Interviews

Every year during Holy Week, the Easter Festival of Sacred Music prepares the Tenebrae - chants of lamentations and responsories performed in the dark on the eve of the feast. After ensemble performances of Zelenka's and Gesualdo's chants, Ensemble Versus have decided to present a choral repertoire of Czech origin for this year's edition. Another change is that the Tenebrae have moved from the church setting to Brno's three underground water reservoirs at Žlutý Kopec, which each evening will host three concerts lasting about forty minutes. Viewers can choose the hour that suits them best. This review looks at the first of the Tenebrae held on Holy Wednesday, 16 April, in reservoir no. 2.  more

Yesterday's opening concert of the 32nd Easter Festival of Sacred Music, held in the newly renovated Church of St. James, offered more than an hour of contemplation with the St. John Passion by the contemporary Estonian composer and this year's jubilarian, Arvo Pärt (*1935). The work was performed by the vocal ensemble Martinů Voices with artistic director Lukáš Vasilek, soloists Jiří Brückler, Ondřej Holub, Alena Hellerová, Jana Kuželová, Ondřej Benek and Martin Kalivoda, accompanied by a chamber ensemble: Daniela Valtová Kosinová (organ), Pavla Tesařová (violin), Lukáš Pospíšil (cello), Vladislav Borovka (oboe), Martin Petrák (bassoon).  more

The Ondráš Military Artistic Ensemble took a dance across the peaks and valleys of the Carpathian Arch in the première of their new show Through the Carpathians. The new show by the professional part of the ensemble took place on the stage of the Radost Theatre in Brno. And it was truly a joy to watch this new venture. It sees the ensemble leave the spectacular choreography behind for a while and return to its original folk roots without giving up on any of its own expressive style.  more

The spring concert by the Diversa Quartet offered works by purely Czech composers for the first time in a long time. The event, held on the evening of Monday, 7 April at the Villa Löw-Beer, was subtitled Tempus est iocundum after a love song from the Carmina Burana manuscript. It was the song's exuberance that inspired the dramaturgy of the concert, which was accompanied by an ensemble made up of Barbara Tolarová (1st violin), Jan Bělohlávek (2nd violin), David Křivský (viola) and Iva Wiesnerová (cello).  more

Another of the jazz evenings regularly organised by the Brno Philharmonic was dedicated to the duo Will Vinson (alto saxophone) and Aaron Parks (piano). These musicians have been working together in various formations for twenty years. So they decided that it was time to try the most intimate and, according to many, the most difficult - playing as a mere duo. These mid-generation jazz musicians performed a selection of classical jazz material as well as several of their own compositions on Monday 10 March at the Besední dům.  more

This year's first concert by the Brno Contemporary Orchestra from the Auscultation series was entitled Gastro (Cuisine), or Dinner for Magdalena Dobromila Rettig (1785-1845). On Sunday, 2 February, the orchestra performed two compositions, or rather performances and happenings by Ondřej Adámek (*1979), who also conducted the pieces, in the dining room of the Masaryk Student House. This was a fairly unusual situation for the audience, when conductor Pavel Šnajdr did not take his place at the head of the orchestra.  more

The fourth concert in the Brno Philharmonic's Philharmonic at Home subscription series, subtitled Metamorphoses and conducted by Dennis Russell Davies, was dedicated to works by Joseph Haydn, Antonín Rejcha and Richard Strauss. Pianist Ivan Ilić was originally scheduled to appear as soloist in Rejcha's Piano Concerto, but for health reasons he cancelled the concert. Jan Bartoš promptly took over, enabling the audience to hear the original programme on Thursday 30 January at the Besední dům.  more

The Brno Philharmonic's New Year's concert on 1 January at the Janáček Theatre is already a well-established tradition. This year was no exception, and the orchestra, led by conductor Michel Tabachnik, gave a performance consisting mainly of works by Johann Strauss the Younger. This was the Brno Philharmonic Orchestra's show opening the 'Strauss Year'. After all, 2025 is the 200th anniversary of the birth of the composer, dubbed the king of waltzes. Strauss's compositions were accompanied by works by Erich Wolfgang Korngold, Richard Strauss and Dimitri Shostakovich.  more

