Brno Philharmonic has opened the season

20 September 2019, 15:00
Brno Philharmonic has opened the season

The Brno Philharmonic launched its 64th season yesterday, which is also the second season of its current Chief Conductor and Artistic Director Dennis Russell Davies. Beside him, the leading Russian pianist Elisabeth Leonskaja also stood on the stage of the Brno Stadium. Brahms' Symphony No. 1 in C minor, Bartók's Piano Concerto No. 3 in E major and the Czech premiere of the composition DA.MA.SHI.E by the Japanese composer Joe Hisaishi's, connected with animated films of director Hayao Miyazaki, were chosen for the ceremonial start.

Stacks of books have been written about the impact of Beethoven's music on Johannes Brahms' work, and especially on his Symphony No. 1 in C minor is seen by many as a direct continuation of Beethoven's musical ideal. Conductor and pianist Hans von Bülow even described the first Brahms' symphony as Beethoven's Tenth. Despite many melodic, tonal or tectonic similarities, the core of Brahms' work is different. Where Beethoven gives space to ecstatic exuberance of music, Brahms prefers lyrical and intimate positions. Where Beethoven roars in a heroic fortissimo, Brahms comes up with an almost melancholic confession in mezzo piano. Where Beethoven speaks to people, Brahms sings tenderly into Clara Schumann's ear. It is the task of a conductor to discover and interpret this unusual dichotomy to musicians and listeners. And this was no doubt fully achieved by Dennis Russell Davies.

filharmonie_brno_zahajeni_2019_2020_Foto_vojtech_kaba_01

The chief conductor of the Brno Philharmonic has a feeling for lyrical spots and is able to grasp them with such candid ease to even elegantly avoid the danger of a pathetic impression. Especially the strings, which were balanced expressively and transformed the conductor's intention perfectly into gentle warm music, deserve great praise. Only the solo, rendered by the concert master Pavel Walling could be questionable. The violinist used a powerful vibrato all the time – in other cases undoubtedly impressive. Here, however, it may have been too disturbing for that unpathetic and unstylized expression of the rest of the orchestra. Minor intonation and rhythmic difficulties also affected the flute solo, which, however, soon crystallized into a clear and flawless intonation.

filharmonie_brno_zahajeni_2019_2020_Foto_vojtech_kaba_03

Bartók's piano concerto introduced Elisabeth Leonskaja, a piano interpretation legend, which shone out immediately after her entry. With a light, almost jazz stroke, she accentuated the unusual colour combination of Bartók's music. Compared to most of Bartók's works, the Piano Concerto No. 3 is much more moderate, less dissonant and significantly more lyrical, yet it retains the typical features of Bartók's compositional personality. Elisabeth Leonskaja excelled in the breadth of the expression palette, with each new part given a slightly different tone than the previous one. Some sections really resembled the avant-garde connection of jazz (in the piano) and classical music. In Bartók's unusually meek work, these elements of musical modernity appear, but rendered by the Brno Philharmonic, they remained firmly woven into the musical tissue without unduly disturbing the foreground – which is another proof of Davies' sensitive handling of modern elements in music. As an encore, Elisabeth Leonskaja chose the second movement from Mozart's Piano Sonata No. 12 in F major, which she grasped with an almost Rubinsteinian rubato. In this unusually romantic interpretation, Mozart was not far away from Chopin.

filharmonie_brno_zahajeni_2019_2020_Foto_vojtech_kaba_04

The final composition  DA.MA.SHI.E by the Japanese composer Joe Hisaischi was of a completely different nature, therefore minimalist, striking, and bursting with wit, energy and joy. It was a welcome spice for the initially rather serious-toned evening. It is a pity that it was only an eight-minute piece. The resulting impression was positive, but unfortunately also dramaturgically unbalanced and did not quench the sudden thirst for modern music to which it appealed the listeners. The Brno Philharmonic boldly struggled with demanding polyrhythms, and the percussion section deserved great praise for holding up the rest of the orchestra. Music cuts between the percussion instruments and the string section at the end of the piece were particularly successful. A great end of the evening!

