Bombarďák: 3fo3

7 February 2018, 1:00

Bombarďák: 3fo3

The three musketeers in fact numbered four. In the same way 3fo3 (which reads as “three fotři” – a play on words since ‘fotr’ is an unflattering term for father) is made up of four members. To the founding members of Bombarďák, Michal Dalecký, Jiří Jelínek and Filip Nebřenský, Matěj Pospíšil was added as a kind of d’Artagnan. However otherwise everything has stayed the same. Bombarďák – or rather the lyricist Jiří Jelínek – speaks to kids with a dynamic language full of fashionable and modern expressions. In the space of very brief songs (on average under two minutes) they are able to tell humorous tales full of wordplay and situational humour. One song follows on from another, mostly upbeat, with speaking as well as singing, on the borders of song and theatrical sketch, but all fitting together well.

Just to describe all the clever ideas goes beyond the possibilities of one article. Taken at random we can mention kapesníky (handkerchiefs), of which one is “hepčí” (which translates as “a-choo” which is of course what it does!”), a tale of a father who is an alien because he uses terms like contemplation or apocalypse, and a dialogue between grown-up scouts in song that will perhaps amuse parents more than their kids. It seems that this time Bombarďák is not just aiming at primary school pupils (even if plays on words like “emo” and “emu” are aimed at youngsters), but can also score with listeners who are just as bearded as the members of the group. After all while today’s kids cannot recall the singer Zich, dads (and of course mums) immediately link the rock’n’roll rhythms and vocal colouring of the late singer with the catchphrase “Je to parada” (“it’s great”).

In some topics Bombarďák slightly repeat themselves – for example in Ryby (Fish), or where they develop or shift ideas from the song Datel (Woodpacker) from a previous disc. Once more we go with the group to the zoo (previously Čardáš, and now Emo). And the play on the word “ska” is not completely original. That does not change the fact that the gentlemen of Bombarďák are not only masters of the art of brevity when it comes to lyrics, but at the same time they are able to dress the song in decent modern costume. Here there is reggae, ska, folk, rock, disco, hip-hop, pop and even punk and once more it all works together. One song follows another absolutely smoothly, without the album losing its way for even a moment. And at the same time the songs not only do not resemble each other but even despite their shortness they also develop. An example is Tichúčko (which might translate as “Stealthily”), in which Eben-like passages (including vocalisation that is truly like that of Marek Eben) alternate with more rhythmic parts like those of the group Hm… (yes, Filip Nebřenský) and from which follows a fatherly recitative. The album deals with the theme of fatherhood at various levels. For example the delicacies that dad knows how to cook (“spaghetti with ketchup, ketchup with spaghetti”)…

I have already previously mentioned that in the field of songs for kids Brno’s Bombarďák, with their common Czech and occasionally overdone ‘street’ grammar, represent the opposite of the cultivated Czech of Zdeněk Svěrák. At the same time the songs are at least as funny and in musical terms more interesting than the Uhlíř-style synthesizer. Already for their combination of balanced music and text Bombarďák are worth following. Even if some of the themes are slightly repeated.

Bombarďák – 3fo3, Publisher: Indies Scope 2017. 19 pieces, total length: 37:10

Comments

Reply

No comment added yet..

A fateful comedy, the third part of a musical trilogy or a fantasy musical. These attributes define Paradise, a new authorial piece from the workshop of Zdenek Merta and Stanislav Moša. Their ninth joint work in the field of music theatre was premiered yesterday on the big stage of the Brno City Theatre. The result is embarrassing.  more

Director, librettist and stage designer David Radok and composer, but also chief conductor of the opera ensemble Marko Ivanović created the authorial work for the opera ensemble of the National Theatre Brno. The opera The Monument, which was premiered yesterday, tells the story of sculptor Otakar Švec (1892–1955), whose design in 1955 was a portent of Stalin's monument at Letná. The title roles in the Janáček Theatre were performed by: Stanislav Sem (Sculptor), Markéta Cukrová (Wife), Roman Hoza (Colleague) and Ondřej Koplík (Minister of Culture). The solo parts were complemented by the Opera Choir, the Czech Academic Choir and the Brno Children's Choir. The Janáček Opera Orchestra was directed by the author of the music Marko Ivanović.  more

