The Špilberk Festival Closed with Dignity with the Dialogue of Dan Bárta with a Jazz Trio and the Brno Philharmonic Orchestra

29 August 2016, 16:00
The Špilberk Festival Closed with Dignity with the Dialogue of Dan Bárta with a Jazz Trio and the Brno Philharmonic Orchestra

Saturday night completed the 17th Špilberk International Music Festival with an original attempt at a dialogue between the jazz band Robert Balzar Trio with the exceptionally talented singer Dan Bárta and symphonists of the Brno Philharmonic Orchestra. The final, fifth concert of the festival in the crowded courtyard of the Brno castle provided a dignified end to the August series of musical evenings with live and recorded music, offering a varied mix of different musical genres.

For the Brno Philharmonic Orchestra, the farewell to the festival was also the first post-summer meeting on the threshold of the 61st concert season and an invitation to visit graduation concerts of the Jazz et World Music series, the dramaturgy of which is prepared by Vilém Spilka. This year, some of the performers, who the audience can look forward to, include the jazz pianist Justin Kauflin, Flamenco Experience Sextet, African multi-genre balafonist Aly Keita and joint performances of the trio of Martin Brunner with the Epoque Quartet.

Saturday's dialogue of the massive classical concert ensemble with the subtle jazz trio supported by the distinctive singer promised a trip through uncharted terrain of a genre-vague merger; the result was mainly anchored in the conceptually challenging pop and the offered layering of the follow-up monologues of both ensembles and more or less sophisticated attempts at a more difficult dialogue. Fans of the jazzrock ensemble of the RB Trio and Dan Bárta left more satisfied, as the ensemble dominated the first half of the concert – the many-headed musical ensemble of the Philharmonic Orchestra mostly turned into an extra one hundred members of the audience.

In addition to his own project entitled Illustratosphere and concerts during the JazzFest Brno, mainly with the Robert Balzar Trio, the charismatic Dan Bárta, a performer well known for the Brno audience, does not avoid challenging experiments. For Saturday's concert in Brno, he chose material from the six-year-old joint project They-or-Ies with original adaptations of world pop music hits that pianist Jiří Levíček and double bass player Robert Balzar also arranged for a symphony orchestra of the size of the Brno Philharmonic Orchestra. The deep interdependence of this three-member jazz group with the Brno musical environment is interesting for the Brno audience: pianist and composer Jiří Levíček was born in Brno and studied piano at JAMU (where he also teaches today at the Department of Jazz Interpretation) and has long been cooperating with a number of Brno jazz musicians; the connection of drummer Kamil Slezák with Brno dates back to 2001, when he became a member of the Gustav Brom Orchestra, and he was working at JAMU as a teacher for ten years, simultaneously at the Department of Percussion Instruments and at the Department of Jazz Interpretation, and is a member of the folk-rock band Druhá tráva. Robert Balzar, the leader of the ensemble and the fateful companion of Dan Bárta, is a worthy successor to the Brno double bass school: he graduated from the Brno Conservatory with the class of Alois Kříž and Karel Kopřiva. He founded the jazz trio under his own name in 1996 and his multilateral cooperation with Dan Bárta began two years later: first in the respected funk band J.A.R., then in its dance counterpart called Sexy Dancers. In 2000, he founded the Illustratosphere project on the border between jazz and cultivated pop together with Bárta (Bárta dominating as the author); a year earlier, Bárta worked with the RB Trio (which remains the authorship mirror of Robert Balzar).

Saturday's concert in the courtyard of Špilberk Castle was the premiere of a series planned directly to the order of the Brno Philharmonic Orchestra and also the first step towards cooperation that had been under consideration for a long time. The time for rehearsal (especially in the coordination of both ensembles under the baton of another JAMU graduate Ondrej Olos) was relatively short which was evident in several cases; however, the potential of the joint performance is undeniable. Despite the initial rhythmic uncertainty in the first half of the concert, this was demonstrated by the "iconic" Brother Wolf, Sister Moon, the revived Mayday from Bárta’s ancient times and a memory of the Weather Report and Joe Zawinul at the beginning of the second part of the concert. The second half indeed brought satisfaction to the pronounced supporters of the Brno Philharmonic Orchestra, for whom the independent trips to the world of pop through the slightly jazzed Levíček's and Balzar's arrangements with rather loose solo piano and double bass passages were harder to digest (Too Young to Die by Jamiroquai, No Quarter by the iconic Led Zeppelin). Even the excellent sound, which allowed for the resulting "equalisation" of the sound of the three-member chamber band with the multi-member Philharmonic Orchestra so that none of the momentary soloists, detailed ostinato sections in orchestral sequences or the singer's voice fade, contributed to the great readability of the musical arrangements (and in some areas, of course, to revealing the not yet quite perfect harmony).