The Brno Philharmonic therefore started its 64th season successfully. The best is yet to come, but there is no denying that the musicians are doing greatly and that their collaboration with Chief Conductor Dennis Russell Davies is undoubtedly beneficial for them. Before the next half-jubilee season we may perhaps expect a ride full of great performances and remarkable dramaturgy.

JOHANNES BRAHMS

Symphony No. 1 in C minor Op. 68

BÉLA BARTÓK

Piano Concerto No. 3 in E major Sz. 119

JOE HISAISHI

  1. MA. SHI. E (Illusive Image)

Stadion (Babylon Cultural Centre)

Thursday, 19 September 2019

Photo by Votěch Kába

Comments

Reply

No comment added yet..

The municipal council of Velká nad Veličkou decided already in mid-April that this year's Horňácké Festivities (original name: Horňácké slavnosti) would not take place on the traditional dates around the feast of St. Mary Magdalene, and their scope, previously meant to be of three to five days, would also be modified. Obviously, it was impossible to foresee the development of lockdown measures towards the third week of July, but musicians from the Horňácko district tried to come up with at least a partial alternative solution in order to maintain continuity. Eventually, two concerts were officially held on two consecutive Saturdays:  On 18 July,  live broadcast of a public radio recording of Czech Radio Brno under the title Hrajte že ně, hrajte aneb Horňácké trochu jinak (Play for Me, or Horňácké Festivities in a Slightly Different Fashion) took place at the Culture House in Velká nad Veličkou. A week later, at a sports complex in Javorník, a traditional competition for "the biggest expert on Horňácko peasant songs" was held under the auspices of the Horňácko Dulcimer Band of Libor Sup. Needless to say, both events have found their spectators and listeners.  more

The Brno-based rock band Kulturní úderka (which translates loosely as "Culture Brigade"), led by singer and guitarist Štěpán Dokoupil, did not keep its fans waiting for too long this time. While there was a fifteen-year break between their first and second albums, the new album Black Metall was released less than two years after the previous album Sarajevská Katarzija (Sarajevo Catharsis). The name of the new album must be handled with care. Úderka has never had anything to do with black metal as a music genre. And once again, we are treated not to metal, but to relatively raw rock, which in some moments is pleasantly softened by the keyboard of Omer Blentič, or the trumpet of their guest artist Jan Kozelek.  more

Cultural life has endeavoured to move into a sterile and "life-safe" social networking environment in an unequal struggle against the viral phantasm and government lockdown regulations. In the darkest months, music institutions competed with one another in staging recordings of memorable concerts, and major opera houses broadcast to the world those of their performances that gained the most success from spectators.  more

Shortly before the outbreak of the coronavirus crisis, the Brno-based group Plum Dumplings released a new album. As opposed to their official debut L'épitaphe des papillons (The Epitome of Butterflies, 2014), sung in French, the band went for Czech lyrics this time. We are talking to the band's vocalist, who presents herself as Adéla Polka.  more

Oldřich Veselý, a Brno-based singer, composer and keyboard player, died in January 2018. In February 2019, the 10th Brno Beatfest, dedicated to his memory, took place in the Semilasso music hall. And a year later, a CD recording of this concert was released under the title Malý princ [The Little Prince], complemented by several bonus items.  more

On the twenty-fourth of May of this year, five days before her ninety-second birthday, Mrs. Anna Kománková passed away – and with her departed her particularly extensive songbook of ballads (not only) from the Javornicko and Horňácko districts, which she had always carried in her head. She was able to perform all the songs conserved in her memory in a distinctive and inimitable style. All her life she safeguarded the rare legacy of her ancestral heritage – all the more interestingly because she did not write down the hundreds of often complicated tunes and many dozens of verses and variants of ballads, but she knew them all by heart. Even after she reached the age of ninety, when she no longer enjoyed good health and did not perform in public, she remained in contact with the Javornický ženský sbor [Javorník Women's Choir], which she had revived and eventually led for many years. She never pushed herself forward anywhere, while at the same time she learned a lot from the skills of her ancestors: apart from singing (dozens of songs from the hymn-book  and hundreds of folklore songs) she was an excellent embroiderer: She sewed and embroidered with her own hands every part of the folk costume she wore.  more