On the next day after the powerful experience I had gotten from the performance of Requiem by the Armenian composer Tigran Mansurian, I had the opportunity to meet its creator. The fragile, gentle and sincere music thus foreshadowed me of its author, with whom I spent a few precious moments in the director's lounge of the Besední dům in Brno in a very friendly conversation.  more

If a band releases a new album after ten years and calls it Dej si čas [Take Your Time], it sounds like a pleasant self-irony. But what is ten years against delays of other bands, whose fans had to wait for new albums for eighteen (AG Flek) or even thirty years (Progres 2). For Mošny, it was said that the new album started to emerge a few years ago, but the group wanted to include some brand new songs, which they needed to rehearse and finish.  more

That evening was not only festive, with an extraordinary list of performers, but especially from many points of view valuable and significant. The bright and shiny ballet gala show of the ensemble of the National Theatre Brno showed many important things at the Janáček Theatre yesterday. On the one hand, the gala concert celebrated the respectable one hundred years' anniversary of the ballet ensemble in Brno, and on the other hand also presented the city as a respected focal point of dance art, where the greatest stars of these days do not hesitate to arrive. And in this first-league competition, the domestic ensemble was successful in its match with the European best and brightest. If you add to this the truly storming and crowded auditorium of the Janáček Opera, meaning more than a thousand satisfied spectators, the above-mentioned artistic gains are accomplished.  more

Several years ago, a miracle happened to Jura Hradil. This devotee of the electronic nu jazz alternative came to the hilly Carpathian landscape somewhere on the border between Moravia and Slovakia and heard a song, firstly one, then two, then hundreds. It wasn't a blurry echo of old times, but the bright tone of a Horňácko song.  more

Originally, it was supposed to be the third part of the YM project, in which the individual members of the group Květy make records of their solo albums of different genres, and their colleagues from the band accompany them. After Lorenzovi hoši [Lorenzo´s Boys] by Martin Kyšperský in country style and after the electronic Japonec [The Japanese Guy] by Aleš Pilgr, Ondřej Kyas´s Solárium [The Sunbed] was hard to classify concerning its genre category. As a solo record, with only an episode contribution by Aleš Pilgr and without any playing participation of Martin Kyšperský.  more

The small Ponava music club has been renowned in Brno last several years for its very high quality music production. Here and there, its diverse programme also features folklore projects. On Thursday, a duo of the well-known multi-instrumentalist Marian Friedl and the Lachian vocalist Sabrina Pasičnyk performed on this stage.  more

While trumpeter Jiří Kotača is known to the Brno jazz audience mainly as the bandmaster of the progressive big band Cotatcha Orchestra, on his first CD he presents himself with a different formation. He had met the Swedish guitarist Alf Carlsson during his studies in the Netherlands, and then they met up again and founded their band during Alf's tourist trip to the Czech Republic. Then they invited two very talented Slovak players to a joint trip for music, drummer Kristián Kuruc and double bass player Peter Korman, who is a member of Kotača's big band. This international formation plays Kotača's and Carlsson's original compositions and gets more or less inspired by Moravian, Slovak and above all Scandinavian folklore. The album was given the name Journeys, because journeys – to music, to knowledge and to the heart of souls – are what the life of not only this band revolves around.  more

With the return to the Janáček Theatre after three years and with the first foreshadowing of the upcoming celebrations of the 250th anniversary of Ludwig van Beethoven's birth, the Brno Philharmonic entered the new year with its traditional, already the 65th New Year concert in history. For this occasion, it chose a programme truly magnificent and appropriate, crowned by the European-famous Ode to Joy. The whole gala evening took place under the baton of Chief Conductor Dennis Russell Davies.  more

Two sold-out concerts launched on Saturday filled-up the hall of the Koruna cinema in Břeclav, where the Národopisný soubor Břeclavan [Břeclavan Ethnographic Ensemble] celebrated its 65th anniversary and joined thus the series of jubilee folklore ensembles this year. The afternoon concert had to be eventually added because of the huge audience acclaim, which only confirms that in South Moravia folklore is still widely known and enjoys unremitting popularity.  more