The advantages of the artistic project of a joint concert excelled mainly after the break, when two musical peaks came: the song Isobel made famous in the interpretation of Icelandic singer Björk Guðmundsdóttir and the eighty-year-old film soundtrack Smile composed by Charlie Chaplin for the film Modern Times (Dan Bárta signs the lyrics of Turner and Parsons additionally written for Nat King Cole). Both musical numbers outlined a possible path of joint concerts of the RB Trio with the Philharmonic Orchestra with the equal use of both components, accompanied by an excellent singer and a harmonic arrangement for both ensembles. Stmívání with the well-chosen dominant ostinato of the Philharmonic brass section was also interesting. Conversely, the problematic nature of the jazz syncopation for the musical feeling of symphony musicians is traditional and requires targeted training and long-term rehearsals, otherwise the result is unorganised and spilled (Duha). The degree of the signer's empathy was most apparent in songs of female authors-performers Björk and Joni Mitchell where he richly utilised his vocal and expressive potential.

The final song Last Chance Lost with a jazz feeling from the album Turbulent Indigo by the Canadian songwriter Joni Mitchell gave the audience the opportunity to enjoy the quality of both ensembles and a pleasant climax of the concert without having fulfilled its sceptical name (Last Chance Lost) - on the contrary: the outlined potential of the cooperation of the Brno Philharmonic Orchestra with the top level jazz Robert Balzar Trio and the high-quality creative signer Dan Bárta is apparent, it only needs to be polished.

Photo by Jiří Jelínek

Comments

Reply

No comment added yet..


Connection, unity, contemplation - these words can be used to describe the musical evening of Schola Gregoriana Pragensis under the direction of David Eben and organist Tomáš Thon, which took place yesterday as part of the Easter Festival of Sacred Music at the church of St. Thomas. Not only the singing of a Gregorian chant, but also the works of composer Petr Eben (1929-2007) enlivened the church space with sound and colour for an hour.  more

With a concert called Ensemble Inégal: Yesterday at the church of St. John, Zelenka opened the 31st edition of the Easter Festival of Sacred Music, this time with the suffix Terroir. This slightly mysterious word, which is popularly used in connection with wine, comes from the Latin word for land or soil, and carries the sum of all the influences, especially the natural conditions of a particular location and on the plants grown there. This term is thus metonymically transferred to the programme of this year's VFDH, as it consists exclusively of works by Czech authors, thus complementing the ongoing Year of Czech Musicmore

For the fourth subscription concert of the Philharmonic at Home serieswhich took place on 14 March at the Besední dům and was entitled Mozartiana, the Brno Philharmonic, this time under the direction of Czech-Japanese conductor Chuhei Iwasaki, chose four works from the 18th to 20th centuries. These works are dramaturgically linked either directly through their creation in the Classical period or by inspiration from musical practices typical of that period. The first half of the concert featured Martina Venc Matušínská with a solo flute.  more

The second stop on the short Neues Klavier Trio Dresden's Czech-German tour was at the concert hall of the Janáček Academy of Music on 6 March at 16:00. A programme consisting of world premières by two Czech and two German composers was performed in four cities (Prague, Brno, Leipzig and Dresden).  more

The last opera première of the National Theatre Brno this year was Hurvínek Sells the Bride, which was co-produced with the Spejbl and Hurvínek Theatre. The première continued the thematic focus associated with the Year of Czech Music and took place on 24 November in the large hall of the Reduta Theatre.  more

With Thursday's concert entitled Bruckneriana, the Brno Philharmonic under the direction of Principal Conductor Dennis Russell Davies launched the subscription series Philharmonia in the Theatre I. The orchestra performed works by Anton Bruckner and Stanislaw Skrowaczewski, a Polish-American conductor and composer who devoted his life's work to Bruckner. Performers wearing crimson sashes with the inscription "Playing forte!” appeared in front of the audience, joining the "Let's not let culture die” initiative, which draws attention to the underfunding of culture and opposes the government's plan to invest just 0.64% of the state budget into culture next year, moving further and further away from its promise to spend at least 1%.  more