The Brno Contemporary Orchestra, conducted by Pavel Šnajdr, concluded its ninth season with a concert called Con certo: With Certainty or with the Devil?, held in the hall of the Convent of the Merciful Brethren. The programme featured works by authors already established in the world of contemporary classical music: Alexej Fried, Olga Neuwirth and György Ligeti, whose violin concerto was performed by the violin virtuoso Milan Paľa.  more

When pronouncing the name Jiří ‘moravský’ Brabec (1955-2018) (the name is partly a pun referring to a typical Moravian dish called "moravský vrabec", which is pork roast with braised cabbage and  dumplings – translator's note), anyone, who until recently had any business concerning the Czech-Moravian folk and country scene, is reminded of the unmistakeable figure of a mighty man wearing a beard, with a strong voice and an inexhaustible source of information, and an enviable general knowledge of not only the above-mentioned music genre. We are speaking here about a complicated but deservedly respected personality who was able to surprise us with his knowledge in a number of disciplines, but also with his self-deprecating humour and unexpected physical dexterity. Unfortunately, for the last time he surprised people around him with his sudden departure, only a few days before his sixty-third birthday in June 2018, almost unnoticed by the public media, for which he had worked for so many years.  more

Electronic music, big beat and clubbing go together - but that’s only a small part of the truth. In fact electronic music was here long before clubbing, and thanks to enlightened teachers at JAMU it was doing very well indeed in Brno as early as the 1960s. That is, long before synthesizers and sequencers appeared on rock podiums, long before any old band had a computer, long before the first dance parties in glittering halls and dark cellars. Today electronic music is one of music’s most omnipresent genres: neither dance parties nor contemporary operas can do without it. Electronic big beat music has occupied reggae and swing, remixing is a daily affair, Brno artists have learned to sell instruments they built themselves to the whole world and to amplify an old knitting machine. As early as 1907 the composer Ferruccio Busoni dreamt of the future potential of electronic music, but not even his imagination and genius could have anticipated what Thaddeus Cahill’s first weird experiment with an immense electrical organ would lead to one day.  more

After Easter, an official statement that ruined every folklore lover's day appeared on social networks and in the media. The folklore festival in Strážnice will not take place this year. The reasons are well known to everyone. Yesterday, another wave of coronavirus lockdown easement began, and this was not the only reason why we talked to Martin Šimša, director of the National Institute of Folk Culture (NÚLK) in Strážnice. Well, is there really a reason for mourning? What can we look forward to in the immediate future? And when is the best time to visit the castle park and the open-air museum in Strážnice? These questions, and not only these, will be answered in the following interview.  more

Although cultural life has suffered significantly in the last two months, people's desire for an artistic experience has not faded. On the contrary – art and its role in our lives are perhaps needed even more than before. Hence, although concert halls are empty and listeners are forced to visit them only through recordings of their favourite concerts, a number of well-made music media  created (not only) in the beginning of the year helps to bridge over this unfortunate period.  more

”It’s a long journey to the West, / Pointless, fruitless is the longing,” began the first cowboy song recording issued by R. A. Dvorský’s publishing house in 1939. The theme and tone reflect the “tramping” movement, with its idealized vision of “America” and its unspoiled “nature”, which led Czechs to take to the woods, where they hiked, met round campfires and sang songs modelled on American folk songs and country music. So widespread was the tramping phenomenon that it made its way into popular music, where it long remained. Over time, the romance of the cowboy and the idea of a free life on the Great Plains found their way not only into songs sung by such late twenti- eth-century stars as Karel Gott, Helena Vondráčková and Waldemar Matuška but into social life itself: very few countries in Europe have such liberal laws when it comes to sleeping overnight, or even setting up camp, in the woods. In the past young people in Brno could choose whether to be “city slickers” hooked on discotheques or “wander- ers”, who would head for the main train station every Friday afternoon or Saturday and from there set out on the first train for wherever in the countryside it was heading to.  more

Bands that have been present on the scene for several decades have two options: Either they make a living from their own substance, and therefore from hits of the past. Or they are still trying to come up with something new, sometimes with the wishes of conservative fans in spite of it. The "Brno-based" group Poutníci (meaning Pilgrims in Czech), who are celebrating their 50th anniversary this year, are somewhere halfway in between. They still play Panenka [The Doll], which the audience demands, but fortunately they didn't get stuck and – maybe after a long time, but still – they come up with a new serial album, which should not pass unbeknown to the fans of Czech country and bluegrass.  more

