoslovak choreographer Luboš Ogoun. These anniversaries will be combined into one production, DREAMS OF CONSCIOUSNESS.  more

Tenebrae, has long been one of the most impressive parts of the Easter Festival of Sacred Music. They are held from Wednesday to Good Friday, always from 9 pm at the Jesuits'. This year, the darkened church, in which candles are burning, will be unusually filled with music commissioned by the festival.  more

The festival enters its 17th year with a series of concerts that will fill not only the South Moravian metropolis with funky music, but also Prague as part of the "travelling" concerts. The year-long festival programme is starting to take off and the organisers are adding two more names. The previously announced French band Electro Deluxe is now joined by Fun Lovin' Criminals and the most prominent jazz-funk formation from Iceland - Mezzoforte.  more

The concert entitled "In between genres" is the culmination of a three-day event celebrating 100 years of radio broadcasting in Moravia. The whole event includes genre-free concerts, a showcase of new music recordings from radio production and a colloquium dealing with folk songs in radio broadcasting, and last but not least, a commemoration of editor Jaromír Nečas and his radio venture - a series of programmes called The Colourful Singing World. The final concert is moderated by Břetislav Rychlík and Jiří Plocek.  more

Mahan Esfahani, an absolute world leader in harpsichord playing, is coming to Brno. He was the first and only harpsichordist in the world to win the BBC's New Generation Artist in 2008-2010 and has won countless prestigious music awards. He will perform with the Brno Philharmonic Orchestra in a programme entitled Mahan Esfahani: harpsichord in the main role.  more

Years of international cooperation between the cities of Brno and Stuttgart will culminate in one musical event - a joint concert in the Hall of the Brothers of Charity. Rossini's Petite Messe Solennelle will be performed by the Ökumenischer Choir.  more