The Brno Philharmonic Orchestra has been running the Orchestral Academy of the Brno Philharmonic (OAFB) project for nine seasons, enabling young talented musicians to gain orchestral experience in a professional ensemble. In this manner, the orchestra educates the next generation of musicians, both permanent and external. However, working here also gives young people the opportunity to show their skills in chamber music and in a concert series called Young Blood aka Music Up Close. The first seasonal concert took place on Wednesday 15 November at Besední dom.  more

Baladas da Luta, Fighting Ballads, is the title of the sixth album by Brazilian singer Mariana Da Cruz and her Swiss-Brazilian band Da Cruz. It is a combination of modern music that combines Latin American tradition and contemporary electronic elements with strong lyrics. In them, the author fights for women’s rights, stands up against dictatorships and specifically criticizes the atmosphere that has evolved in Brazil under the now former authoritarian President Bolsonaro. Da Cruz performed at Brasil Fest Brno in August 2023. We revisit this festival with an interview conducted following their concert at Zelný trh. Singer Mariana Da Cruz and keyboard player and producer Ane Hebeisn, performing as Ane H, responded to our questions.  more

The programme for Janáček Brno 2024, an international opera and music festival now in its 9th year, was unveiled at a concert held to mark this occasion entitled Janáček to the start! On Saturday, 4 November, the Mahen Theatre was filled not only with devoted fans of the festival, but also with foreign journalists, politicians and prominent figures from the world of culture. In addition to a collection of wonderful musical performances, the audience was also treated to a lineup of renowned artists – Kateřina Kněžíková (soprano), Václava Krejčí Housková (mezzo-soprano), Josef Špaček (violin) and, last but not least, Robert Kružík, who took on the role of both conductor leading the Orchestra of the Janáček Opera at the National Theatre Brno during the evening and also performing as a cellist.  more

The musical comedy The Addams Family is the latest production to hit the stage of the Music Theatre of Brno City Theatre. Audiences are in for an ironic, slightly morbid and enticingly horrific spectacle for the whole family. A musical production has been crafted here which serves up a famous contemporary pop culture phenomenon, as well as a generous helping of hyperbole and catchy melodies to boot. And testament to the audience’s hunger for this wacky family is the fact that all thirty performances are already nearly sold out…  more

The Ensemble Versus choir, accompanied by the Ensemble Opera Diversa under the baton of Gabriela Tardonová, demonstrated what a combination of historical and modern instruments sounds like within a contemporary musical context in the Red Church. The dramaturgical line of Tuesday evening was presented in the spirit of a combination of the works of Carlo Gesualdo da Venosa (1566-1613) and the world premiere of Exsultet by the principal composer Ondřej Kyas (*1979), which also includes parts written for cornett (Radovan Vašina), dulcian (Jan Klimeš), trombone (Pavel Novotný) and theorbo (Marek Kubát).  more

The second New World of Moravian Autumn festival began on Thursday in Brno’s Besední dům. This project, by students of the Faculty of Music at the Janáček Academy of Performing Arts, was primarily originally created for the practical musical programming course and intended to be a one-off event during the Moravian Autumn the year before last. Subsequently, however, more students signed up and started working on a repeat festival. The dramaturgy for New World 2023 was handled by percussionists Adéla Spurná and David Paša, bassoonists Aneta Kubů and Josef Paik, and multimedia composer Martin Janda. Three concerts were prepared for 19, 20 and 21 October for this mini festival.  more

The Restlessness of Icelandic Peace was the name of a concert on 15 October at the Cathedral of Saints Peter and Paul in Brno, at which conductor Chuhei Iwasaki with the Moravia Brass Band and American artist Adam Wiltzie performed a work by Icelandic composer Jóhann Jóhannsson (1969-2018). Many of you may know his music from the award-winning films The Theory of Everything and Arrivalmore