The Prophet and the Wind is a multi-genre performance by flute player Martina Komínková. She created it in Italy and after its Italian premiere it will be presented in Brno for the first time. The Czech premiere will take place at Brno's Divadlo na Orlí Theatre on Sunday 3 November. The evening show starting at 7:00 pm is already sold out, but you can still buy tickets for the afternoon performance scheduled at 2:00 pm.  more

In the premises of the neo-Gothic Czech Brethren Evangelical Church of J. A. Comenius, on the fifth evening of the Moravian Autumn festival, a performance of sacred music for choir and organ took place. In addition to the choir of the same name, Martinů Voices was also dominated by the organist Linda Sítková and a four-member ensemble of French horns. All this under the direction of choirmaster Lukáš Vasilek.  more

The third event of this year's Moravian Autumn festival was transferred to a theatre stage. The event was made happen by Terén, which is a platform acting as a third stage of the Centre of Experimental Theatre, right after the Goose on a String and HaDivadlo theatres. And it was on this particular stage of the Goose on a String where the world premiere of a stage production of Oedipus by André Gide took place yesterday. Composer Bohuslav Martinů stands behind its equally important incidental music.  more

The jubilee 50th Moravian Autumn music festival started yesterday at Bobycentrum in Brno with a concert performance of the minimalist opera Einstein on the Beach by composer Philip Glass and director Robert Wilson. The concert version was created by collaboration of visual artist Germaine Kruip, Suzanne Vega and Ictus Ensemble and Collegium Vocale Gent. Although only the music remained from the previously stage show, the length of the concert itself was comparable with the opera work. Hence, the evening lasted almost four hours.  more

Editorial

Representatives of the Slovak reggae and ska scene Polemic and Medial Banana are preparing a joint birthday concert in the Fléda club. The Brno concert is one of only two performances in the Czech Republic. The interconnection of these two bands started with their anthem Staré časy [Old Times], which they presented together at the Uprising festival. The concert will also feature new songs from the upcoming albums of the two formations.   more

The Vox Iuvenalis choir of the Brno University of Technology announces an audition for new members. Positions are to be filled in all voice groups.   more

The Balladine Dance School in Brno will open a summer semester of dance courses for children and adults in February.  more

Yesterday, the 19th season of the JazzFestBrno international music festival presented its complete programme of the main part of the festival. Already published names such as Lizz Wright, Joshua Redman Quartet and Pat Metheny have now been expanded by French trumpeter Erik Truffaz, American pianist Jason Moran or British saxophonist Nubya Garcia, who will perform in Czech premiére in Brno. This year's season promises a total of 23 concerts during 16 music evenings. The festival runs from 15 March to 9 June 2020.  more

The Brno band Plum Dumplings is preparing to release their new album Jiný místo [Another place] in the Kabinet Múz. As a guest, Kittchen will appear.  more

The management of the Brno Philharmonic has announced a tender for orchestral practice in several instrument groups. The orchestral academy is prepared for the seasons 2020/2021 and 2021/2022, members of this academy will have the opportunity to perform in subscription chamber concerts of the Brno Philharmonic. The audition will take place in April 2020.  more

The acclaimed soprano Naděžda Kniplová died at the age of 87. Former soloist of the National Theatre and the State Opera in Prague, she also performed in the Brno Opera between 1959 and 1964.  more

The Ondráš Military Art Ensemble announces a selection procedure for the professional part of the ensemble, for the position of soloist in the music and singing group (violin) in the Orchestra of Folk Instruments.  more

In 2020, the Janáček Quartet launches a brand new cycle of chamber concerts, in which it also welcomes guests from the ranks of  chamber ensembles and soloists. Four concerts of this cycle are planned to take place in the newly reconstructed Janáček Hall of the Brno Conservatory. The opening concert of the cycle is dedicated to the founding member of the quartet Jiří Kratochvíl, who died on 3 January 2020.  more

The ballet ensemble of the National Theatre Brno celebrates 100 years since its foundation this season. On the occasion of this anniversary, the ensemble is preparing a gala concert at the Janáček Theatre, featuring dancers from major European ballet companies, as well as soloists of national theatres from Prague, Bratislava and Brno. Among the guest artists there are stars such as Diana Kosyreva, Natascha Mair, Philipp Stepin, Cesar Corrales and many others.  more