The double album Hrubá Hudba, which was jointly created by producer Jiří Hradil (Lesní zvěř, Tata Bojs, Kafka Band and others) and the Horňácká muzika band of Petr Mička, is an extraordinary musical achievement that puts together genuine Horňácko singing (the CD Hlasy starého světa [Voices of the Old World]) and folklore shifted to modern musical expression (the CD Hrubá hudba [Rough Music]). In an extensive two-part interview, we talked to the two fathers of the project, Jiří Hradil and Petr Mička, about their long-term cooperation, their path to Hrubá Hudba and finally about the double album itself and the possible continuation of the project.  more

The Czech Radio Brno folklore section decided that it did not want to idle during the isolation that affected almost the entire world. In addition to "home" broadcasting taking place directly at editors' homes, it also announced a challenge. Listeners can now submit their music recordings to the radio editors; these recordings will eventually be broadcast on air.  more

Editorial

Mezzo-soprano Magdalena Kožená and her husband, conductor Sir Simon Rattle, will perform together in Brno for the first time as part of the Brno Music Marathon festival. A song recital of Kožená, arranged exclusively for this evening from compositions by Czech authors, will be accompanied by Simon Rattle on piano. The concert takes place in Villa Tugendhat, but it will also be available for viewing in the courtyard of the Governor's Palace (Místodržitelský palác), in the "Scalní letňák" cinema and in other selected cinemas.   more

Václav Věžník ranks among important personalities of Czech opera directing of the second half of the 20th century. During his artistic career of more than fifty years, he directed over 200 productions and almost half of them were created in Brno. Věžník acted as a director also on foreign stages. He celebrates 90 years today.  more

Májový Petrov ("May Petrov") is a charity concert held in support of the Masaryk Memorial Cancer Institute, which also wants to pay tribute to all health care professionals for their commitment during the Covid-19 pandemic. The concert was supposed to take place already in May this year, but due to lockdown security measures it will not be staged until September. Featured performers will be Andrea Tögel Kalivodová, a soloist at the Opera of the National Theatre in Prague, accompanied by the Virtuosi Brunenses musical ensemble from Brno and the Kantiléna children's choir.  more

Metro Music Bar will open its Metro Open Air stage in the middle of August. Hence, in response to government regulations, the club concerts will be moved outdoors. The former post office building, which faces the club directly across the street, features a large inner courtyard. This particular venue is where all the concerts will be taking place for two weeks, starting from mid-August. The first two days of the new outdoor programme will be dedicated to the Brno Music Marathon festival.  more

The last premiere of the ballet season will be a performance entitled Radio and Juliet written by Edward Clug, a renowned European choreographer. The ballet with the subtitle "What would happen if Julie decided not to die" is accompanied by music of the UK band Radiohead.  more

The Bartered Bride by Bedřich Smetana will have its 100th rerun as part of the National Theatre Brno's Summer Menu. Jitka Zerhauová, Jana Šrejma Kačírková, Jakub Tolaš as a guest and others will be starring in this Brno production directed by Ondřej Havelka.  more

The Ibérica Festival of Ibero-American Cultures is entering its 17th season on new dates. Due to the current pandemic situation, it will not take place until August. In addition to Brno and Prague, the festival will also visit the castles in Lysice and Čechy pod Kosířem. The talented flamenco dancer Mónica Iglesias will be featured this year. The Brno part of the festival will also host the guitar player Pavel Steidl.   more

The management of the Brno Philharmonic has announced a selection procedure for the position of Executive Editor, who will be supposed to start work from 1 November 2020.  more

The festival for the Jewish quarter of Boskovice will take place in a more intimate version with a limited number of visitors this year. The organisers invite you to a three-day festival to take place this August. The programme promises representation of the Czech-German jazz scene, blues, theatre performances, site-specific projects, readings and lectures.  more

Despite coronavirus measures, the 16th Znojmo Music Festival will take place unchanged and in full. During July, more than 25 music events will take place in Znojmo and its surroundings. The central theme is the blending of theatre and music. The subheading is "Music in theatre, theatre in music".   more