"Culture is a Bridge" was the theme of the second Czech-Austrian Partnership Concert, held on Friday, 20 December at Schloss Thalheim. It was the final evening of the 5th year of the pan-European project Czech Dreams 2024, and also part of the celebrations of the Year of Czech Music and the Concentus Moraviae international music festival. Culture is a bridge that connects not only different generations and social classes, but also entire nations. And the Czech Dreams project, which in 2024 alone presented music by Czech composers in 25 European cities in 17 different countries, is an eloquent example of this. In December alone, besides the final concert in Austria, six more concerts were performed in southern Europe, from Amarante in Portugal to Varaždin in Croatia. The concert was dedicated to the Lower Austrian Governor Erwin Pröll, who has long been committed to building and deepening relations between the Czech Republic and Austria.  more

Christmas in Brno also means the traditional pre-Christmas concert of the Brno Contemporary Orchestra (BCO), this time entitled From America to Tuřany. It took place on 18th December and after a one-year break it returned to the Sokol Hall in Tuřany. The BCO, conducted by Pavel Šnajdr, performed works by Mauricio Kagel, Steve Reich, Trevor Grahl and, as always, Miloslav Kabeláč. Appearing together with the orchestra were four singers, Aneta Podracká Bendová, Kornél Mikecz, Michal Kuča and Martin Kotulan. At the end of the first half, Pavel Šnajdr set aside his baton and clapped the beat, joined by Petr Hladík.  more

The now world-famous Swedish band Dirty Loops finished their autumn European tour on Saturday, 30 November at Brno's Metro Music Bar. The band featured on the programme of the seventeenth annual Groove Brno funk, soul and jazz festival. The virtuoso trio, consisting of Jonah Nilsson - vocals and keyboards, Henrik Linder - bass guitar and Aron Mellergård - drums, are famous for their flawless technical proficiency, sophisticated original compositions and cover versions of well-known numbers, especially pop songs. However, these songs are often reharmonised in their arrangements and the style is more a combination of disco, pop and jazz fusion. To avoid having to resort to using pre-recorded backing tracks, the trio was joined on tour by keyboardist and vocalist Kristian Kraftling.  more

Ensemble Opera Diversa put a distinctive "spin" on its last orchestral concert of the year. It took place on 26 November at the Alterna music club, which is more a rock, electronica and indie pop hangout than an artistic music venue. The pair of selected pieces consisting of Vojtěch Dlask's premièred work Querell Songs for soprano saxophone and strings and Miloslav Ištvan's Hard Blues for pop-baritone, soprano, reciter and chamber ensemble also reflected this. Naturally, it was Ištvan's Hard Blues that gave the evening its name - the clash of the artistic, composed and purposefully "artistic" world (not meant pejoratively) with authentic African-American musical expressions springing from the depths of the soul of a man tested by life formed as the centre of the evening. This was not merely a stylistic inspiration, but more thematic, which was also evident in the opening piece of the evening. This was the composition Querelle Songs, inspired by Jean Genet's novel, previously dedicated to Ensemble Opera Diversa, but this time in a new instrumentation.  more

Leoš Janáček's (1854-1928) Moravian national opera Jenůfa was brought to Brno for the Janáček Brno 2024 festival by the Moravian Theatre Olomouc in a co-production with the Janáček Opera NdB. Rather than using the Czech title Její pastorkyňa, the production team, headed by director Veronika Kos Loulová, decided to stage the work as Jenůfa, the name under which it is performed abroad. On Wednesday, 20 November, five days after its première in Olomouc, the audience at the Mahen Theatre could also see the latest domestic take on Janáček's most widely performed opera. The musical staging of the significantly modified original version from 1904 was the work of conductor Anna Novotná Pešková, and the main roles were played by Barbora Perná (Jenůfa), Eliška Gattringerová (Kostelnička), Josef Moravec (Laca Klemeň) and Roman Hasymau (Števa Buryja).  more

The office of Brno - UNESCO City of Music, with the financial support of the South Moravian Region, presents a line-up of active folklore groups (ensembles, chasers, musics) in the Brno region as part of the Year of Folklore Ensembles.  more

Trumpeter Jiří Kotača founded the big band Cotatcha Orchestra ten years ago. Nowadays, he performs a variety of programmes ranging from the most traditional jazz to a visionary fusion of jazz and electronica. We chatted with Jiří Kotača about how the orchestra has gradually developed, how the original repertoire is blurring the boundaries between jazz and electronica, and also about what fans can expect from the November concert to celebrate the orchestra's 10th anniversary. We also talk about Kotača's International Quartet, as well as how the trumpet and flugelhorn can be enriched with effects.  more