The third concert of the Moravian Autumn Festival, held under the auspices of the Ambassadors of Latvia and Lithuania, Elita Kuzma and Laimonas Talat-Kelpša, presented mostly contemporary works by foreign composers on Wednesday 4 October at the Besední dům. The show was directed by the Kremerata Baltica string orchestra, who invited the young talented pianist Onutė Gražinytė to join them, and the whole evening primarily rode on a wave of minimalism. However, during the preparation of the concert, the programme was changed and instead of Geörgy Ligeti's String Quartet No.1 "Métamorphoses nocturnes", works by Jēkabs Jančevskis and Olli Mustonen were performed in their place.  more

The Ensemble Opera Diversa has already presented several compositions by David Matthews (*1943) to Brno audiences, and in most cases these were Czech or even world premieres. This year Matthews’ 80th birthday was celebrated with a performance by the above-mentioned ensemble, or rather its chamber branch Diversa Quartet, headed by dramaturge Jiří Čevela, with a concert on 20 September at the Villa Löw-Beer. The programme, consisting of works by composers closely associated with David Matthews himself, including his own compositions, was preceded by an hour-long discussion in the presence of the composer. Matthews is a British-born composer with long-standing ties to the Brno circle of composers and musicologists. In addition to his participation in the so-called "apartment seminars" in the 1980s, he also is friends with several personalities such as composer, pedagogue and oboist Pavel Zemek Novák (*1957).  more

Editorial

Terroir, a term used especially in the wine industry, is the subheading of this year's 31st annual Easter Festival of Sacred Music. It refers to the set of natural conditions, especially soil properties, which give a crop its distinctive character. Terroir perfectly describes the dramaturgy of this year's edition, which is focused exclusively on the work of domestic composers in the Year of Czech Music.  more

The Brno Culture Newsletter brings you an overview of what is happening in theatres, clubs, festivals and cultural events in Brno.  more

The Musica Florea ensemble is preparing a new concert programme to be performed for the first time this April. This year marks the 170th anniversary of Leoš Janáček's birth, and to mark the occasion the ensemble has taken up his earliest compositions to set them alongside works from the early Italian Baroque. Musica Florea will be performing with conductor Mark Štryncl. The soloists will be Barbora Kabátková, Stanislava Mihalcová, Daniela Čermáková, Hasan El Dunia and Jaromír Nosek.  more

Easter concerts are already a tradition at the Brno City Theatre. This Easter, the Rock Mass will be performed on Friday and Saturday at the Music Stage of the Brno City Theatre.  more

The ProART art group is celebrating 20 years of its activity. In addition to the celebrations, the Year of Czech Music also commemorates the anniversary of the composer Bedřich Smetana and the Czechoslovak choreographer Luboš Ogoun. These anniversaries will be combined into one production, DREAMS OF CONSCIOUSNESS.  more

Tenebrae, has long been one of the most impressive parts of the Easter Festival of Sacred Music. They are held from Wednesday to Good Friday, always from 9 pm at the Jesuits'. This year, the darkened church, in which candles are burning, will be unusually filled with music commissioned by the festival.  more

The festival enters its 17th year with a series of concerts that will fill not only the South Moravian metropolis with funky music, but also Prague as part of the "travelling" concerts. The year-long festival programme is starting to take off and the organisers are adding two more names. The previously announced French band Electro Deluxe is now joined by Fun Lovin' Criminals and the most prominent jazz-funk formation from Iceland - Mezzoforte.  more

The concert entitled "In between genres" is the culmination of a three-day event celebrating 100 years of radio broadcasting in Moravia. The whole event includes genre-free concerts, a showcase of new music recordings from radio production and a colloquium dealing with folk songs in radio broadcasting, and last but not least, a commemoration of editor Jaromír Nečas and his radio venture - a series of programmes called The Colourful Singing World. The final concert is moderated by Břetislav Rychlík and Jiří Plocek.  more

Mahan Esfahani, an absolute world leader in harpsichord playing, is coming to Brno. He was the first and only harpsichordist in the world to win the BBC's New Generation Artist in 2008-2010 and has won countless prestigious music awards. He will perform with the Brno Philharmonic Orchestra in a programme entitled Mahan Esfahani: harpsichord in the main role.  more

Years of international cooperation between the cities of Brno and Stuttgart will culminate in one musical event - a joint concert in the Hall of the Brothers of Charity. Rossini's Petite Messe Solennelle will be performed by the Ökumenischer Choir.  more